Download Festival, the greatest rock and metal festival of all time, returns for its 22nd edition, reborn and recharged in 2025 as DLXXII. Announced today are three first-time headliners—Green Day, Sleep Token and Korn—alongside over 90 more colossal names spanning the full spectrum of rock, metal, punk, emo, hardcore, alternative and classic rock. This year’s festival will take place on 13-15 June 2025 at the spiritual home of rock in Donington Park, Leicestershire. General tickets are onsale at 9pm on Thursday 14 November at www.downloadfestival.co.uk. For the first time in Download Festival’s history, next year’s edition will showcase a trio of headliners who are entirely new to topping the main stage. This exciting milestone underscores Download’s unwavering commitment to delivering a fresh, groundbreaking lineup year after year, giving fans even more reasons to be part of this unmissable experience. Also announced today are UK and international heavyweights Weezer, Sex Pistols featuring Frank Carter, Jimmy Eat World, Within Temptation, Eagles Of Death Metal, The Darkness, Poppy, Loathe, Spiritbox, Meshuggah, Steel Panther, Airbourne, Jerry Cantrell, Cradle Of Filth, Alien Ant Farm, CKY, McFly, Don Broco, Mallory Knox, The Ghost Inside, Turbonegro, Sylosis, Whitechapel, Fit For An Autopsy, Lorna Shore, Kittie, Jinjer and so many more. Punk-rock royalty Green Day are set to make their long-awaited debut at Download Festival, headlining for the first time in their 37-year career. Known for their high-energy performances and a career that’s shaped the landscape of rock, Green Day has built a legacy of unforgettable live shows that will electrify the crowd on Friday night. The band are fresh off celebrating two major milestones—the 30th anniversary of their trailblazing album Dookie and the 20th anniversary of the culture-shaping American Idiot—Green Day continues to prove why they’re one of the most iconic and influential bands in the world. The mysterious Sleep Token have skyrocketed since their inception in 2016, and the anonymous masked collective have gone from strength to strength, headlining arenas this month and now about to embark on their very first Download headline set. Clocking up millions of monthly listeners, the alternative rock outfit are set to play the performance of their life at the hallowed grounds of Donington on Saturday. The festival’s grand finale will come at the hands of nu-metal legends Korn, who will also be headlining Download for the very first time. The Californian five-piece formed in 1993 but have never been more relevant, and their recent shows have caused a huge buzz in the rock community. Having inspired the likes of Slipknot, Limp Bizkit, Machine Head and Sepultura during their 31 years of being a band, Korn are well and truly ready to finally headline Download. Download Festival’s Andy Copping says: “Following on from last year’s sold out 21st edition, Download’s legacy not only includes the incredible artists who have performed at the hallowed grounds over the years, but also our unrivalled community, safe and warm atmosphere, and fantastic afterhours entertainment at District X, with something for truly everyone.” The DLXXII line up was announced at a very special Metal Gala launch event at One Marylebone this evening, where the rock and metal elite gathered under one roof. The one and only Paddy Considine (House Of The Dragon, Peaky Blinders), who will be playing at this year’s Download with his band Riding The Low, stars in this year’s announcement video, alongside other Humans Of Download. Like he says in the short film titled ‘Est Momentum’, Download is “a place where legends are born. This is where you belong.” This is only the beginning for DLXXII, with many more acts and surprises yet to be announced. Book your tickets now: www.downloadfestival.co.uk. |
The Darkness
CAMP BESTIVAL Shropshire 2024 – The Big Review!
THURSDAY
After weeks of nice sunshine, OF COURSE it is widdling it down the day we’re heading out to Camp Bestival Shropshire. Regardless, we are determined to have an excellent time and head into Weston Park with glee to collect our wristbands.
After wrangling two very excited children, four adults, ten tonnes of snackage, a crate of fancy dress and a partridge in a pear-tree into our home for the weekend – a fancy shmancy bell-tent – we are all knackered and hungry. The arena calls us, with it’s beautiful silk flags waving in the wind (the rain has thankfully subsided). We make our way over to The Feast Collective, find a long bench to house everyone, and go about selecting some delicious dinners to fuel our tanks. Plant-based tacos, chicken katsu bowls, steak frites, smoothies and cocktails served in pineapples… you name it, you can find it at Bestival.
After dinner, a walk around the site is in order and I can definitely say that more attention to layout and decoration has been taken this year. There seems to be something fun to look at everywhere you turn, and things seem to flow more easily than in last year’s set-up. The new Navigation Town, tacked onto the back of Caravanserai and the bandstand, looks absolutely beautiful, and I love the new stamp-able passport initiative for the kids.
We spend the rest of the evening playing in smoke bubbles at the Bubble shop, and buying a Cheshire cat tail at the Tail shop, from a lady dressed as a disco lemur. 10/10 Bestival evening of weirdness, but we defect to camp to get some much-needed sleep before the big weekend.
FRIDAY
A morning of pancakes and delight at the fact that the rain has gone, is followed by donning our brightest funnest clothing and heading out to see what’s up. There’s already a huge queue for the World’s Biggest Bouncy Castle, heaps of people already queuing up for water sports like paddle-boarding and wild swimming, and lovely morning Yoga going on at Slow Motion. You couldn’t pay me to take a dip in the ice-bath though, I’m just not that person.
We talk a walk through the woods, which have been significantly developed since last year – now housing the Scouts and woodland activities such as fabric weaving between trees, bug catching and even mini-archery. We have a go at toasting s’mores on the open fire, crack-out the dressing up box on the woodland stage for a quick soliloquy, and have a good old crash around in the Orchestra of Objects. I particularly liked the teaspoon and tea-pot glockenspiel.
On the main stage, Hacker T Dog & Katie Thistleton from CBBC are getting rowdy in the crowd and blasting interesting versions of the theme tunes from Paw Patrol and Fireman Sam, which is obviously going down a storm with the small beings (and the Dads). During the explosive Braniac show, we pop over to pick up our Kids Pass food packs – at a mere £40 for the entire weekend, I genuinely Believe this is the best initiative a UK festival has ever come up with.
So first up, we show our QR codes to pick up the pack itself, which consists of a Camp Bestival printed drawstring bag (which is a really nice quality souvenir in itself) and a printed water bottle, as well as our sheet of vouchers. The vouchers consist of; 1 lunch, 1 snack, 1 dinner and 1 sweet treat per day. In the next tent over, we go to pick up the lunch items for day one – hand in our token and are offered a choice between a sandwich, a wrap and a pot of pasta. These are full-size meal-deal type offerings, which are then supplemented with a fruit snack bar, a squeezable yoghurt, a box of fruit juice and then two pieces of actual fruit (which you can go back and get more of at any time of day, unlimited. Filling up the water bottle with filtered tap water is also a nice touch, it tastes better than the other water points on site.
I realise I am waxing lyrical about a food scheme here, but I can’t tell you how much stress it took off our shoulders for the weekend. We didn’t have to think about whether the kids would like their lunches – it’s all kid-friendly options, we didn’t worry about getting nutrients into them thanks to the fruit, we could carry the snacks around all day instead of being blindsided by “I’m hungry” every two minutes. The main meals were redeemable at heaps of outlets around the site (personal pizza, kids tacos, hotdogs and chips, even ramen bowls!) and ours chose exclusively ice-cream as their daily sweet treat, of course.
So after our picnic lunch, we took a squiz at all the other entertainments on offer across this area, including skate ramp lessons, a giant game of football and roller disco. Everywhere we wandered had stamp stations for the Navigation passports, so we spent a good deal of time trying to get those done as well.
Rick Parfitt Jr. covers pop bangers from U2 to The Black Eyed Peas, but Say She She really bring the party, with their funky disco sounds. All three of them are not only mesmerisingly beautiful, but incredible vocalists – if you have the chance, they are a must-see.
McFly are my stand-out band of the weekend, coming in with so much energy and joy you can’t help but get up and dance with them. A huge crowd is going absolutely bonkers for ‘Where Did All The Guitars Go’, Tom is jumping around the stage, we get a cover of Bon Jovi’s ‘Livin’ On A Prayer’ mixed with the ‘YMCA’… what’s not to love? Kids on shoulders are rocking out to ‘All About You’ and ‘Five Colours In Her Hair’ like it’s the early noughties all over again, and I’m here for it.
After Orbital’s Phil Hartnoll gave his first performance at the CBeebies Bedtime Story Tent (reading Doggy Dance Off), its time for the sonic sounds of gorgeous ambient rave from their decks in the Big Top. Spiraling soft lighting provides a backdrop to their dance party antics, and I can’t stress this enough – if you don’t like ‘Chime’, there’s something wrong with you. Go see a Doctor.
Rick Astley closes the main stage for Friday night, looking truly debonair in a coral coloured suit and his inimitable coiffured hair he struts out to a deafening cheer from the crowd. Honestly he looks like he’s just stepped right off the Hairspray musical stage into Weston Park.
A rousing carousel of his own hits and a few covers ensues, peppered with jokes and anecdotes about his time as a performer. “I’m 58, my knees are shot, my ankles are shot… Not really, I’m fit as a fiddle, drink me in! I don’t really dance as much anymore, I just stand here looking gorgeous. Camp Bestival, do you want to dance with me?” laughs Rick, as he salsas his way across the stage.
“There are people here young people, people whose mums and dads weren’t even born when these Songs were out” he giggles before dropping into 1988’s ‘Hold Me In Your Arms’. After thanking everyone in the entire festival; “…massive thank you to the staff and crew, the security, Brownies over there, Hot Dogs… Chunky Chips, let’s hear it for the Chunky Chips!” and a rendition of AC/DC’s ‘Highway To Hell’ which he plays on the drums, our anticipation is finally satiated with the reverse-rickroll, the one we’ve been waiting for – ‘Never Gonna Give You Up’. It’s a delight to see and hear this in person to be honest, iconic and nostalgic. I bought a t-shirt with it on too because I want to rickroll everyone in my daily life, forever.
The night is still young, so we take a stroll around to the truly beautiful Caravanserai, my spiritual home. Everyone is dancing or crammed into tiny caravans drinking fun cocktails, children are sleeping in trollies or dancing in bubble trails, Bestival at night is the most magical and hard to explain experience, the whimsy and carefree vibe is unmatched. Alas, the small ones will wake with the sun regardless of my wish to live in the night, so we mosey back to camp for bed.
SATURDAY
A morning of Soft Play (for the under 5’s) gives us the gift of post-breakfast energy burn, followed by a couple of goes on EarthBot’s slides, and then seeing Bluey (for real life!) in the CBeebies tent, complete with take-away colouring pages which proved very useful for downtime later on.
Mr. Maker has everyone drawing shapes in the sky with their fingers, and roaring along to his very questionable rendition of Old McDonald (no, Tigers are not traditionally farm-animals, unless you’re Joe Exotic I guess). Morning of the Misters continues with Mr. Tumble who is playing to an absolutely enormous crowd of shrieking children, but we are having a picnic lunch off to the side.
Having hastily chosen our movie only a couple of weeks ago and scrambled to put together outfits, we, the cast of Bill & Ted’s Excellent Adventure, scamper over to LoveBot to enter the Fancy Dress Competition. This year’s fancy dress theme of ‘Time & Space’ of course meant that there were about 5 Delorean/Marty McFly teams in attendance, The Flintstones were pretty amazing too, but my vote would absolutely have gone to the Dune-themed family who had turned their festival trolley into the coolest disco sandworm ever. Unfortunately we came second, and the competition went on so long that the kids’ patience had run as dry as Arakis, but we all got rosettes so were pretty pleased with ourselves regardless.
In an effort to appease a tiny gromp, we take to the Carousel for some old-timey action and witness one child screaming (not with joy) their way around the at least 4 minute long ride. Not one to be offput by this, ours thoroughly enjoys herself and then asks to go on the Helter Skelter as well. Seeking a little shade and a sit down, we pop round to Josie’s Post Office, which is set up with colouring and craft tables – a perfect break, especially with the relaxing sounds of Joe Fleming at Caravanserai in the background.
On the main stage, The Amy Winehouse Band are giving us all the hits in the sunshine – though it is bringing back memories for me, of seeing Amy Winehouse at Bestival in 2008, a few years before her death. At that show, she rocked up 80 minutes late and stumbled her way badly through what was left of the set – getting absolutely slated for it in the press. She might not be here today, but it feels like I’m hearing what it should have been like – bittersweet.
Hak Baker brings us a soulful set full of feel-good songs “I see a lot of smiles that’s good, I need that today”, before Gok Wan (who does his own intro “He’s six foot and gorgeous, iiiiiit’s GOK WAN!”) brings his bouncy fun DJ set to the arena. We defect early in search of food, today’s choices include pie, roasted duck fries, and pasta Bolognese with garlic bread.
The Darkness kindly ask if we, the parents would like a censored set from them “…the next song has quite a few expletives, do you want the dirty or clean version? I can swap some of the words, one beginning with C becomes coconut, which has three syllables rather than the original word… so, dirty or clean?” to which everyone obviously screams “Dirty”. It’s an absolute firecracker of a show, with Justin’s undefeatable rock-and-roll frontman sensibilities and the bands’ undeniable energy. I wouldn’t call myself a fan, but it’s hard to deny they have star quality and the songs are unquestionably singable – especially when accompanied by Justin doing a headstand on the drum riser and clapping along with, er, his feet.
Eardrum bursting ‘I Believe In A Thing Called Love’ is the anthem of the evening, every Dad in the arena is rocking out – and, asking an entire crowd of kids to yell Motherfxker is just funny, I don’t care who you are.
Jake Shears (of Scissor Sisters fame) dances across the stage with wild abandon in a blue velour tracksuit, accompanied by drag queen Snow White Trash on the saxophone, for a super fun set. It’s an absolute party on stage, and we too are capering about to the classics ‘Take Your Mama’ and ‘I Don’t Feel Like Dancin’.
In the Big Top, Junior Jungle fresh off the back of hosting the Fancy Dress comp, have kids up on stage with them, throwing an absolutely insane house party, followed by Besti in-house antics from veterans The Cuban Brothers. “This song is about bastards… it’s about the Tory party” Miguelito minces no words and the tent erupts in laughter, before we are treated to their heady mix of hip hop, soul and funk along with some breakdancing and a lot of lewd discourse. I sadly have to love and leave them to run to tonight’s headline act.
Paloma Faith hits the main stage in a cacophony of red, looking like she’d skinned Elmo for fashion, every bit the starlet we expect. ‘Bad Woman’ is “…dedicated to all the girls in the audience. No more ‘boys will be boys’, boys need to act right so we have space to be naughty. I sing this every night to my little girl to remind her to take up space”.
After fighting with her furry red coat and accidentally pulling off one of her grinch-coded gloves, Paloma jokes “I just find drunk people a bit boring” about song ‘Stone Cold Sober’ while she pauses to remove some of her glove from her gob “I’ve got fur in my mouth”.
Telling us “The new album is about my breakup with my kids dad… and about feeling better but guilty and ashamed and bad. So I wrote this song and had a word with myself a bit, for people who will relate to this song – this is for all the single parents out there.” Paloma brings us a little of the new alongside the old. ‘Only Love Can Hurt Like This’ is gorgeously sensual, and cements the Hackney pop Princess’ position at the top of the Camp Bestival bill.
SUNDAY
Sunday morning feels restful, even here. There’s a lazy quality to the sunshine today as we head over to Woodland Tribe, listening to the Indian Drummers and relishing the slight breeze alongside the waters edge at the Park Pool.
There’s a bit of a queue for Woodland tribe, but once in, the kids are completely fascinated by the chance to hammer nails into bits of wood, paint anything they want to, and just generally being allowed to do things they normally wouldn’t. A sprawling wooden hodge-podge between two Tardis-like doors, kids everywhere are engaged in the very serious business of BUILDING. Building what is anyone’s guess at this point, but I do like that someone has chosen to spend their time making a suspicious looking wooden cat.
Elsewhere in Spinney Hollow Craft Village there is basket weaving and sword making, around the corner from Art Town, Textile World and African Drumming. There’s not enough time in the weekend to get to all the activities on offer here, and to be fair quite a few of them are aimed at older children than ours, but you’ll never be bored.
With the sun up and getting hotter, I wish I’d brought my swimmies with me – but I have things to do and don’t fancy a dip in the old undercrackers. Maybe next time! Instead we head over to Navigation Town to catch an amazing aerial hoop artist, and then a hat juggling performance, with a cheeky mojito in hand from the cocktail bar next door. These are truly the moments I cherish here, sitting in the sunshine watching something that puts the unmistakable expression of sheer awe on tiny faces.
Each performer even had their own stamp for the kids to collect in their passports following the show, which is such a lovely touch. We hang out a little to join in with Nick the Piano Man doing a singalong, and then some Open Mic sign-ups, where a tiny girl called Lotta belted out Taylor Swift’s ‘Our Song’ with the confidence of a main stage artist.
We also watched a contact-juggler doing crystal ball tricks that even the Goblin King would have been proud of, before making our way over to the main stage for Ellie Sax. Dressed head to toe in shiny metallic sparkles, Ellie gives us classic club tunes with a side of saxophone, that you just didn’t know you needed but absolutely do. I LOVE this set, it is such a highlight – and Ellie running down the front barrier high-fiving kids is exactly the kind of wholesome star-struck experience you want them to have. We dance the kids down to the front on our shoulders and have a good old boogie. Ellie finishes up with Klingande’s Jubel, in the sunshine – perfect.
Craig Charles gives a funky, chilled DJ set – “This is how we roll… we play funk and we play soul” and I enjoy his Come Together/Crazy In Love mashup, but it does feel like a bit of a comedown after the raucous Ellie Sax. Level 42 are another outlier if you ask me, they’re good don’t get me wrong, but it’s a thin crowd down at the front, and we take the opportunity to get food and have a sit down.
Sara Cox is plagued by sound issues at the beginning of her set, but spins classics such as ‘Like A Prayer’ with stage dancers who are doing the most, followed by Britney’s ‘Baby One More Time’ and LMFAO’s ‘Sexy and I know It’. It is possibly some of the worst mixing of all time but she’s very fun and everyone loves her so, that’s that.
Luckily Faithless are up next, this time as a full band supporting Sister Bliss’s epic DJ skills, and it is clear from the gargantuan riser filled with an array of different decks, that she means business. No time is wasted in getting to the big guns, ‘Salva Mea’ and ‘Insomnia’ hit as hard as ever and are made even more robust with the addition of the big band accompaniment. Joy Division’s ‘Love Will Tear Us Apart’ given the Faithless treatment is one of my absolute favourites, but seeing Maxi Jazz in the matrix (well, on screens) is going to bring a tear to any old clubber’s eye.
“Camp Bestival, WE COME 1” shouts Bliss “Thank you for being with us on this incredible journey… if you make enough noise, we might have one more for you!” before dropping Dido’s ‘Thank You’ mixed up with some heavy drum and bass to end, replete with lasers and huge smoke bursts. It’s a stellar show, but what comes next is somewhat unexpected. There are no fireworks, there is no ending. No Rob da Bank and Josie coming on stage to say goodbye to everyone and thank them for coming – something that has been done at every Bestival and Camp Bestival forever.
The waiting crowd showed me that my disappointment was mirrored. We saw the fireworks of Dorset a few weeks ago, if this isn’t the kicker feeling of least-favourite-child, I don’t know what is. I felt in my bones that something was untoward – and to be proved completely right, a few days following the festival it was announced that Camp Bestival Shropshire would be “Taking a break next year”.
Whatever the reason, the way this one ended does not fill me with hope for a return. Though the push since has been “Come to Dorset instead”, it just isn’t that simple. We are a five hour journey from Dorset, our friends would be almost 8 hours away with young children in the car (and that’s without factoring the extra cost of travel). Shropshire was so perfectly primed for catching all those outside the Southern circle and I’m truly gutted to have to tell my kid that it just doesn’t exist next year, as after 3 – she’s already as much a Bestival native as I am.
I don’t want to end this review on a sour note though, because we’ve once again had an absolutely incredible time at this little festival. Camp Bestival is a lesson in love, in families taking time out to focus on each other. In parents being able to give their kids magic, in kids being able to see their parents be silly and free. The dancing, singing, hugging, the unmetered joy – something so rare, but so abundant here.
I am crossing everything for 2026, because in this ridiculous world, we all need to be more Bestival.
The Darkness @ Cambridge Corn Exchange 6.12.19
On Friday 6th December in the remarkable city of Cambridge, we waited in anticipation outside the doors of the Corn Exchange. A fantastic venue to which has played host to many events including music artists, theatre productions, comedians and more. The reason why we were there was to attend another awesome event The Darkness live!
The Darkness are an alternative rock band originally from Lowestoft. The act formed back in the year 2000. The band consists of musicians Justin Hawkins on vocals and lead guitar, Dan Hawkins on guitar, Frankie Poullain on bass and last but not least Rufus Tiger Taylor on drums and percussion.
Upon entering the venue, our photographer and I came into the foyer, which inclued a bar at either side and also a merch stall selling products for both The Darkness and also the evening’s support act Rews. The venue filled up fairly quickly with eager and excited fans.
First, to take to the stage, were Rews, a female fronted alt/rock band that formed in Northern Ireland back in 2014. Shauna Tohill, Ele Lucas and Scott Hislop really got the night off to an energetic start! Their first realeased albums were titled ‘Pyro’ and ‘Your Tears’. The band were so full of energy filling the stage with jump kicks and lots of dance action. They sang a total of eight hits, including ‘Shake Shake’, ‘Can You Feel It?’ and their latest single ‘Birdsong’. Their music had a great variation in style, so there was something for everyone, including a mix from heavier rock to softer more ballad like tones. A great all rounder. The band showed great interaction with the crowd and you could tell the audience really loved their musical styles. Their new album is due for release in 2020, so make sure to be on the look out for that!
After a short interval, the band members of the night’s headline act, The Darkness entered wearing white suits and Justin Hawkins donning his expected flamboyant and show stopping attire. The band had performed two sets on the night in which they played the whole of their lastest album ‘Easter Is Cancelled’ and then the second half of their show featured their older well known hits. The audience was a wide range of ages, from older generations, to younger ones. Their was one young lad in the crowd who looked only around six years old, who was clearly having the time of his life, sitting on his parent’s shoulders wearing a sleeveless denim jacket with band patches on. His parents must be so proud!
There were 3 arches decorated with lights at the back of the stage in which cartoon clips were playing during the band’s set, this included cows in a field and also characters from the James Cameron’s infamous film Titanic. On the last song of the first half the band all except Justin left the stage. Justin was left on stage with just an acoustic guitar in which he sung ‘We Are The Guitar Men’.
After another short break, Frankie came back on stage with a cow bell and got the crowd to clap along with the beat of the bell. After a quick costume change the band returned to the stage once more. Justin wore a festive red jumpsuit with the front uncovered showing his tattoos and all kinds of nipple.
Justin was brilliant at getting the crowd involved with the show. He was getting them to try and reach the same pitches that he can even chanting out “F**k’. The whole room filled with amusement and ended up singing throughout the whole performance. When the initial bars of their infamous 2003 hit ‘I Believe In A Thing Called Love’ were played everyone was elated and sang along. The night was brought to a close in the only festive way that it could have been, the band ended with their Christmas song ‘Christmas Time (Dont Let The Bells End)’, this was great as Christmas is only a few short weeks away.
Both bands were highly enjoyable to watch live and a definite must see if you get the chance.
Review by Ellie Siemianowicz
Photos by Kane Howie
Splendour Festival 2016 Review
The sun was shining hotly and brightly on Nottingham’s favourite festival, Splendour 2016. Set in the grounds of the stunning Wollaton Park, I was delighted to be attending for the second time and it didn’t disappoint. There was definitely no shortage of festivals this weekend but with a fantastic line-up and variety of entertainment, Nottingham’s sell out festival was definitely the best place to be.
The site was well set out with plenty of toilets and water points. The food stalls were spread evenly across the site and offered plenty of choice including vegan and gluten free options. I enjoyed a gorgeous gluten-free chicken and chorizo paella topped with a delicious salsa and lemon for £7. Later on I tucked into nachos with guacamole, salsa and cheese for only £3.50! Drinks tokens could be purchased for £4 each or in multiples. Tokens were then swapped for alcohol and soft drinks at a choice of 3 bar areas. Given that there were over 23,000 people attending, we didn’t have to queue once to get a drink. The bar staff were really friendly although with only beer, cider, JD and coke and wine, there wasn’t much choice. More spirits would have been welcomed. Stalls offered a variety of clothes, jewellery and trinkets all reasonably priced. Fringe entertainment included songs and laughs from Mrs Green; circus shows; activities for youngsters in the Kids’ Zone, silent disco and Magician, Daniel Dore. It was clear that Splendour has a great family atmosphere and well catered for all age groups.
Headlining the main stage was Grammy award winner, Jess Glynne. After dropping out of Splendour last year due to illness, her appearance was hotly awaited. She opened up with ‘Don’t be so hard on yourself’ which instantly got the crowd dancing! She looked stunning in a two piece gold outfit and I loved the focus that she gave to the music and the audience rather than dance moves and outfit changes. She followed up with hit after hit; ‘Rather be,’ ‘No rights no wrongs,’ ‘Gave me something,’ ‘Not letting go,’ and ‘It ain’t right.’ She then did a beautiful acoustic version of ‘My love’ which she dedicated to her dad who is from Nottingham, which the crowd loved. She engaged with the crowd and asked everyone to shine the torch on their phone which created a beautiful sea of light as far as the eyes could see. She followed up with hits such as ‘Home’ and ‘Real love’ and then did a cover version of Chaka Chan’s ‘I feel for you’ where she pulled off some funky dance moves with her backing singers. For the encore she sang ‘Right here’ and her number one track ‘Hold my hand.’ The crowd went crazy singing and dancing and it was a perfect end to a fantastic headlining artist. Jess Glynne did Nottingham proud!
Over on the Confetti Stage, a large crowd gathered for the headlining act, The Darkness. Donning a flamboyant purple one-piece glam-rock-esque cat suit, Justin Hawkins thrusted himself into their opening track ‘Black shuck.’ The charismatic front man belted out ‘Growing on me’ ‘Love is only a feeling’ and their original glam rock track ‘I believe in a thing called love.’ Justin entertained the crowd with his own brand of sweary banter adding to an electric atmosphere.
Set list was
Black Shuck
Growing on me
Givin’ up
One way ticket
Love is only a feeling
Barbarian
Get your hands off my woman
Stuck in a rut
I believe in a thing called love
Love on the rocks with no ice
Scottish rockers, The Fratellis, kicked off with ‘Henrietta’ and finished with a crowd-rocking ‘Chelsea Dagger.’ Earlier in the day veteran Irish punk rockers, Stiff Little Fingers, played a fantastic set to a large crowd. Legendary tracks ‘At the edge, ‘Tin soldiers’ and ‘Gotta gettaway’ got the crowd rocking.
UB40 got a warm response with one reveller shouting ‘UBeee, UBeee, UBeee!!’ ‘You gotta love UB!’ she tells me. The crowd are dancing and singing to the glorious reggae tunes of ‘Cherry Oh Baby’ and ‘Red Red Wine.’
The Human League put on an impressive show opening with ‘Mirror Man,’ and ‘Electric Dreams’ is slickly played into ‘Don’t You Want Me’ for the finale.
Over on the acoustic stage, Jonny Olley kicked the day off, with acts like Josh Wheatley, Bru-C and Brad Dear performing throughout the day.
With its eclectic mix of artists and bands, there is sure to be something for every age group at Splendour Festival which makes it the perfect family day out. I cannot wait for next year! Roll on Splendour 2017!
Splendour 2016 lineup confirmed
One of the biggest artists of the past 12 months, Grammy award winner and Brit nominated pop sensation Jess Glynne is to headline Splendour on 23 July 2016.
The booking comes on the back of an amazing year for the artist after her debut album – ‘I Cry When I Laugh’ – made her the biggest selling debut artist of the year. The album features her five number one singles including smash hit ‘Hold My Hand’ and its equally successful follow up ‘Don’t Be So Hard On Yourself’, along with the recent single ‘Take Me Home’, the official song for Children in Need.
Jess is the first solo female artist to headline Splendour since Kate Nash took to the main stage in the first year of thefestival in 2008.
The singer, 26, has already equalled the record for the most number one singles by a British female solo artist — five — and has now announced a brand new single from the album, ‘Ain’t Got Far To Go’, due for release on 26 February via Atlantic.
The Human League and UB40 – two legendary bands with an outstanding back catalogue stretching back more than 40 years – join the bill on the main stage headlined by one of the hottest artists of the moment Jess Glynne, the Grammy award winner with an unbelievable 5 UK Number 1 singles from her chart topping debut album.
Another British singer with a debut number 1 album, Jamie Lawson is next on the bill with Turin Brakes, Jeremy Loops and local Nottingham artist Ady Suleiman also announced for the main stage. Suleiman has been earmarked as one to watch, his timelessly classic yet fresh sound has garnered him a broad range of influential fans from both sides of the Atlantic. The festival will once again be championing local talent by offering the opening slot of the main stage to the winner of the hotly contested Future Sound of Nottingham battle of the bands competition.
Across the park, multi-million selling megaband The Darkness will headline the Confetti stage along with The Fratellis, The Rifles, Stiff Little Fingers, Louis Berry, These Your Children and Eyre Llew.
Headlining the Acoustic Rooms stage will be British folk singer Will Varley, who has recently sold out The Bodega and supported Frank Turner at Rock City, followed by Brad Dear, Tom McCartney, Bru-C, Ellie Keegan, Josh Wheatley, Raphael Blake and Lowrie.
Over on the Funhouse Comedy stage, acts will include: John Ryan, Patrick Monahan, Ivan Brackenbury, El Baldiniho, Tom Binns, Vince Atta.
Formed in Sheffield in the late 1970s The Human League evolved into one of the seminal 80s electro pop bands. The band sold more than 20 million records and their classic pop masterpiece ‘Don’t You Want Me’ was a number one hit around the world.
Naming themselves after the unemployment benefit form, UB40 formed in 1978, before releasing their debut album ‘Signing Off’ in August 1980. It was the start of a career that has since seen the band have over forty UK Top 40 hit singles and achieve sales of over 100 million records. Led by Robin Campbell and Duncan Campbell on vocals, UB40 play Splendour for the first time following a sell-out show at Rock City in 2014.
British singer-songwriter Jamie Lawson is quickly making his mark on the music industry, as the first artist signed to Ed Sheeran’s record label, Gingerbread Man Records. In the whirlwind that followed, Jamie toured with Ed across the world and supported One Direction on their final full UK arena tour. His self-titled album reached #1 in the UK and has sold over a quarter of a million copies worldwide.
After a fantastic sell out show at Rock City in December, three-times Brit award winners The Darkness will be bringing some glam rock to the Confetti stage. Revellers can expect a high-energy set, full of remarkably catchy material, and unapologetic worship of old-school rock & roll including their classic “I Believe in a Thing Called Love”.
Scottish rockers The Fratellis will bring their turbo charged indie guitar tunes including top 10 hit singles "Chelsea Dagger" and "Whistle For The Choir".
2015 saw indie band The Rifles mark the ten year anniversary of their debut album ‘No Love Lost’ with four triumphant sold out Electric Ballroom shows in London and 2016 will see the release of their 5th album.
Punk rock stalwarts Stiff Little Fingers take to the stage before hotly tipped Liverpool-born singer-songwriter Louis Berry will take things in a soulful direction with his gritty rock 'n' roll with soul. Louis has won praise from the likes of BBC Radio 1’s Annie Mac, John Kennedy at Radio X and Zane Lowe.
The Darkness, Shadow Child and more added to Brownstock lineup
After a 2011 reunion, quadruple platinum selling rock outfit The Darkness returned to our stereos and stages, now they are headed for Brownstock. The glam four piece, fronted by falsetto-reaching frontman Justin Hawkins have bagged BRIT, Ivor Novello and MTV EMA awards during their high-octane international career. Essex is preparing to head bang to hits such as ‘Growing on Me’ come July.
DJ and producer Shadow Child is known to many via his shows on BBC Radio 1 and Rinse FM, he joins the line up for Brownstock having previously remixed fellow performer Example. Also appearing will be Lancashire future garage duo Bondax and Indiana, a singer making waves with her single ‘Solo Dancing’. With a number one debut album under their belts The Hoosiers will offer up indie rock to the festival’s menu.
Elsewhere amongst the recent additions are triple deck spinning Drum and Bass DJ, Friction, UK garage leaderMJ Cole and the hip-hop/jungle infusing DJ Zinc. Ibiza Rocks resident DJ Doorly, warehouse rave originatorsRatpack and Brightonion Fono are also in line to get Brownstock jumping. RAM Records’ will be represented by artists Rene Lavice and Culture Shock whilst the much hyped Rat Boy and eye catching Them&Us prepare to take to the stage.
The Treehouse Stage, hosted by Fréses events also unveils the first of its acts today. Anna Mcluckie, best know for her appearance on The Voice in which she wowed judges not just with her singing but also her harp skills, crowns The Treehouse Stage. Elsewhere a number of Essex’s very own up and coming, unsigned and grassroots talents will be taking to the Treehouse stage including Youth Club, Courts, Dojo, Midnight Barbers, Stealing signs takeover, October Glow, Calgary, Local Life DJs, John The Baptist, Darcy andFréres DJs.
Y Not Festival lineup update
Joining The Cribs, The Horrors, The Darkness, The Enemy, Ash and the Mystery Jets and many many more are: Deaf Havana, IsMe, Chapel Club, Temples, The Temperance Movement, Nightworks, Maybeshewill and Chloe Howl. For the full line-up go to www.ynotfestivals.com
Also revealed are the chosen 20 unsigned bands who emerged from Y Not's search for the best of new talent. The festival, found in the heart of the Peak District, has a tradition of supporting emerging artists – stemming back to its birth in a quarry.
Festival organiser, Ralph Broadbent says, "There's been an excellent response this year – we had over 1,700 artists apply".
In addition to Y Not, the judging panel included BBC Introducing, Naim Label and top bands, The Horrors, Mystery Jets, and We are The Ocean. The results are on the Y Not website. BBC Introducing's Dean Jackson said: "I was happy to listen and watch the new artists as, having a long association with Y Not, I know what a fantastic opportunity it is for emerging artists to play."
Dean also explained, "I'm passionate about development of the next generation of bands and musicians so, consistent with what I do every Saturday night on the radio, I jumped at the chance to help new artists get this important early exposure". There's been widespread support through Twitter and Facebook from the bands already playing at Y Not.
Aled, from Kids in Glass Houses, said " Every band has to start somewhere and while the computer has made it easier than ever for bands and musicians to express themselves and produce professional quality work, they still need that bit of help to get seen and heard – and luck." Their experience, he said was very similar, "We got our breaks as an unsigned band by sending our demos in the post to competitions similar to the Y Not one and magazines as well. I think Britain is very open and eager for new bands so it's great that Y Not recognise that and are actively supporting and seeking new talent. These festivals aren't gonna headline themselves in five years!"
And Y Not meanwhile is ensuring this will be a spectacular of a festival. Between the gaps in the music, there are bars, a drive- in cinema, dodgems, helter skelter, a roller disco and unusual sightings rumoured. Younger families are also being looked after – with expanded family camping and kids activity area. This year the festival runs from 2-4 August, near Matlock, Derbyshire.
The Horrors, The Cribs & The Darkness to headline Y Not Festival
Y Not Festival today announced all its headliners and most of its line-up for this year's festival. It's an eclectic mix of genres: household names and established artists are found next to buzz bands of 2013 and local talent.
On Friday – headlining are The Horrors, supported by the Mystery Jets, Saturday, it's The Cribs, supported by Ash and on Sunday, it's The Darkness, supported by The Enemy.
Other key acts include: The 1975, Dan Le Sac Vs Scroobius Pip, Dry the River, Electric Six, Kids in Glass Houses and The Joy Formidable
Also to follow are the announcements for the Allotment Stage – this is the stage which nurtures home-grown talent and gives it the opportunity to bloom. Over 1,700 bands applied via this route and Y Not have dedicated 20 slots to the brightest and best of them.
To help festival goers see as many bands as possible, Y Not has also launched a planner. Accessible via the Y Not website, this nifty piece of software shows at a glance what time they need to be where and when there are clashes between their favoured bands which might test their loyalties.
The Darkness and Reef for Looe Music Festival
Place your hands on tickets to see Brit rockers Reef, and The Darkness on Looe beach this autumn. Looe Music Festival 2013 promises 60 bands, 3 stages … and 1 big party on the beach over the weekend of 27th – 29th September.
The Darkness, Reef and Dizraeli & the Small Gods will head a hefty line-up of rock, punk and modern ska talent that includes The Damned, Sham 69, Missing Andy and Simon Townshend fresh from his UK tour with The Who.
Folk fans can look forward to a busy weekend of performances from celebrated folk singer-songwriter and virtuoso fiddler Seth Lakeman (making the short journey across the Tamar to take Looe beach by storm on the Saturday night), plus BBC Folk Award winners (Best Folk Duo 2012) Kathryn Roberts & Sean Lakeman, singer-songwriter Judy Dunlop, and folk-pop starlet Lisbee Stainton.
If swamp-infested, Latin-American gypsy blues is more your style, Congo Faith Healers are one to catch. Listed as one of The Independent’s Top 10 Bands to see live in London. Carnival outfit Tankus The Henge have a reputation for whipping crowds into a frenzy too. Named as one of Glastonbury 2011’s top 10 bands, check them out for yourself at Looe Music Festival 2013. As always, LMF will be showcasing local talent from Looe, and seasoned performers from all over Cornwall and the South West.
BBC Poetry Slam champion Dizraeli, with world Beatbox champion Bellatrix and a supernaturally gifted 7-piece band make Dizraeli & the Small Gods the ones to see on the Friday night at the beach.
Rockney heroes Chas & Dave will close the weekend in style supported by the pioneers of ‘oom-pop’ the lederhosen-clad, London-based Oompah Brass. Last year sold out … don’t miss the boat. Tickets looemusic.co.uk/tickets
Pearl Jam to headline Isle of Wight Festival 2012
Also added to the bill are The Darkness, Feeder, Professor Green, Wretch 32, Loick Essien and Clement Marfo & The Frontline. Tickets are available NOW from www.isleofwightfestival.com for what is sure to be a weekend to remember.
Pearl Jam sold more than 15 million copies of their first two albums, leaping from obscurity to superstardom and will now take the headline slot on Saturday 23rd June at the Isle of Wight Festival2012. Responsible for popularising the Seattle grunge sound and style, Pearl Jam continue to combine guitar-heavy Led Zeppelin-influenced songs with Eddie Vedder's charismatic impassioned vocals. This will be a UK Festival exclusive and so make sure you’re there to witness what will be an unbelievable performance!
The truly eclectic line up will see British glam rock band The Darkness take the headline slot in the Big Top on Sunday 24th June closing the Festival weekend. The band, who reformed this year are renowned for their elaborate stage performances, so expect a show you won’t forget in a hurry.
Since they started releasing records fifteen years ago, Feeder have never been far from the charts or strangers to the stage. After a crowd pleasing performance in 2008 the band will open the Festival’s main stage on Friday 22nd June.
On Saturday 23rd June, Hackney boy Professor Green will bring his slick rap lyrics to the atmospheric Big Top. After recently celebrating success with the number one single ‘Read All About It’,Professor Green comes to the island for a not to be missed performance! Joining the Big Top bill is one of the biggest music success stories of 2011; Wretch 32. Sure to wow the crowd with tunes such as the chart topping, ‘Don’t Go’, Wretch 32 is the perfect addition to the Isle of Wight Festival line up.
Loick Essien came to music almost by accident and now brings his sophisticated, smooth, accessible British urban soul style to the Big Top on Saturday 23rd June. Next up is Clement Marfo & The Frontline, whose inimitable sound comes from their deft ability to fuse hip-hop, grime and rock and pop in a brilliantly idiosyncratic fashion.
John Giddings, the Festival’s promoter, says, ‘Pearl Jam completes our American trilogy for this year. They have been on our wish list for a long time and we are proud for them to come to the island for the first time. Meanwhile we intend to provide plenty of other entertainment in the Big Top and Garden Stage starting with contemporary urban entertainment of Professor Green and Wretch 32.’
The much-loved Isle of Wight Festival is one of the most important dates on the summer calendar and a truly remarkable weekend of music and fun. Taking place across three stages festivalgoers can expect unmissable performances from artists including; Tom Petty and The Heartbreakers, Bruce Springsteen & the E Street Band, Elbow, Noel Gallagher’s High Flying Birds, Example,Noah & The Whale, The Vaccines, Madness, and The Christians. More acts will be announced soon…