Tourist

Love Saves the Day Review 2015

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The Bristolian two day event kicked off to a sunny start, bringing in flocks of hipsters from far and wide to Eastville Park. Saturday was a sell-out with queues of up to two hours to get into the festival site and huge lines for both the bar and toilets too. Despite the lack of amenities the curation of the festival was really well done, with all tents hosting an array of sounds for all tastes. With lots of Bristol performers, caterers and exhibitors, Love Saves the day 2015 definitely seemed a joyous celebration of the cool and diverse city.

Established as one of the best and biggest selling electronic acts, Groove Armada was one of the most legendary names to perform at Love Saves the Day this year. The relaxed and chilled vibes of daytime main stage instantly filled into a crowd of avid fans eagerly awaiting the electronic music duo. At the first kick drum the crowd went wild, kicking off the party atmosphere at main stage. Playing samples of 'I see you baby' the duo quickly move on delivering to a sea of raised arms and shoulder riders. Towards the end, the crowds attention began to slant just before teasing us with the legendary party anthem 'Superstylin' then kicking into it in full at the end just in time for sunset.

Cloud 9 presented by Apex proved to be tent for the party atmosphere hosting the likes of Tourist and Gorgon City. Tourist- a Grammy winning artist is certainly grabbing the musics lovers attention and 2015 has been a good year for him. As well as an excellent musician, he proved himself as a phenomenal DJ for Saturday Love Saves the Day. At no point did the crowds attention seem to stray. Gorgon City also provided a high finish to a night for the house/ garage fans.

The London singer/songwriter Jessie Ware, turned out to be a wonderful wind down a predominantly DJ and dance night. With some technical difficulties at the beginning Jessie Ware smoothly brushes it over by greeting the crowd. Her soulful and flawless voice eased us into sways of utter blissful happiness. Right before the end of the set Ware announces to 'slow dance with person you are standing next to' to which we complied singing the heart stopping 'Wildest Moments'. With the stage lights now turned off and heading back through the cold, the atmosphere of sheer satisfaction was upon the crowds face as you could hear passers-by singing Jessie Ware lyrics.

Saturday’s sunshine and atmosphere was the perfect way to really kick off the festival season and although the prior weather reports suggested otherwise, Sunday’s proceedings started in much the same way. Again, queues for the bars and toilets were a slight annoyance, even though tickets were still available on the door but it was nowhere near as bad as the first day. Perhaps the fewer people seeing the entire festival through were really making the most of the penultimate bank holiday before Christmas!

Giant illuminated signs outside the festival gates informed Sunday’s crowd that it was ‘party time’, and if any of the stages at Love Saves the Day lived up to this promise, it was the ‘Shambarber’ stage. Tucked away in the corner of the site, sheltered from the wind by the Paradiso tent and a slightly quieter bar ;) – this place was alive with festival spirit. It was a suntrap, with Dirtytalk and Jethro Binns providing the perfect accompaniment of feel-good house tunes making it really difficult to leave.

After a day outside, it was time to get some shade inside the paradise stage – one of the festival’s two larger tents. Floating Points’ stepped out, accompanied by a familiar face in Kieran Hebden (Four Tet), who must have been getting into the zone for his set later in the night. Floating Points’ impressed with yet another feel-good festival set – something he can be relied on. Whilst scatterings of electro-funk and disco took the premise, it was his own record ‘Nuits Sonores’ which really stood out as being something special.

After this a set by Daniel Avery which was again a lot of fun (although a little tamer than the last time I saw him at Manchester’s Soup Kitchen) it was the turn of Four Tet to take to the stage once again. Four Tet is an artist in the true sense of the word and once again he sculpted the perfect set to close the festival for the Paridiso tent’s crowd. He threw out tunes from every corner of the world, with samplings of African music seamlessly transitioned into deep electronic soundscapes. He treated our ears to some of his own tracks, with the reaction of the crowd to the haunting ‘Angel Echoes’ standing out as a highlight to the whole festival.

The time had come to get ready to round off a really memorable weekend and it was down to Harlem’s own Azealia Banks to close it out in style. Whilst Miss Bank$ has been known for a number of high profile arguments with other certain celebrities in the past, at love saves the day she let her music (and dancing) do the talking. Donning her sparkly purple jacket and white high tops and joined by her backing dancers, she covered and owned every inch of the stage. Singing and rapping along to songs which ducked and dived between hip-hop and popular dance in style, she brought her A-game from in the opening song of ‘Idle Delilah’, continuing to impress through to her arguably most famous track in ‘212’. There was no grand exit from Azealia – a simple ‘Thank you Bristol’ and she was gone.  

Chemical Brothers to headline Sonar 2015 shows

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Sónar 2015 announces its first names for Sónar Barcelona. The first artist announcement includes classic and revered names of electronic music and benchmarks for a new generation, together with new producers and bands outlining the future direction of electronica.
 
The Chemical Brothers (UK)
Autechre (UK)
Kindness (UK)
Evian Christ (UK)
Fat Freddy's Drop (NZ)
Daniel Avery (UK)
Ten Walls (LT)
Lee Gamble (UK)
Sophie (UK)
Holly Herndon (US)
PXXR GVNG (ES)
Kiasmos (IS)
Kate Tempest (UK)
Tourist (UK)
Vessel (UK)
Niño (ES)
Mans O (ES)
Helena Hauff (DE)
and many more to be confirmed…
 
Tom Rowlands of The Chemical Brothers, speaks for the first time exclusively for Sónar
 
Tom Rowlands of The Chemical Brothers, speaks for the first time exclusively for Sónar to provide the first details about the new show and new studio album in 2015:
 
“We're very excited to return to Sónar, one of the best crowds, in one of the greatest cities. We are still imagining the gig, both music and visual. We are working on the staging of the live gig at the moment. Adam (Smith) has some amazing ideas. The show will be an intense ride, hold tight. (About the new album) I guess the most important feature of the album is that it connects with us emotionally in some way. We hope for finding a new way to make you feel. We dream of new sounds and different frames. We have worked with some guest singers but mostly the album is pure Chemical Brothers.”
 
Keystones of electronica
 
For the past twenty years, The Chemical Brothers have redefined the idea of live electronic music. In that time, their live show has evolved from humble beginnings in dank London nightclubs into one of the most in demand festival headline sets in the world. All the while, it has adhered to the same basic idea: that the gig should create its own transcendent audio/visual space where the audience can lose themselves for the duration of the set. The Chemical Brothers on going relationship with director and visual artist Adam Smith continues to produce hallucinogenic results across the globe (as seen in 2012’s collaborative concert film Don’t Think). The band are due to release their eighth studio album in 2015. 
 
 
Autechre are one of the most admired and respected duos in abstract and experimental electronica. The importance of the music and sound imagined by Rob Brown and Sean Booth cannot be underestimated. They have played an integral role in the development of abstract techno and IDM (intelligent dance music) over the past 25 years. One of their tracks "Flutter", is considered by critics as a historical zenith of IDM, and albums like "Incunabula", "Amber", "TriRepetae" or the more recent "Oversteps" and "EXAI" are all masterpieces of sonic deconstruction. Their live performances are rare and very exclusive, and in 2015 they will perform at Sónar by Day, nearly two decades after their first and only appearance at the festival in 1996.
 
New benchmarks
 
As always, the Sónar line-up is dominated by the huge presence of new producers and bands noted for their powerful artistic profile and sound that in many cases outline the future direction of electronica and cutting edge music.
 
This is certainly the case for Vessel and Evian Christ, two very young British producers with a distinct and identifiable sound based on techno, who are exploring more complex sonic territories in immersive shows with a potent sensorial impact; Lee Gamble, the respected and experienced aural adventurer will present his new live audiovisual concept in collaboration with the London designer Dave Gaskarth.
 
Sónar also recognises new dynamic female talent such as American songwriter Holly Herndon, creator of dystopian sound worlds with futuristic auditory aesthetics; and KateTempest, poet, performer and British playwright -winner of the Ted Hughes Award in 2013- who will present her first album "Everybody Down" on hip-hop label Big Dada; or German dj Helena Hauff, faithful disciple to the continuation of the most resonant techno and electro from her home base in Hamburg.
 
The festival will also host exciting dance music projects from:Kiasmos, whose emotive and dance friendly techno is produced by prodigious Icelandic pianist Ólafur Arnalds, together with Janus Rasmussen; electropop quartet Bloodgroup; and the luminescent and penetrating melodies of Lithuanians Ten Walls, whose career has just taken off. You will also be able to enjoy prestigious young DJs likeDaniel Avery, mentored by Erol Alkan and hailed by critics as the British Isles new master of tech-house; and producers like Sophie, creator of colourful melodies and contemporary rhythms, in keeping with the new PC Music trend, who recently collaborated with Madonna, Nicki Minaj and Diplo.
 
There will of course be room reserved for pop and other styles including celebrated New Zealand band Fat Freddy's Drop, who return to Sónar with their fantastic live show where they will intelligently mix dub, reggae and soul, with techno and house. Also appearing from the UK will be Tourist and Kindness, two key names in today’s synth pop sound, both of whom have newly released material. Tourist will present a tantalizing live audiovisual show where the piano takes centre stage, while Kindness will present a liberating and highly emotive concert experience.

Everywhere Festival 2014 Review

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Like Christmas for electronic music lovers, dollop's sold-out Everywhere Festival returned for its biggest Nottingham event, offering an eclectic range of 53 acts across six city venues.

Tourist's blend of building house beats on Together and the added soulful vocals of Lianne La Havas on Patterns drew a large crowd to Stealth early on. Later, Jamie xx-like percussion is added to the pitch-shifted vocals of Haim's The Wire.

Over in the Rescue Rooms, an increasing crowd awaits hotly-tipped producer Lxury. Playing Disclosure co-produced, J.A.W.S, the punchy synths and house beats flow before The Mechanism – Disclosure's house collaboration with Friend Within.

It's not all just bass and flashing lights, as the upstairs Red Room holds a secret cinema showing classic cult films.

Meanwhile in Stealth, American future-R&B singer, Kelela, who later joins Hudson Mohawke onstage during his set, showcases her effortless vocals which skitter over forward-thinking bassy trap beats in Bank Head and Enemy. Dressed in a black jumpsuit,she glides across the front of the stage during Floor Show and Go All Night before appreciatively thanking the crowd and ending with blog-favorite track, Cut For Me.

Back in Rescue Rooms, chilled electronica comes in the form of Bondax-esque duo, Snakehips, who impress early on with an edit of Amerie's, 2005 hit, One Thing before their own funky production, On My Own. Eponymous visuals flash throughout their breezy remix of The Weeknd's Wanderlust before the energetic trap beats of Make It.

Over in Rock City, the Skreamizm party is in full swing, with Artwork and Skream, respectively dropping techno and house tracks including a remix of Crystal Waters' classic Gypsy Woman before Skream follows with a remix of Fatboy Slim's Song For Shelter.

Meanwhile, Birmingham producer Hannah Wants bought her bassy house tracks, like, Dappy and Rudeboy, to a full Walkabout crowd.

House legend Mark Kinchen consistently impresses with a two-hour set of back-to-back remixes. He opens strongly by playing his remix of My Head Is A Jungle which is later followed by his edit of Rudimental's, Powerless, with Becky Hills' vocals tweaked to fit the house beat. Remixes of Paloma Faith and Duke Dumont follow suit, before Aluna Francis' vocals on White Noise are mixed seemlessly into his number one hit, Look Right Through.

Paul Woolford closes Rock City, taking the packed crowd on a journey of techno and piano-house, including late 5am highlight, Erotic Discourse.

With London counterpart, Elsewhere Festival, also held over the weekend, dollop's parties are continuing to attract the biggest names in the world of electronic music.

A series of ten events marking dollop's tenth birthday are currently taking place.

As seen originally online on the Nottingham Post website:
http://www.nottinghampost.com/Review-Festival-Rock-City-Rescue-Rooms-Stealth/story-21059001-detail/story.html

Live At Leeds Festival Review

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The first event on the festival calendar saw a multitude of British and international bands and artists descend to a number of venues across a sunny Leeds on Saturday, with an expansion of sounds fitting the bill – from chart topping electronic with strings quartet, Clean Bandit to two-man rock duo, Royal Blood, both drawing massive crowds.

“Aren't there a lot of bands that sound like the toilet music”, says a man commenting on Nation of Shopkeepers choice of bathroom music, saying “I’m into my experimental electronic music but this just sounds like Fuck Buttons”.

Three-piece ‘NME Radar’ guitar band, Blaenavon, drew an unexpectedly busy crowd to cool bar-come-gig-venue, Nation of Shopkeepers, with an early 1pm set. Performing tracks from their Koso E.P, the young and impressive trio sound like a mix of Maccabees-esque gliding riffs in Prague, which are contrasted with the emotive Wu Lyf-like atmosphere in tracks, Gods, and Wunderkind. With just a handful of songs under their belt, an album is surely in the pipeline for the talented Hampshire trio.

Swiftly pacing across the city to catch Wet’s debut visit to the UK at cool underground venue, The Hifi Club, the Brooklyn trio supply futuristic dream-pop for the Soundcloud and Apple Mac generation. Performing the entirety of their debut Dreams E.P, they mix the electronic synths of Chvrches with the chilled out melancholic storytelling of The XX. Set opener, "Don’t Wanna Be Your Girl" and new track "Bad Idea" showcase singer, Kelly Zutrau’s effortless crystal vocals before she explains to the music-savvy crowd: “This is out first time in Leeds and in the UK – we’re having a lot of fun." Dreams and No Lie, also of the E.P, create a swaying, breezy fantasy atmosphere before penultimate single, You’re The Best, which is currently receiving daytime support on Radio One from Fearne Cotton and Zane Lowe. With added house synths, it receives an impressive reaction with most of the crowd singing along – it’s sure to be a future hit, especially with the major label bidding war which is currently engulfing Wet’s futuristic R&B productions.

Next up, London based Gengahr performed to a busy crowd at the Belgrave Centre. With pitch-shifted vocals sounding similar to Unknown Mortal Orchestra, this is one of their first live shows. Summery foot-tapper, She's A Witch is a perfect indie track which sees the floppy haired young singer bop on the spot. Huw Stephens supported single, Fill My Gums With Blood, sounds sweet and soft despite the grizzly connotations of the tracks title. Clocking in at just 20 minutes, it’s a short-but-sweet set of endearing and exciting tracks – hopefully we’ll hear more from Gengahr in time for the summer.

SFG take an hour break to recharge batteries (physical and phones) before arriving back at the Hifi club to see electronic producer, Tourist who has recently toured with Disclosure play a late afternoon set. His blend of chill-wave house and electronica translates well to a packed, mixed-age crowd. William Philips aka Tourist introduces himself, saying: "I'm Tourist, I haven’t been here for a while, and it’s nice to be back”, before building electronic synths silence whispered murmurs in the crowd. Opening with Lies, a crowd pleasing remix of popular Glasgow synth-poppers, Chvrches, it’s a clever start. It could be expected that Tourist’s house beats and bass popping grooves are more night time friendly but the crowd still seem to still love it. Meanwhile, William energetically bops around behind his synth touch-pad and laptop. Later, I Can't Keep Up and Together from the new Patterns E.P bring him the biggest crowd of the day so far, with people still piling in during the last song. The penultimate track, a remix of Haim’s, The Wire, which featured on the LA sisters deluxe album ignites a carnival like energy with Jamie XX-like percussion beats soaring through the room before final E.P title track, Patterns ends the impressive set. With impressive sets like this one, Tourist’s atmospheric, forward-thinking sound will sit perfectly at outdoor festivals this summer. Make sure to catch him at one.

Darlia, who perform to a busy Cockpit crowd at the other end of the city, are three young lads from Blackpool making Nirvana influenced 90’s rock revival – lead singer Nathan Day, even looks like Kurt Cobain. Pronounced by Radio 1’s Playlist boss Nigel Harding, as “the most exciting new guitar band in the UK”, it’s difficult to argue against the statement. Playing a 30-minute set of heavy guitars and drums, they sound a lot heavier live than on record. Animal Kingdom and the infectious Queen of Hearts, the latter harkening to the sound of Smells Like Teen Spirit. Later, the audience revel in joining in for the chorus of current single Candyman, which translates far rawer, grittier and scuzzier in a live environment. The sweaty and loud, Cockpit is the perfect venue for their rock ‘n’ roll barrage to really make you take notice before they hit the big-time with a slot booked at Leeds Festival in August.

Two-piece rock outfit, Royal Blood, who have just announced a support slot on The Pixies US tour, attracted the biggest crowd of the day, with the queue stretching far beyond the confines of Leeds Metropolitan Univeristy, where the duo were unleashing their faultless energy. SFG were even lucky to get in, with press restricted to a one-in-one-out rule. New single, Come On Over’s heavy riffs make it sound as though there at least four band members before the singles Little Monster and Out of the Black encourage a circle pit in the crowd centre. Royal Blood really are the next big thing, ever since their NME Award Show and SXSW slots, they've multiplied in fans wanting to see them.

Running over half hour late due to technical problems, R&B crooner/ rapper Raleigh Ritchie, says they must keep the set quite short but doesn't let that dampen his spirit. He bounces across the stage telling engaging stories of growing up and gaining independence in Stronger Than Ever and Freefall, the latter about being sad in a cit. Later, before Keep It Simple, Raleigh tells his debut album will be out by the end of the year. Ending with set highlight, 2013 single, Bloodsport, the technical problems have been forgotten and he’s managed to captivate the crowd with an emotive, ‘give it your all’ vocal performance.

Later, Circa Waves expectedly pack out The Cockpit with a circle pit ensuing ten minutes in to the set during popular single Good For Me. Catch My Breath sounds like if The Vaccines stamping choruses met Vampire Weekend’s catchy indie riffs. The upbeat indie-pop of Stuck in My Teeth and Fossils quickly follow, before frontman Keiran Shuddall teases the crowd saying: "It's been very special for us – anyone going to Leeds festival? Well see you there.”

Chart-topping electronic with classical strings quartet Clean Bandit, headlined the 02 Academy with an important hour set, justifying their soon-to-be big name festival headlining status. Chilled openers, Rihanna and A&E impress with effortless guest vocals. It’s been a long time coming for them, but the success of Rather Be, which stole the top of the charts for a month is set to be followed up by new single, Extraordinary – both of which get an outing tonight. The Cambridge-graduates fit the large stage perfectly with colourful visuals of their EP covers placed neatly behind the set while pulsing house beats move the crowd throughout new track, Heart on Fire. Older tech-house track, Mozart’s House asks the question whether electronic music is boring? Certainly not, judging from tonight’s crowd who lap up every chart ready track. Later, Nightingale is mixed into the deep-house Gorgon City remix before they mix things up with their own rendition of Show Me Love. Clean Bandit are impossible to dislike, fusing every genre of music into their own concoction of strings, house, pop and R&B, their live shows have become a phenomenal spectacle.

Catering for the masses with a range of acts across a multitude of genres and a friendly atmosphere throughout, Live At Leeds, showcased new bands in their prime, most of which will be playing big-player, Reading & Leeds Festival – be sure to catch them there!

Photos by Heather Berrisford