Nothing But Thieves

Southside Festival 2022

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Finally, festivals again. First time since 2019, first time at Southside for us. Quick wiki summary: Southside Festival is a medium size festival in the south of Germany, and the sister festival of Hurricane Festival in the north. Blazing sun and 28 °C welcomed us and the forecast was solid. We travelled by coach this year, rather than driving, and enjoyed free transport by train both to and from the festival with our festival ticket. In terms of encouraging environmentally conscious travelling and reducing the traffic, pretty good going.

Friday

To pass the time between setting up camp and the arena opening, we took a walk around the campsite. Enough campers were armed with super soakers that the walk was actually quite refreshing. The ally along the tarmac in the main camping area had everything you could need for the weekend: food, merch, ATMs and air brush tattoos.

Welsh metal band Skindred opened up the Green Stage, arguably the main stage. Managing to tease an impressive amount of energy and participation out of an already overheating crowd. Heat warnings went out via app, advising to wear sun cream and keep hydrated. The latter required more effort than it reasonable should have done; we were only aware of one drinking water station for the majority of the day meaning every water bottle refill turned into a mini odyssey across the site. Compared to previous festivals, the water supply was limited and poorly signposted, not great for a weekend expect up to 30°C. As the weekend went on, more were put up so people weren’t relying on hand washing sinks as much.

Provinz opened the Blue Stage with a short (only 30 min) and sweet set. The band is local and grew up going to Southside, so understandably they were quite emotional about standing on the stage this year rather than in front of it. They drew a massive crowd for a Friday afternoon slot. The crowd that was singing along from the first song, taking over entire choruses. A fun set of carefree dancing in the sun.

Getting to the Blue Stage for Tones and I’s German festival debut, the obvious thing that stood out was the purple-green crooked house that took up the entire stage. The band were neatly contained in the front garden, behind purple picket fences. Equally cute and unsettling, definitely a unique stage design, and more than you would ever expect from a Friday afternoon slot. Tones and I switched between walking up around the stage and playing keyboard on the balcony of her house. The set included covers of Forever Young by Alphaville and Diamonds by Rhianna, keeping her hit Dance Monkey for second to last.

Switching from sunshine dancing to good ol’ fashioned rock, Royal Blood’s fierce riffs rang out from the Blue Stage. The guitarist of the duo, Mike Kerr, introduced his “gbass”, a bass with guitar strings, responsible for the distinct Royal Blood sound. The drummer, Ben Thatcher, was set up on a raised platform with a massive gong behind him, which he satisfyingly hit after an impressive drum solo with crowd countdown.

Alice Merton’s set, played in front a pink sky backdrop with boulders across the front of the stage took us back from head banging to dancing in the sun. The set had several new songs including Vertigo, a song she wrote as part of getting over the anxiety she developed around performing during the pandemic. Her hit Roots got everybody moving.

My personal Friday Highlight, Kummer, played his first festival show accompanied by a massive cube made from halogen ceiling lights. Normally the lead singer of popular band Kraftklub, Kummer released a solo album in 2019 with the intention to tour in 2020 and then return to the band. The pandemic threw a big old spanner into those works, so now the project is being finished along side his work with the band. Chaotic for him, great for us, as we were treated to the live debut of the new Krafklub song Ein song reicht. A fantastic set, with guest performances from Blond and the singer from Provinz.

Trying to get across the arena to Kings of Leon turned out to be harder than expected. Crowds coming away from rapper Kontra K’s show completely congested the middle of the site, meaning I missed the start of the set. Normally the one-way system commonly used at German festivals works quite well, but the fact the arena is quite narrow meant there was no way to walk around the back of the dense crowd. Your best hope was to join one of the many conga lines snaking through the crowd as they passed.

Although sounding great, the long day and heat eventually got to us, and we had to bail from Kings of Leon about halfway through. We enjoyed Use somebody from our tent, including the crowd singing along, but were asleep before Sex on Fire. Maybe we’re out of practise after three festival-free years, maybe we’re getting old, who’s to say.

Saturday


Saturday morning was a race to get out of the sauna-like tent and into the shade. While we fully woke up, Bilbao was opening the Green Stage including a cover of The Killers’ Mr Brightside. After grabbing a smoothie-coffee-bakery breakfast at the camp site stall, we headed into the arena for day two.

Matching the desert level temperature, The Dead South gave us southern cowboy vibes on the Green Stage.  With songs about bar fights and their love of whiskey along with catchy banjo tunes, the set had people linking arms and dancing in circles. Also, the bassist/celloist wore his cello like a bass guitar, so Jack Black was right.

OK Kid played on the Blue Stage, stepping in for Gayle at short notice. Being regulars at Southside, they had been hoping for a holiday, but were more than happy to jump in the van and come over.

Giant Rooks played their first Southside festival this year. Lead singer, Frederik Rabe, thanked the crowd for choosing this stage to be at. Which was cute considering there was a queue of people wanting to get into the area in front of the stage.  The set included new songs, which the crowd loved, and a cover of Tom’s Diner by Susanne Vega previously recorded by Giant Rooks and AnnenMayKantereit. After the standard “everybody good?”, the lead singer asked if everyone’s neighbour was good, and instead of just shouting “yeah”, everybody actually turned to their neighbour to check which was very sweet. The most impressive thing about this wonderful set was the fact the lead singer kept throwing his guitar halfway across the stage to the roadie and there were no broken guitars by the end.

Surprise highlight for me was LP, who’s crowd was quite thin, likely because everyone was over at Giant Rooks. She was exceptionally cool, and the band were clearly having a great time on stage. A girl in the crowd was holding a sign asking for a kiss, LP invited her on stage to get one, saying “you gotta to ask for sh*t”.

Expecting there to be queue for The Killers, we headed over during the act before, Dermot Kennedy. The gates were only opened between acts which was a bit of a shame considering people leaving meant that the crowd could get pretty sparse in front of the stage at times. The Killers opened with Mr Brightsidewhich I would have expected to be near the end of the set. The set was a run through the classics with one song from the new album (Dying Breed) and a cover of Shadowplay by Joy Division. It was a little odd to see a band like The Killers not in a headlining slot, with only 1hr 15min to play and missing all their usual confetti and fireworks. I guess even with the large crowd, they don’t quite hold the sway in Germany that they do in the UK.

SDP played the Blue Stage, bringing their usual party chaos with pyrotechnics and giant inflatables. Their last album tour was cancelled due to COVID, and they’d just released another album, so the set contained two albums worth of new music alongside the classics and a cover of Die Ärtzte’s Schrei Nach Liebe. It was a great, fun, juvenile time.

Green Stage headliners SEEED packed the arena right to the very back with their reggae hip-hop set. Playing a combination of their own songs, front man Peter Fox’s solo songs and covers including Paper Planes by MIA and SexyBack by Justin Timerlake, the set also included long instrumental sections, perfect for dancing.

This time we made it to the last act of the night, Martin Garrix, headlining the Blue Stage. As you would expect from a DJ set, the whole stage was made of screens, with a big plus hanging behind him. The set went pretty heavy from the start with pyro and smoke alongside glitchy graphics and soul vibrating bass.

Sunday

Sunday morning was much like Saturday morning: wake up, recover from the sweltering temperature of the tent outside in the (scarce) shade, get breakfast and head into the arena. Walking over to Nothing but Thieves, all available shade was completely filled with people, every bin, fence, and shade throwing object fully utilised. Despite the heat, Nothing but Thieves, drew a pretty big crowd, more than capable of singing the choruses to Trip Switch, Sorry and Amsterdam.

Over on the Blue stage, German rapper Juju was absolutely dominating, the front duo hyping up the crowd to no end. A fan joined them on stage for Intro and she undeniably nailed the entire song, the crowd celebrating her accordingly. The set included a couple SXTN songs, JuJu’s former band. A ridiculous amount of energy all round for a Sunday early afternoon.

Bristolian punk rock band Idles treated the us to a rowdy performance on the Blue stage. Half the crowd ending up embroiled in a part mosh pit, part dust bath for a solid chunk of the set. Moving from punk to punk-rap, Antilopen Gang played over on the Red stage, the smallest of the main stages.

K.I.Z. can safely be described as not politically correct in the slightest. Coming on stage in matching psychiatric clinic outfits and a provocative song to match, it was a set of very dark humour, pyro and smoke. The trio were surprisingly silly in between songs, clearly having a great time, waving at the people in the Ferris wheel at the back of the field. Very high energy, a lot of fun, not for the easily offended.

As a light-hearted pallet cleanser compared to K.I.Z., Von Wegen Lisbeth took to the Green stage as second to last band. The set had a long panel of black and white squares that switched between colours in various patterns. Their well-known marimba sound and glockenspiel solos were the perfect sound for the setting sun and the singer was grinning the whole time. The set included everything from the oldest to the newest songs as well as a cover of Believe by Cher.

Blue stage headliners, Twenty One Pilots, came on stage wearing ski masks and kicked their set of with Heathens. Shortly after, the masks came off as the drummer, Josh Dun, back flipped off the piano. The band started towards the back of the stage behind low screens but came forward during various songs and solos. The set included a cover of Benny and the Jets by Elton John in the middle of Mulberry Street. At one point there was suddenly a little bonfire on stage which the band sat around with acoustic instruments to play a medley of covers including I Can See Clearly Now by Johnny Nash, My Girl by The Temptations, Home by Edward Sharpe and the Magnetic Zeros and Careless Whispers by George Michael. The campfire session finished with House of Gold and We Don’t Believe What’s on TV. There was a brief intermission in which the trumpeter played 99 Luftballons by Nena, which of course the crowd got on board with straight away, and the Halo theme, for which the band came back on stage and transitioned into Jumpsuit. I got a little emotional at Level of Concern considering it was one of my lockdown associated songs, it felt good to sing it in a crowd. Singer Tyler Joseph was no stranger to the crowd, standing on them at one point and crowd surfing back from the central tower in the most nonchalant way I have ever seen, just flopping on to the crowd and jokingly complaining his legs are too tired and that he’s like to go back to stage please. A fantastic and very varied set.

Final headliner, Deichkind, gave a show that more closely resembled a performance art piece than a live gig. It included everything from giant moving set pieces through countless costume changes to mini trampolines and office chair races. Several songs were performed in their famous triangle head masks and one in a giant barrel being rolled through the crowd. The final song bought complete chaos both to the stage and the crowd: the curtains drew back to reveal something akin to a Harlem Shake video with inflatables, balloons, even more random costumes and a cut out of Inauguration Bernie Sanders. One band member was surfing over the crowd in a huge inflatable ring, covering the crowd in feathers. It was a perfect finale to the weekend.

With the free trains and shuttles to and from the festival, it’s a great one to stop off at if you’re travelling in the area on the summer. The arena is relatively small, smaller than Hurricane, which has the same line-up. The timings mean you can move between acts as the alternate between the two biggest stages, so you can easily fill your timetable to see a huge number of bands as long as you’re happy to occasionally miss the first and last songs. As the day goes on the overlaps get a little bigger but unless you’re a diehard fan you can enjoy the vibes of each performance and then move on. By moving while acts are still playing you also avoid the large traffic of everyone leaving a stage in one direction at once.

From previous experience of other festivals run by the same company, the amount of water stations has been higher in the past, so you didn’t have to walk far out of your way at any given point to fill up. Maybe this year the organisers were a little out of practise or didn’t expect the heat, but I’d say that was the weakest point this year.

Leaving on Monday morning, we had to be at the shuttle bus to the train station at 6 am to get our connections back to the UK, and there was already a queue of people waiting. I feel like that’s very German, at a UK festival people may have slowly started leaving in the late morning. The shuttles ran until very late/early in the night Sunday to Monday, so most traveling plans would have been accommodated.

Overall, it was wonderful to be back at festivals given the past few years and Southside was a perfect one to start with. Big enough to offer a range of both German and international bands, small enough not to get overwhelmed with what’s on offer. Perfect, if not a little too hot, weather. Great vibes, good food. A good, fun time.

Kaiser Chiefs, Texas, The Shires & more added to Isle of Wight Festival 2017

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Representing the Best of British are the Kaiser Chiefs, Texas, The Shires, Example + DJ Wire, Jonas Blue, Nothing But Thieves, The Sherlocks, Ward Thomas, The Undertones, The Alarm and Elle Exxe. They join David Guetta, Run DMC, Arcade Fire and Rod Stewart who top the bill over the weekend as well as George Ezra, Bastille, Jack Savoretti and Rag’n’Bone Man performing across the weekend.

Fronted by the charismatic Ricky Wilson, the Kaiser Chiefs’ are best known for anthems such as ‘Oh My God’, ‘I Predict A Riot’, ‘Everyday I Love You Less And Less’, ‘Ruby’ and ‘Never Miss A Beat’. The band have recently released their sixth studio album ‘Stay Together’ which charted in the top five in the UK Official Albums Chart.

Texas will perform at the festival for the first time following their 25th anniversary last year, which included the release of ‘Texas 25’ reaching the top five of the UK charts. Since their formation in 1986 the Glaswegian band have scored thirteen UK top ten singles, three UK number one albums and seven UK top ten albums with sales of over 35 million records with hits such as ‘Say What You Want’ and ‘Black Eyed Boy’.

Country duo The Shires is comprised of singer-songwriters Ben Earle and Crissie Rhodes. The band released their debut album ‘Brave’ in 2016, becoming the first UK country act to chart in the Top 10 of the Official UK Albums Chart. Their second album ‘My Universe’ released October of last year, became the fastest-selling UK country album in history selling 14,500 copies in the first week.

Example + DJ Wire, real name Elliot Gleave, is renowned for his monstrous DJ sets. With eight UK Top 10’s, two UK Number One’s ‘Changed The Way You Kissed Me’ and ‘Stay Awake’, Example’s huge electronic bangers have earned him millions of fans from across the globe. Example is currently working on his sixth studio album which will see him return to his unique EDM-rap cross over style.

London based electronic dance producer Jonas Blue released his first single ‘Fast Car’ in 2015, a reworking of Tracy Chapman’s 1988 hit. Adding tropical house beats to the bittersweet original, the single topped the charts in 17 different countries. In 2016 Blue released his follow up hit to his global smash, ‘Perfect Strangers’ featuring JP Cooper, the single charted at Number Two in the Official UK Singles Chart.

British Rock band The Sherlocks consist of two sets of brothers, Kieran and Brandon Crook and Andy and Josh Davidson. They were the first unsigned band since Arctic Monkeys to sell out their local venue the Sheffield Leadmill. The band have received great support from the likes of Steve Lamacq, Annie Mac & Huw Stephens and kick off their headline UK and Ireland tour next month.

Modern country duo Ward Thomas is comprised of 22 year old twin sisters Catherine and Lizzy Ward Thomas. The duo produce modern country music with a British twist and released their second album ‘Cartwheels’ which reached Number One in the Official UK Albums Chart, making them the first British country act to do so.

Formed in Northern Ireland in 1975, The Undertones became renowned for combining lyrical invention and musical flair with intelligent simplicity. Their anthemic ‘Teenage Kicks’, much loved by John Peel, was one of the most influential songs of the post-punk era. Reformed in 1999, festival goers will play their classics hits alongside new material.

Welsh alternative rock band The Alarm opened for acts such as U2 and Bob Dylan, before becoming a popular alternative rock band of the 1980s. The band have 17 Top 50 UK Singles, a host of successful albums and over five million sales worldwide. The band have recently announced dates for their UK tour in May.

Rising Scottish popstar Elle Exxe has been championed by BBC Introducing and Kiss FM, flown high in Music Week Charts and Amazing Radio charts. At the start of 2016 her single ‘Lost in L.A’ was synced to a worldwide advert for Google Music. Elle has recently played sold out shows across London and her native Scotland.

The Isle of Wight Festival takes place from 8th – 11th June at Seaclose Park, Newport. Due to popular demand, 2017 sees the return of Day Tickets in addition to Weekend Tickets.

For a VIP festival experience, exclusive glamping options are also on sale. Eve’s Tipis offer a luxury stay with a cocktail bar and hot breakfast options to kickstart your day. The much loved colourful Podpads will also be returning which include a power point to keep your phone charged throughout the weekend. Love Your Tent, Tangerine Fields and Pink Moon Camping also offer unique camping experiences for a weekend in style.

2017 will be the 16th Isle of Wight Festival since it was successfully relaunched in 2002 to become one of the most popular weekends of the summer, with a proud heritage of show-stopping headliners such as Foo Fighters, The Rolling Stones, The Killers, Paul McCartney, Coldplay, Blur and Fleetwood Mac.

 

Orbital and Clean Bandit set for Standon Calling 2017

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Bringing together a unique weekend of irresistible fun, extraordinary experiences and unrivalled entertainment, Standon Calling has over 11 years marked itself as the true epitome of what a festival is. Celebrating creativity, community and freedom – Standon Calling offers a genuine weekend escape that’s seen over 12,000 festival-goers return year after year – with 2017’s 12th edition only set to continue that story.
 
 
Originators, visionaries and vital in defining an era for an entire generation, Orbital sit on the head-table of electronic royalty with a catalogue and legacy packed with forward-thinking music. Since emerging at the start of the 90s, the Hartnoll brothers have consistently evolved and innovated, with rapturous live sets of infectious techno beats and peerless anthems such as ‘Belfast’, ‘Halcyon And On And On’ and ‘Chime’ standing in a class of their own. After five years away from the stage, Orbital are destined to provided a truly staggering festival moment, when they headline Standon Calling 2017 – as one of dance music’s true greats bursts back into frame.
 
 
One of the most infectious and dynamic pop groups of the 21st century, Clean Bandit’s fusion of classical strings, electro beats and vintage pop hooks have made them a treasured and adored part of British pop culture. Their worldwide smash ‘Rather Be’ paved the way for a career which consistently finds them creating and developing, with hits such as ‘Real Love’, ‘Tears’ and last year’s Christmas number 1 ‘Rockabye’ all becoming go-to anthems in music collections around the country. Guaranteed to bring the sun-soaked vibes, Clean Bandit are ones destined to seize the moment when they headline Standon Calling 2017.
 
Talking about their headline set at Standon Calling 2017, Clean Bandit said:
“Having spent so long in the studio working on the new album, it’s incredibly exciting to have the opportunity to play our new music to fans this summer. It’s a really exciting opportunity to be headlining a festival in the UK and we hope to bring the party to Standon this summer!”
Both Orbital and Clean Bandit head up a staggering wealth of talent making their way to Standon Calling, continuing a long-standing passion for emerging talent that has been the backbone of the festival for many years.
 
Heading back to the fields after a breakout set in 2015 is youthful punk royalty Slaves, bringing a live show amped full of blistering intensity, unquenchable energy and unmissable presence. One of the defining live bands of recent years, the Mercury Prize-nominated duo are sure to leave their mark at Standon Calling 2017. Fellow Mercury Prize nominee Laura Mvula knows all about show-stealing moments, and her set at Standon Calling is sure to be a stand-out, bringing the infectious rhythms of latest album ‘Phenomenal Woman’ to the fields. One of the fastest rising British bands of recent times, Nothing But Thieves will bring their anthemic and explosive live presence to Standon for a heavyweight offering of future riff royalty whilst dark-pop heavyweight Gary Numan will delve into his synth-laden cabinets of punk for a stunning trip down memory lane with an artist right at the forefront of individuality and independence.
Continuing the festival’s rich history of bringing some of the most critically celebrated acts to the forefront at Standon Calling, The Laundry Meadows stage (in association with The Independent) is set to play host to a myriad of game-changing talent. These include Beta Band frontman Steve Mason who is destined to lay out a dazzling set with choice cuts from his recent solo return ‘Meet The Humans’ full of revitalising modern experimentation. !!! (Chk Chk Chk) are a band born and raised exactly for explosive festival fields and eruptive live moments, and their set at Standon Calling is destined to be a true embodiment of everything the dance-punk groovers represent. The full live experience also radiates through British Sea Power, returning to Standon Calling with new album ‘Let The Dancers Inherit The Party’ continuing to show why their storied tales of British-life still resonate with a legion of fans around the country. Expect their live show to be a truly unmissable moment in a weekend crammed full of them.
 
Standon Calling once again brings the most talked about names in new music into one weekend, with UK MC Nadia Rose, shimmering indie-pop slickers Fickle Friends and Manchester anarchists Cabbage confirmed for the festival, whilst renowned party-lighters The Cuban Brothers will turn on the charm for a festival moment bound to trigger pure joy around the site. Manchster’s art-pop groovers Dutch Uncles will be spinning through latest album ‘Big Balloon’ at this year’s festival, with respected UK hip-hop wordsmith Akala also touching down for a set of explosive and vital portraits of a nation. With even more spectacular sounds emanating from electro genre melders Kero Kero Bonito, dreamers Plastic Mermaids and proto-punk hitters Idles – Standon Calling 2017 is laying out the red carpet for the future of exciting new music.
 
Drawing in dance innovators on every level, Standon Calling’s late-night lineup boasts a staggering array of electronic names and unparalleled stage takeovers. Leading the first reveal of must-see DJ sets is Joe Goddard (of Hot Chip fame), influential favourites Faithless, Jax Jones, DJ Yoda and Maxxi Soundsystem with a plethora of beat-maker and party-shakers. The Cowshed will once again trade in infamous and standout takeovers from the likes of the glamour-soaked glitz-filled extravaganza of Sink The Pink, the drum’n’bass gurus from Hospital Records with their Hospitality live spectacle, The Streets figurehead Mike Skinner and Manchester rap-rave heroes Murkage bringing their Tonga night to the fields and sombre club night Feeling Gloomy presenting their own distinct Bowie Disco – the spectacular and the unique are celebrated in style with the late night highs of Standon Calling.
Speaking about the first line-up announcement, Founder and Festival Director Alex Trenchard said:
“Standon Calling has always been about jaw dropping performances, whether that be from crowd favourites or emerging talent. For me, the very first Orbital Glastonbury show is something I will never forget but Standon is also about the now and I'm very excited to be announcing Clean Bandit straight off the back of nine weeks at number 1. When it comes to breaking acts, something that has been such an important part of Standon’s gone-by, I'm really excited about Cabbage, Nadia Rose and Fickle Friends. We've got loads more to announce including a very special Sunday night headliner, and I can't quite believe this is only the first wave. But what I do know is Standon 2017 is going to be the best ever.”
 
Over at The Lawn, there’s entertainment at every turn – lead by the incredible new comedy programme headlined by rising star and TV stalwart James Acaster, bringing an extremely special hour long Edinburgh preview to the festival as one of the nation’s leading new comedians heads to Standon Calling. With emerging star John Robins also confirmed for a set, expect to hear the belly laughs ringing from the comedy programme of stand-up and sketch performers across the weekend. Along with the gather-round thrills of the Pub Quiz, the sipping of smooth concoctions from the Cocktail Masterclasses, the unwinding Acoustic Sets or the in-depth talks – Standon Calling has it all and The Lawn will be its beating heart.
Whether it’s adults letting their hair down until 4am to the rings of late-night dance or dipping in the outdoor swimming pool, kids aged from teens to toddlers enjoying a daytime array of unique activities and celebrated entertainment or even dogs – participating in the renowned Standon Calling Dog Show – there’s something unmistakably new at every corner of Standon Calling. The Matthew Bourne Re:Bourne programme of modern ballet performances and workshops will appear at the festival this summer, choreographed by the five time Olivier award winning choreographer himself – Sir Matthew Bourne – in what’s sure to be a truly stunning experience of modern dance of the highest order. From Rockaoke to the Groove Garden, the wellness area boasting hot tubs, Yoga, meditation and more to the Real Ale Festival and the stunning array of curated street food, one-off delicacies and beyond – Standon Calling brings every turn of modern culture into one unforgettable weekend.
Unparalleled and unmissable, Standon Calling 2017 will once again open its gates for a weekend that defines the British festival experience.
 
 
Standon Calling 2017
ORBITAL / CLEAN BANDIT
SLAVES / LAURA MVULA / NOTHING BUT THIEVES / GARY NUMAN / STEVE MASON /
BRITISH SEA POWER / !!! (CHK CHK CHK)
NADIA ROSE / FICKLE FRIENDS / CABBAGE / DUTCH UNCLES / AKALA / KERO KERO BONITO / IDLES / THE CUBAN BROTHERS / PLASTIC MERMAIDS / LUCY SPRAGGAN / CHARLIE CUNNINGHAM / PREP / LONGY / TANGERINES / VENN / THE EARLY YEARS / CLUB DRIVE / JAE TYLER / ALEX FRANCIS / BARON GOODLOVE & THE DREADFUL NOISE / VOLKOVA SISTERS / MADDOX / WASTE / BRING YOUR OWN BRASS
DJ SETS FROM:
JOE GODDARD (HOT CHIP) / FAITHLESS / JAX JONES / DJ YODA / MAXXI SOUNDSYSTEM / EDWARD ADOO
COWSHED TAKEOVERS FROM:
SINK THE PINK / HOSPITALITY / MIKE SKINNER & MURKAGE PRESENTS TONGA /
FEELING GLOOMY PRESENTS BOWIE DISCO
BRAND NEW COMEDY STAGE
JAMES ACASTER / JOHN ROBINS / CASUAL VIOLENCE
WITH MANY MORE TO BE ANNOUNCED
THE STANDON CALLING DOG SHOW / MATTHEW BOURNE RE:BOURNE / FAMILY LINE UP TBA / SWIMMING POOL / TALKS, DEBATES & WORKSHOPS / REAL ALE FESTIVAL / FOOD FESTIVAL / GROOVE GARDEN / DIG IT SOUNDSYSTEM / ROCKAOKE / BEEFY MELON’S TEMPLE OF LOVE & GRATITUDE / THE PEOPLE’S FRONT ROOM / LISA MARTIN SINGS ADELE (AS SEEN ON BBC ONE)
 

Isle of Wight Festival 2015 Review

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The Isle of Wight festival has returned for its annual event bringing artist and music lovers together to celebrate 45 years since Jimi Hendrix performed his last ever UK performance in 1970. Where they estimated over 600,000 people turned up to experience his music in the flesh, In celebration of the man himself they have taken the opportunity to name the main stage ‘Electric Church’ This referring to how Jimi Hendrix himself described his music, as though music itself is a religion, away to express, influence and bring positivity to audiences all around the world, through his guitar and vocals. 

45 Years later music is adapting, changing and influencing their audiences, and today i am in Seaclose Park, Newport in the Isle of Wight,  The festival begins, here’s to threes days of music, dancing, paint fighting and food.

FRIDAY 12th JUNE 2015. IOW OFFICIALLY BEGINS

So it is Finally here I am arriving at the Isle of Wight festival 2015.  Gear at the ready, Tent… check, Portable toilet… Check, Clothes… Check and myself… Double check. The crowds are gathering and the atmosphere is captivating, The fashion of the season is floral, and the young female hipster’s seem to favour the hotpant welly combination, this was thriving through the sea of people, they might find that they will be regretting that later. When the monsoon type weather hits the isle of wight. Although this has not dampened their spirits but motivated them to create a buzzing atmosphere and supporting the artists of the festival, with what i would consider rain dancing, glasses of cider and laughter. Myself on the other hand thought after being in the rain for an hour, that is was more sensible to listen to the artists from my tent, in the dry. 

When walking around the event, which you do a lot of you see a variety of people from all walks of life, getting involved in the festival spirit, getting creative with the airbrush tattooing to dancing in the rain to 90’s pop sensations, communities sitting around being social with each other getting involved with the discussion of the moment. Getting the feeling of what the isle of wight festival is about, Families, music and people appreciating and creating that memorable year at the Isle of Wight festival. 

Through out the evening there were bands performing on the ‘Electric Church’ stage. The line up included The Struts, Kodaline, Counting Crows, You me at six, The Black Keys and the prodigy. Even though there was heavy rain Festival goers still went out and supported the bands, The Black Keys alone sounded amazing, you could hear them from the camp site and even hear the audience cheering along with them, you could imagine the audience was their in the rain, rain macs on and arms in the air enjoy the sensational Black Keys and not caring that the rain was lashing down. The headliner of the night The Prodigy I was informed was outstanding, they didn’t falter under the weather conditions, the crowd went wild, raved, danced and enjoyed the electronic music from the 90’s and now. Some people only lasted half of the set but most stayed for the whole gig enjoying the captivating performance from their fellow English brothers. 

Even though the weather was horrendous it was a great way to start the Isle of Wight Festival 2015.  Now the sun should shine the clouds be visible and the weekend should improve for the upcoming bands of 2015.

Photo courtesy of Isle of Wight Festival by Sara Lincoln

 

SATURDAY 13TH JUNE 2015-IOW: DAY TWO 

After the torrential weather from the  previous night, The people at the Isle of Wight Festival were ready and waiting for the music sensations to start tickling their ear drums, no matter how much rain that came down,  it did not dampen their spirits, it just egged them on and made them want more. I can tell you, that day the small stalls around the festival made some money from Welly Purchases and Clothes alone before the food even came in to play. Lucky enough I woke up to slight clouds and a tent that was still standing, I feel this is a proud moment i would like to share with you guys, I Sharron put a tent together and it survived a storm and a half, and i survived sleeping through it, which i am grateful for as there are some outstanding acts that the Isle of Wight festival Goers are going to experience today.

Today was the Day Blur was performing on the 'Electric Stage', Their first ever performance at the Isle of wight festival, For me it was bag of mixed emotions. Damon Albarn the lead singer of Blur had previously lost his voice to illness before the gig, but this did not stop the man from performing with power, passion and giving 110% to his fans. They Did an hour and fifty minutes. Their first section was a mixture of their new album, which i felt didn’t get the crowd moving as much, and i found that it was to much new and not enough of the classics, which finally came towards the middle of the set, when they started playing songs such as Parklife which had guest star Phil Daniels performing with the guys,  this got the crowd jumping around, the atmosphere changed and people started moving and getting involved with the music, they followed this up with Coffee and TV, Girls and Boys, Song 2 and the classic Tender. For me the classic win over all, it got people moving and ended the night with a bang. 

Photo courtesy of Isle of Wight Festival by Sara Lincoln

Previously to Blur we had the one and only Pharell Williams who first performed at the Isle of Wight festival back in 2008 with his band N.E.R.D, Tonight he gave a performance of old and new songs which included his special Guest his band member from N.E.R.D, They performed classics such as Lapdance and She likes to move, which they welcomed fans from the audience to dance on stage with them, a highlight of the night was the women who danced with the band to the song she likes to move. She bought entertainment to the Isle of Wight festival and the audience cheered her on as her performance bought laughter and fun to the event. He took a moment to celebrate Jimi Hendrix 45 years through an instrumental of the song one love, which the audience in turn put one finger in the air to celebrate a legend that stood on the Isle of Wight stage 45 years ago. He then went on to play renditions of songs that he performed with artists such as Gwen Stefani, Snoop Dogg and many more.  He ended the set with the all time Minon favourite song ‘Happy’ He bought to the stage, the children that the Isle of Wight festival where raising awareness and donations for. To join him and to perform and dance on stage to get the crowd clapping along to the song. 

Between Blur and Pharell Williams we had the sensational DJ Shortee Blitz, Getting the atmosphere and audience ready for the next big act Blur, he played songs from the 80’s and 90’s to get people on their feet, the last two songs were from the legendary Queen, We are the Champions and Bohemian Rhapsody. This got everyone going and ready for the rest of the night, the crowd was singing and the Isle of Wight was in full song. It was a stunning moment to bring on the one and only Blur. 

Through out the day we had performances from bands such as, Ward Thomas, Nothing But Thieves, Jess Glynne, James Bay, Jessie Ware, Kool and the Gang and Dj Shortee Blitz. James Bay created an electric acoustic feel to the festival, He bought his soul and spirit to his music creating a mind blowing set that inspired people and relaxed them, whilst they singing along to the lyrics from hold back the river from his number 1 album and songs such as Let it go and if you ever want to be in love. He was followed by the astonishing Jessie Ware our London goddess, she bought her wonderful voice and performed her electro-pop music, whilst enchanting the audience with songs known as champagne kisses, wildest moments, Say you love me, running and kind of.. sometimes.. maybe which she considered to be her flirtatious song. Jessie ware gave an exceptional performance one of my favourites from this years Isle of Wight festival. 

Over on the 'Big Top' stage we had band such as Twin Wild, New City Kings, La Femme, The Shires, Foxes, Stiff Little Fingers and Paul Oakenfold. Foxes performed on this stage creating a strong and fun atmosphere for their audience, people where coming from other venues such as the Colourena, where they had live Djs performing around the clock with classics from the 70’s 80’s and 90’s they provided Paint fighting with music for people to go and let their hair down in between acts and to burn off those calories added from all the food venders on site. It was a fun way to meet, mingle and to dance your socks off before going to rock out to your favourite artist on stage. 

SUNDAY 14th JUNE 2015 IOW: DAY THREE

Sunday was the lead up to the headliners Fleetwood Mac and Paolo Nutini, through out the day you witnessed more and more people arriving to get a good spot at the main stage known as the ’Electric Stage’ for the evenings events to unfold.  The line up through out the day consisted of The Rainband, Suzanne Vega, Jethro Tull’s Ian Anderson, The Courteeners, and First aid Kit.  Suzanne Vega performed with her Guitarist classics such as Left of centre, known for the Pretty in Pink soundtrack in the 1980’s. 

In the ‘BIG TOP’ stage we had the band Coasts performing songs such as Modern Love and new hits from their upcoming Debut album also known as ‘coasts’ a new number 1 in the mix called Tonight, this Bristol band got the audience jumping around, whilst pulling people in from all around the Isle of Wight festival to enjoy this fresh new sound created by this 5 piece band from the UK.  They where followed up with The View,  Lightening Seeds and the one and only Ash.  

Ash who performed songs such as Burn baby burn and Shining Light, bringing their music to their fans, the audience were bursting at the seems, the 'BIG TOP' stage was packed and people were gathering to watch this captivating performance, Although I only got to witness the first 15 minutes of this i can tell you these guys where rocking this crowd, and keeping the standard of the Isle of Wight festival which was created over the past two days going. 

Even though there was rumours of Fleetwood Mac possibly cancelling the show due to illness and two previous cancellations on their current tour which they have already done 90 shows since last year, they turned up and Gave a performance of a lifetime, Fleetwood Mac Arrived with such grace and presence. The field was full, the Fans where waiting and the night was about to begin, the act that everyone was waiting to see was here, over 50,000 fans filled the Isle of Wight creating an nostalgic atmosphere with the sun setting in the background, creating a perfect evening for an outdoor gig. 

They had previously been warmed up by the ever popular Paolo Nutini, His soulful, gruff voice wowed the audience with such power and grace, he topped this of with his dynamic stage presence it created the perfect show to watch and to get the crowed moving to songs such as Better Man, Jenny don’t be hasty and a beautiful rendition of New Shoes. A stunning performance by an amazing Artist, Thumbs up! 

Fleetwood Mac opened the show with the song The Chains creating the atmosphere for the evening, and not disappointing with their renditions of classics such as, Go your own way, Rhiannon, Gypsy and who can forget Landslide which Stevie Nicks dedicated to her friend and fellow Artist David Grohl, Who has recently broken his leg whilst touring. This  song was written and performed originally in 1974, 41 years prior to Isle of Wight 2015, this did not disappoint but left the audience in ore.  They provided a spectacular end to an amazing weekend with the song ‘Don’t Stop’. Whilst performing, Fireworks where provided the perfect end with the perfect song, the crowd danced, they sang and they didn’t want the night to end wanting more from the legendary Fleetwood Mac who had performed for an outstanding 2 hours, getting better and better with each song, and their individual solos showing us what the music industry is all about.

Once Fleetwood Mac had ended, people departed the ‘Electric Stage’ and went on to other events within the Isle of Wight Festival, In the ‘BIG TOP’ stage The Charlatans where closing down the last gig to be performed on the ‘BiG TOP’ for the Isle of Wight 2015, the fans filled the tent and crowded around the edges to see these guys perform, people still buzzing and enjoying their last night at the Isle of Wight Festival, taking in the music, the atmosphere and their fellow music lovers around them. Joining in with the music and capturing these moments through images and tweets via social medias such as Twitter and Facebook. Truly showing what the Festival season is about, Music, Artists, Fans getting together under one Social weekend to celebrate 45 Years of music inspired by those who performed at the Isle of wight 2015 and those who helped to create the Isle of Wight Festival since 1968. 

Artists known as: Jimi Hendrix, The Doors, Joni Mitchell, Supertramp, Leonard Cohen, Joan Baez, Chicago, Procol Harum, The Rolling Stones, The Who, David Bowie, Muse, Foo Fighters, Bruce Springsteen, Paul McCartney, Pearl Jam, Kasabian, Amy Winehouse, Kings of Leon, Jay-Z, The Strokes, Coldplay, The Sex Pistols, The Police, Blondie etc. 

Thank you guys for a wonderful weekend and an oustanding festival…till next year.