Skunk Anansie – Birmginham O2 Academy 2025, REVIEWED!

So Good

Tonight’s musical aperitif is a cheeky dip into the brat-punk pool of London artist So Good, backed up by band members in pink balaclavas, and singers in stompy doc marten boots. Frontwoman Sophie is decked out in pleated denim, neon pink socks and a matching Beret, spitting feminist anti-fascist lyrics with wild abandon – but giving distinct Leslie Knope’s Pawnee Goddess girl-guide energy.

I’m absolutely here for it, this infectious riot grrrl fun is coming back around, thanks (no thanks) to the state of the world around us right now, and we need more of it. “Her ex boyfriend is from Birmingham you know” Sophie points at one of her singers, “…so this one goes out to him, middle fingers up!” and the crowd obliges by joining in with the salute.

‘I Hate It Here’ about our repeatedly shit Prime Minister situation is very tongue in cheek funny, but also hits the nail on the head in so many ways. The line “…you ain’t stopped abortion just abortion that’s safe…” comes at a time where our news is full of professional victims hiding behind religion and free speech, to attack women in lawfully protected safe zones. Again, this kind of nonsense needs disrupting – and if it comes in the loud bright fun packaging of women’s rage-music, all the better in my opinion.

Just to break up the political discourse for a minute, “I heard a rumour that people from Birmingham have big dicks?” Sophie giggles before launching into ‘If I had A’ – a hilarious lament on penises and a very 70’s-porn twangy backing track.

Finishing up with a dose of blasphemy,  ‘I Rewrote The Fucking Bible’ is the ultimate angry girl theme tune. There’s a hint of Lady Sovereign, a bit of Bikini Kill, and a lot of London. Straight on the protest playlist. So Good might already be my biggest band recommendation of the year, and it’s only April.

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Skunk Anansie

It’s a packed-out shoulder-to-sweaty-shoulder affair in the O2 tonight, a sold out show for the return of Brit-rock royalty Skunk Anansie. The stage, moody with fog and blue lighting, centres on a drum riser crowned with black inflatable spikes. Drummer Mark Richardson makes his way to the centre of the sea urchin structure to immediate roars of appreciation from the crowd, as Cass and Ace take to the stage below.

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The electric opening bars of  ‘This Means War’ provide the perfect promenade for a duffel-coated Skin to enter the stage. Like some kind of menacing caterpillar waiting to break free, she bounces in on gigantic metal-plated boots, with a huge hood obscuring her face as she tears through the call-to-arms lyrics. Swapping into trainers and ditching the sleeping-bag for ‘Because of You’, we are treated to the soaring top notes Skin is famous for, the awed silence of the crowd as she holds an impossibly long note mid-song is truly something to behold.

Wearing a hybrid Adidas track top-turned tailcoat with the bouffant arms of a retro Nike shell-suit, and a swathe of leather and fabric kilt-ish skirts, Skin is known for her quirky stage dress – but this might be the one I would most like to own. It is hitting all the right nostalgia buttons for a fairly homogenously aged crowd – big up the 90’s teen crew,  I see you all.

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“Wonderlustre was released 15 years ago, this is the first single from that album… it’s called ‘God Loves Only You’. They’re loud. You know those Christian nationalists who think God loves only them? How can God love only you? With all the different races and genders?”

A huge roar of agreement erupts as Skin laments,


“They’ve aligned themselves with the far right, the KKK, fascism and Trumpism… which to me seems the opposite of religion. They want to go after immigrants, after women… the only way to defeat them is to go into our communities and families, and BRING EVERYONE BACK TOGETHER!”

“We are Skunk Anansie, we believe everybody is always equal. SMASH FASCISTS, SMASH RACISTS” comes the rallying cry. The following frenzy of the crowd serves a cathartic purpose for the pent-up anger and energy for the current state of the world, it’s obvious everyone needs this.

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‘Weak’ is undeniably the anthem of the night, Skin’s voice is stunningly vibrant, perhaps better than I’ve ever heard her – but there is no vying for attention nor eclipsing of the band, who are non-stop pumping the energy as well. It may be as close to a perfect balance as I’ve come across in music, they just deliver on all fronts. The crowd is eventually singing along so loud that Skin gives over the spotlight to the voice of the masses.

Caressing the bald head of one of the security guards, before jumping down to the pit barrier to sing with the crowd during ‘Twisted (Everyday Hurts)’ it doesn’t take long before she has jumped into the melee full throttle.

Another Wonderlustre classic ‘My Ugly Boy’ keeps the hits coming with barely room to breathe, and the room is an absolute furnace with all the jumping. So much so that someone appears to have suffered a collapse near the middle of the room. Skin stops the show to check staff can get out to retrieve the person, and it’s all very quickly and efficiently done. Rolling onto a track from the new album (releasing on May 23rd – ‘The Painful Truth’) called ‘Animal’ – a full heavy metal moment, with a NIN-esque dirty beat behind it. I can tell this is going to be one of my most played albums of the year.

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‘Yes It’s Fucking Political’ sees Skin calling for a circle pit, and the momentum of the night shows absolutely no sign of dropping. After a short exit, the encore houses another new one ‘Cheers’ which tiptoes the pop rock line in a very accessible way. I think this is going to be the one that draws in new Skunk fans for the 2020’s.

The iconic ‘Hedonism’ is followed by Led Zep’s ‘Whole Lotta Love’ for a bit of riffy fun while doing band introductions. ‘The Skank Heads (Get Off Me)’ gives another opportunity for Skin to dive into the crowd, in which she calls for “all the girls to the mosh pit!”. Closing out with “We’ll do one more. Something loud? Something fast? Something delicate?” as she puts it, is another new song ‘Lost and Found’ – a slow, but gorgeous almost operatic wind-down, to a furiously dynamic show. As they thank the crowd and send set-list paper aeroplanes shooting out to grabbing hands, I think I can safely conclude that this might rank as my top gig of 2025 already.

As the new ‘Lost and Found’ lyric goes “Heavy is the crown” – but Skunk Anansie are really out here, 31 years into their career – seemingly lifting that crown higher each time I see them.

Setlist 

  1. This Means War
  2. Charlie Big Potato
  3. Because of You
  4. An Artist Is an Artist
  5. I Believed in You
  6. Love Someone Else
  7. God Loves Only You
  8. Secretly
  9. Weak
  10. I Can Dream
  11. Twisted (Everyday Hurts)
  12. My Ugly Boy
  13. Animal
  14. Yes It’s Fucking Political
  15. Tear the Place Up
  16. Little Baby Swastikkka

Encore:

  1. Cheers
  2. Hedonism (Just Because You Feel Good)
  3. Whole Lotta Love (Led Zeppelin cover)
  4. The Skank Heads (Get Off Me)
  5. Lost and Found

Twin Atlantic: Birmingham 2024 – REVIEWED!

Arriving at the Birmingham O2 Academy, we were surprised by queues winding around the block, only to find that the venue is not only host to Twin Atlantic tonight, but also Rag ‘N’ Bone Man. There’s a marked difference in attire and style for the two crowds, but it’s really uplifting to see so many people out for live music on a frosty Sunday night in November.

Heading upstairs to Academy 2, I am instantly transported back into the gig nights of my youth. Sticky floors, a merch stand on a trestle-table in the corner with hand scribbled prices, and youths in patch jackets shuffling about. I like knowing that the tune might change but the feeling is still the same. If you don’t get that pang of excitement before a gig, I am truly sorry for you.

Daytime TV

First out of the gates is fellow Scottish band, Daytime TV – with enigmatic frontman Will Irvine practically bouncing onto the stage, in his black suit and stompy creeper shoes. Sitting somewhere in the rock/pop-punk sphere, but with a well-blended electronic sound; Daytime TV immediately pique my interest.

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Songs ‘Fear’ and ‘Little Victories’ sport elements of indie alongside the clean rock edge, and it’s easy to get swept into the very singable lyrics early on. This is something I feel has been missing from mainstream rock for a while – an undeniable hook, and this band have it in spades. Yelling out “Make some noise Birmingham, thanks for coming down early to check us out tonight. This is a hometown gig for our Guitarist, he’s a Walsall boy!” Will elicits a huge cheer from the now dense crowd, before launching into the very fun ‘Domino’.

One thing I would really like to note about Daytime TV, is that they genuinely just look like they’re having a great time on stage. Dancing around, smiling and laughing through a stellar performance – closing song ‘Lost In Tokyo’ makes for a dynamic ending, and they’ve even managed to get the crowd clapping along – no easy feat for an opening band (especially on a Sunday night). I’d love to see them on some festival bills next year.

Twin Atlantic

Scotland for round two, tonight’s headliner Twin Atlantic hailing from Glasgow are preceded by the ethereal outpourings of… ahem… Queen’s ‘Bohemian Rhapsody’. Just as the crowd is singing along (in a very Wayne’s World way, obviously) to the penultimate note, we are top-tier trolled into oblivion as the drop is interrupted by Cyndi Lauper’s ‘Boys Just Wanna Have Fun’. You’ve never heard a room full of people groan so loudly, I tell you.

As the band take to the stage in near darkness and enough smoke to power the entire Upside Down, frontman Sam McTrusty heads to the front to shout Hello to the Birmingham crowd – “Ohh it’s gonna be a good one, I can fuckin’ feel it”.

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Starting off strong with ‘Meltdown’ from this year’s (their seventh) album, it’s instantly clear that tonight’s audience are not the casual gig-goer brand, these are all full force Twin Atlantic fans singing along to every word, and I’m here wondering why they haven’t been back on a Download festival bill since the Pandemic Pilot era.

Barry McKenna (keys, vocals) looking like a slightly cooler version of Nandor The Relentless (IYKYK), laughs along when Sam yells “This is our last show in your country this year we realised, so thanks for coming to the last one! So… Merry Christmas, Happy New Year!” and we are treated to the extremely Scottish twangy ‘Free’. I may not be to roll my R’s but you’re damn right I tried to join in anyway.

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‘Barcelona’ is an absolute earworm of a song, it’s been on repeat on our car journeys and it’s not hard to see why – everyone is absolutely belting it out at the top of their lungs under the pulsing red lighting. I should mention here though, that it has been some of the worst lighting I’ve ever experienced in a small venue, there are no uplights on the band themselves and so much smoke that it’s hard to even see who’s on stage. Luckily the sound is banging to make up for it so we all shout back the refrain “I’m not invincible”.

“Is the the fatigue of Sunday setting in? You all good, you all where you wanna be? Sound, we’ll keep going then” they joke, before playing the gorgeously sentimental ‘I Couldn’t Miss You Much More’, as couples hug each other in the crowd. Ramping back up with ‘The Chaser’ and some intense strobe-lighting which further silhouettes the band into anonymity, and the heavier ‘No Sleep’ (my song of choice in the set) almost blows the roof off the O2. Again, I am left wondering why Twin Atlantic aren’t hitting more big festival bills.

‘Heart and Soul’ is another sing-along situation, but with minutes to spare Sam calls “Do we have time for one more?” and they sign off on the beautifully sombre ‘Crash Land’. “The last two weeks in England have been fuckin’ class” they lament, before (literally) bowing out. It might have been the smaller of tonight’s offerings at the O2 in Birmingham, but the actual Heart and Soul in tonight’s performance and the fact that this many people wanted to come out and pogo around on a Sunday night before work? Unquestionably awesome.

© Anna Hyams for SFG – Do not use without permission

Setlist

  1. Bohemian Rhapsody (intro track)
  2. Meltdown
  3. Yes, I Was Drunk
  4. Get Out
  5. Free
  6. Asleep
  7. World Class Entertainment
  8. Make a Beast of Myself
  9. Fall
  10. Hold On
  11. Barcelona
  12. Sorry
  13. Whispers
  14. Human After All
  15. I Couldn’t Miss You Much More
  16. Snow In Texas
  17. Haunt
  18. Brothers & Sisters
  19. The Chaser
  20. No Sleep
  21. Heart and Soul
  22. Crash Land