FRIDAY
For those of us who can’t get the extra day off work, Festivals are still a three day affair unfortunately, so I’m starting my Bloodstock Open Air 2023 journey here on Friday morning. Surprisingly sunny and warm despite one of the worst summers on record, we are grateful on two fronts – no need for the heavy duty rain gear we would have needed two weeks ago, and that the grass is visibly still green unlike the scorched Sahara situation of last year.
It is nice to note however, that Bloodstock seem to have upped their game a little after the 2022 hellscape, and there are a few more canopy structures around site to offer sun/rain relief. New too is the very cool Jewellery collaboration between Black Feather Designs and BOA, being a stalwart OG Bloodstocker – I was tempted into getting a signet ring, and they are beautifully made. Otherwise, Bloodstock remains largely unchanged and for that I am thankful – it is one of the easiest to navigate sites of all UK festivals and means I’ve got the best chance at seeing heaps of excellent bands this weekend.
Starting up with Hate on the main stage, who are uncompromisingly heavy and daubed in corpse paint (my first bingo tick of the weekend), followed by Gatecreeper who seem to have swapped set times. Gatecreeper fulfil my hair-windmilling requirement for the festival on day one, opening with the aptly named ‘Sweltering Madness’, play some good solid heavy metal and get an extremely rowdy circle pit going.
On the Sophie stage, Zetra sound like the band from your 90’s Buffy dreams. Gloomy, emo and deliciously ethereal – if you want to write poems in a graveyard, this is your soundtrack. By your soundtrack, I mean mine. Off to buy some black lace and a scrying gemstone.
Back on the main stage Sacred Reich have worked out whatever the hitch was that meant they had to switch slots with Gatecreeper, and they joke “This sun isnt typical here… I think its cause you’ve got two Arizona bands on today, so you’re welcome” before thanking Gatecreeper for the swap. It’s a great set from them so I’m glad the powers that be managed to work it all out.
Wild Heat are rocking out in the Jägermeister tent, it sounds like the 80’s and I’m entirely here for it. Looks like everyone else is too because that tent is absolutely overflowing with people cheering them on, and I reckon they could more than handle a bigger stage next time. Fit For An Autopsy also get my stamp of approval, their sound is built from so many different sources and angles it’s a truly unique experience across their set, yes it’s heavy but the underlying melodies are the hook that reels you in. Calling “This is a bucket-list festival for us, we are so glad to be here! We need more crowd surfers, get up there!” they are visibly gaining new fans today.
Fury on the Sophie Stage are absolutely throwing down, it’s classic 80’s metal and I LOVE IT. Twin vocals from Julian Jenkins and Nyah Ifill are the soaring sound of the epic 80’s movie montage – think Karate Kid and Rocky. I know that sounds like I’m placing them in the category of cheesy, but trust me when I say I’m putting them up there with the greats. If you like hair metal, Fury are one hundred percent for you. If you don’t like hair metal, you’re wrong. ‘Hell of a Night’ has a very singable “Monster movies” refrain which has already become an earworm and is therefore entering my playlist immediately.
Over on the main stage, Heaven Shall Burn are already enjoying themselves “It’s our first time at a festival in the UK, this is pretty special for us”, their stage filled with huge lighting panels and a lot of face-melting pyro. After a two year hiatus from live music before this summer, they’ve come out swinging, heavy and fast enough to entice a whole raft of crowd surfers across the barrier – including someone in a completely pink suit and tophat, very dapper.
Less production fanfare for the iconic In Flames, but no compromise on power whatsoever. The Gothenburg heavyweights are as raw and brutal as ever, backed up by their intensely interwoven melodies that form their unique sound. I couldn’t rave enough about this band if I tried, after thirteen albums their catalogue speaks for itself, but live – they just have that certain something that draws you in. ‘Leeches’ and ‘Behind Space’ back to back show just how varied this setlist is today, we’re getting the full tour and I’m extremely appreciative.
Shouting “Do you wanna join our band? Get him up here, no wait, he’s got superhero clothes on he can fucking fly up” Anders brings a fan dressed as a pirate up to join them on stage. “Finally we got a rock star up here!” he jokes, before handing him a mic. “Open a big circle pit for this one, pirate guy, are you ready?”. We love a bit of silliness here for sure, but we love a bit of ‘Take This Life’ more, and wow what a set that was. The last time In Flames played BOA was 2007, it’s been a long fucking time coming, In Flames we trust.
We take a little time to peruse the food offerings before the headliner, and settle on some slow cooked brisket from the most magnificent BBQ van, whose siren blares when the meats are ready. I would now like to be informed of dinnertime this way every day. 10/10 deliciousness, even if the chipotle sauce is still burning.
Closing out the main stage for the night, Killswitch Engage are a strong choice for BOA headliner. It’s an absolutely massive crowd spanning the arena and they come in heavy and melodic with ‘My Curse’ and ‘Rise Inside’. Guitarist Adam Dutkiewicz is rocking cocktail print boardshorts and a cut off Hawaiian shirt whilst bouncing around the stage with utter uncontained glee, as they head into ‘The Signal Fire’ – “This song is about unity and love, and that’s everything this festival stands for”.
“I think it’s important to say this to all you people who were picked on. The freaks, the geeks, the weirdos. You are not alone, we are all here for each other” is a lovely supportive sentiment for a big ole metal band to espouse for sure, but becomes slightly ridiculous when followed up with “…what are you pussies doing there in the middle? I thought this was a metal show? Get a circle pit going!”. Nevertheless the band is rewarded with just that, if there’s one thing Bloodstock fans do brilliantly – it’s getting themselves nice and chaotic when asked. Closing with ‘My Last Seranade’ and a fitting tribute to the Ronnie James Dio stage – a cover of ‘Holy Diver’ is the perfect ending to an epic headline set.
SATURDAY
Starting out on Saturday with doomy Urne, who have gathered a decent crowd. It’s not my jam to be honest but there are plenty of approving fans headbanging along this morning.
Up next is possibly the stand-out performance of the weekend, surprisingly… Royal Republic. A strange pick for Bloodstock, and one that I expected to annoy more true heavy metal fans. What I actually saw, was one of the biggest daytime crowds of the whole weekend, everyone dancing, everyone having a great time and everyone letting the pretence of coolness down for 40 minutes. Royal Republic are Swedish clean-cut rock and roll, dressed like T-Birds in tight denim and leather jackets, they bandy about the stage like they’re trying to embody the spirit of Elvis. There’s a keytar, a moment where drummer Per Andreasson fully stands up on top of his kit, and heaps of crowd interaction, what’s not to love?
Yelling “These are my hands, I have two… the maximum amount. They would like to meet your hands… clap!” its clear enigmatic frontman Adam Grahn is here for a fun time. “We love metal, and we could have been a metal band… but we also love money” they joke, before giving us a quick and VERY convincing rendition of Metallica’s ‘Battery’. Finishing up with ‘Baby’ which is immediately my new summer road-trip jam, they have solidified their place in BOA history as a surprise hit amongst all the doom.
Employed To Serve get the unfortunate slot of a proper downpour, but manage to throw down some brutality after it clears. Vocalist Justine Jones absolutely crushes the low death metal growls, and they’ve got a very respectable crowd in front of them. Bloodstock veterans Crowbar are back once again with their excellently heavy riffs, and a joke or two about the weather “We’ve had a lot of wind, a lot of rain… it’s fucking England” to a massive crowd of fans.
Knocked Loose promote as much chaos as their name suggests, and we see the biggest circle pit of the weekend so far, as vocalist Bryan Garris goes absolutely berserk on stage himself.
Over on the Sophie stage another new one for me is Dakesis, despite the fact that they’ve been at Bloodstock a few times before, I seem to have missed them. Frontwoman Gemma Lawler is an absolute powerhouse vocalist and the band’s prog/symphonic metal is right up my street. Their show is dynamic and exciting to watch, the melodies are on point, and I’d truly be happy to see them hit a main stage slot sometime.
On the opposite side of the style coin, Abbath (fronted by former Immortal guitarist, Abbath Doom Occulta… what a handle) are bringing us another dose of corpse-paint and creepy tongue waggling. There’s an awful lot of people in the crowd sporting corpse paint today in support, even a few of the photographers were spotted getting gloomified, and the set is worth the hype.
Walking into the Sophie tent ahead of Gutalax, with no prior knowledge of the band… is nothing short of a fever-dream. Yes yes, I should have realised with the band name, but I wasn’t prepared for what I saw at all. Fans waving toilet brushes (imagine explaining those to security on your way into the campsites) and inflatable excrement flying around the tent, whilst they sing songs about… well, shit, is actually quite fun. I too would like to make it this far in life doing something incomprehensibly weird, I think I’m doing life wrong.
Triptykon performing Celtic Frost is quite special in and of itself, so I don’t know why it isn’t hitting the button for me today. It’s technically brilliant but I guess I’m missing the little things that engage and endear me to live music, it feels a bit like they’re going through the motions I suppose.
On the other hand, the incredibly silly but rather excellent TrollfesT are bringing me all the chaotic joy I have been craving. Sorry purists, but I am going to fucking LOVE a band dressed as resplendent sparkly flamingos and I won’t be taking any questions at this time. Looks like I’m not alone in this sentiment, as there are flippin’ heaps of inflatable flamingos in the crowd, and many people sporting flamingo paraphernalia, and surfing their way to the front of a full tent. Joking about how they entered Eurovision but didn’t get through, frankly enrages me. I would absolutely have voted a million times for the band who play folk metal and dance around the stage, but even more so for the band who call themselves “agents of chaos” and cover Britney Spears’ ‘Toxic’. Come on, even the most seasoned metalhead absolutely must find this sort of thing amusing.
Last up for me on Saturday are Meshuggah. I’m trying not to let my opinion be too obviously jaded by the fact that their lighting for taking photos was the absolute worst… but, after playing their first three songs almost entirely in darkness from the back of the stage, I can’t imagine it was that exciting for anyone else either. Yes it’s heavy, yes it’s gut-twistingly brutal, but they’re known for their saga-length songs that I just don’t always think translate well to headline sets, and there’s no movement or interaction. On the other hand, it’s a bloody enormous crowd and I know they’re on point musically – for the fans, this would be a great night. For everyone else, I’m not sure it hits.
SUNDAY
Sunday has us checking out some of the other offerings around the arena, there’s always a small but great collection of shops at Bloodstock, with everything from patches for your battle vest, to frog hats and ornate drinking horns. If I am permitted one small gripe this year, it is that the queues for the merch stand on Friday were atrociously long, and it’s placement along the back of the arena meant that it made the walkway a bit difficult to pass at times to get to the New Blood stage. It would be nice to see a second merch stall over in the food court area somewhere, as I believe there had been in years past. I was also super disappointed to find that the S’Tan plushies had sold out on Thursday, so please BOA – order some more in time for Christmas ok?
Checking out All Hail The Yeti on the main stage for some good solid heavy metal, I did find myself giggling at the Stranger Things experience I was getting with the intro to ‘Highway Crosses’. Tribulation are today’s dose of corpse-paint, and in a very cute move they even have little incense sticks stuck into their PA speakers at the front, adorable. Guitarist Joseph Tholl is incredibly talented, and their soaring gothic melodies are truly delicious to the ears.
Polish death-metallers Decapitated bring the fun and heaps of crowd surfers, with vocalist Rafał Piotrowski whipping his Rapunzel-ian dreadlocks around the stage. It’s a very large and hyped up crowd despite it being Sunday, this is one of the funnest sets of the weekend by far.
Dead Air (who suffer a typo on the app and were very sweetly presented instead as Dear Air, narf) are playing their bouncy rock and roll in the Jägermeister tent, jumping around in the very limited space and giving the frankly massive crowd a fucking fantastic set. I’d like to see them back!
Ugly kid Joe are bringing the nostalgia, with their funny take on other bands’ logos (note the Motorhead style drum skins, the Britney Spears/Sabbath tshirt, Slayer backdrop etc…) and they’re just damn good fun, even their Ace of Spades cover was decent.
Over in the Sophie tent, I once again feel I’ve stepped into an alternate reality for Church of The Cosmic Skull. Opening with the truly epic ‘Mountain Heart’ I am immediately captured by their sound, 70’s organ and strings with that Pink Floyd/Animals ring to it. The band themselves are a visual force to be reckoned with as well, all dressed in bright white of varying styles, and all white instruments (apart from the rainbow axe sported by frontman and founder Bill Fisher) they look like the kind of cult I would absolutely fall for. It is prog, for sure, but not the self-serving hours of widdling-around and paying no mind to listenability kind. They have a very singable quality which had me playing their spotify channel all the way home. Call me a convert, they were truly one of the stand out bands of the weekend.
Now for maybe the most exciting set of the weekend, and who could be remotely surprised – it’s Sepultura. If you don’t get hyped up to jump around to this band, your heart might not be installed correctly, because it is impossible not to be drawn in when Derrick Green asks you to jump with him. “Bloodstock! Let’s get it GOING!” he yells, as the crowd surfers rain down on the security guards at the front. “This goes out to all the bands at the festival, and all you motherfuckers out there” is the signal call for everyone to go wild for ‘Refuse/Resist’ and closer ‘Roots Bloody Roots’ just seals their position as one of the best bands I’ve ever seen at BOA… again.
KK’s Priest stepping up in place of Helloween after their cancellation, means a crowd full of slightly disappointed people wearing their pumpkin outfits in mourning, which is a little funny. Yes, joke along that this is Judas Karaoke if you will, but honestly – it’s good. Solid heavy metal, a lot of running around and fun stuff, can’t complain for a last minute addition. I would have been one of the people who would have liked for Skindred to fill the slot on the back of their hit album, but the forums are full of people who were Skindred-ed out and I do get why.
I was however, absolutely blown-away by Zeal & Ardor and do feel they could have been an incredible pick for that main stage slot too, despite their relative new-ness. The rammed tent supports my theory, overflowing with equally awestruck people for their bluesy country flavoured metal. It’s hard to categorise them to be honest, and I think that’s some of the draw – finding a new style can be hard in a saturated market but they seem to have cracked it and created something unusual. Opener ‘Church Burns’ is very country, while ‘Götterdämmerung’ is as black as metal comes, it certainly keeps them interesting.
Megadeth are taking the final main stage tour of the weekend and the band tshirts are out in force for them, though they are no longer the true end of the festival due to the Sophie stage going one bigger each night (tonight with Biohazard) this feels like a fitting end to BOA 2023. Replete with the classic 80’s imagery, albeit delivered via screens instead of backdrops these days, Megadeth enter a dark stage and stand at the back, with drummer Dirk Verbeuren risen aloft amongst the speaker stacks. Loading up with ‘Hangar 18’, MegaDave (Mustaine) and the band give us that unmistakable ‘Big Four’ production. Yes it’s thrash, but there’s just that clean element of a band who’ve been perfecting something for this long and absolutely nailing it, and the ginormous inflatable unicorn nodding along at the front of the crowd seems to agree.
Between each song break the arena shakes with a chant of “Mega-deth” and there is no choice but to headbang along to ‘Conquer or Die!’ really is there? “Two words… lookin good! There are so many beautiful faces tonight” are the words that precede ‘Tornado of Souls’ which I personally think is quite accidentally witty. ‘Symphony of Destruction’ is of course excellent, come through my fellow Guitar Hero kids… as is ‘Peace Sells’.
After a brief break (one of the only bands to continue the pretence of going away and coming back for an encore these days) they call out “This is Bloodstock, all metal, all night!” to which the guy next to me loudly replies “PLAY SOME RIFFS OR FUCK OFF”, much to the amusement of all around us. Finishing up with ‘Mechanix’ and ‘Holy Wars… The Punishment Due’ means Megadeth go out as a solid headline choice for Bloodstock, and certainly one to remember.
Over and out Bloodstock 2023, you have been absofuckinglutely magnificent. With the line-up announcements already – I am positive it’s going to be yet another stunner next year.
Note: Following the festival, it was reported that there had been a death in the campsite on Saturday evening. This publication would like to extend their thoughts and condolences to the family and friends of this person, and to the team at BOA. Bloodstock is a close-knit family and this news is extremely sad.
