The Human League

Ampthill Festival 2017

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Every year, the small town of Ampthill in Bedfordshire welcomes people from near and far to their amazing production which is of course Ampthill Festival.
This festival consists of three different events over the course of a weekend (Friday-Sunday). Each part of the event had something completely different to offer. 'Amp Rocks' – A night of music on Friday, 'Ampthill Park Proms' – an evening of west end style perfomances on the Saturday and lastly the 'Ampthill Gala Day' – a well rounded family event that welcomes all ages to an array of perfomances and activities which takes place on the Sunday to close the busy weekend.

Friday night's 'Amp Rocks!' gig provided fun and frolicks for all! The production team had an amazing line up for ticketholders to enjoy. The evening was also hosted by BBC Radio DJ Nick Coffer. Redbourne battle of the bands winners Arccos got the night off to a great start. Fresh from performing live on BBC Three Counties Radio that very afternoon, the five lads performed their renditions of well known songs including 'Use Somebody' by Kings of Leon, 'The Kill', made famous by 30 Seconds to Mars, 'Shut Up And Dance' by Walk To The Moon, 'What You Know' by Two Door Cinema Club and 'Treasure', a track originally relased by artist Bruno Mars. The band's diverse choice of hits were well recieved by a chorus of kareoke like festival goers and even a small Arccos fanclub in the front of the crowd wearing band apparel.

In between each act while the stage team set up instruments and equipment, the crowds of people were entertained by a variety of music being played throughout the grounds and a social media system inviting people to use hashtags and upload their best rock star style photographs to the huge screens at the back of the stage. A live video feed of the audience was also on view for all to see. Not only that but there was a great choice of food vendors to visit just behind the music arena. Vendors included wood oven pizzas, BBQ Chicken and mobile units offering traditional festival foods including hotdogs, burgers, fries, donuts, tea and coffee. Also up for grabs were a pick n mix sweet van, ice cream and a bar. I must say the pizzas were 'delizioso!'

Now…Are you ready for some time travel? Feeling like Marty McFly and Doc Brown? Lets get into that Delorean and go back in time to some amazing musical eras. The rest of the evening takes us back to the 1980s and right up to the present day.
We begin our musical time travelling journey in the early 90s with britpop band Cast. The band, originally from Liverpool performed well known classics such as 'Walkaway', 'Free Me' and 'Guiding star' which had everyone up on their feet. The band also sampled songs 'Paper Chains' and 'Birdcage' from their new sixth studio album titled 'Kicking Up The Dust'. Their music is still quite similar to material that we already know from them, but with its more modern twist it is definitely worth a listen. One very amusing moment of this set was the band discussing with the audience about their journey to the venue. They spoke of how they jumped on the train only to arrive at what they thought was a destination called 'Flit-Wick' station and little did they know that they would quickly recieve correction from a bystander on the pronounciation of the town's name of 'Flitwick' (pronnounced Flittick).

Time to hit 'The Noughties!' I must admit I am very excited to be able to write about the next act of the night. This is a band that meant everything to my seventeen year old self. A band that I have waited almost thirteen years to see perform live! Introducing the first of the joint headine acts, musicians Charlie Simpson, Matt Willis and James Bourne – otherwise known as Busted! People in the audience were indeed going mad for these three cheeky chaps. For example, next to me, stood two very extatic older women screaming for Busted! They noticed me with my trusty notepad and pen, then looked at me and said "we are such an embaressment to our children, make sure that you don't mention the crazed middle aged women raving next to you" so of course, ladies this is a little shout out to you and your bubbly personalities!

Back to topic. The music. The three members of Busted leapt out onto stage with so much energy and charisma to say a quick hello to the audience and jumped straight into the first song of their alotted time 'Air Hostess'. In amongst the array of big hit singles which included 'Crashed The Wedding', 'Who's David?', '3am', 'Meet You There' and 'Sleeping With The Light On' the bandmates would often encourage audience interaction to build up a good rappor with their fans. At one point lead vocalist Charlie offered a competition to everyone by announcing "the best dancer during the next song will receive a kiss from Matt Willis!" to which Willis replied "I haven't brushed my teeth today." The band went on to perform 'Break your heart' which is taken from their latest album 'Night Driver'. And the lucky winner of the kiss competition? Much to the dismay of many ticketholders, crew and press (including myself), went to band member Charlie. After a sigh from the crowds of people gathered in the music arena Matt Willis then announced that he has "Snogged all of Busted now" After the comedy section of the set the band continued to play more from their latest album which included 'What You're On', 'Without It', album title track 'Night Driver' and new realease "New York". Latest album 'Night Driver' (realeased in 2016) has a very different sound from the classic Busted hits. After seperating and re forming once more, the band's music has definitely grown with them. Their new music has a more of an electro-pop sound. Very much like the style of music that band member James Bourne had experimented with while going solo as 'Future Boy' shortly after the band had split years ago. No matter which direction Busted go in, it totally works!

At the end of an energetic hour and ten minutes and also a heavy rainfall which did not dampen any spirits, the band performed their biggest hit to date 'Year 3000', during which had people from all generations jumping, waving hands and doing their best air guitar impressions while singing along to the infamous lyrics. Before leaving the stage, James Bourne could be seen waving and throwing guitar picks into the audience in front of him. All three members of the band thanked the fans for a fun time, wished everyone a safe journey home and even encouraged everyone to "wear seatbelts!"
After a short interval of music and big screen tv graphics from the stage, the last act of the night began to set up. The stage was transformed with what appeared to be white linen fabric. A very clean and simple look.

The closing act of the night took everyone back to the 1980s! The age of huge frizzy hair and rather dodgy statement cosmetics. Ladies and gentlemen, I give you English synthpop band, The Human League!

The band's female vocalists Joanne Catherall and Susan Ann Sulley were first to enter the arena to take their place at each side of the stage wearing rather dazzling black sparkling attire. Then on walks lead singer Philip Oakey waving to the crowds of people in front of him before then dominating centre stage. I absolutely loved Philip Oakey's Amp Rocks look! The singer was clearly out to make a statement in his traditional way. He wore a sleeveless black number which trailed to the floor while rocking a bald head and goatee with dark round sunglasses. I am a fan of the very popular DC Comics and this also includes their TV shows. For those of you that are fans of TV series 'Gotham' you will probably have the exact same thought that rushed into my head as soon as I set eyes on The Human League's front man. "Oh my goodness, Dr. Hugo Strange is on stage!" The singer's appearance had a striking resemblence to actor B.D. Wong's protrayal of the famous Batman villain.

The pop heroes, with their glitzy showcase, put on a truely amazing show for all to see. The atmosphere in the arena was electric! People of all ages were united in one place to enjoy a slice of the 1980s.
The band performed classics such as 'Heart Like A Wheel', 'Mirror Man', 'Lebanon', 'Tell Me When', 'Open Your Heart' and 'Fascination'. During the highly anticipated performance of hit single 'Don't you want me?' the first half of the song was performed entirely by the hundreds of people gathered in the audience, allowing the band members on stage to relax a little and enjoy watching their fans having a great time. The pop icons then contributed after the end of the first chorus to continue with their unique set. Lead vocalist Philip Oakey thanked fans for being at the event to see them perform before he and the other members of The Human league exited to the right of the stage. The lights dimmed slightly and fans were chanting loudly for more music from the final act of the night. As expected there was more entertainment from the musicians. They returned to the stage once more to perform two big hits 'Being Boiled' and the huge 'Electric Dreams' before the night of music on Friday came to a close.

The event was one that was certainly not to be missed and was well organised. Well done to everyone that took part in making this evening one to remember. This includes a quick shout out to the team from local recording studio 'Sound Arc' (based in Shefford, Bedfordshire) who provided all of the music/stage equipment for the concert.

Saturday night saw the festival introduce the 'Ampthill Park Proms'. which is a non profit "boutique" festival event that is organised from volunteers from the local community. It was an evening to invite everyone to come and see some amazing performances from some well known west end stars and more.
Unfortunately I was not able to attend this part of the festival, but I can give a brief overview of the night and what it had in store. Not only this year did the team at the festival manage to sign two big west end names Oliver Tompsett and Julie Atherton but they also welcomed back the return of the popular Ampthill Town Band, The brilliant Redbourne Jazz Band and the very talented Ampthill Concert Orchestra.
Between them, west end performers Oliver Tompsett and Julie Atherton have starred in some amazing shows including Mamma Mia!, Avenue Q, We Will Rock You, Fame, Rock Of Ages, Guys and Dolls and The Wizard of Oz prequel -Wicked!

At the end of the night festiver goers were treated to a bright and beautiful firework extravaganza!

Last, but certainly not least Sunday brought us the 'Ampthill Gala Day'. A free walk in day time event for everyone in the family to enjoy. On arrival we (my partner, my two year old son and myself) were greeted by a couple of people handing out flyers with different activites and performances that were on offer throughout the day. There was certainly plenty to do. There was live commentary over a tannoy system throughout the cricket ground which also hosted a variety of games, competitions and even a parade through the local town that finished at the grounds with many people including children dressed as cheerleaders, ladybirds, extra terrestrials, paintballers and NASA astronauts.

The music arena and comedy tent which provided us with live music, stand up comedy performances, Q and A sessions and even a live baking class with Great British Bake Off 2014 winner Nancy Birtwhistle!

The music arena featured acts Idolising Nova, There Is No Dance, a live cooking demonstration from Bake Off Winner Nancy Birtwhistle showcasing her no bake cheese cake, Ghouls, The Indios, Kit Walker, Massaoke – a brilliant interactive sing along and Oasish – a rather good Oasis tribute band.
The comedy tent organised by Ultra Live and Barnardos presented new and upcoming singer/songwriters and performers including the very talented Sam Neighbour, The Kagools and more. The team also brought us the very popular Mock the Week comedian Milton Jones. This was definitly one of my favorite segments of the day. The man is just as rib tickling as he is on tv. In the middle of the afternoon only a comedian would greet their audience with "Good evening!". Donned in one of his statement hawaiian style shirts and jeans with his wild hair, Jones said how nice it was to be in Ampthill's "onion shaped oven" as it was a very hot afternoon with over one hundred people crammed into a small dome shaped tent. In his routine as many stand up comedians often do he began to talk about recent events and politics and even mentioned that he had a great plan to help the UK government to fight obesity. His idea? "make chip shops doors narrower" this was met with a roar of laughter from everyone watching. Later in his time slot he asked the audience if they had anything that they would like him to discuss, so he had great social interaction with everyone watching. If you like stand up comedy I can definitly recommend buying a ticket to see Milton Jones live.

Another highlight of the day was The Science Dome. This was a black domed shaped inflatable tent which is often found at stargazing events around the country. It took us on a journey through time and space with its light display. We were invited into the tent and asked to lie on the floor and look up as a projector put on an amazing display of constellations, moving planets and even a trip to the international space station. At the end of the amazing experience was a simulation of being on a roller coaster racing around the rings of the planet Saturn. The graphics were absolutely incredible. It did make me a little dizzy but it was still something worth seeing. If you are given the opportunity to visit one of these domes at a stargazing event, I highly reccomend that you attend and take your children too. It was beautifil and very educational.
So after all of that, this brings my review of the brilliant Ampthill Festival weekend to a close. Before this weekend, I had never attended any of these events before and I had no idea what to expect. But now I can say that I had such an amazing time there and I look forward to what Ampthill has in store for us in 2018!

For more photos of the festival go HERE!

Bestival 2016 ‘The Future’: Reviewed!

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Thursday

It’s that time of year again, where the rest of the UK has basically resigned itself to Autumn but Bestival-goers know that there is one last high summer fling to be had. Cars crammed with people and gear are flooding the ferry docks, horns are blaring, people are already on the drinks at 9am… off we go to the Isle.

Upon arriving at Robin Hill, it’s clear something has gone awry. For some unknown reason they’ve decided to trickle-open the carparks, meaning those wanting to camp in yellow can’t actually park in yellow because it’s currently closed. For those not au fait with Bestival’s layout – the giant hill/massive walk through three campsites to get from Red parking (which is the only one open right now) to yellow camping, is utterly soul destroying when you’re carrying 4 days’ worth of binge-drinking materials. The second fail of the day (related) is that by not opening multiple car-parks and therefore access gates, EVERYONE IN THE WORLD is queuing for red entry. Two hours to get in is beyond mental, hopefully this will be rectified for next year because it was truly the worst entry system we’ve encountered at a festival this year, and Bestival have done it so right the last five years or so before.

After finally trudging over and setting up camp (in a field where toilets haven’t been delivered yet… what is going on?!), it’s time to head over to the arena to see what’s what. Next big shock of the day… where on earth is the main stage? The stage that sits in its’ place is about a quarter of the size of last years’ behemoth and is low-down, downhill. There are a lot of short people who are going to be seeing absolutely nothing this weekend that’s for sure.

Luckily, The Magic Meadow is up and running with the true Bestival vibe to make us feel better about everything. Happily The Feast Collective has only been moved here, not banished because everyone is starving and the food is just incredible. Where else can you side by side order a grilled-shrimp-and-samphire burger, raclette draped chips and a spicy beef rendang? With a pint of Bestivale in hand it’s off to scout out some early bands.

Asylums on the Invaders of the Future stage are punky and lively, you can’t really argue with a band who love to perform. ‘Joy in a Small Wage’ is perfect rock band fayre, easy to sing along, great to dance to, and the band themselves are leaping around the stage as they play in front of the Day of the Dead bar.

The highlight of Thursday is Besti-faves, Hot Chip in the Big Top. Weird and wonderful as always they play to a busy tent despite starting at nearly one am, and their electronic melodies can be heard far and wide across the still-filling campsites.

Friday

Friday sees ferries delayed by the discovery of a World War II torpedo in Portsmouth harbour which is later disposed of by controlled explosion, but with everything soon back on schedule it’s becoming apparent that not enough camping has been opened by the festival this year. Having sold only 40,000 tickets compared to years’ 50,000+ it seems that a decision was made to condense campsites. However, they clearly went a field too far and people are scrabbling for space today.

Anyway, on to the first proper arena day and we find ourselves drawn in by the presence of The World’s Biggest Bouncy Castle over on top of The Grassy Hill. At a price of £5 for ten minutes of bouncing, it’s pretty damn steep, but hey we’re drunk and ready to throw some shapes. After knackering ourselves out, getting told off by the flip police, and avoiding serious damage it’s time to explore Caravanserai over in the Stardust Field.

What can I say about Caravanserai except, it’s magical. Surrounded by half-caravan seating booths, a carousel stage and Wurlitzer carts, it almost feels as if you’ve stepped into an American Horror Story set, without the inherent creepiness I guess. An area is being roped off by toothless yokels who are swigging something foul from an xxxx bottle and people are being called up to ‘dance off’ against each other, choosing ‘beats’ or ‘junk’ as backing tracks. As people crowd in we see a wookiee face off against a cheerleader who is throwing flips on a perilously downhill slant, a pole-dancer takes on a guy with a bizarre rope-tied tiny tears doll, and an extraordinarily drunk flying squirrel twerks at an Adidas clad musician. It’s bizarre and brilliant.

Heading out to the main stage for something a little less frenzied we catch Kitty Daisy & Lewis on the main stage as they whip out the harmonica for some bluesy riffs.

Next up are Bestival legends and all-round disgracefully wonderful pervs, The Cuban Brothers. No Bestival could be complete without them and their crazy array of stunts, tricks, the tightest jumpsuits ever seen outside of Olympic gymnastics and old school hip-hop vibes. Starting off in traditional carpet-print suits, Archerio and Kengo hit the stage with their dance duo which we as always attempt to emulate badly. Miguelito rocks ‘Mike For President’ in his gold wrasslin’ belt, and guest BAM from hip hop crew The Jungle Brothers comes out just in time to be accused of #sexyfavours. As they sing “I’m a Jungle Brother, and he’s a Cuban Brother” we see Juan Erection and Kengo bust out the big moves with huge flares, head spins and tucks. Mike pops into the crowd for a bit of fondling and then busts out the swan pants with absolutely zero shame. The Cuban Brothers are party central and the huge crowd is laughing and dancing along with them. The only sad bit? Kengo brings out his skates but the stage appears to be a bit wet to see him do any tricks. Damn!

Next up, Norwegian waif Aurora is elfin and adorable. Wearing a ton of knitwear in the high summer heat, she has a touch of Tilda Swinton about her, but oh that voice. She soars with ‘Winter Bird’ and instantly endears herself to us when by breaking her ethereal spell to say “I really had to pee before I came on stage, but when I started to  sing… it went away. I didn’t pee myself on stage though!!”.

Years & Years hit the stage with a light-show based on the lines of their album cover and some pretty fabulous futuristic outfits. Frontman Olly Alexander is dressed in metallic geometric 8-bit armour which kind of looks like a Minecraft/Moschino collaboration and with huge ticker tape explosions they race through hit after hit. ‘Take Shelter’ and ‘Ties’ have everyone mesmerised and as snappy modern dancers flood the stage it’s clear the band have upped their production value in the last two years. Finishing up with everyone singing along to ‘King’, Olly yelling “I love this festival” and a massive rainbow streamer explosion from the top of the stage, they have been a perfect Bestival band.

Over in Bollywood there’s a sweaty crowd dancing their hearts out whilst cocktails are flowing at the cocktail bus next door. A tiny rave is happening in Sunday Best and there are people spread out all over sampling the culinary delights on offer here. Anna Mae’s Mac & Cheese deserves a mention for being the stodge that saved our souls after two bags of wine. Yes, bags. Praise cheesus!

Heading into the Ambient Forest for a bit of a calm-down, we take a stroll into the revamped Amphitheatre (amazing new design) but we are a little sad that the late-night movies have been axed this year, along with Scroobius Pip’s much loved Satin Lizard Lounge. The forest itself is full of new seating nooks and artistic installations like the Tron-esque musical pipes, and the tinkling of ivories can be heard through the secret entrance to the Gatsby-esque Blind Tiger.

Back to the main stage and Skepta has drawn a massive crowd for ‘It Ain’t Safe’ but it’s Major Lazer who really take it up a notch with thousands pouring into the arena for the likes of ‘Lean On’ and ‘Light It Up’.

Read our Major Lazer full headline review HERE

Over at the Spaceport, set in a giant fuse box underneath a massive rocket, Carl Cox is lighting up the night with some solid beats, followed by Diplo straight off the back of his main stage performance. The ribbon-wrapped area, flanked by two huge astronaut installations is awesome, but the layout does make access quite difficult with thousands of bodies piled in.

Saturday

Alas, predictions were true and the rain has put a stop to many of the wild and wonderful costumes we’re used to on a Bestival Saturday, not to mention the main parade has been cancelled due to ground conditions. Such a shame! However, spirits are never dampened at Besti when Mr Motivator is on hand for an early shakedown. There’s something weirdly comforting about a man espousing health in the midst of our foul hungover scurvy-wracked state. No I haven’t had any fruit for three days except in a cocktail, but I’m pretty sure I can keep up with these aerobics… probably…

The Chuckle Brothers are obviously both terrible and nostalgically hilarious but it’s Wolf Alice who deserve a much bigger, less soggy crowd for their soft, rock style. ‘Bros’ and ‘Moaning Lisa Smile’ are brilliant and should have been sun-drenched. Hopefully we can catch them again at a less damp future Bestival. Lady Leshurr is a powerhouse performer with hit 'Brush Your Teeth' and clearly everyone is loving the return of Craig David, no matter how many times he says his own name.

Over at Invaders, Pretty Vicious’ ‘Cave Song’ has a huge crowd up and jumping including a rowdy bunch of people dressed as their older selves with inflatable zimmer frames – The Future, I geddit, very clever. Followed up by rowdy bijou band Hinds who rock so much pocket-power they practically eclipse the main stage sound, we are loving their energy. Yelling “What’s up Bestival! Bestival is the first festival we did as a band… we were so excited because it was the first time we ever had like an artists wristband!” they echo the sentiments of quite a lot of new bands who were given their first chances at this festival. Rob Da Bank and co. have always been right on the cutting edge of booking up-and-comers, allowing new acts to flow into the festival mainstream.

Onto tonight’s main stage headliner – The Cure. With probably half the crowd never having heard of them, it’s a pretty great turnout. Hits ‘Friday I’m In Love’ and ‘Just Like Heaven’ are absolutely amazing, but the three encores and an almost three hour set they perhaps go a step too far.

Read our full headline review of The Cure HERE

Next door on the Invaders stage, PC Music Allstars followed by Danny L Harle bring a small slice of electronic rave, then euphoria to the side of the Magic Meadow and the glowsticks are out in force (ermegherrrd right?) and as we head back to the campsites later on, the STA Travel garden is inexplicably packed with people winding to… Peter Andre’s Mysterious Girl. Yep, that’s the last song in my head before sleep. Thanks guys.

Sunday

Waking up to thankfully clearer skies it’s a chance to break out all the sparkly shit we couldn’t wear yesterday and walking through the tent graveyard, uh, campsite – it’s clear some people have gone full feral now. Broken poles poke holes in the sky as wellies (with feet still in them) protrude from tents, their owners flat out in oblivion.

The arena mud has dried enough to provide safe passage and it’s soon time for a bit of Electro-Swing with French movers and shakers Caravan Palace. At first a fairly small crowd has gathered but as they begin to blast out their strange mix of high tempo beats and jazz-swing riffs the arena suddenly becomes a bouncing, writhing mass of bodies throwing down together. It’s a big statement but I think CP are ‘the’ band of the entire weekend, the sun is out and the set is just incredible. Bow-ties and braces are the look, and cute and firey vocalist Zoé Colotis Charleston’s across the stage like she was born in the wrong decade. Hopping into the crowd to pull on a fans’ Union Jack tshirt, Zoé yells “We don’t care about Brexit, we love the UK!”. It’s a stellar performance and a great book for Bestival.

Over in the Big Top, a very different type of electro-swing-come-dubstep is going on with an incredible array of circus type acts to boot. Slamboree are fiercely Burning-Man in style, there’s a hint of cabaret mixed with Mad Max and freakshow vibes. Their sound is new, fresh and the fire-performers, skeletal dancers, fabric-winged fairies and kabuki masked creeps are amazing.

Taking a little time out up at Slow Motion, we laze in Solace with tea and cake, marvel at the Owl and Falconry display and laugh at Llama’s butts before attempting drunken hoop twirling and some hefty/danger fraught poi. The yoga tent looks great, but we are way beyond balance at this point.

In the Ambient Forest we stumble into becoming performers ourselves with the Uke band by The Gypsy caravans. With a song book filled with unlikely and brilliant options, we stay for renditions of Don’t Stop Believing, Friday I’m In Love, and go all out at the top of our voiced for The Final Countdown. This is the kind of unexpected happening that sets Bestival apart from other festivals, unplanned weirdness is always memorable.

The Out of Africa Bar & Disco Shed provide a little downtime as we listen to Michael Jackson jams and drink enormous cocktails whilst ducking to avoid the frenzied games of swirly tennis (swingball?) going on behind us. Grabbing some free fabric wristbands from the merch tent (if these were made up, why did we all get crap plastic wristbands for entry this year?) we stomp our way back to the main stage for Bastille.

Returning triumphantly to Bestival, Bastille are this time dressed in white jumpsuits with ww.com on the back, depicting their brand new album ‘Wild World’. Kicking off with old favourite ‘Bad Blood’ we know it’s going to be a good one, and the crowd is absolutely sardine-rammed into the arena. ‘Things We Lost In The Fire’ and ‘These Streets’ are brilliant, and new track ‘Good Grief’ gets a great reception. Despite it not really being a surprise any more, we all get down with their cover/re-working of No Scrubs ‘No Angels’ and ‘Of The Night’ a mashup of ‘Rhythm of the Night’ and ‘Rhythm is a Dancer’.

Dual headliners Sean Paul and Wiz Khalifa make their mark on Bestival, with everyone getting their groove on, reliving their noughties youth. Though ticket sales say that this years’ headline choices perhaps weren’t up to Bestival’s usual standard, it’s clear those who are here are having a rowdy good time.

Check out our full headline review of Sean Paul and Wiz Khalifa HERE

Now, hugging your mates and telling them you intensely love them is pretty standard practice at Bestival, it’s just that kind of place that makes you love the world, but the closing fireworks is where you can hold each other tight and reminisce on the great/hazy memories you’ve made this weekend. Soon you’ll be trawling through blurry pictures of yourself looking an absolute state and missing every single moment of this magical festival, but for now – we’re oohing and aahing at this amazing Prince Tribute. Complete with screened video, purple smoke and confetti, we are truly sad that Prince never made it to Bestival, the kind of place that would truly have revered him and his music. The solar system rings of fire glow below as massive rockets flower in the sky and it is beautiful.

The night is still young for those squeezing every last ounce of Bestival into their souls, and The Human League are playing to a huge crowd in The Big Top. ‘Together In Electric Dreams’ and ‘Don’t You Want Me’ go way beyond karaoke and into the you-can’t-hear-the-band-because-everyone-is-singing territory.

Caravanserai is also full of life, with fire performers, aerialists and tightrope walkers walking high above cosy groups of people laughing in waltzer cars, whilst bursts of fire flame into the night from The Spaceport in the distance. Grabbing some gourmet grilled cheese we make the last trek back to the tents, watched by the shining eyes  of the Lovebot.

There have been many harsh reviews floating about for Bestival this year which I think are largely unfounded. Yes things were very different which definitely came as a shock after the sheer grandiosity of the last few years, but the atmosphere was as ever, oh so Bestival. The creativity, beauty and balance was still there – all the things Bestival is renowned for. For every mad moment where something truly serendipitous has caught you off guard, where something held you in the kind of wonderment you thought you’d lost after childhood, and for every second you forgot your problems and just let loose, Bestival is the engineer. The thought that drives this festival is apparent in every corner, no matter the budget. I will be there next year with bells on. Or whatever stuff the new theme requires really.

All photographs © Andy McHardy – please do not use without permission.

Splendour 2016 lineup confirmed

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One of the biggest artists of the past 12 months, Grammy award winner and Brit nominated pop sensation Jess Glynne is to headline Splendour on 23 July 2016.   

The booking comes on the back of an amazing year for the artist after her debut album –  ‘I Cry When I Laugh’ – made her the biggest selling debut artist of the year. The album features her five number one singles including smash hit ‘Hold My Hand’ and its equally successful follow up ‘Don’t Be So Hard On Yourself’, along with the recent single ‘Take Me Home’, the official song for Children in Need. 

Jess is the first solo female artist to headline Splendour since Kate Nash took to the main stage in the first year of thefestival in 2008. 

The singer, 26, has already equalled the record for the most number one singles by a British female solo artist — five —  and has now announced a brand new single from the album, ‘Ain’t Got Far To Go’, due for release on 26 February via Atlantic. 

The Human League and UB40 – two legendary bands with an outstanding back catalogue stretching back more than 40 years – join the bill on the main stage headlined by one of the hottest artists of the moment Jess Glynne, the Grammy award winner with an unbelievable 5 UK Number 1 singles from her chart topping debut album.

Another British singer with a debut number 1 album, Jamie Lawson is next on the bill with Turin Brakes, Jeremy Loops and local Nottingham artist Ady Suleiman also announced for the main stage. Suleiman has been earmarked as one to watch, his timelessly classic yet fresh sound has garnered him a broad range of influential fans from both sides of the Atlantic. The festival will once again be championing local talent by offering the opening slot of the main stage to the winner of the hotly contested Future Sound of Nottingham battle of the bands competition.

Across the park, multi-million selling megaband The Darkness will headline the Confetti stage along with The Fratellis, The Rifles, Stiff Little Fingers, Louis Berry, These Your Children and Eyre Llew.

Headlining the Acoustic Rooms stage will be British folk singer Will Varley, who has recently sold out The Bodega and supported Frank Turner at Rock City, followed by Brad Dear, Tom McCartney, Bru-C, Ellie Keegan, Josh Wheatley, Raphael Blake and Lowrie.

 

Over on the Funhouse Comedy stage, acts will include: John Ryan, Patrick Monahan, Ivan Brackenbury, El Baldiniho, Tom Binns, Vince Atta.  

 

Formed in Sheffield in the late 1970s The Human League evolved into one of the seminal 80s electro pop bands. The band sold more than 20 million records and their classic pop masterpiece ‘Don’t You Want Me’ was a number one hit around the world.

 

Naming themselves after the unemployment benefit form, UB40 formed in 1978, before releasing their debut album ‘Signing Off’ in August 1980. It was the start of a career that has since seen the band have over forty UK Top 40 hit singles and achieve sales of over 100 million records. Led by Robin Campbell and Duncan Campbell on vocals, UB40 play Splendour for the first time following a sell-out show at Rock City in 2014.

 

British singer-songwriter Jamie Lawson is quickly making his mark on the music industry, as the first artist signed to Ed Sheeran’s record label, Gingerbread Man Records. In the whirlwind that followed, Jamie toured with Ed across the world and supported One Direction on their final full UK arena tour. His self-titled album reached #1 in the UK and has sold over a quarter of a million copies worldwide.

 

After a fantastic sell out show at Rock City in December, three-times Brit award winners The Darkness will be bringing some glam rock to the Confetti stage. Revellers can expect a high-energy set, full of remarkably catchy material, and unapologetic worship of old-school rock & roll including their classic “I Believe in a Thing Called Love”.

 

Scottish rockers The Fratellis will bring their turbo charged indie guitar tunes including top 10 hit singles "Chelsea Dagger" and "Whistle For The Choir".

 

2015 saw indie band The Rifles mark the ten year anniversary of their debut album ‘No Love Lost’ with four triumphant sold out Electric Ballroom shows in London and 2016 will see the release of their 5th album.

 

Punk rock stalwarts Stiff Little Fingers take to the stage before hotly tipped Liverpool-born singer-songwriter Louis Berry will take things in a soulful direction with his gritty rock 'n' roll with soul. Louis has won praise from the likes of BBC Radio 1’s Annie Mac, John Kennedy at Radio X and Zane Lowe.

 

The retro legends come to Norfolk for Reload Festival

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Reload Festival confirms it will bring a raft of British and US music legends to Norfolk for its two-day event later this year, on Saturday 6 & Sunday 7 September, at the region’s Showground

Saturday’s main stage line-up is confirmed to include a UK exclusive performance by Kool & the Gang, along with Soul II Soul, Rick Astley, ABC, Go West, Hot Chocolate, Imagination, Oddysey and From the Jam

The Human League, Billy Ocean, Sister Sledge, Jason Donovan, Heaven 17, Aswad, Bjorn Again, The Real Thing and more will complete the main stage line-up on the Sunday.

These iconic artists have amassed scores of classic smash hits, through a vast array of musical styles, from Ladies’ Night, Don’t You Want Me Baby, We Are Family, Celebration, Back to Life, When the Going Gets Tough, the Tough Get Going and Too Many Broken Hearts, through to You To Me Are Everything, We Close Our Eyes, Don’t Turn Around, The Look of Love, Temptation and Never Gonna Give You Up

With family camping available on-site, a second stage featuring a host of DJs spinning the big sounds, trapeze artists, stilt walkers, a silent disco, karaoke and much more, Reload Festival is the place to show the kids how it’s really done

A Reload Festival spokesperson comments: “Reload Festival is a brand new festival dedicated to delivering music for a generation of partygoers who long for the days of music you can really dance to. Reload represents the rare opportunity to see a large number of top acts across one weekend of huge hits”

The Human League to headline Galtres Parklands Festival 2014

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The Human League, known best for their massive hits which include 'Don't You Want Me', 'Fascination' and 'Mirror Man', are credited with influencing artists ranging from Moby to the Pet Shop Boys with their unique and enduring brand of avant-garde electro-pop. The European tour arranged to mark their ninth studio album 'Credo' is described by the Daily Telegraph as "as a good a night's entertainment as you are likely to find anywhere on the planet".

In support will be contemporary electro act Public Service Broadcasting, currently away on a US tour, but bringing to Galtres their brilliantly innovative mix of archive footage and samples with live performance. “They blend the voices of the past with the music of the present to astounding effect” said the Independent on Sunday.

The Human League join Friday headliners Levellers and Bellowhead at the North Yorkshire festival's tenth birthday celebration, with Saturday's headliner's still to be announced. John Otway, Martin Stephenson,The Men They Couldn't Hang andChris Helme are among other acts playing in the spectacular North Yorkshire setting over the August Bank Holiday weekend.

"Finding the right acts for the Sunday top slots filled last year by The Stranglers and the Undertones was never going to be easy," said festival director James Houston. "But we think The Human League are an inspired choice and will be hugely popular with our audience. They stand out both for their impressive back catalogue and contemporary recordings, and are complemented wonderfully by Public Service Broadcasting who are the most exciting breakthrough electro act of 2014. It's going to be a fantastic festival finale and a stunning end to our anniversary weekend."

Wychwood, Beer, Cheer and Bubbles.

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This is the 9th Wychwood festival to take place, which is a tragedy for me as it means I have missed 8 years of this fun filled, family friendly, yet modest event, that gently launches you into the summer festival period.  Set in the grounds of Cheltenham race course and overlooked by the Cotswold Hills, this venue is used to horseplay of a four-legged nature, but with neigh a nag in sight, Prestbury Park comes alive with a wide spectrum of characters.

The first days sound track set the pace for what would shape up to be quite the eclectic mix.  Early evening The Beat proved how they secured their rightful place high up the Ska tree. With Rankin Roger & Son getting the crowd stomping to the ever popular Ska beats. Toploader followed with their breezy, sing a long songs, that keep the crowd on a high.  Friday night headliners Soul II Soul with their blend of R&B, Soul and Electronica, surprised many who thought them a one song band (Back to life). With each song played you couldn’t help regret not paying more attention 25 years ago. But better late than never!! They exit the stage, leaving the crowd craving for more.

Saturday sees the music shift to a broader range. Unfortunately the delectable Kate Nash pulls out poorly. The Wedding Present are a crowd pleaser as they work through some of their phenomenal body of work. A French twist next from festival favourites The Caravan Palace, who’s zany Gypsy Jazz, Electro swing, is a sight and sound to behold, a big band wall of music fronted by the mesmerising stage presence that is Zoé Colotis a must see. The night’s headliners are 80’s Electro New Wave sensation The Human League and with a catalogue of hits, the crowd were on their feet from the opening “Mirror Man” to the ever popular “Don’t You Want Me” ending another great night with “Together in Electric Dreams”. The set and backdrop pay homage to the futuristic approach of the 80’s, that seem just as futuristic and relevant today, Little wonder so many artists since, have voiced this Flamboyant and eccentric group as an influence.

Sunday becomes a field of laughter with the humorous yet skilful take on classical and popular songs by the Ukele Orchestra of Great Britain.  Smiles a plenty but with admiration from this musically talented troop.  The laughter continues as Bill Bailey and his side splitting comedy take over.  Nobody being prepared for the music, jokes and insanity of this middle-aged madman. This massive force could have easily have been the finale for the main stage, but the organisers decided to bring the evening to a close by treating an appreciative crowd to the Dub Powerhouse that is Dreadzone.  This reggae tinged set was the perfect end to a fabulous weekend, having the crowd bounce and groove out the evening.

 A couple of standout performances on the smaller but no lesser stages included Becky Rose, with her one gal, synth based beats and Craig Charles funk and soul show, where the crowd were whipped up in to a frenzy to match that of the energetic, multi-talented showman.

When the main attractions have finished and the majority of the crowd have turned in for the night, one stage is determined to party on regardless. As I approach the big top tent with strobes escaping from the entrance I can’t help but think that there is something missing?   Upon entry I am handed a pair of wireless headphones and as I walk on through to a sea of crazy revellers it is apparent that I have entered a nut house.  This is the silent disco, a room full of clubbers and two DJ’s but no music through the loud speakers.  I put the headphones on and find myself instantly condemned to the madhouse as I flick between the two DJ’s and adjust my dancing style accordingly.

Music for all genres means that young or old you will at some point find your dancing shoes and at the very least discover new and exciting sounds.  There are over 100 workshops to choose from, complimented with cuisine from the four corners of the world.

A lasting memory of the festival will be that of a  man releasing  another wave of bubbles they glisten like the northern lights as they pass over the light filled stage.  Wychwood really captures the essence of what a festival is about with a great energy and atmosphere.

 

Bingley Music Live Gets Loaded

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This year’s Bingley Music Live is quickly gathering pace with Theme Park, The Dunwells, The Dirty Rivers, Kat Men, China Rats, and Dave McPherson set to play. The announcement follows hot on the heels of last week’s confirmation of CHIC featuring Nile Rodgers.

They will appear at Myrtle Park between August 30th-September 1st alongside Primal Scream, The Cribs, The Human League, The Wonder Stuff, The Fratellis, Lucy Spraggan, Charlie Brown, The Lake Poets, The Temperance Movement, Loveable Rogues, Summer Camp, The Struts, The Electric Swing Circus, Natasha Haws, Rose and the Howling North, and Holy Moly and the Crackers. With an ever-expanding line up of quality acts, this year’s festival once again offers a truly eclectic mix of music; all at the purse-pleasing price of £45 (+ booking fee) for a three day ticket.

Tickets are available online at www.bingleymusiclive.com/tickets or call the ticket hotline

0871 220 0260. For regular updates and band announcements please visit www.bingleymusiclive.com or follow all the latest developments on Twitter @BingleyFestival. Celebrate the end of summer in style!               

Bingley Music Live add The Human League and more!

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The Human League, Summer Camp, The Struts and The Electric Swing Circus are the latest acts to join the line-up for this year’s Bingley Music Live.

They will appear at Myrtle Park between August 30th-September 1st alongside Primal Scream, The Cribs, The Wonder Stuff, The Fratellis, Lucy Spraggan, Charlie Brown, The Lake Poets, The Temperance Movement, Loveable Rogues, Natasha Haws, Rose and the Howling North, and Holy Moly and the Crackers. With such an eclectic mix of artists already confirmed, this year’s festival once again offers something for everyone AND all at the purse-pleasing price of £45 (+ booking fee) for a three day ticket.

We’re thrilled to welcome synthpop royalty The Human League to Bingley Music Live.  With an exceptional back catalogue that spans nine studio albums, four EPs, thirty singles and several compilations, they remain as credible and relevant as they were in 1981, when landmark album Dare was released. A shining light on the electronic New Wave scene, the group has not only achieved huge commercial success but also been responsible for influencing everyone from Madonna, Lady Gaga, Little Boots through to the acclaimed dubstep act Darkstar.   Sing your heart out to Don’t You Want Me, Love Action, Fascination, The Lebanon, Human and Tell Me When… the list of hits just goes on and on!

Human League

Bringing their beautiful bubble-gum kitsch to this year’s festival is the aptly named boy-girl duo Summer Camp. Their lo-fi, nostalgia-driven, electro grooves cherry-pick samples and cultural references from the 60s – 80s and crafts them into gloriously upbeat, sing-along tunes with an underlying darker narrative. Released in 2011, their debut album Welcome to Condale received many positive reviews with NME awarding it 8/10 and claiming ‘they're back to (re)make hand-holdy couple-pop their own.’

If you’re looking for a healthy dose of rock and roll in both style and substance come and see The Struts. The four-piece from Derby will parade their vintage-clad swagger on stage with a collection of self-penned songs and an ingenious array of covers. Expect the unexpected! The band make pop-belters such as Cheryl Cole’s Under The Sun truly their own.  Sensational live; the lead singer, Luke’s vocal talent is quite unique… so check them out this summer.

Another up and coming band appearing at Bingley Music Live is The Electric Swing Circus. With their debut album scheduled for release later this year, the 6 piece band from Birmingham have been stunning audiences with their unique blend of cool 20's swing, stomping electro beats and soaring harmonies. Fusing everything from breakbeat and house to jungle and dubstep in a dazzling live show these guys are definitely one to watch.

Big Heart, Big Sounds

Weekend tickets have been frozen at last year’s prices making Bingley Music Live incredible value for money.  A three day ticket costs just £45 (+ booking fee), we also have a limited number of children’s tickets at £30 (+ booking fee) for 3-12 year olds (under 3s are free). Tickets are available online at www.bingleymusiclive.com/tickets or call the ticket hotline 0871 220 0260.

Tatton Park announce The Human League, Katherine Jenkins and more

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Tatton Park today announced the spectacular headliners for their Picnic Concerts 2013. Synth pop international superstars The Human League, plus special guests, will be performing in the stunning grounds of the park on Saturday 20 July and Britain’s most famous mezzo-soprano Katherine Jenkins and the National Symphony Orchestra will be performing on Sunday 21 July. Tickets are on sale NOW and available at www.tattonparkconcerts.com.

The Human League, one of the most influential groups from the 1980s will be joined by special guests for an astounding evening of much loved electro classics. The electronic New Wave band from Sheffield shot to fame in the early 80’s with Don't You Want Me which was a No. 1 hit in the UK, US and many other countries. Over the years they have been cited as an influence by a host of superstars from Madonna to Moby and the Pet Shop Boys to Lady GaGa. Off the back of their sold out tour at the end of last year this show will feature a selection of all their well-known hits such as The Lebanon, Mirror Man, Open Your Heart and Fascination. The concert will conclude with an amazing fireworks display across the backdrop of Tatton Park.

Katherine Jenkins is one of Britain’s favourite singers and has introduced to the world a new genre of classical superstar, selling millions of albums across the globe. Katherine will be performing a selection of much-loved Last Night classics such as Rule Britannia, Jerusalem and Land of Hope and Glory. In addition, the concert will feature some of her favourite pieces including Les Filles de Cadiz, Someone To Watch Over Me and I Could Have Danced All Night. This fantastic finale to the weekend comes complete with the National Symphony Orchestra conducted by Anthony Inglis and culminates with a stunning fireworks display.

Katherine Jenkins said, ‘I am absolutely thrilled to be performing at this year’s Tatton Park Picnic Concerts. The surroundings are truly stunning and I can’t wait to sing in the park. It will be an enchanting evening.’

The Human League set to headline Wychwood Festival 2013

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In addition to this, the festival is thrilled to welcome a wealth of musical talent from the likes of Mercury Prize nominee Sam Lee, audio visual wizards Public Service Broadcasting and legendary ska, pop and reggae band The Beat, who will return to Wychwood for the second time having last appeared on the mainstage back in 2009. Wychwood Festival will also be inviting esteemed London promoters SMASHING BLOUSE to programme the Big Top’s evening line-up with a veritable who's who of the most up and coming bands from the past year. The promoters will be celebrating their first anniversary in February at an exclusive event at Bar Music Hall in Hoxton, London. Taking place at Cheltenham Race Course from 31st May – 2nd June, Wychwood Festival organisers are pleased to announce that day tickets are now on sale and that the age limit for children attending for free has been raised from under five year's old to under ten in these time's of austerity.  Full tickets details and much more information is available via the official Wychwood website.

The Human League boast nine studio albums, four EPs and thirty singles selling over 20 million records across the last 30 years. A phenomenal back catalogue with big electro pop hits Don’t You Want Me, Mirror Man and Love Action, they are the ultimate Saturday headline act guaranteed to rouse the festival field into a musical frenzy. Caravan Palace join Saturday’s Mainstage line-up with their French electro swing and Gypsy Jazz whilst the English Indie folk band, Moulettes, who formed in 2002 in Glastonbury with their five strong ensemble that includes Ted Dwane of Mumford and Sons, bringing a charismatic, idiosyncratic brand of modern folk music set to enthrall audiences. The final act announced for Saturday’s Mainstage is 70s band Eddie & The Hot Rods for a real taste of good time rock-n-roll.

Human League

Saturday’s Big Top will welcome London electronic duo Public Service Broadcasting for the first time who will be showcasing their exciting, audio visual instrumental experience currently enjoying the seal of approval of BBC 6Music. Taking samples from old public information files, archive footage and propaganda material, their attempts to "teach the lessons of the past through the music of the future" are proving to be entertaining, fascinating and a must-see this summer. Returning to Wychwood Festival, John Otway will perform in the Big Top with his surreal sense of humour and a self-deprecating underdog persona that has earned him a sizeable cult following.

 
Festival organisers are thrilled to welcome The Beat back to the festival to perform on the Friday mainstage with their fusion of ska, pop, soul, reggae and punk rock. Bringing infectious and powerful tracks to the stage, including Mirror in the Bathroom, Hand’s Off She’s Mine and Tears of a Clown they have become a firm festival favourite. 2012 Mercury Prize nominee Sam Lee also joins Friday’s mainstage line-up with his naturally gifted homegrown talent earning him the widely accepted title of pioneer within the folk world.
 
Sunday’s line-up welcomes The Ukulele Orchestra of Great Britain that has been described as funny, virtuosic, twanging, awesome, foot-stomping obituary of rock-n-roll – an astonishing revelation of the rich palette and have a huge international following. Formed in 1985, the formidable Ukulele Orchestra has gone on to sell out the Sydney Opera House, The Royal Albert Hall on more than one occasion and collaborations have included Madness, David Arnold, The British Film Institute, The Ministry of Sound, Yusef Islam (Cat Stevens) and the Kaiser Chiefs. Their performance is one not to be missed.
 
SMASHING BLOUSE SESSIONS
 
For the first time in the festival’s history, Wychwood Festival organisers will invite esteemed London promoters SMASHING BLOUSE to programme the Big Top’s evening programme across the weekend. Run by Jesse Woods, Alex Mitchell and Sam Cunningham and drawing on a lifetime surrounded by musical influencers such as Jesse’s father Ronnie Wood and partner Fearne Cotton, they have hosted hugely successful music events across the capital. Over the past twelve months they have been collectively responsible for showcasing an enviable list of new talent that includes the most exciting music to emerge onto the scene in recent years.
 
Friday sees vintage synchs and distant disco vibes from indefinable Bristol mob The Other Sidewho are already en-route to injecting British dance music with a distinctly different shade of nostalgic floor fuel. Polarsets will also perform their tropical indie sound with euphoric dance beats and an undercurrent of energetic indie.
 
Saturday sees Brighton five-piece Cave Painting with their wealth of music that glows with beauty and vision, East London’s unsentimental nostalgia guitar band History of Apple Pie with their hard hitting anthems, four piece Mt. Wolf who are gathering huge attention from all quarters with their ‘Dreamfolk’ described sound of cinematic folk and electronica that has been likened to Sigur Rós (Clash).Last but by no means least in the first batch of bookings for Saturday's Smashing Blouse Big Top billing is Dems, the talented trio that are making waves with their captivating collection of tracks.
 
Lloyd Yates will perform on Sunday’s Smashing Blouse Sessions with his unique, consistent and emotional sound and beautifully crafted live performance. A perfect Sunday addition to the Wychwood Festival line-up.
 
Wychwood Festival boasts an eclectic programme that includes indie, folk, rock and world music with some of the most talented emerging artists on the UK’s music scene at the moment appearing alongside industry veterans and cult classics across an exceptional weekend of entertainment. This year’s ninth successive year will see revellers flock to the stunning Gloucestershire countryside to experience an utterly delightful atmosphere enjoyed by all who choose to place it in their summer calendar. Today Wychwood announces new acts to ensure festival lovers make Wychwood their number one stop this summer. Day tickets now on sale.
 
TICKET INFORMATION:
Day Festival Tickets
Friday Adult: £37
Friday Youth/Concession: £24
Friday 10 -15 Year Old: £20
Under 10: FREE 
 
Saturday Adult: £53
Saturday Youth/Concession: £40
Saturday 10 -15 Year Old: £20
Under 10: FREE
 
Sunday Adult: £43
Sunday Youth/Concession: £30
Sunday 10 -15 Year Old: £20
Under 10: FREE 
 
Booking Fees
Credit/Debit Card (per paid ticket): £2             
Cheque/PO: FREE         
Postage & Recorded Delivery: £3              

Camping Passes (Day)
Adult Day: £10
Adult Day in Live in Vehicle: £15
Youth/Concession Day: £5
 Under 16 Day: FREE

Please Note: Customers should indicate if they intend to bring under 10s as they will need to be issued with a wristband.