Great Dane Denis Horvat is back on Afterlife with an epic 4 track odyssey “Cha Cha”

Denis’ penchant for synth-driven melodic techno is evident across all four of these scintillating cuts. 
 
Title track ‘Cha Cha’ percolates and throbs, using a distinct vocal clip and exhilarating synth arrangements to create indelible memories. ‘Precious Unica’ brings in vocalist Lelah for a dour journey into our mind’s emotional centre.

‘Momentum Of The Arapaima’ merges unusual percussive elements with a moody bassline and an earworm vocal clip for ultimate dance floor effervescence.

Finally, ‘Majstor’ utilises minimal framework to awaken our primitive state, encouraging deep primal expression. 

 

Joseph Capriati remixes Rony Seikaly’s “Night Into Mornings” on STRIDE Records 

Facebook SoundCloud Instagram

Listen
Order

Finishing the third round of remixes of Rony Seikaly’s highly acclaimed Moonwalk album in great style is legendary Neapolitan groove ambassador Joseph Capriati, who impresses with his vision of Rony Seikaly’s track “Nights Into Mornings”.

Capriati shows his superb production ability and goes deeper than on the club stormers for which he is famed. On his rework of “Nights Into Mornings”, Joseph deftly maintains the vibe of the original while adding his own trademark flair to take it to another level of driving and minimal deepness. Capriati delivers a grinding rendition of the original, expertly crafted for groovy occasions.

Nights Into Mornings – Joseph Capriati Remix is set to be delivered on September 30th via Stride Music.

Artist(s): Rony Seikaly
Title: Nights Into Mornings (Joseph Capriati Remix)
Record Label: STRIDE
Cat.Number: STRIDE041
Release Date: 30th September 2022

Tracklist :
1) Nights Into Mornings (Joseph Capriati Remix)

Charlotte de Witte celebrates her new “Universal Consciousness” EP with exciting ‘New Form’ V: live stream 

Stream

Order 

Charlotte de Witte takes charge of her KNTXT label’s 15th release with the new Universal Consciousness EP. It comes after Amazingblaze – Venture EP and features four more powerful and psychedelic techno cuts.
A day before release on Wednesday 27th of April at 19:00 CEST and in collaboration with Beatport, Charlotte heads up ’New Form’ V: Universal Consciousness stream. It was recorded in the empty Flanders Expo venue with the epic production that was set up for the hugely successful event on 16th April.

Charlotte is fresh off the back of her biggest ever KNTXT party in mid April. It took place in her hometown of Ghent and saw her play a historic 10 hour set to a vast crowd of people who were taken on a real sonic journey. Also in April, Charlotte returned to London’s iconic Printworks for the first time in five years, this time with her KNTXT concept and once again raised the roof. While staying busy on the road, she continues to curate the Apple Music x KNTXT page while cooking up ever fresh sounds in the studio. This latest EP is another subtle evolution in her signature style.

Says Charlotte of the EP, “following up on my latest Asura EP in September, I decided to delve a bit deeper in the world of psychedelia. All the tracks of the EP are psy inspired, some more than others. I’ve been playing these tracks for a while now in the clubs. It’s been a real
pleasure to see the crowd’s reaction and see the amount of track ID requests online. This one is from me to you, I hope you enjoy my Universal Consciousness EP!”

Opener ‘Satori’ is dark and heavy. The chunky, raw drums hit hard and flat, as the squelchy acid synths pan about the mix. An enchanting middle eastern vocal wail brings an extra trance-inducing element that is sure to lock in the hearts and minds of the crowd.

The super ‘Kali’ is a slick and high speed piece that shows the love relation between psy trance and techno. The video game style synths peel off the groove next to alien sound effects, and the subtly evolving acid line burrows deep into your brain.

Then comes the dynamic, bouncy and acid laced-title cut ‘Universal Consciousness’. It’s a fulsome tune with rubbery kicks and visceral 303 loops that will melt the mind, as dancers fall under its hypnotic and tripped out spell.

Last of all is ‘Ahimsa’ with its bright, lashing acid synths and hammering kick drums. It’s the perfect mix of physical groove and psyched-out synth work, and is perfect for both sweaty basements and vast main rooms alike. When the mystical flutes come in, it takes things to another level entirely.

This is another all consuming EP of innovative techno from Charlotte de Witte.

The Great Escape Brighton 2016 Review

We all know how most UK festivals work- you show up, you camp somewhere, usually muddy and wet, you sneak a few bottles under your shirt/short/hat/combination and you head to the arena for some musical action. Don’t get me wrong, I’m a massive festival fan, but the Great Escape is a different kind of festival altogether. It’s almost completely focused on ‘new music’, and with that tagline comes a whole new era of ‘festival’ in general. Although it is a brilliant collection of new music, with everything from up-and-coming indie bands to an underground grime scene, whether it’s festival status is truly deserved, is debatable. You don’t have the same camaraderie as camping in a field and getting wasted with your friends, it’s a completely urban environment and I can imagine for a non-brighton dweller can be quite hard to navigate.

 

For those of you who are unaware of what the Great Escape is, it’s a four day extravaganza in which various venues around Brighton host gigs and events under the same umbrella.

I grew up in Brighton, and seeing the Great Escape flourish every year has been a real beauty to behold. It puts the city in a good mood, there are loads of artists wandering around, I get to go to venues I’ve never been to before or wouldn’t go to without reason. It’s nice to promote new talent and isn’t massively overpriced for what it is. There’s a lot of nice little treats that come with your wristband, like a couple of free drinks at certain places or discounts on food and fringe events. It makes the city way more lively and you look at Brighton through rose tinted glasses, it brings a bucket load of atmosphere to my friendly city.

The long weekend itself was hectic, Some of the acts were unrefined, some were okay and some to be quite frank, some were pretty dreadful – with new music comes it’s fair share of risk – but when you get the one show that gives you the ‘I’m going to be able to brag about seeing these guys before they were famous’ feeling, it gives you goose bumps and an air of cockiness that lasts all evening, and that’s what GE is all about.

The festival is well known for its urban music vibes, with patterns showcasing Lady LeShurr in a packed out, madly energetic gig, however even with Stormzy playing a ‘spotlight show’ and music from Craig David’s new DJ act TS5, there was a very melancholic, Scandi-Pop, indie vibe to the majority of the festival, but that might be tailored to maybe the shows I happened to catch. A few favourites to call out were HER and SISKA, both French and both very different. The first was oozing sex all over the hope and ruin and had powerful vocals with highly sensual lyrics. The latter was a soulful, almost folky, bass filled vibe with some of the best vocals I heard all weekend.

Alongside all the lesser known artists, there were still some heavyweights pulling crowds to bigger venues, with Jake Bugg bringing the energy to Wagner Hall, which in itself is a masterpiece, even if a little hard to find. An amazing tucked away venue behind Saint Peters church- outdoors, fairy lights, and a cute little bar with a stage surrounded by foliage. It’s the type of place you had to stay at all day to see the one act you were actually interested in at 21:30. Mystery Jets also played a lively set, with a more prog-influenced feel than anything we’ve seen from them before at the Corn Exchange, a venue more central, capable of holding bigger crowds, and one of the best organised throughout the festival. The newly rejuvenated ‘Old Market’ also saw its fair share of action, with The Temper Trap playing a beautiful Amazon Live: Front Row gig, bringing a fresh lease of life to the venue.

 

 

Alongside the full blown Great Escape, is its rebellious little sibling that crops up all over the shop, The Alternative Escape. Although technically still a branch from the same tree, the Alternative Escape boasts something a little different, showcasing newer acts from specific labels and the Black Lion pub even hosting a few more learned events and East Street Tap remaining a hot spot for music and some definite refreshment throughout the evening.

It’s been over ten years since its humble beginnings in 2006, and although it’s continuing to bloom into a must-see of the summer, I do feel it needs to be slightly refined. They’ve got some great ideas and concepts, but the venues need to be stronger, maybe a few more outdoors stages, a few more quirky events, and just that little bit extra on top of the music. The music is great, but when you hit a three hour lull in the middle of a saturday afternoon, I can imagine those of us not from Brighton would feel quite irritable, which is the last thing you want in a crowd. But I say this from the perspective of a mum wanting to see it’s baby do well. The focus is on the music and the bands, and that’s something that gives it an edge, which can be lacking from the larger, more mainstream festivals these days. Things are only going to get better, and I for one can’t wait till next year.

 

Kasabian confirm new material to be heard at Rockness 2011

Speaking to NME, Serge Pizzorno said fans should expect some new additions to the setlist. When asked if Kasabian would be playing new songs at RockNess, Pizzorno replied: “Definitely. There may even be something out by then too. I’d like there to be. I’d love to have something out because it always gets you going when you’re playing the new shit.

Pizzorno was speaking around the release of London Boulevard, the British film he has composed the soundtrack for. He said that some of the material from the soundtrack may influence new Kasabian songs.

There may be a tune or so from the film that could surface too,” he said. “In some ways, the film and the score might be almost a little glimpse into what will happen with the band in the future.

With a feast of swaggering anthems and the best pulsating, semi psychedelic grooves on the planet, Kasabian at RockNess is set to be an unforgettable show as the Leicester heroes power their way through a stomping trajectory of anthems sure to stir even Nessie.

RockNess Festival Director Jim King commented, “It’s very exciting news as there’s nothing better than hearing your favourite band’s new material. It really sounds like the band are making RockNess a must see gig for their fans.

Joining KASABIAN, is an act that can well and truly call RockNess home – THE CHEMICAL BROTHERS. Last time Ed Simons and Tom Rowlands played the festival, they unleashed a colossal visual and sonic assault of such magnitude it reverberated the length of the Great Glen. Now in news that is generating elation with fans, they’re heading back for the first gig in Scotland since 2008. Ed and Tom said “it’s really exciting to be headlining one of our favourite festivals. RockNess is an amazing place to play and we can’t wait to be back there again”. Expect heaps of arms-aloft euphoria come June!

Completing the Main Stage headliners is PAOLO NUTINI who promises to bring RockNess to a spectacular close on the Sunday in a massive landmark homecoming gig. Nutini’s reputation for blistering, crowd rousing live performances has seen him electrify audiences across the globe and festival organisers are inviting fans the length and breadth of the country to do whatever it takes to join this unmissable, once-in-a-lifetime occasion.

As the first major UK festival of the summer, RockNess will also be one of the first opportunities for fans to hear tracks off Paolo’s much-anticipated third album, which is being recorded at present and scheduled for a 2011 release. Commenting on his headline gig at iconic Loch Ness Paolo Nutini said, “I am buzzing at the prospect. I don’t know what to expect but everyone I know has come back with loads of stories to tell. I hope I will be the same!”.

RockNess 2011 takes place 10-12 June, 2011 in the village of Dores, close to Inverness in the Scottish Highlands.

The festival won ‘LINE UP OF THE YEAR’ at last month’s UK Festival Awards for its 2010 extravaganza which saw appearances from a raft of incredible acts including The Strokes. Leftfield and Fatboy Slim.

Music lovers are being encouraged to ‘Respect the ‘Ness’ by taking advantage of ‘GO GREEN’ tickets on sale that include FREE COACH TRAVEL FROM ALL MAJOR CITIES IN THE UK. This follows the instant sell out of the festival’s outrageously good value, computer crashing £99 weekend ticket and amazing Early Bird deal that also sold out!

GO GREEN ticket prices:

£149 – 3 day weekend camping / non camping
£159 – 3 day weekend camping / non camping with coach travel
£135 – 3 day weekend camping / non camping student ticket
£145 – 3 day weekend camping / non camping student ticket with coach travel
£189 – 3 day weekend camping / non camping VIP ticket