After a sold out maiden event that saw 2,000 dancing souls surrounded by the vibrant colours and rich cultures of Oaxaca, SET Underground bring their seasoned production and curation team to one of the most beautiful cities in Mexico once more during its most important holiday of the year. Dia de los Muertos is rich in tradition, and SET Underground’s 4-day TIERRA DE LOS MUERTOS FESTIVAL EXPERIENCE adds a cutting edge musical element to the celebrations.
Dia de los Muertos is known for its colourful festivities where family and friends gather together to joyfully celebrate loved ones that have passed away. It is Mexico’s most famous celebration, and Oaxaca City is the epicentre of it all. This already big holiday gets a whole lot bigger with the addition of this festival.
SET Underground came onto the worldwide stage as one of the first organisers to creatively and safely host events after the pandemic as restrictions became a moving target. Chances are if you (or any of your friends) traveled to attend events in USA or Mexico during 2021, you probably attended a SET Underground event.
The Tierra de los Muertos Festival Experience will be headlined by the likes of house and tech stars from all over the world including Adam Ten, Damon Jee, Denis Horvat, Dramian, Frankey and Sandrino, Gab Rhome, Glowal, Jan Blomqvist, Kawas, Laolu, Mita Gami, Paulor, Rafael Cerato, Rebolledo, Sabo & Goldcap, Santiago Garcia, The Organism, Unders and Verlk.
Early planning is essential to attend DIA DE LOS MUERTOS. Flights and accommodations need to be booked ASAP because, although the event has secured partnerships with a few hotels, the success of the 2021 edition and with travel restrictions now being lifted, places will be hugely in demand and very limited.
Event: Tierra de los Muertos Festival Experience Organizer: SET Underground Location: Oaxaca City, Mexico Date: Friday, October 28th – Tuesday, November 1st Event Link: www.tierradelosmuertos.com/ Lineup: Adam Ten, Damon Jee, Denis Horvat, Dramian, Frankey and Sandrino, Gab Rhome, Glowal, Jan Blomqvist, Kawas, Laolu, Mita Gami, Paulor, Rafael Cerato, Rebolledo, Sabo & Goldcap, Santiago Garcia, The Organism, Unders, Verlk Social (for tagging):Instagram @Set.Underground // Facebook @SetUnderground
Afterlife Recordings has announced a new compilation entitled ‘Unity Pt. 3’.
The release features thirty-nine tracks by a wide range of artists signed to Afterlife, as well as two Ukrainian acts; 8Kays, who signed her first track to the label, and longtime affiliates Woo York.
Proceeds from the release will go to two concerns close to the label’s heart. UNICEF Ukraine, which is working to reach vulnerable children and families with essential services – including health, education, protection, water and sanitation – as well as life-saving supplies in Ukraine. Donations are also going to Planned Parenthood, the nonprofit organization that provides sexual health care in the United States and globally, who continue to do everything they can to protect the fundamental right for people to decide over their own bodies – in what are some of the toughest times to health care delivery.
Artist: VA Title: Unity Pt. 3 Record Label: Afterlife Cat.Number: AL067 Release Date: 20th July 2022
Tracklisting: 1) ANNA – Cosmovision ft. Ravid 2) Cassian – Landa 3) Woo York – Brutalism 4) Colyn – Unstable Gravity Alert 5) Recondite – Runner 6) 8Kays – Morning After The Rave 7) Ubbah – System Failure 8) Marino Canal – Inertia 9) Kevin De Vries – Biohazard 10) Massano – Signs of Saturn 11) Innellea – Targo 12) Aera – Golden Means 13) Yubik – The Runner 14) Agents Of Time, Fideles – Drain 15) Citizen Kain – Drag 16) Binary Finary – 1998 (Whitesquare Remix) 17) Dyzen – Tesseract 18) Jan Blomqvist – Deeper Grounds ft. Mahri 19) Konstantin Sibold – Shake This World 20) Mark Reeve – New Age 21) The Element & Lyke – Fugitive 22) Øostil & Juan Hansen -My World 23) Angelov – Edges 24) Argy – Mental Powers 25) ANII – Isolate 26) Binaryh – Seyfert 27) Alfa Romero – Andante n.64 28) Mark Hoffen – Life 29) Beswerda -Tundra 30) Armonica – U Can’t Ctrl Me 31) David Lindmer – We Need To Talk 32) Dino Lenny – Breathe 33) Echonomist – Spirit Receivers 34) Glowal – Crave 35) Hunter/Game, Drown – Eagle In The Sky 36) Josh Gigante & Mooglie – Voicemail 37) Nandu – Always 38) Olympe – In The Darkness 39) Coeus – Her Eyes
Tickets Date: September 4th, 2022 Location: Amnesia, Ibiza
Their performance at Amnesia is set to be Bicep’s first ever live performance on the White Isle
Amnesia Live shows are one of the most essential experiences of any trip to Ibiza. This year will be an historic one as Bicep play an exclusive one-off show on September 4th as part of the Pyramid season. It will be their first ever live show on the island and they are joined by Special Request, KiNK Live and Logic 1000. This is a strictly limited capacity ticketed event that will sell out well in advance so move fast or miss out.
It seems that everything Northern Irish duo Bicep do turns to gold. They are fresh off the back of a sold out and game changing live world tour that has seen them take their sounds to new levels. That came off the back of the huge last album Isles which found them mix up their famously euphoric and polished melodies with meticulous beats. Tracks like Atlas and Apricots helped the pair amass millions of streams and plenty of top chart positions, but in the live area they are truly in a class of their own.
There are many live shows in electronic music but none as epic and adventurous as Bicep’s. It sees the pair play on an array of music making machines, on the fly, tweaking their own classic tracks as well as offering plenty of new sounds that add up to a real emotional roller coaster. To hear it in the epic Amnesia., on such a grand scale and with all its world beating production will be out of this world.
Add in the thrilling Special Request who mixes up bass, jungle, rave and techno with relentless energy, Bulgarian live wizard KiNK’s techno sounds and a set from Logic 1000 and you have one of this summer’s most standout events.
Get tickets now: https://www.festicket.com/eventgenius/amnesia-pyramid-2022/shop/31982/
It’s a busy London Saturday, the tube is hotter than satan’s armpit, but we’re on our way to Hyde Park for BST today… let’s go.
As we head into the arena via the south entrance, we’re filtered straight into the VIP area which is a tree covered shady sanctuary in the heat, along with a few food carts, a bar and an ice-cream truck. It’s a small area but it’s quite cute and has nice loos.
On the way into the arena we hit up the merchandise stall for t-shirts, and there are some incredible Pearl Jam art prints on sale – specific to this event, a really special and interesting merchandise option. They even helpfully have a heap of tubes so you can transport one home safely/let your child use it as a lightsaber. There’s also a little bandstand stage here called ‘The Birdcage’ and absolutely heaps of food choices and water refill points. So far so good!
On the Great Oak stage, Dublin-based singer-songwriter Imelda May is a vision in flouncy Victorian mourning dress. She has such a dynamic stage presence and a stunning voice, we thoroughly enjoyed the Meatloaf ‘I’d Do Anything For Love’ cover, and hope to see her on many more festival bills in the future.
Punk rock fury from Petrol Girls on the Birdcage feels particularly prominent after the last few weeks in world events, and it’s pretty great to see them pull a decent crowd of young faces – punk has always existed as a call to arms, and we need it back more than ever.
Welsh rockers James & The Cold Gun give us that shoulder-to-shoulder sticky-club-floor teenage rebellion feeling, very fun but ever so slightly strange in the setting of belting summer sun under the light of a dappled tree canopy.
Elsewhere on site the South London Samba Band hit that sunshine beat with utter perfection, they are absolutely full of energy, which spreads into the crowd around them in the form of some very questionable but joyful dancing. After all of that, it’s time for a drink, and wow are you spoilt for choice here at BST. The bars are shipping containers all made up to look like a row of Santa Clara Cuban restaurants, colourful and interesting with enough different serving fronts to ensure there’s never a horrendous queue.
As we take a walk around the back of the arena, the presence of advertising partners is pretty overwhelming compared to other festivals. Maybe it’s a London thing, or the fact that it’s a small space, but it’s a bit of a bombardment. Having said that, some of it is quite sympathetically done, like AmEx giving out free water bottles and tote bags (as well as access to cold water filling stations, and the option to go into a private rooftop viewing area) seems quite welcome on such a hot day.
Around the corner there is another bar area which looks like something pulled straight from Snow White, a faux beamed pub called ‘The King’s Head’, then there’s the florally adorned Hard Rock area which directly overlooks the Rainbow stage. The Hard Rock Shop is obviously full of their own merch rather than BST stuff, but next door they’ve brought a sample of café items to an indoor food stall, surrounded by roadie cases of BST-relevant memorabilia, like you would see in the real Hard Rock Café. We took a peek at Eddie Vedder’s signed wetsuit, Elton John’s Union Jack biker jacket, and a choir robe signed by Mick Jagger. Oh and, it’s shady and cool in there. Magic.
Up next on the Giant Oak we see the iconic Johnny Marr (of The Smiths fame) powering through a fabulous set with his vibrant yellow guitar. It’s a mix of works from various eras of Marr’s musical career – ‘Spirit Power and Soul’ is epic, but honestly the thing I’m most excited about – is getting to hear my favourite Smiths songs sans unavoidable Morrissey bullshit. Johnny sings them well, ‘Please Please Please Let Me Get What I Want’ and ‘How Soon Is Now’ have the entire arena singing along, and ‘There Is a Light, That Never Goes Out’ is so upliftingly, I suppose canonically bright.
During a small break, Marr notes someone standing in the front section on their phone and snarks “I hope you’re texting ‘Johny Marr is a fucking bad-ass’” we all laugh, as the person in question red-faces it to the cameras. “It feels good to be doing this again after all this time, and to see your lovely faces” he tells us, before dedicating his last song to Pearl Jam for inviting him.
On their very own stage in the corner, the chaos creators themselves, arbiters of festival mischief since the dawn of time, The Cuban Brothers – are pied-pipering the hell out of BST. As their set begins with Kengo on the mix, Juan Erection throwing shapes and as he noted to all the kids ‘Uncle Miguel’ brandishing a hosepipe at the crowd. There’s something very comforting about seeing them back on the festival scene, albeit sans iconic brother Archerio who retired last season.
Yelling “I’m gonna pump some gas into you in the correct fashion” Miguel is as much of a bawdy menace as ever, I love it. He manages to cheekily forget that tonight is Stereophonics not last nights’ The Pixies… “I don’t keep an eye on who’s supporting us!”, sing us a verse of Even Flow and get us all to chant ‘Boris Is a Dickhead’ in the space of about 15 minutes. We’re treated to old school hip-hop, Kengo on rollerskates, Juan doing crazy flips and Miguel yelling “Goodbye Boris you narcissistic fucking clown!” which honestly, is just excellent fun. I’ll never not want to see The Cuban Brothers at a festival.
Up next, Stereophonics on the Great Oak stage. As someone who listened to a lot of Stereophonics as a kid but not much since, I don’t know that I was expecting too much from them. A bit of nostalgia sure, but maybe not greatness? Happily proven wrong, Kelly Jones’ voice is still grittily excellent and they give us the most epic tour of the classics that we want to hear.
“It’s nearly 30 years to the day I first saw Pearl Jam, supporting Neil Young at Finsbury Park…” says Kelly, before joking that they themselves only have an hour to fit in 25 years and 12 studio albums worth of music to fit in.
‘Bartender and the Thief’ is followed by ‘Hanging On Your Hinges’ but it’s the likes of ‘A Thousand Trees’, ‘Have a Nice Day’ and ‘Pick a Part That’s New’ which really hits you in the memories. The wistfulness for the optimism of the early noughties is ripe for twanging that emotion string, things definitely feel heavier this side of a global pandemic.
‘Just Looking’ flows into closing track ‘Dakota’ with the band squinting into the still scorching hot sun to say “Thank you, it’s been amazing… have a brilliant time tonight!” before leaving to rapturous applause.
We decide to check out the dinner offerings before the main act, and it is absolutely peak London in here. Truffle burger? Bhaat? Steak frites? You got it. Wash it down with some Perrier or a can of Pinot? We chose paneer wraps and churros, both of which were excellent. Festival food has come a loooong way, and I am grateful.
Ⓒ Sandra Sorenson for BST
The heat haze is still shimmering over Hyde Park, the arena is suddenly packed with warm bodies, and every face is turned towards the Giant Oak stage for tonight’s headliner, Pearl Jam.
There mega lighting rig above the stage reconfigures to a honeycomb style backdrop as the band take to the stage to a huge roar from the crowd. Then 10-Club VIP area at the front is definitely the best perk of the upgrade packages, as they get a full close up of Eddie Vedder emerging to The Beatles ‘All You Need is Love’, and images of themselves plastered on the giant wraparound stage screens above.
Without a huge amount of fanfare, the band rolls straight into the first song ‘Corduroy’ and its clear that Eddie’s voice, and the band as whole have lost absolutely none of what made them famous in the first place. It’s as raw and powerful an intro as I’d hoped for. “…hope this night goes nice and slow, we’re so grateful to be here and do it again, we’re gonna try and play everything we didn’t play yesterday” Vedder says, and having looked at yesterday’s set-list already – I know we’re in for a very special and unusual set. ‘Why Go’ is one of my favourite Pearl Jam songs of all time, and it seems I am not in the minority, it absolutely sets the crowd ablaze, with people singing and dancing all around us.
We slip under for ‘Deep’ which is crushingly heavy, another Ten hit, followed by Vedder lamenting on how damn hot it still is this evening, when he notices a situation unfolding in the crowd. It seems like someone needs assistance and Vedder directs medics into the crowd saying “…make a little tributary, everyone clear some space’, making sure the music doesn’t start again until they’re safely out. With the 2021 Travis Scott/Astroworld situation making for very bad headlines last year, I take great comfort that most artists out there do take concert safety seriously, and notice what is happening at their shows.
Not only this, but the well-known and expected outpouring of political and moral opinion by the band is also welcome – we stan a band who use their platform to raise awareness, to comment on what is happening in the world. Eddie talks about gun violence in the US, and about how it affects his family, in relation to track ‘Garden’ which he explains is about tombstones in a cemetery. Following this “…a song [they] wrote and performed with a legend, Neil Young. Tonight we play with another legend, Manchester’s own Johnny Marr” for ‘Throw Your Hatred Down’. It is nothing short of epic to see these legends grace the stage together, this is an unforgettable rock moment.
‘Do The Evolution’ showcases the bands unmistakable delight in playing live, the energy is infectious and seeps into the crowd – contrastingly heavy, under the rainbow pastel summer skies of London. Van Halen tribute cover ‘Eruption’ is fittingly brilliant, and out in the front row the camera pans across a young lad with a “1st Row” sign, dances along as Eddie uses his plaid shirt as a cape for ‘Black’ and manages to snag himself one of Eddie’s tambourines, I am intensely jealous of a child.
A second tributary mention goes to the late great Taylor Hawkins, and is dedicated to his wife and children by the band. ‘River Cross’ is another thoughtful dedication to the people of Ukraine, and as the lighting rig snakes and changes to slither over them, the band drop into arguably their most famous song ‘Alive’. Hearing this live, is a full body experience, the ridiculous bone shaking power that this song has over everyone is absolutely wild. If you didn’t love it, I’m sorry to say, there’s something wrong with you.
Closing out with The Who cover ‘Baba O’Riley’ wouldn’t have been my number one choice to be sure, but adding in a return from Johnny Marr and Andrew Watt, I can’t deny it’s pretty special. It’s been such a different and varied set from last time I saw them, many moons ago at Leeds fest 2006. Grateful doesn’t even cut it – how lucky are we to be back outside after the absolute shitstorm of the last couple of years, witnessing something like this?
Live music isn’t just fun, isn’t just entertainment, or diversion. It’s the lifeblood of what it means to be humans with shared experiences. Pearl Jam tapped into that reservoir tonight, it was clear on so many awed faces leaving the arena. Thank you BST for making sure this happened, despite every setback.
The second remix of this Avicii classic is ready to drop as part of the 30 Yearsof Vicious celebrations with Toolroom Records head honcho Mark Knight on remix duty.
A unique pairing of Mark Knight remixing Avicii & Sebastien Drums is due 15th July on Australia’s leading electronic label Vicious Recordings. This was originally Avicii’s first #1 on Beatport and is already hallmarked as an essential summer anthem with Mark’s latest interpretation. The hit song was Tim Bergling’s biggest release with Vicious alongside another 10 singles that were signed to the label who first discovered the talented producer.
Following on from the Don Diablo Remix that achieved #1 on Beatports Mainstage Chart and accrued over 1 million streams in its first week of release, now hitting 5.2+ Million streams it leans into Mark Knight’s latest remix to further ignite clubland.
This ongoing success of this song, further proves the legacy and impact that Avicii holds in today’s industry. With this iconic song engaging a new audience, Mark Knight further adds his own footprint with great effect. Mark’s signature house music sound has remained a staple of Beatport and Traxsource charts. Recognised as one of the world’s most well known DJs and producers, Mark adds his own unique flavour to the almighty Avicii & Sebastien Drums hit.
A powerful and funk fuelled house vibe is the recipe for this mix, with original hooks blended seamlessly with Mark’s own trademark groove. The full vocal (attributed to the Gwen McCrae classic) teases with an energy that will lift any crowd. Adding a well timed Pete Tong sample that pays homage to Avicii’s long standing legacy Mark adds a sustained emotion to the track. Mark’s remix works on a myriad of levels and is already gaining favour with the world’s top DJ’s. This incredible new version is destined to fire up dancefloors across the world and respectfully give justice to the original club anthem created by one of the worlds most prominent electronic music superstars.
The second much anticipated edition of Epizode Albania is just fast approaching and today it announces its final line up. Playing the escapist 24-hour music experience on the blissful beach of Shengjin in Albania from the 15th till 19th of September 2022 will be Dixon, Stephan Bodzin Live, Airrica, Cap, David Gtronic, Maher Daniel, Mahony, Matias Aguayo, Peter Invasion, Trikk, TYOMA, Yaya, Yulia Niko and many more on top of the already announced likes of Apollonia, Loco Dice, Move D, Enzo Siragusa, Djebali and others. Multi Passes are on sale at the international price of €129, the Group Multi Passes cost €339, while the Balkan countries will have a special price of €69. Tickets can be purchased online via Epizode website: www.epizode.eu
This will be the sixth global edition and second Albanian edition of the world’s most underground and artful dance music festival. It is renowned by those who know as a gathering of real music and adventure lovers with carefully curated line-ups playing fantastically designed stages with world class production. This year both stages are brand new with fantastic designs by the СЕТАП team and Freak Fabrique.
The location is also one of the stars as the gorgeous north western Albanian landscapes are detailed with lush pine forests and the warm emerald sea. The festival plays out amongst rich Mediterranean culture, with warm local hospitality and mouth-watering local delicacies making this all the more unforgettable.
This year once again there will be four nights and five days of non stop music, with 96 hours of beats ready and waiting to see you dancing. Amongst the final wave of names are Innervisions founder and emotional deep house master Dixon, the world renowned Stephan Bodzin and his most famous techno live show, cult minimalists like Cap and the vibrant vortexes of Airrica, South American innovator Matias Aguayo, pillars of the global house and techno underground such as David Gtronic, dub Maher Daniel, Mahony, Matias Aguayo, Peter Invasion, Trikk, TYOMA, Yaya, Yulia Niko and many more. As well as all this, the local scene will be represented by the internationally acclaimed ALBAN HI-DINI, RRRRON and SECRET 47.
Born in 2016 in Vietnam’s Phu Quoc island, Epizode has, in only four years, made an impressive mark internationally, becoming an unmissable NYE getaway for music and art lovers, global adventurers and professionals from the music industry. Previous EPIZODE editions set the standard by curating some of the most respected artists on the global dance scene, as well as internationally recognised club brands.
● NFT music marketplace, TokenTraxx is collaborating with music and art platform OpenLab
● OpenLab will drop their first NFTs to their loyal community through TokenTraxx
● OpenLab is offering an ‘OpenLab Future Pass’ NFT which acts as a digital membership
program, existing fully on the blockchain
● OpenLab is curating an exciting series of audio-visual NFT’s to be released later in the year
London, United Kingdom; 13 July 2022:
OpenLab, an innovative music and arts platform based in Ibiza famed for discovering new artists, has announced their first initiative with TokenTraxx as part of an ambitious cross platform creative collaboration.
On 29 July, a highly limited number of OpenLab Future Passes will be made available through TokenTraxx. The OpenLab Future Pass will offer holders a series of exciting benefits including VIP access to events and exclusive online content.
As the first of TokenTraxx’s curator partners, OpenLab will also be delivering regular drops of highly curated audio-visual collectibles created through collaborations with some of the most exciting audio and visual artists in the world.
OpenLab Future Pass NFT
The OpenLab Future Pass NFT enables exclusive early access to the audio-visual NFT collectibles which will be released later in the year.
Limited to 300 (with 50 retained to support artists) and at a cost of 0.3 ETH – benefits for holders of the OpenLab Future Pass include:
● VIP entrance to OpenLab and partner music and art events in Ibiza (including OpenLab’s intimate Hangar 8289 sessions), London and other destinationspage1image28539712
● Exclusive access to Future Pass-only content including music mixes, live streams, video and editorial content
● Early access to OpenLab’s cutting edge and highly limited music and art audio-visual NFT collections, which are dropping quarterly
● Quarterly 1/300 editions of music and art collectibles which will build to form an OpenLab Future collection
“As a platform focussed on curating the very best emerging artists, we are incredibly excited to build out opportunities for our creative community in the creation and distribution of next generation collectibles,” said OpenLab CEO, Quentin Chambers.
OpenLab has a reputation for working with artists at the forefront of the contemporary art scene. Limited edition prints by Brazil based, French photographer Elsa Leydier (winner Prix Ruinart Paris Photo 2019 and the Dior Prize for Photography for Young Talents 2019), New York photographer Charlie Rubin and Japanese artist Hanae Utamura are amongst the stellar names who have brought their award winning art to the OpenLab community.
OpenLab has been holding events in Ibiza since 2016, with residencies and regulars at Heart (now Club Chinoise), Elements, Sankeys (now Octan), Destino, and Space (now HI).
Starting in summer 2022, OpenLab will be hosting nights and rooms at NUI Ibiza, Pacha for Saga, and Akasha, as well as curating a number of beach-side hangouts at Ibiza’s coolest locations. OpenLab are also hosting small and intimate live streamed sets from their Hangar 8289 base where Future Pass holders can see some of the world’s most exciting artists perform close up.
From fall 2022, OpenLab will expand its in-person music and art events to London, with a series of intimate parties at one of London’s most exclusive venues. These will coincide with the launch of OpenLab’s ‘New Mycelium Network’ NFT Collection at Koko London and Hangar 8289 Ibiza.
TokenTraxx has a mission to be at the centre of a new independent music and arts creator economy by providing a platform driven by NFTs which supports and financially benefits the whole arts community. Launched this year, musicians Max Rad, Jay10 and digital artist volstrate have already dropped NFTs on TokenTraxx. More recently, cult multimedia artist and award winning musician, Rat Boy released his original creation, DYSTOPIA WORLD where eerie, yet captivating characters, items and emblems are paired with brand new tracks and packaged as NFTs.
Brazilian underground mainstay Victor Ruiz is back on Drumcode for the first time in two years with his new Beirut EP. Victor will be celebrating the release of the EP by showcasing his all new live set during an exclusive stream with Beatport directly from Beirut on 14th July.
This much anticipated new live-stream will be the first time ever Victor’s live show will have been streamed online. It will feature all the tracks from this new Beirut EP alongside all new and on-the-fly versions of tracks from his enviable back catalogue. During the stream, exclusive Victor Ruiz x Drumcode x Customized Culture merchandise will be released and will be available for 72 hours only, with 20% of the sales donated to a charity in Beirut. Drumcode have never done a merchandise collaboration with any other artist before so this is a world first and real honour for Victor.
The EP is his first on the label in nearly two years following ‘Freedom’ and the collaborative ‘Consciousness’ with Pig&Dan, plus a standout single ‘Love Story’ on A-Sides Vol.10, which made him the imprint’s most prolific contributor in 2020. Since then, highlights for Victor include playing a Drumcode takeover at Warehouse Project, collaborating with Hannes Bieger on his acclaimed ‘Balance Presents’ album, and lining-up for the epic TimeWarp festival in Brazil.
His four-tracker ‘Beirut’ signalises another pivotal step forward for the São Paulo-born artist. Ruiz has always operated at the more emotive end of the techno spectrum and this opus exemplifies his ability to craft dramatic tension and beauty in equal doses. The title track is dedicated to one of his favourite cities. “’Beirut’ is a very emotional song and at the same time, very powerful. Just like the city. I wanted to make a track that would be beautiful and a kicker at the same time,” he says of the sublime nine-minute anthem-in-the-making.
‘Confession’ shows another side of his production palette; eerie and intense, it’s led by a searing synth lead and smoky vox. ‘Jurema’ takes inspiration from the famous Brazilian spiritual tree and features vocals in Portuguese talking about mysticism, all the while crafting a belter with organic drums and sounds of nature to transmit the feeling of being in the jungle. The EP rounds out with ‘Omen’, a peak-time piston with a huge melodic lead designed for big festival moments.
This is another big step up for the ever essential Victor Ruiz.
Sam Paganini kicks off a new series of remixes of his recent album “Light + Shadow” tracks with a first Volume featuring music from Marco Faraone, DEAS and Boston 168. Due for release on July 8th, first Sam debuts his long awaited new LIVE show in Madrid at Fabrik on June 25th. It features plenty of upgrades and new tracks from his last album Light+ Shadow with dedicated visuals all in sync to make it a hugely immersive audio-visual experience like none other, with further venues to follow in autumn and winter.
Sam is a global techno innovator who has been at the forefront for years. He has released on key labels from Plus8 to Drumcode and Cocoon and is never far from the top of the Beatport charts. He runs the JAM label and has played every major club and festival in the world. His last album showed off two very different but equally vital sides to his ever evolving sound and now comes the first of a new series of remixes.
First up, Flash (Marco Faraone Remix) is a heavy and edgy techno cut with rock solid drums. The synths are raved and the energy is tough with an unrelenting groove sure to lock in the floor. Galaxy (DEAS Remix) is then a six minute roller with frazzled synths searching across the face of the track, thunderous claps and fat bass all driving forwards. Heaven (Boston 168 Remix) closes with plenty of bright trance synths over hyper-speed drums in a track that will take the club into other dimensions.
Great originals deserve great remixes and Jam & Spoon’s iconic “Odyssey to Anyoona”, released in 1993, most definitely matches that profile.
25+ years after it first landed the dancefloors, nobody less than Brazilian DJ and producer Wehbba prepared “Odyssey to Anyoona” for 2022 with a fingerprint remix that really distinguishes him as an artist. He pushes the stylistic needle only as far as is needed in order to connect its subtler harmonies with the persuasive pulse of his backing production. Pushing the tempo into later-night area, he hauntingly pans, echoes and shuttles the track’s vocal around the speakers, gradually building up its intensity.
Jam & Spoon – Odyssey To Anyoona (Wehbba Remix) will be released on Friday, July 8th, 2022 on Black Hole Recordings.
Artist(s): Jam & Spoon, Wehbba Title: Odyssey To Anyoona (Wehbba Remix) Record Label: Black Hole Recordings Cat.Number: Black Hole 1245-0 Release Date: 8th July 2022
Tracklist: 1) Odyssey To Anyoona (Wehbba Remix) 2) Odyssey To Anyoona (Wehbba Extended Remix)
