CAMP BESTIVAL Shropshire 2024 – The Big Review!

© Anna Hyams for SFG

THURSDAY

After weeks of nice sunshine, OF COURSE it is widdling it down the day we’re heading out to Camp Bestival Shropshire. Regardless, we are determined to have an excellent time and head into Weston Park with glee to collect our wristbands.

After wrangling two very excited children, four adults, ten tonnes of snackage, a crate of fancy dress and a partridge in a pear-tree into our home for the weekend – a fancy shmancy bell-tent – we are all knackered and hungry. The arena calls us, with it’s beautiful silk flags waving in the wind (the rain has thankfully subsided). We make our way over to The Feast Collective, find a long bench to house everyone, and go about selecting some delicious dinners to fuel our tanks. Plant-based tacos, chicken katsu bowls, steak frites, smoothies and cocktails served in pineapples… you name it, you can find it at Bestival.

After dinner, a walk around the site is in order and I can definitely say that more attention to layout and decoration has been taken this year. There seems to be something fun to look at everywhere you turn, and things seem to flow more easily than in last year’s set-up. The new Navigation Town, tacked onto the back of Caravanserai and the bandstand, looks absolutely beautiful, and I love the new stamp-able passport initiative for the kids.

We spend the rest of the evening playing in smoke bubbles at the Bubble shop, and buying a Cheshire cat tail at the Tail shop, from a lady dressed as a disco lemur. 10/10 Bestival evening of weirdness, but we defect to camp to get some much-needed sleep before the big weekend.

© Anna Hyams for SFG

FRIDAY

A morning of pancakes and delight at the fact that the rain has gone, is followed by donning our brightest funnest clothing and heading out to see what’s up. There’s already a huge queue for the World’s Biggest Bouncy Castle, heaps of people already queuing up for water sports like paddle-boarding and wild swimming, and lovely morning Yoga going on at Slow Motion. You couldn’t pay me to take a dip in the ice-bath though, I’m just not that person.

We talk a walk through the woods, which have been significantly developed since last year – now housing the Scouts and woodland activities such as fabric weaving between trees, bug catching and even mini-archery. We have a go at toasting s’mores on the open fire, crack-out the dressing up box on the woodland stage for a quick soliloquy, and have a good old crash around in the Orchestra of Objects. I particularly liked the teaspoon and tea-pot glockenspiel.

© Anna Hyams for SFG

On the main stage, Hacker T Dog & Katie Thistleton from CBBC are getting rowdy in the crowd and blasting interesting versions of the theme tunes from Paw Patrol and Fireman Sam, which is obviously going down a storm with the small beings (and the Dads). During the explosive Braniac show, we pop over to pick up our Kids Pass food packs – at a mere £40 for the entire weekend, I genuinely Believe this is the best initiative a UK festival has ever come up with.

So first up, we show our QR codes to pick up the pack itself, which consists of a Camp Bestival printed drawstring bag (which is a really nice quality souvenir in itself) and a printed water bottle, as well as our sheet of vouchers. The vouchers consist of; 1 lunch, 1 snack, 1 dinner and 1 sweet treat per day. In the next tent over, we go to pick up the lunch items for day one – hand in our token and are offered a choice between a sandwich, a wrap and a pot of pasta. These are full-size meal-deal type offerings, which are then supplemented with a fruit snack bar, a squeezable yoghurt, a box of fruit juice and then two pieces of actual fruit (which you can go back and get more of at any time of day, unlimited. Filling up the water bottle with filtered tap water is also a nice touch, it tastes better than the other water points on site.

I realise I am waxing lyrical about a food scheme here, but I can’t tell you how much stress it took off our shoulders for the weekend. We didn’t have to think about whether the kids would like their lunches – it’s all kid-friendly options, we didn’t worry about getting nutrients into them thanks to the fruit, we could carry the snacks around all day instead of being blindsided by “I’m hungry” every two minutes. The main meals were redeemable at heaps of outlets around the site (personal pizza, kids tacos, hotdogs and chips, even ramen bowls!) and ours chose exclusively ice-cream as their daily sweet treat, of course.

So after our picnic lunch, we took a squiz at all the other entertainments on offer across this area, including skate ramp lessons, a giant game of football and roller disco. Everywhere we wandered had stamp stations for the Navigation passports, so we spent a good deal of time trying to get those done as well.

Rick Parfitt Jr. covers pop bangers from U2 to The Black Eyed Peas, but Say She She really bring the party, with their funky disco sounds. All three of them are not only mesmerisingly beautiful, but incredible vocalists – if you have the chance, they are a must-see.

McFly are my stand-out band of the weekend, coming in with so much energy and joy you can’t help but get up and dance with them. A huge crowd is going absolutely bonkers for ‘Where Did All The Guitars Go’, Tom is jumping around the stage, we get a cover of Bon Jovi’s ‘Livin’ On A Prayer’ mixed with the ‘YMCA’… what’s not to love? Kids on shoulders are rocking out to ‘All About You’ and ‘Five Colours In Her Hair’ like it’s the early noughties all over again, and I’m here for it.

After Orbital’s Phil Hartnoll gave his first performance at the CBeebies Bedtime Story Tent (reading Doggy Dance Off), its time for the sonic sounds of gorgeous ambient rave from their decks in the Big Top. Spiraling soft lighting provides a backdrop to their dance party antics, and I can’t stress this enough – if you don’t like ‘Chime’, there’s something wrong with you. Go see a Doctor.

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Rick Astley closes the main stage for Friday night, looking truly debonair in a coral coloured suit and his inimitable coiffured hair he struts out to a deafening cheer from the crowd. Honestly he looks like he’s just stepped right off the Hairspray musical stage into Weston Park.

A rousing carousel of his own hits and a few covers ensues, peppered with jokes and anecdotes about his time as a performer. “I’m 58, my knees are shot, my ankles are shot… Not really, I’m fit as a fiddle, drink me in! I don’t really dance as much anymore, I just stand here looking gorgeous. Camp Bestival, do you want to dance with me?” laughs Rick, as he salsas his way across the stage.

“There are people here young people, people whose mums and dads weren’t even born when these Songs were out” he giggles before dropping into 1988’s ‘Hold Me In Your Arms’. After thanking everyone in the entire festival; “…massive thank you to the staff and crew, the security, Brownies over there, Hot Dogs… Chunky Chips, let’s hear it for the Chunky Chips!” and a rendition of AC/DC’s ‘Highway To Hell’ which he plays on the drums, our anticipation is finally satiated with the reverse-rickroll, the one we’ve been waiting for – ‘Never Gonna Give You Up’. It’s a delight to see and hear this in person to be honest, iconic and nostalgic. I bought a t-shirt with it on too because I want to rickroll everyone in my daily life, forever.

The night is still young, so we take a stroll around to the truly beautiful Caravanserai, my spiritual home. Everyone is dancing or crammed into tiny caravans drinking fun cocktails, children are sleeping in trollies or dancing in bubble trails, Bestival at night is the most magical and hard to explain experience, the whimsy and carefree vibe is unmatched. Alas, the small ones will wake with the sun regardless of my wish to live in the night, so we mosey back to camp for bed.

SATURDAY

A morning of Soft Play (for the under 5’s) gives us the gift of post-breakfast energy burn, followed by a couple of goes on EarthBot’s slides, and then seeing Bluey (for real life!) in the CBeebies tent, complete with take-away colouring pages which proved very useful for downtime later on.

© Anna Hyams for SFG

Mr. Maker has everyone drawing shapes in the sky with their fingers, and roaring along to his very questionable rendition of Old McDonald (no, Tigers are not traditionally farm-animals, unless you’re Joe Exotic I guess). Morning of the Misters continues with Mr. Tumble who is playing to an absolutely enormous crowd of shrieking children, but we are having a picnic lunch off to the side.

© Anna Hyams for SFG

Having hastily chosen our movie only a couple of weeks ago and scrambled to put together outfits, we, the cast of Bill & Ted’s Excellent Adventure, scamper over to LoveBot to enter the Fancy Dress Competition. This year’s fancy dress theme of ‘Time & Space’ of course meant that there were about 5 Delorean/Marty McFly teams in attendance, The Flintstones were pretty amazing too, but my vote would absolutely have gone to the Dune-themed family who had turned their festival trolley into the coolest disco sandworm ever. Unfortunately we came second, and the competition went on so long that the kids’ patience had run as dry as Arakis, but we all got rosettes so were pretty pleased with ourselves regardless.

In an effort to appease a tiny gromp, we take to the Carousel for some old-timey action and witness one child screaming (not with joy) their way around the at least 4 minute long ride. Not one to be offput by this, ours thoroughly enjoys herself and then asks to go on the Helter Skelter as well. Seeking a little shade and a sit down, we pop round to Josie’s Post Office, which is set up with colouring and craft tables – a perfect break, especially with the relaxing sounds of Joe Fleming at Caravanserai in the background.

© Anna Hyams for SFG

On the main stage, The Amy Winehouse Band are giving us all the hits in the sunshine – though it is bringing back memories for me, of seeing Amy Winehouse at Bestival in 2008, a few years before her death. At that show, she rocked up 80 minutes late and stumbled her way badly through what was left of the set – getting absolutely slated for it in the press. She might not be here today, but it feels like I’m hearing what it should have been like – bittersweet.

Hak Baker brings us a soulful set full of feel-good songs “I see a lot of smiles that’s good, I need that today”, before Gok Wan (who does his own intro “He’s six foot and gorgeous, iiiiiit’s GOK WAN!”) brings his bouncy fun DJ set to the arena. We defect early in search of food, today’s choices include pie, roasted duck fries, and pasta Bolognese with garlic bread.

© Anna Hyams for SFG

The Darkness kindly ask if we, the parents would like a censored set from them “…the next song has quite a few expletives, do you want the dirty or clean version? I can swap some of the words, one beginning with C becomes coconut, which has three syllables rather than the original word… so, dirty or clean?” to which everyone obviously screams “Dirty”. It’s an absolute firecracker of a show, with Justin’s undefeatable rock-and-roll frontman sensibilities and the bands’ undeniable energy. I wouldn’t call myself a fan, but it’s hard to deny they have star quality and the songs are unquestionably singable – especially when accompanied by Justin doing a headstand on the drum riser and clapping along with, er, his feet.

Eardrum bursting ‘I Believe In A Thing Called Love’ is the anthem of the evening, every Dad in the arena is rocking out – and, asking an entire crowd of kids to yell Motherfxker is just funny, I don’t care who you are.

© Anna Hyams for SFG

Jake Shears (of Scissor Sisters fame) dances across the stage with wild abandon in a blue velour tracksuit, accompanied by drag queen Snow White Trash on the saxophone, for a super fun set. It’s an absolute party on stage, and we too are capering about to the classics ‘Take Your Mama’ and ‘I Don’t Feel Like Dancin’.

In the Big Top, Junior Jungle fresh off the back of hosting the Fancy Dress comp, have kids up on stage with them, throwing an absolutely insane house party, followed by Besti in-house antics from veterans The Cuban Brothers. “This song is about bastards… it’s about the Tory party” Miguelito minces no words and the tent erupts in laughter, before we are treated to their heady mix of hip hop, soul and funk along with some breakdancing and a lot of lewd discourse. I sadly have to love and leave them to run to tonight’s headline act.

Paloma Faith hits the main stage in a cacophony of red, looking like she’d skinned Elmo for fashion, every bit the starlet we expect. ‘Bad Woman’ is “…dedicated to all the girls in the audience. No more ‘boys will be boys’, boys need to act right so we have space to be naughty. I sing this every night to my little girl to remind her to take up space”.

After fighting with her furry red coat and accidentally pulling off one of her grinch-coded gloves, Paloma jokes “I just find drunk people a bit boring” about song ‘Stone Cold Sober’ while she pauses to remove some of her glove from her gob “I’ve got fur in my mouth”.

Telling us “The new album is about my breakup with my kids dad… and about feeling better but guilty and ashamed and bad. So I wrote this song and had a word with myself a bit, for people who will relate to this song – this is for all the single parents out there.” Paloma brings us a little of the new alongside the old. ‘Only Love Can Hurt Like This’ is gorgeously sensual, and cements the Hackney pop Princess’ position at the top of the Camp Bestival bill.

© Anna Hyams for SFG

SUNDAY

Sunday morning feels restful, even here. There’s a lazy quality to the sunshine today as we head over to Woodland Tribe, listening to the Indian Drummers and relishing the slight breeze alongside the waters edge at the Park Pool.

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There’s a bit of a queue for Woodland tribe, but once in, the kids are completely fascinated by the chance to hammer nails into bits of wood, paint anything they want to, and just generally being allowed to do things they normally wouldn’t. A sprawling wooden hodge-podge between two Tardis-like doors, kids everywhere are engaged in the very serious business of BUILDING. Building what is anyone’s guess at this point, but I do like that someone has chosen to spend their time making a suspicious looking wooden cat.

Elsewhere in Spinney Hollow Craft Village there is basket weaving and sword making, around the corner from Art Town, Textile World and African Drumming. There’s not enough time in the weekend to get to all the activities on offer here, and to be fair quite a few of them are aimed at older children than ours, but you’ll never be bored.

With the sun up and getting hotter, I wish I’d brought my swimmies with me – but I have things to do and don’t fancy a dip in the old undercrackers. Maybe next time! Instead we head over to Navigation Town to catch an amazing aerial hoop artist, and then a hat juggling performance, with a cheeky mojito in hand from the cocktail bar next door. These are truly the moments I cherish here, sitting in the sunshine watching something that puts the unmistakable expression of sheer awe on tiny faces.

Each performer even had their own stamp for the kids to collect in their passports following the show, which is such a lovely touch. We hang out a little to join in with Nick the Piano Man doing a singalong, and then some Open Mic sign-ups, where a tiny girl called Lotta belted out Taylor Swift’s ‘Our Song’ with the confidence of a main stage artist.

We also watched a contact-juggler doing crystal ball tricks that even the Goblin King would have been proud of, before making our way over to the main stage for Ellie Sax. Dressed head to toe in shiny metallic sparkles, Ellie gives us classic club tunes with a side of saxophone, that you just didn’t know you needed but absolutely do. I LOVE this set, it is such a highlight – and Ellie running down the front barrier high-fiving kids is exactly the kind of wholesome star-struck experience you want them to have. We dance the kids down to the front on our shoulders and have a good old boogie. Ellie finishes up with Klingande’s Jubel, in the sunshine – perfect.

© Anna Hyams for SFG

Craig Charles gives a funky, chilled DJ set – “This is how we roll… we play funk and we play soul” and I enjoy his Come Together/Crazy In Love mashup, but it does feel like a bit of a comedown after the raucous Ellie Sax. Level 42 are another outlier if you ask me, they’re good don’t get me wrong, but it’s a thin crowd down at the front, and we take the opportunity to get food and have a sit down.

Sara Cox is plagued by sound issues at the beginning of her set, but spins classics such as ‘Like A Prayer’ with stage dancers who are doing the most, followed by Britney’s ‘Baby One More Time’ and LMFAO’s ‘Sexy and I know It’. It is possibly some of the worst mixing of all time but she’s very fun and everyone loves her so, that’s that.

© Anna Hyams for SFG

Luckily Faithless are up next, this time as a full band supporting Sister Bliss’s epic DJ skills, and it is clear from the gargantuan riser filled with an array of different decks, that she means business. No time is wasted in getting to the big guns, ‘Salva Mea’ and ‘Insomnia’ hit as hard as ever and are made even more robust with the addition of the big band accompaniment. Joy Division’s ‘Love Will Tear Us Apart’ given the Faithless treatment is one of my absolute favourites, but seeing Maxi Jazz in the matrix (well, on screens) is going to bring a tear to any old clubber’s eye.

“Camp Bestival, WE COME 1” shouts Bliss “Thank you for being with us on this incredible journey… if you make enough noise, we might have one more for you!” before dropping Dido’s ‘Thank You’ mixed up with some heavy drum and bass to end, replete with lasers and huge smoke bursts. It’s a stellar show, but what comes next is somewhat unexpected. There are no fireworks, there is no ending. No Rob da Bank and Josie coming on stage to say goodbye to everyone and thank them for coming – something that has been done at every Bestival and Camp Bestival forever.

The waiting crowd showed me that my disappointment was mirrored. We saw the fireworks of Dorset a few weeks ago, if this isn’t the kicker feeling of least-favourite-child, I don’t know what is. I felt in my bones that something was untoward – and to be proved completely right, a few days following the festival it was announced that Camp Bestival Shropshire would be “Taking a break next year”.

Whatever the reason, the way this one ended does not fill me with hope for a return. Though the push since has been “Come to Dorset instead”, it just isn’t that simple. We are a five hour journey from Dorset, our friends would be almost 8 hours away with young children in the car (and that’s without factoring the extra cost of travel). Shropshire was so perfectly primed for catching all those outside the Southern circle and I’m truly gutted to have to tell my kid that it just doesn’t exist next year, as after 3 – she’s already as much a Bestival native as I am.

I don’t want to end this review on a sour note though, because we’ve once again had an absolutely incredible time at this little festival. Camp Bestival is a lesson in love, in families taking time out to focus on each other. In parents being able to give their kids magic, in kids being able to see their parents be silly and free. The dancing, singing, hugging, the unmetered joy – something so rare, but so abundant here.

I am crossing everything for 2026, because in this ridiculous world, we all need to be more Bestival.

Henley Festival announce 2020 lineup

MADNESS

JAMES BLUNT

SOPHIE ELLIS-BEXTOR

SARA COX PRESENTS JUST CAN’T GET ENOUGH 80S

DISCO CLASSICAL WITH

KATHY SLEDGE OF SISTER SLEDGE

CLASSIC FM PRESENTS CLASSICAL SALUTE

FEATURING THE ROYAL PHILHARMONIC ORCHESTRA CONDUCTED BY STEPHEN BELL

PRESENTED BY MYLEENE KLASS

COMEDY

MATT FORDE | ANUVAB PAL | MILTON JONES | AL MURRAY | CHRIS STOKES

SIMON EVANS | SHAPPI KHORSANDI | OLGA KOCH | KEN CHENG

EDWARD ASKHAM-SPENCER | ADA CAMPE | KIRSTY NEWTON

TOM HOUGHTON | SOPHIE DUKER | RORY BREMNER | JUSTIN MOORHOUSE JONNY AWSUM | LOST VOICE GUY | CRAIG HILL | MARK SIMMONS

ROBERT WHITE | WITT ‘N CAMP

 

JAZZ & SWING

THE BONESHAKER BAND | MOSCOW DRUG CLUB | JAZZ DYNAMOS

NATTY CONGEROO & THE FLAMES OF RHYTHM | GROOVE UNDER THE SEA

AUREUM SAXOPHONE QUARTET | THE HAWKMEN

 

WORLD & FOLK

JULU & HEG | MARTIN HARLEY SOLO

HENRY WEBSTER & ELLIOTT MORRIS | NICOLA & JIM

CHARLOTTE CAMPBELL | THE GASLIGHT TROUBADOURS | MAX PASHM

PAPRIKA | THRILL COLLINS | NAMVULA

 

BBC MUSIC INTRODUCING BERKSHIRE

RALEGH LONG | DARSHAAN | ROZ FIRTH

 OLLY CHAMBERLAIN | TABI GAZELE

 

VISUAL ARTS

PUNCHBOWL GALLERY| CRISTO DESIGN | HANOI ART HOUSE

FRED GORDAN | GALLERY ATTACHÉ

 Henley Festival, the UK’s most glamorous festival, and winner of Headline Performance of the Year in 2016 returns to its spectacular setting on the riverbank in Henley-on-Thames from 8th to 12th July 2020.

As the UK’s only black-tie festival, Henley Festival is glamour personified, offering Michelin starred food, award-winning comedy, critically acclaimed artists and the biggest names in popular, world, jazz and classical music. Many festival goers arrive by boat, as the green lawns of the festival are transformed into a Great Gatsby vision, as black tie clad revellers spill across the festival site, champagne in hand, while fireworks explode overhead.

Established 38 years ago as a classical music charity event, Henley Festival continues to run as a non-profit organisation, supporting charitable projects at both a national and local level.

THE FLOATING STAGE HEADLINERS 2020

Seminal British pop band Madness will open Henley festival 2020 on Wednesday night. One of the top 20 selling UK groups of all time, Madness have seven top ten albums, 22 top 20 hits and over six million album sales to their name.  Having celebrated 40 years in the music industry in 2019, Madness will perform much loved classics including ‘House of Fun’, ‘Baggy Trousers’ and ‘It Must Be Love’ alongside new songs from their first album in five years ‘The Bullingdon Boys.’ A British group like no other, formed in the heyday of punk, Madness are true originals who mix ska and reggae rhythms with social comment and music hall humour. Their appeal endures to this day, Madness’ latter-day concerts having become fun-packed celebrations of one of the best-loved songbooks in British pop.

On Thursday night, Henley Festival is delighted to welcome the multi-platinum selling singer-songwriter James Blunt to headline the Floating Stage. A household name across the UK and beyond, Blunt rose to fame in 2004 with the release of his debut album Back to Bedlam, achieving worldwide acclaim with the hit singles ‘You’re Beautiful’ and ‘Goodbye My Lover’. Back to Bedlam went on to become the best-selling album of the 2000s in the UK, with over 11 million copies sold worldwide. Blunt has received numerous awards, including two Brit Awards, two MTV Video Music Awards and two Ivor Novello Awards, as well as receiving five Grammy Award nominations. He has continued to achieve huge commercial success with his following releases, the latest being his new album Once Upon a Mind.

The Henley festival audience are in for a treat on Friday night, as singer-songwriter sensation Sophie Ellis-Bextor takes to the floating stage. The queen of ‘sophisticated pop’, Ellis-Bextor released her double-platinum selling debut album Read My Lips in 2001, which reached number two in the UK Albums Chart and produced hit singles including ‘Murder On The Dancefloor’ and ‘Take Me Home’. The album also experienced international success, selling more than 2 million copies worldwide and winning the Edison Award for ‘Best Dance Album’ in 2003. Ellis-Bextor continued to achieve great commercial success with her following releases. In 2014, her fifth studio album Wanderlust became her highest charting album since Read My Lips, peaking at number 4 in the UK. Bringing a vibrant mixture of mainstream pop, disco, nu-disco and 1980s electronic sounds to Henley, Ellis Bextor’s headline show is bound to have the whole festival dancing the night away!

Friday night’s performance by Sophie Ellis-Bextor on the floating stage will be followed by Sara Cox presents: Just Can’t Get Enough 80s.Dance the night away to classic tunes from the TV and radio broadcast legend! Join Sara Cox for all the hits from the best decade, delivered with a stunning stage set and amazing visuals. Huge anthems for monumental crowd participation moments making epic memories to take home. If you’ve got fond memories of legwarmers and spandex, ‘Just Can’t Get Enough 80s’ is a new show set to send you into a retro frenzy!

Lovers of disco are in for a once-in-a-lifetime treat on Saturday night, as a collection of the world’s most iconic dancefloor hits are reimagined, reinvented and brought to the floating stage by Disco Classical, with legendary Special Guest Sister Sledge featuring Kathy Sledge. Formed in 1971, Sister Sledge achieved international success at the height of the disco era. The year 1979 saw the release of their breakthrough album We Are Family, which peaked at number three on the US Album Chart and included the top ten singles ‘He’s the Greatest Dancer’ and ‘We Are Family’, the latter earning a Grammy Award nomination. Alongside the Manchester Camerata Orchestra – who opened Glastonbury 2017 – a live band, guest singers and renowned crowd-pleaser DJ Mark Armstrong, Disco Classical and Sister Sledge will create one of the most memorable and uplifting live music experiences around, filled with captivating light displays and glittering disco balls; it’s the perfect party show!

On Sunday 12th July, classical superstar Myleene Klass will present Classic FM’s Classical Salute, an evening of classical and military music performed by the Royal Philharmonic Orchestra conducted by Stephen Bell.

Classical Salute celebrates the power and glory of one of our finest orchestras and the theatre of the military around the world. During the evening, the Royal Philharmonic Orchestra will be joined by a string of military musicians including Ceremonial Trumpeters for Verdi’s Grand March from Aida, a band of Military Drummers for Ravel’s Bolero as well as uniformed pipers for Highland Cathedral by Roever. The orchestra will also be joined by internationally acclaimed soloists for performances of popular greats including Rule Britannia, Bizet’s Carmen and a rousing performance of Goodwins 633 Squadron. There will also be music by Gershwin, Strauss and many others, and the evening will end with triumphant fireworks exploding over the river on the final night of the festival.

A STELLAR COMEDY LINE-UP

The 2020 comedy line up at Henley is set to be bigger and better than ever, with the likes of Al Murray, Milton Jones, Shappi Khorsandi and Rory Bremner among the stellar 20 comedians performing at this year’s festival. One of Britain’s favourite comedians, Al Murray’s hard-edged social and political satire is sure to have the audience in fits of laughter. In 2003, Murray was listed in The Observer as one of the 50 funniest acts in British comedy, and in 2007 he was voted the 16th greatest stand-up comic on Channel 4’s 100 Greatest Stand-Ups.

Milton Jones will be bringing his hilariously clever one-liners to Henley’s comedy line up, involving puns delivered in a uniquely deadpan and purposely neurotic style. Jones has had various shows on BBC Radio 4 and is a recurring guest panellist on Mock the Week. Along with the likes of comedian and author Shappi Khorsandi and Scottish impressionist and comedian Rory Bremner, his hilarious show is certainly not to be missed. In addition, runner-up on series 12 of Britain’s Got Talent, Robert White, and the first stand-up comedian in Britain to use a communication aid in his routines, Lost Voice Guy, will also be keeping audiences thoroughly entertained, alongside a whole host of up-and-coming comics.

JAZZ AT HENLEY FESTIVAL

Henley Festival’s very own Jazz Club in the stunning Spiegel Tent offers dining and live jazz music before and after the main headline act. With their thrilling three-part harmonies, mercurial percussion, virtuoso violin and soaring sax and clarinet, The Boneshaker Band will create an inimitable and unmissable opening to the Jazz Club on Wednesday night. On the following night, Moscow Drug Club will bring their intoxicating & intimate musical experience – where elements of Berlin Cabaret, Hot Club de France, French Musette and Storytelling meet – to Henley’s Jazz Club. Friday night will see London’s own Jazz Dynamos transform and reinvent well-known songs from Peggy Lee, Dolly Parton and Madonna with a mix of jazz, bossa, samba, and contemporary pop music – occasionally all at the same time!

On Saturday night, internationally acclaimed Swing band Natty Congeroo & the Flames of Rhythm will bring the party to the Jazz Club with their high-energy, immersive live performance. Led by the legendary showman Natty Congeroo, the Flames’ repertoire is a combination of tight original numbers and explosive interpretations of classic Hot Jazz, Swing, Rhythm ’n’ Blues and Gospel. Closing the Jazz Club on Sunday, Austrian ensemble Aureum Saxophone Quartet will showcase the richness and infinite array of sounds that are possible on the saxophone; your ears will be amazed! In addition, electrifying live outfit The Hawkmen will bring a taste of rhythm ‘n’ blues, soul and rock ‘n’ roll – brought together in a uniquely classic, rootsy, hybrid blend – to Henley.

WORLD & FOLK MUSIC IN THE BEDOUIN TENT

Enter the Bedouin Tent for a taste of world music and home-grown British folk at their best. World music highlights include Paprika, the UK’s leading Balkan band, who create fiery melodies and foot-tapping rhythms that fuse Eastern European, Balkan, Gypsy and Classical music in a whirlwind performance of frenzied virtuosity. Max Pashm will also bring his infamous live show experience to Henley, featuring uplifting percussion, vocals and keyboards along with his general showmanship and sense of humour on stage. Fusing the folk and urban traditions of her Zambian homeland and her Scottish roots with London’s eclectic music scene, Namvula’s uplifting, emotive songs will transport the Henley audience into different worlds, while staying firmly rooted in African soil.

The Bedouin Tent will also be presenting up-and-coming names in folk music, including Julu & Heg, who have taken the scene by storm with their evocative, harmony-rich songs. Award-winning fiddle player Henry Webster is also among the latest generation of folk musicians bringing a fresh perspective to the tradition. Teaming up with singer-songwriter and guitarist Elliott Morris, this special performance is not one to be missed. In addition, folk duo Nicola & Jim will present the amazing spectacle of Nicola’s simultaneous fiddle playing and clog dancing alongside the driving sounds of Jim’s piano and accordion. Having recorded and performed with international stars including Eric Clapton, Van Morrison and Laura Marling, British slide guitarist and songwriter Martin Harley will also showcase his incredible artistry and intimate, gritty style to the Henley audience, and with three albums and numerous gigs across Europe already under her belt, Charlotte Campbell will be bringing her charming London street performances to the Bedouin Tent stage.

BBC MUSIC INTRODUCING BERKSHIRE

BBC Music Introducing was created in 2007 to support unsigned, undiscovered and under the radar musicians. Henley Festival is hugely excited to be working with BBC Music Introducing discovering breaking acts from the region, all of whom have featured across the BBC network before.

This year Henley Festival will be hosting new local producer talent in addition to emerging bands and songwriters. Elton John and Lauren Laverne approved multi-instrumentalist Ralegh Long brings his Nick Drake-like sombre lyricism to Henley on Wednesday night followed by the London based and Reading bred electronic composer Darshaan on Thursday. On Friday Henley audience gets to enjoy the intricate folk of Roz Firth and on Saturday the singer-songwriter Olly Chamberlain will grace the stage at Pure Heaven before hitting major UK festivals in Reading and Leeds. Nigerian-Australian Tabi Gazele’s hypnotic melodies and joyful yet thought-provoking lyrics have drawn her comparisons to Emeli Sande. Her first performance at Henley Festival follows over 2 million combined streams of two  track features (Devil On My Shoulder and Soul Glo with Lee Fields) on multi-platinum Australian hip-hop group Bliss n Eso’s 6th Studio Album ‘Off The Grid.’

VISUAL ARTS

Henley Festival is one of the very few festivals in the UK to showcase artworks from some of the UK’s most talented artists, photographers and galleries. Focusing largely on local talent this year, Henley Festival is delighted to play host to a string of up and coming makers and craftsmen, including artisanal jewellers of Studio 35 and Cristo Design’s striking wooden furniture. The festival will also welcome back Tommy Burr’s urban art that repurposes mundane materials like traffic signs into vibrant pieces of art. The festival will also collaborate with the internationally recognised Bishopsland Educational Trust for the first time, celebrating the craftmanship of the recent jewellery graduates.

 

FOODIE FESTIVAL

Michelin starred chef Angela Hartnett MBE will be returning to Henley Festival 2020 to run Europe’s biggest field restaurant, creating a bespoke menu exclusively for Henley, at the Riverside Restaurant. Angela Hartnett’s astonishingly creative, flawlessly executed dishes focus on purity of flavour and reverence for ingredients. A festival for food lovers, Henley caters for all tastes offering a huge number of restaurants and pop ups from street food to fine dining. Restaurant’s popping up at the festival will include Garden Bistro by Jimmy Garcia, Green Box, Oink, BBQ Club, Hotel Chocolat, Jessecco Prosecco, Black Cab Coffee Company and many more.

 

FAMILY SUNDAY

Sunday sees the festival transformed into an enchanting playground for families and children of all ages, with a whole host of dazzling activities, performances and concerts.

Headlining the stage on Family Sunday is award-winning children’s presenter and double MOBO winning saxophonist YolanDa Brown performing with the spellbinding Henley Symphony Orchestra. From glitter face painting, eccentric comedy and theatre shows to interactive performance art, Family Sunday is a whole day dedicated to nurturing adventurous, curious and creative little minds.

For kids who love our furry friends, globe-trotting theatre troupe Creature Feature will roam the grounds as hugely lifelike and interactive gorillas for the day, for kids who love music there will be jazz and funk fuelled storytelling taking them on a magical adventure under the sea from Groove Baby whose latest show ran at London’s Southbank Centre, and for kids that love to have a giggle, hilariously silly comedy-duo Mad Etiquette will be performing one of their critically acclaimed skits.

With a programme packed full of wildly imaginative activities, Family Sunday at Henley Festival promises a truly entertaining day out for all the family.