Now in its fourth year, Sundown festival has played host to many of the biggest names in music, and this year was no exception. Returning as headliners for the second time, Chase & Status closed the Saturday night, while Ellie Goulding closed the festival on Sunday.
FRIDAY
But all the fun actually begun on Friday night. After waiting nearly 2 hours in the queue for my friends to get their wristbands, we eventually made it to the campsite, with aching bodies from carrying everything for so long.
We weren’t going to let that stop us though, as the Big Top opening party proved to be one of the highlights of Sundown. New to 2014, the action kicked off at 5pm, but after a few drinking games, we joined the growing crowd of energetic teenage ravers a few hours later. Commercial house tracks and big room EDM bass drops were the soundtrack to the party, consisting of ‘Backstreet’s Back’ being mixed into Martin Garrix ‘Tremor’ – certainly not something you hear every day, a dubious Nirvana remix and some old classics in ‘You’ve Got The Love’. It all made for a great night, with an impressive laser light show shining up the packed tent.
We also checked out some of the stools selling funky sunglasses, hipster shirts, bum-bags galore and the festivals best-seller, judging from all the lads wearing them, – black printed bandanna’s.
SATURDAY
The morning after, the campsite looked like a bomb had hit it – especially the far from sanitary toilets located at the bottom of the campsite. But that’s all to be expected, in fairness there was the option to pay an extra £25 to get some brilliantly titled and much cleaner VIPee toilets for the weekend if you wished.
Entering Sundown’s main site just in time to see Disclosure and Tinie Tempah collaborator Sasha Keable perform on the main stage, it was a nice ease back into the party spirit to cure our near-hangovers. Sasha Keable’s sound is mainly synth led electronica with an impressive vocal laid over the top of each track. Performing tracks from her debut ‘Lemongrass and Limeleaves’ E.P, ‘Living Without You’ showcases her powerful vocal range and ‘Sweetest Talk’ takes influence from Jessie Ware’s soulful R&B sound. ‘Careless Over You’ creates the first sing-a-long moment with Sasha’s voice climbing over the rolling drum and synth beats. It’s the collaborations with Zinc and Disclosure which get the biggest cheers and sing-alongs. ‘Only For Tonight’ pumps up the party atmosphere with air-horn sounds just in time for set closer ‘Voices’, with the crowd jumping and singing back every word. Already signed to Tinie Tempah’s Disturbing London label, a few more releases and Sasha Keable will soon be a household name.
Also on Tinie’s label are All About She, who perform next. The London based UK garage three-piece are made up of record producers James Tadgell and Jon Clare and singer Vanya Taylor. It’s Vanya who grabs everyone’s attention though, with a similar stylish appearance and voice to Estelle, she wastes no time in showing off her vocals. ‘I Can’t Wait’ is a highlight, while new feel good track ‘Beyond Heaven’ hears Vanya work the crowd singing “Sundown you take me there” before asking “where are all the lovers at, put your hands in the air.” ‘Like That’ sees Vanya dedicate the track to a birthday girl on the front row before the trio end their set with the song everyone’s been waiting for. ‘Higher (Free)’ still sounds as fresh as when it was released last November and reached the top 20 in the UK. Sung a capella for the first chorus, it’s given an emotive re-work before the garage beats kick in which return ‘Higher’ to its original club-ready state.
Before Foxes takes to the stage, there is an unwilling yet entertaining twerk off to Nicki Minaj’s new single ‘Anaconda’ between Kiss FM DJ’s Michael and Tania, who introduce each act and deserve praise for building the hype effortlessly. Foxes bounces onstage, looking ever the pop star, in a dress and massive sunglasses. Aside from the music, Louisa is loved by, females who want to be her, and males who want to be with her. The whole set is a highlight. Performing the main singles from her debut album ‘Glorious’, including ‘Youth’, ‘Let Go For Tonight’ and ‘Holding On To Heaven’, each song receives mass sing-a-longs with fans arms waving in the air. She’s not bothered by the worsening weather either, which she has experienced the worst of after a storm engulfed her set at Nottingham’s Splendour festival in July. Instead she shouts to the crowd, “fuck the rain”, and they oblige, continuing to jump with her. ‘Clarity’, her massive Grammy award winning collaboration with Zedd goes down a treat and proves one of the weekend’s biggest sing-a-longs.
Meanwhile, over at the Big Top tent, house music lovers are being treated to the best in the business, with the whole day hosted by Defected Records! Earlier in the day Copyright and Cristoph have bass heavy sets before Food music label boss Shadow Child. But it was Second City and Mark Kinchen who provided the best sets of the day. Second City aka 27-year-old producer Rowan Harrington took the crowd on a journey of commercial to more underground house hits including a remix of Breach’s ‘Jack’ (who would play the same stage later), his collaboration with Route 94 ‘Freak’ and his own track ‘I Enter’, but sadly his brilliant new collaboration with Ali Love ‘What Can I Do’ doesn’t get played. Ending with his recent number one piano-house smash ‘I Wanna Feel’, everyone’s hands wave while their lungs are given a full workout much to Harrington’s happiness.
Later, Marc Kinchen, whose set is swapped with Sam Devine’s, draws a massive crowd to the tent. Opening with a dub of ‘My Head Is a Jungle’ before recent single ‘Always’, MK is joined by four less than covered dancers waving fans in front of their face, creating the Ibiza atmosphere, when in reality we’re inside a sweaty tent.
Chase and Status, who headlined Sundown festival back in 2011 returned to close proceedings on Saturday night. And what a show it was. An intense laser light show, a number of unexpected special guests and some insanely heavy drum & bass, dubstep and everything in between made it the show-stealer of the weekend. Performing tracks from all three of their albums and some older material, it was a career spanning set with each track sending the crowd absolutely crazy. I’ve actually never seen more mosh pits throughout a set. And it just gets even more out of control when Tempa T pounces onstage to rap his part in ‘Hypest Hype.’ Later, British singer Jacob Banks is welcomed onstage to provide his soulful sing-a-long vocals to ‘Alive’. Moko appears large as life in the background video appearing to jump out of the screen during ‘Count On Me’, similarly with Plan B seeming to smash the screen during ‘End Credits’ and ‘Pieces’. Set closer ‘Smash TV’ from the duo’s 2008 debut album ‘More Than Alot’ made for the perfect end to their genre defying set!
SUNDAY
Sunday hosted a far more pop orientated line up on the main stage while well respected drum & bass label Ram Records took over the Big Top. On the main stage, three-piece M.O, who are receiving regular plays on Radio One from the likes of Mistajam, are bringing the 90’s girl band back! They’ve toured with Little Mix and recently signed with Universal in the US – and it’s not hard to understand why. Arriving just in time to catch the last two songs of their set, the first is an impressive cover of Beyonce’s ‘Drunk in Love’, made completely their own. The second is new single ‘Dance On My Own’ with a garage beat which samples Sweet Female Attitudes ‘Flowers’ – one of the biggest UK garage hits from the 90’s.
Ex-The Voice contestant, Becky Hill, bounces onstage in a white crop top and sparkling Aztec skirt, making the most of the British sunshine. She described her sound recently as “leftfield, alternative, cool pop” and that seems fitting. Two Inch Punch-produced opener ‘Caution to the Wind’ is the perfect solo introduction to the world for Becky who I have been a fan of ever since she appeared on The Voice. Since then, she has achieved two number one singles in the form of drum & bass Wilkinson collaboration ‘Afterglow’ and recent house hit with Oliver Heldens ‘Gecko (Overdrive)’ – both of which receive mass sing-a-longs during her set. You can’t help but love how down to earth she is, there are no airs and graces as she admits “my onstage chat is rubbish” after she cracks a joke about the sun being up for Sundown. She later tells the crowd “I’ve got a bottle of vodka in my room so I’m going to the RAM tent to rave it up” – she comes across as a typical partying teenager. Becky’s rise to the top has been stratospheric but she’s still the same loveable singer, as she tells the crowd, “I was recently working in LA and I got a call from my manager and he said, ‘Becky you’re number one”. She proves that she’s a real pop-star in the making during her next disco infused single, the MNEK-produced ‘Losing’ which she says is out in a few weeks. It’s safe to say that she gave the best live vocal performance of the weekend and I’ve already bought tickets to see her again!
Looking like Annie Mac and sounding similar to Katy B, Jess Glynne is the next rising female vocalist to perform. With two backing singers, a drummer, guitarist and keyboardist, Jess performs a set full of catchy pop hits in waiting. She asks the crowd, “did you enjoy my fellow husky, Becky?” much to the crowd’s applause. Jess gets straight into her recent number one with Route 94 in ‘My Love’ before it’s mixed into her second worldwide number one with Clean Bandit ‘Rather Be’, with both attracting mass sing-a-longs and smiling faces. “This is the last festival for us, so let’s go out with a bang”, exclaims Jess. Gorgon City-produced Set closer ‘Right Here’ which reached the top-ten saw the crowd swaying their arms and dancing along to the house beat.
John Newman appears like a young Elvis with slicked back hair and perfected dance routines from the start of his penultimate set of the weekend. Backed by a seven piece band made up including three female singers. The longtime Rudimental collaborator performs the majority of his debut number one album ‘Tribute’, taking the ever-growing crowd on a journey of soulful pop. Each track comes complete with John showcasing his beyond impressive footwork throughout set opener ‘All For You’, ‘Try’, and ‘Cheating’. It’s obvious that he’s a real showman with plenty of onstage confidence, treating the gig like a real show, saying “welcome to this evening’s entertainment”. During ‘Losing Sleep’ he throws himself and the mic around the stage before he pauses the song to shame a member of the crowd. “This guy’s trying to start a fight during my set. We’re not here to start a fight, we’re here to enjoy the music. Let’s put our middle finger up to him” – and everybody does. Back to proceedings and John gushes about his girlfriend, asking, “Did anyone see Ella Eyre earlier? That’s my other half” – of course everybody cheers. Later, John thanks the crowd for getting him where he is now, “We’ve done 38 festivals this season. It all started for me with Rudimental and it’s taught us that we’re ‘Not Givin In’”. The Rudimental collaboration sees John and the backing vocalists sing their heart out with John running along the front row of the audience to the lucky fans delight. Set closer, and number one single, ‘Love Me Again’, sees him fall to his knees at the end. John’s energy and showmanship far exceeded my expectations and I’d definitely recommend anyone to go and see him.
Ending the weekend was Ellie Goulding, who barraged through tracks from both albums ‘Lights’ and ‘Halycon’. Songs like ‘Figure 8’ and recent single ‘Goodness Gracious’ showcase Ellie’s unique breathy vocals. ‘Starry Eyed’ is dedicated to all of Ellie’s fans who have been with her from the beginning. Madeon-produced track ‘Stay Awake’ pushes Ellie’s vocal range to its highest and most impressive point. After a quick costume change, Ellie performs a chilled electronic cover of Alt J’s ‘Tesselate’ before switching to James Blake’s ‘Life Round Here’ – two breathtaking, somewhat haunting renditions. Picking up the guitar for an acoustic version of ‘Guns and Horses’, Ellie shows off her unmistakable vocal capabilities. Laughing she says, “It’s about the time where I like to do some voluntary movements which some people may call dancing” before pop hit ‘Anything Can Happen’. Teasing the crowd she jumps down to run across the front like John Newman did during ‘I Need Your Love’. Then comes the sad news, “This is my last show for quite a while and I’m not sure when I’m going to be back on tour”, Ellie genuinely seems upset but powers on through ‘Lights’ which sees everyone light up their camera phones, creating a special memory for everyone there. Finishing with ‘Burn’, Ellie signs off hinting at a return for the following year.
Ellie certainly won’t be the only one coming back to Sundown festival if this year’s brilliant event is anything to go by!
Originating from the USA, Electric Daisy Carnival, or EDC as it is more widely known, made its second trip across the pond to the UK this weekend, transforming Milton Keynes outdoor National Bowl into an entertainment spectacle.
Riding on the success of last years London based event, EDC 2014 offered a who's who of chart-topping EDM, (electronic dance music) producers, best known for their knob-twiddling skills and dance music know how.
Aside from the music, one of EDC's unique selling points (persistently featured in the promo videos) was the scale of special effects on offer. Promising the UK's largest ever 360 degree LED light display, pyrotechnics and hundreds of weird and wonderful performers, the organisers clearly aimed to make their event just as visually appealing as the music itself.
Musically, this years EDC boasted a diverse line up of British and European producers, with EDM duo Bassjackers opening the main stage at midday before Avicii's headline set in the late evening, with chart hits 'You Make Me' and 'Wake Me Up' lighting up the bowl.
Earlier in the day, Calvin Harris played a mid-afternoon set, including recent number ones 'Summer' and 'Under Control', with the majority of the crowd on each other's shoulders early on. It was a busy day for Harris, who hurried off to play a main stage set at T in the Park where he was joined and introduced by Will Smith! Not a bad day for Calvin, who achieved eight top-ten hits from his 2012 album, '18 Months'.
Meanwhile, over on the Cosmic Meadow stage, house music was the order of the day if EDM drops became too much for some. Route 94, who scored a number one earlier this year with his piano house track 'My Love' featuring vocals from Jess Glynne, opened the stage at 1pm with a well received set. Later on, Leeds success story Hot Since 82, real name Daley Padley, performed an evening set of deep house drawing on tracks from his album 'Little Black Book'.
Back at the Kinetic Field main stage, 19-year-old Dutch producer Martin Garrix, who topped the chart with the inescapably catchy 'Animals', which is given an outing today, as well as follow-up top-ten track 'Wizard and a remix of Empire of the Sun's 'Alive' drew a large crowd. Mixing Naughty Boy and Sam Smith's number one 'La La La' with his own new single 'Tremor', the chorus bass drops team with confetti and smoke machines going off in unison.
Next up was Steve Aoki, who is currently hosting his Aoki Play House residency in Ibiza, here making a rare UK appearance, dropping bass heavy tracks, 'Boneless' and a new collaboration with Afrojack, before scaling the grand DJ podium set up. While stood high, he threw numerous cakes at the crowd, something which has become synonymous with the 'Beat Down' producers energetic sets.
For only it's second visit to the UK, it's safe to say that Electric Daisy Carnival is here to stay, fulfilling a gap in the British festival market and offering a world class line-up! Next year's event can't come quicker!
Temperamental wet weather didn’t dampen the spirits of 70,000 festival goers at last weekend’s sold-out Parklife Festival, which now in its fourth year, saw Snoop Dogg, A$AP Rocky, Disclosure and Sam Smith prove to be essential highlights.
Arriving at around 1pm, SFG headed straight to the Hospitality tent for some early afternoon drum & bass with flashing strobes, courtesy of Logistics and later, Camo & Krooked.
Heading to the main stage for Kiesza, who is accompanied by two male dancers, her 90’s influenced choreography and funk tracks prove an early treat. Giant In My Heart fuses disco and funk perfectly, before the Canadian ex-navy recruit takes to the piano for a stripped down cover of Haddaway’s, What Is Love, showcasing her powerful vocal range. Ending with number one track, Hideaway, she lifts everyone’s spirits despite the grey clouds looming up above. Catchy “ooh’s” and “ahh’s” and house-y beats provide the first sing-a-long of the weekend (with many more to come), before the track is mixed into Gorgon City’s deep-house edit. Now recording her debut album, expect another catchy chart-bothering track to go viral in the coming months.
Spending around 20 minutes struggling to find the Colonnade presents: Drop the Mustard stage, where the majority of the main house draws performed, SFG caught some of Hot Natured’s, Lee Foss’ Ibiza-cum-Manchester house set at the hilltop Kaluki stage. Eventually, finding the Greek coliseum-like Colonnade stage, SFG caught house duo Waze & Odyssey’s set, including their now infamous house remix of R Kelly’s timeless classic, Bump & Grind as well as a remix of Robin S’, Show Me Love. Later at the Colonnade, it was Route 94’s turn on the decks. Performing a mostly obscure but impressive house set, with the exception of Defected Records releases, Fly 4 Life and Tell You Why, the young London-based producer drew a large crowd, with one fan feeling the need to scale a tree, receiving a smile from the producer and applause from the audience below. But it was number one house crossover hit, My Love, which saw everyone take out their iPhone’s to record the sing-a-long moment before 94 imminently takes his sound to Ibiza for the summer.
Pacing back to the opposite end of the site, to the Red Bull Academy Presents stage, Gold Panda’s hotly-anticipated set proved essential for the eyes and ears. Synth-led electronics impressed the large crowd during cutting-edge debut album offerings, Vanilla Sky, Snow & Taxis and early track Marriage before a chopped up reinvention of fan favorite, You, with its pitch-shifted vocals circling around the tent.
Back at the main stage, Grammy –winner, Foxes, attracted a large crowd with tracks from her debut album Glorious, including Youth and recent single, Let Go For Tonight, while another Hot Natured label-mate, Richy Ahmed, continued the Amnesia Ibiza-ready house vibe with 808 hi-hats and drum machines aplenty during his mid-afternoon Kaluki stage set.
Later, the sun shined while Radio One DJ Annie Mac drew the biggest crowd so far with a house orientated set including Ten Walls’ new track, Walking With Elephants and Gorgon City’s collaboration with Laura Welsh, Here For You as well as Second Citys’ I Wanna Feel which rocketed to number one two weeks ago. Later, before Sigma’s, Nobody To Love, she tells the crowd to, “grab your friend, boyfriend, or a total stranger”. Its sets like these, demonstrating which tunes to play to get thousands of people dancing, which stand testament to why she is such a hot DJ commodity.
Rudimental, who, trumpets included, perform album tracks, Spoons and Baby, show a softer side to the Black Butter Records collective. Dedicating Not Givin’ In, to his son, DJ Locksmith pulls on the crowds heartstrings before the drum & bass beats kick in, but are soon cut off due to a technical problem. It’s all back to normal though after the crowd chant “Rudimental, Rudimental, Rudimental” to give them the support to carry on, which they do oh so professionally, continuing with album tracks, Free, and later, Feel The Love.
It’s A$AP Rocky however, who delivers the best and most charismatic performance of the weekend, as a more than deserving replacement to Kendrick Lamar, who cancelled his slot. Weed promotion, referring to women as “hoes” and a whole lot of swearing, but what else would you expect from song’s titled, Hella Hoes and Fuckin’ Problems which are performed with a fifteen-man-strong A$AP Mob watching him from the side of the stage. Bassier and rowdier than on record, Palace and Wassup take the Now Wave tent to Rocky’s hometown, Harlem, New York City. “Put your hands up if you smoke fucking weed ‘cos that’s what I stand for”, demands Rocky, real name Rakim Mayers, before Purple Swag where he toys with the crowd saying, “are you people ready to get turnt up or what?” New A$AP Mob track, Hella Hoes, results in a mosh pit before taking it to a “whole new mother fucking level” during Skrillex-produced Wild For The Night and Lana Del Rey-featuring Hands On The Wheel. Thanking the audience for getting him so far, he exclaims, “I can’t wait to get on them rides tonight” before a quick run through of his part in final track, Fuckin’ Problems. If you ever get the chance to see A$AP Rocky live, TAKE IT. You won’t be disappointed.
Weaving back into the middle of the main stage crowd for Saturday headliner, SFG didn’t know what to expect from the legendary Snoop Dogg’s headline set. “Who’s getting blazed in the house tonight?” asks Snoop’s DJ during a ten minute prelude to the iconic rapper coming onstage. Dressed in a USA stars and stripes jumper and yellow shades, Snoop stalks the stage with everyone taking his picture. He dedicates Supa Dupa Fly to “all the girls in the house” before rapping his part on Justin Timberlake collaboration, Signs, and his brief part on Katy Perry’s, California Girls. The only thing he could be blamed for, is looking relatively bored and indifferent, but it is Snoop Dogg after all, why should he be bothered?
Ending the night back at Kaluki in Marc Kinchen provided early evening house, in his number one remix of Storm Queens, Look Right Through, which is quickly followed by his Medicine remix of Shadow Child's, Friday and his edit of Hot Natured’s, Reverse Skydiving.
Sunday would prove to be better weather on the whole, aside from one insane downpour during Warpaint’s set which saw everyone flock to the nearest tent.
Opening the Disclosure Presents: Wildlife stage, Kanye West-collaborator Pusha T, performed tracks from his acclaimed debut album, My Name Is My Name as well as his part on the aforementioned Kanye hit, Mercy. Stalking the stage, which looks like brown lego bricks stacked high, Pusha runs through the trap beats of King Push and Nostalgia. Promising a new album in the not-so-distant-future, he continues with Numbers on the Board, seeing arms in the air pulling back and forward – an impressive debut at Parklife for the hotly-tipped ex-Clipse rapper.
Next up, are classical-cum-electronic Cambridge graduates Clean Bandit, who remained at the top of the charts for a month earlier this year with their single Rather Be. An early afternoon set time doesn’t seem to affect the eager crowd, growing by the minute. Arriving onstage to classical music alongside two guest vocalists, the quartet open with older track, A&E, before Dust Clears, with Jack Patterson leading the vocals over a synth-y beat. Tracks from their debut album New Eyes soon follow. Up Again, begins as a hand-swaying, blissed-out production before drum beats and classical chords intrude, culminating in a full on drum and bass climax while Come Over hears cellist Grace Chatto’s sweet vocals soar over a Caribbean, almost reggae beat. Mid-set, it’s clear that new single Extraordinary could become their second number one judging from the crowd’s reaction. Heart on Fire, featuring vocals from Elizabeth Troy is dedicated to “all the garage heads” before the lyrics of Mozart’s House ask, “so you think electronic music is boring?” Following this genre-crossing set, they’ve proved that that their sound is far from boring. Nightingale is then mixed into Gorgon City’s deep-house edit before feel-good festival anthem, Rather Be, which stayed at number one for a month, ends their set with the crowd on each other’s shoulders singing along word perfect.
Unexpected pop star Sam Smith, arrives for his 5pm slot to screams of excitement. Opening with Nirvana, he shows his powerful voice off straight away before Disclosure collaboration Together, complete with Chic-esque funky bass guitar lines. Leave Your Lover slows the set to a mellower, emotional halt, with some female fans starting to tear up, before further winning them over by telling the crowd that Manchester is his favorite place. Before new track, Restart, Smith informs the audience that he’s filming the music video right now, and of course everyone is more than happy to clap and sing-a-long for it. An unexpected cover of Arctic Monkey’s track, Do I Wanna Know breaks up the set with a unique take on the indie hit. Money On My Mind and Lay Me Down follow with emotional lyrics, while the heavens fittingly starting to open, before ending with recent number one single, Stay With Me. It’s obvious that Smith is providing the definitive sound of 2014, after his vocal talent was first discovered by the mainstream on another Disclosure collaboration, Latch, which is given a flawless acoustic rendition.
Later, over in the Heidi Presents: The Jackathon tent, Hot Since 82 brings deep house and techno beats to a sweaty strobe light flashing tent, delivering arguably the best bass orientated set of the weekend.
Over in the Sounds of the Near Future tent, SBTRKT gives an astonishing live set. Opener, Pharaos, gets the packed tent going before the masked man says, "It's so good to be back. It's been like two years since we've been here.” New lasers and synths track Temporary View, which went up on Soundcloud just two days ago, receives a great reaction as a taster of what to expect from the impending second album. Debut album tracks, Never Ever, Trials of the Past and Wildfire follow with tribal drum beats and feature Drake-collaborating, Sampha’s recorded vocals and Little Dragon’s in the latter, which echo around the at-capacity tent.
Pacing back to the Wildlife stage to catch headliners Disclosure, it was shockingly easy for SFG to get near the front – probably because Oxford indie-types, Foals, were headlining over on the main stage. The wunderkind production duo of house revivalists, Guy and Howard, open with synth led F For You featuring on record vocals courtesy of Mary J Blige. Preacher lyrics and simplistic house beats follow in When a Fire Starts to Burn and newer Friend Within collaboration, The Mechanism, with the background screens showing the duo playing in real time while Guy picks up the bass guitar to play the funky chords in the former, while pyrotechnics shoot from the top of the stage. Checking with the crowd that they are okay to play some older material, they bounce into older E.P tracks, Boiling, Tenderly and Flow before inviting guest vocalist, Sasha Keable, onstage during album track Voices and later Sam Smith to join them for the song which started it all off, Latch.
It’s only in its fourth year, but soon enough Blur’s iconic single won’t be the only thing which comes to mind when thinking of Parklife. Providing a great line up, the organisers delivered great variety at an affordable price, SFG cannot wait until next year!
