Highfield Festival 2022!

While we were travelling there, the festival app warned those already there that heavy rain was expected in the night to Friday. By the time we got there, things had dried up a bit and it was fairly warm, but it was still very cloudy, and the threat of rain was ever present.

The rap group Neonschwarz opened the Blue Stage with a mix of hip-hip, rap and pop. The lead trio had great chemistry on stage with a general vibe of leaving behind responsibilities and chilling in the sun. Not saying I felt seen, but I did feel seen.

Juju took to the stage next with her high energy rap set. At one point the mosh pit opening up cleared most of the space in front of the stage and Juju invited anyone who could do the splits to come demonstrate. Later, during Hi Babe she came down into the pit for high fives. Her song Bling Bling featured a sample from Linkin Parks Numb and she performed a medley of her songs which normally have features, said features being played from recordings.

Unfortunately, half the sound was missing for Sondaschule at the start of their set on the Green Stage, the only thing we could hear in the front right was the trombone. They kind of fixed it during the first song, but it still cut out occasionally. The band wore matching black polo shirts with the band logo. Considering that crowd surfing is technically banned at the festival there was a lot of non-band-encouraged crowd surfing, possibly the same guy over and over again. It was great ska set, perfect for dancing and singing along.

Austrian band Wanda all came dressed for different events, one with clear 70s vibes in patterned waistcoat, ripped jeans and tinted glasses, one in a blank tank top and trousers and the lead singer in leather jacket, white shirt and jeans. The lead singer had a very chill yet passionate vibe about him; walking to the side of the stage to get his cigarette lit by a roadie at one point then throwing beers into the crowd and jumping in after at another. The last song seemed to include all crowd activities throughout: a mosh pit opened up near the beginning (promptly leading to the demise of some lost sunglasses), then later half the crowd sat down calmly while a circle pit raged over in one corner.

The sun was setting, and it was impossible not to move during Electric Callboy’s electro/metal fusion set. With pyro, lasers and mosh pits all the way to the back it definitely re-energised everyone for the rest of the night.

Bring me the Horizon followed on the Green stage with a fantastic set picking up the energy where Electric Callboy left off. The stage had a several levels made of screens and several songs were accompanied by two dancers in various costumes including hazmat suits for Parasite Eve and cybermen cheerleaders for Happy Song. Lead singer Oli Sykes came on wearing a skin tight long sleeve shirt and what looked like suit trousers and did a fantastic job hyping up the crowd, inviting people to come crowd surf over for a hug, leading to absolute chaos and a little crowd forming in the pit. The set ended 15 min early, which was a shame as the crowd definitely had more to give. The guy next to me caught a drumstick and was celebrated accordingly by the group around him.

In the interval before the Friday headliners, Kraftklub, the securities distributed water into the crowd, refilling bottles and cups that were passed forwards and back. Kraftklub came on in long black coats over their usual white shirts with red braces, as if to challenge the skies. The skies won, it was tipping it down by the end of the set. Not that that deterred anyone in the crowd. The band bought several new songs, but felt the need to play an old song in exchange for every new song because they didn’t know how the new songs would be received. They really did not have anything to worry about, the fans were with them all the way. Later in the set a fan was invited on stage to spin a wheel to decide between an old song, a new song of a three-minute cigarette break, a task that I would find far too stressful. The old song won but after enough crowd vocalising, they played another new song too. While encouraging mosh pits, frontman, Felix, also made sure everyone was ok and back up as well as specifically decrying people using mosh pits as an opportunity to molest people and called for anyone doing so to be reported to the securities.

Saturday

We woke up to the continued patter of rain on the tent and several mysterious wet spots. Was it us flopping soaked into the tent last night? Is the tent leaking? Who is to say. It’s been so long I’d forgotten this part of festivals. Luckily the drizzle was light enough we could still have cereal and make coffee.

Marching band Moop Mama played the Blue Stage dressed all in red. The front mad thanked everyone for being here so early in the morning. It was 13:30. However the vibe was one of drowsy, content dancing in the mud across the field. There was a range of footwear choices on show, we had your classic wellies, trainers and bougie shoe covers. But we also had some who opted for barefoot or complicated contraptions of duct tape and binbags. As everyone woke up a bit more things heated up a bit with a big circle pit in the middle. And a two-man circle pit next to me. It was a great, energising way to start the day.

100 Kilo Herz were playing over on the Green Stage with the ever present “punk with trumpets genre” which we know and love. The first 10 minutes of the set were spent sound checking themselves, taking turns to sing and everyone who could hear them raised their hands. Once everything worked, they were off, playing a great set full off heart. During the show, the lead singer explained that he was invited to go to the last Highfield festival with a friend but was struggling too much with depression and financially to bring himself to buy tickets and go. But he wanted to say something cool, so he said he’ll go when he’s playing there. Luckily that worked out and it fantastic to see them perform together. Considering Giant Rooks cancelled for mental health reasons, I think it’s good that people are talking about these kinds of things and will take time out to look after themselves.

Provinz had a whole recording of a song playing before they came on stage. A simple set up, just the band and a banner with their name as backdrop. They still drew a large, enthusiastic crowd though, singing along to pretty much all choruses. Next to me, two girls banded together to lift a dude onto their shoulders for a song.

Donots were filling in for Bad Religion, funnily enough the same as they were in 2018. When frontman Ingo was orchestrating the biggest circle pit™ from within the crowd he chose a woman to lead it because she was wearing a bad religion shirt and was covered in confetti. Turns out she was also the circle pit leader in 2018. Antilopen Gang joined on the stage while Ingo was making his way back over the crowd. They managed to bring the sun back, even though it took up their whole production budget as they claimed. Huge energy and always welcome to fill in for any band.

Kraftklubs front man performed his last festival gig as his solo project Kummer on the Blue Stage. His previous show had to be cancelled during the 2nd song due to extreme weather so it was a good thing Donots stopped the rain in time. The general lighting for his songs was the blue of the album cover, for the Kraftklub songs he performed the stage changed to red and for Alles Wird Gut the stage was bathed in yellow. Provinz’s frontman came to sing on the latter. It’s a shame the project is over, but I’m very glad to get the chance to see it live after waiting since 2020 to do so.

Annenmaykantereit were the second to last act on the Green Stage, and while very very popular, you could argue that it’s a little low energy for a sub-headliner slot. As the masses moved over from Kummer they could hear the Annenmaykantereit set starting and got frustrated at the speed at which they could leave the crowd, luckily, they vented some of that frustration by singing along. It was a beautiful set that had people swaying together arm in arm with their neighbours. There were tearful hugs and long kisses in the crowd, it was very emotional. At the end, the crowd threw flowers into the crowd, some of which were gifted back to the security guards who stuck them in their hats. Immaculate vibes all round.

I’d seen Deichkind from further back in the crowd at a previous festival, so knew it was worth getting there early for a good spot. I was not disappointed. The absolutely chaotic energy of the show defies description. It started off with the band behind a white sheet, lit from behind as the beat built up gradually and sporadically. Several choreographed dance routines later things descended into (amongst other things too weird to put into words) office chair races, mini trampoline intervals and a giant barrel filled with the band being pushed through the crowd before the front row got a generous amount of alcohol via several tubes. It was a spectacle that I would recommend to anyone if they get the chance. The set also included a new song that had been teased in trailers on the stage screens throughout the intervals of the festival, which was cool, it was more of a lyrics than beat based song, still very good though. A chance to slow down for a bit. There was a kid next to me in the crowd and it was great to see that the securities made sure he and his parents knew how to get their attention if the crowd got a bit rowdier. The securities in general were fantastic during the show, cheering the crowd on and singing along themselves.

The sensible thing would have been to go to bed when we finally got back to the tent after 2am. HOWever. We could hear the Beach Stage playing absolute bangers from our tent. So that was the obvious choice. Also, sand is great for removing mud from shoes, right?

Sunday

Sunday morning was the first time it felt safe to put clothes up to dry and the ground was solid enough to walk on barefoot. We could hear Casper and Broilers sound checking in the distance which only increased the anticipation for the day.

I headed over to Kaffkiez who were filling in for Montreal who were filling in for Turbostaat. The band was one of my recent spotify discoveries and were well worth the effort of heading over a little early. The crowd was a consistent mosh pit and it was a fantastic way to start the day.

Afterwards we headed to the beach for a swim as the sun was clearly trying to make up for something. Vaguely refreshed we headed back to see Montreal who played the last Highfield in 2019. Their set included a few covers, including one from an album they had recorded over lockdown, celebrating bands that don’t exist anymore. Madsen’s drummer joined for one song, while their own drummer went and had the front row’s beer.

For a bit of lighter sunshine dancing, Joris was the perfect choice on the Blue Stage. The singer songwriter was accompanied by a large band and performed a song on only instruments made out of drinking glasses or bottles.

Back to a little more chaos, Die Orsons filled in for You and Me at Six. One of the four at the front had a fish on his belt, which I don’t think was ever explained. They share the stage with an inflatable winged shrimpy-seahorse creature which flailed wildly for some songs. There was wild waving of whatever-you-had-on-you and asking everyone to put on their mobile phone light in broad daylight.

Leoniden were surprisingly rowdy on stage for their music. Kicking over cymbals and wildly swinging guitars, the energy rubbed off on the crowd as the set went on. The percussion stand was taken into the crowd at one point, who made room for the drummer to come in, but he did have to crowd surf back, clasping it between his legs for dear life. The band covered Watershed by Giant Rooks as a tribute since they could not make it due to mental health reasons which was a lovely gesture.

Clueso’s set was stopped after a few songs due to an approaching storm when he last played at Highfield in 2017. This year he thankfully managed to get through the whole set. He was accompanied by a band including a brass trio which gave all the songs a funk spin. Great for dancing. The set span Clueso’s catalogue, with a wonderful rendition of Cello, the intro ironically played on trumpet. There was the usual everyone-sitting-down crowd antics, but this time everyone got up in a wave, back to front. That was a new one to me and genuinely felt link when you’re in the sea and a wave builds up towards you. As one of the mosh pits opened, a girl, having misunderstood the assignment, sat down in the middle to start rowing. Luckily her friend pulled her up just in time for the mosh pit to collide. The group I was standing with managed to reunite a gentleman with his wallet as he dropped it while walking past, so our good deed for the weekend was also ticked off.

Casper followed Clueso on the Blue stage and the crowd stayed pretty full between the acts, normally things did empty out a bit more. Casper appears to have lightened up a little since his last album where the general vibe was barbed wire, angst and nihilism. Instead, the new album has a more flowery, hopeful feel. The stage was covered by a pink curtain before the show and opened to reveal a meadow of flowers across the front. I loved the way the way the spotlight shone through the colourful petals. The set was divided into three acts, each being introduced on the screens with a single word and a dictionary definition. The acts were “doubt”, “rage” and “hope the songs that followed shared those themes. There was a beautiful crowd chorus at the end of Hinterland, with Casper directing the two sides of the crowd, playing them off against each other to see who could be the loudest. Clearly our side won.

Broilers were stepping into the headliner slot for Limp Bizkit who couldn’t make it. The stage was covered with a black banner proclaiming “Nobody left behind” while If the kids are united by Sham 69 was playing. The excitement was building. Then the banner dropped, and we were off. 90 minutes of punk bliss followed. Continuous mosh and circle pits. Crowd surfing. It was fantastic. The crowd etiquette was on point, people protecting anyone when needed to bend down to tie shoes or look for something. Helping each other up before falling over together. It was a wonderful way to end the weekend and definitely a much need catharsis after three years of abstinence.

We started our drive home after the headliners, being directed out onto the road by security guards with glow sticks. It was incredibly smooth and well managed, and we were out in no time. Every rest stop we stopped at for the next 4 hours had a gentle trickle of tired, happy people with Highfield shirts and wristband trickled in for supplies and toilet breaks.

All in all, it was a wonderful weekend at a much-missed festival. The organisation was great, the bands were clearly having a great time being back and the crowds welcomed them with enthusiasm. I can say with, with considerable confidence: Same time next year?

Camp Bestival Shropshire 2022 – REVIEWED!

Camp Bestival Shropshire 2022

Thursday

When I tell you I screamed when I heard Camp Bestival was coming to Shropshire, I mean you could have heard me from the moon. As a long-time fan and attendee of the original IOW Bestival, as well as the later Dorset version, and having been to one CB-BC (before Child) – travelling for an hour to a Besti-vent instead of around 5 including a ferry trip… is a LUXURY. Praise be to the DaBank fam for deciding to give us a shot up here. The location is Weston Park, we’ve got a car full of rainbow clothing, and one very excited toddler – let’s go!

Arriving through Green gate, we’re pleasantly surprised to find ourselves parking so close to the campsites that we can literally see our car from where we’re setting up camp, though there’s a part of me that thinks both this orientation and access may change a bit next year with bigger ticket sales. We’re definitely not early doors, there are heaps of tents here already and the family set up is WAY plushier than your regular festival garb. A family near to us genuinely has a whole dining room and kitchen set up, it’s wild!

I do feel I need to address the toilet issue… this year there are no portaloos to be found on site (except for the single accessible toilet in each camp), instead we have long drop compost loos that look like proper Aussie dunnies/redneck moon-and-stars style toilets, which are very tall, and feel very unstable if I’m honest. The smell isn’t bad due to being largely open to the wind, but there’s a bit of me that thinks they would be absolutely deadly slippy and dangerous if the rain really came down. There’s absolutely no grip on the steps inside, and the chained up loo roll runs along a wall which would almost certainly get soaked in any sideways weather. My main complaint was the fact that there were 10, yes only 10 – for the entire Green campsite. No kids ones either, despite these being available in the main arena.

We took a walk around the campsite and into the main arena, after being confused and disappointed that what looked like an entrance on the map between Green camping and the Big Top – just doesn’t exist? There seems to be absolutely no rhyme or reason to not putting another entrance through from Green camp to the arena, and making everyone walk the entire uphill loop of camping to get in, especially when carting around wagons full of children and their gubbins. Please just make it easier on everyone I beg, festivals with kids are already tiring – and this is a family festival.

Anyway, as we walk into the arena we are greeted by the beautiful and familiar sight of the flowy silky rainbow flags waving in the wind, pretty fairy lights everywhere and just… colour. Every Bestival site is beautiful, but there is so much crammed into a small space here, it is just joyful to the eyes. It’s definitely not busy yet though, I’ve a sneaking suspicion that a lot of sales this first year are non-camping people who are testing the waters before committing – I feel next year could be very busy in comparison.

Ⓒ Anna Hyams for SFG

We decide to amble around and look at everything, before grabbing some of the most incredible festival food I’ve ever consumed from Mexican Seoul. Barbacoa beef tacos, and gochujang fried chicken… it feels like I’m at some trendy Shoreditch restaurant not a field in the Midlands. The site isn’t huge, you can basically walk everywhere within 5 minutes (except for the Temple Wood) but there are some nice little pockets which feel distinct and separate enough to change the experience as you move around. Roll on tomorrow…

Friday

After the saga of ‘Toddlers-first night-in-a-tent’, we are up bright and early to don rainbow colours and head out into the festival for day one proper. Over in the Ha Ha Land area, there are already heaps of kids in the Tic Tac Skate Workshop learning to land board flips on the grass, and the shop seems to be doing a roaring trade in board set-ups as well. The level of ‘festival souvenir’ has really peaked since the days of bootleg tshirts outside the gates hasn’t it? The Extreme Bike Battles Show has a bmxer and motorbike rider facing off doing tricks in an impossibly small area, to a sea of tiny awed faces, wondering if they can do a bar spin off the park bench at home. Good luck with the inevitable slew of injuries, fellow parents!

Ⓒ Anna Hyams for SFG

Dungaree darlings Lucy and Yak have a veritable social media palace set up including a huge shop, lounge, and a pink campervan for taking selfies. We grab a festival wristband from them and a free tote bag for signing up which is nice, everyone loves a festival freebie – so then we head next door for to the Thatchers sampling lounge for some cold cider from the very cute Barrel shaped bus.

Heading over to The Feast Collective, a giant marquee full of delicious eats with a DJ booth, and lots of outdoor seating areas to chow down – we are caught in the drift of the most incredible smell, and as we come over the rise it’s clear where it’s coming from… an entire side of beef cooking in a giant rack over and open flame. Shropshire Lad’s pre-order beef sandwiches with something that sounds absolutely magical ‘three-day-gravy’. There were some slots up for grabs without pre-booking but the queues were understandably vast so we missed out this time.

Ⓒ Anna Hyams for SFG

Anyway, It’s such a hot day we sneak ourselves under a shady canopy and grab a fruit platter from The Lille Fruit Cabin with Vietnamese spiced salt to dip into, and a ridiculously good strawberry smoothie which saved our souls. I also feel particularly smug that the toddler is eating something healthy at a festival, 10/10 parenting thanks. While we eat we are treated to the sound of a fairground band… who are on stilts playing Eye of the Tiger. Nothing surprises me at Besti anymore, but it definitely delights me.

Nearby in the same field is the Wonky Bikes park where children are attempting to vehicularly assault each other and their parents (very entertaining chaos), The Scouts are giving demos and letting kids toast marshmallows in their fire-pits, and there seem to be kids wielding bubble guns all around us so it’s just bloody beautiful everywhere. It’s quite hard to describe actually because it feels like you’re never not looking at something interesting or pretty, it’s a little bit overwhelming at times, until the next exciting thing happens to distract you.

We check out the World’s Biggest Bouncy Castle, but determine it to be way too chaotic for small beings (it looks like the Hunger Games in there, I’m scared) and instead opt for watching people having a go at swinging on the giant Trapeze. Again, where else can you possibly walk from one experience to the next like this? The vintage fair ground rides are absolutely full of gleeful kids, proving that the classics never disappoint, it’s all very twee and makes my soul sigh.

Over in Temple Wood we head to the absolutely gigantic adventure playground which is positively teeming with shrieking wildlings. There are three sizes of play equipment so all ages are catered for, and there’s even a tiny steam train giving rides around the park (for a small fee) which is full of excited children and their equally excited Dads.

Ⓒ Anna Hyams for SFG

Elsewhere in the forest in a little secluded dell, a joyful cacophony can be found at The Orchestra of Objects – a playful pile of tubes, pipes, wood and jangly things for kids to bash around and make music. Just another of these thoughtful little playspaces that take Bestival events to another level and makes it feel immersively fun, like you’ve just stumbled upon something magical and secret. If nature itself is your jam, you can join in on one of the tree identification guided walks, stop at one of the little tents offering wood weaving workshops, or give whittling a go.

Ⓒ Anna Hyams for SFG

Even if you spent a full week at this festival, you wouldn’t be able to do everything there’s just so much. I’m going to have to be more brief to fit as much in as possible here. Elsewhere in the woods we tried out some circus skills like stilt walking, diablo and poi spinning, before catching an absolutely stunning acrobatic show by Cirque Bijou who had beautifully feathered ‘birds’ doing daring displays hanging from the trees. We tried our hand at tie-dye which was quite messy and very fun – you take your creation home in a Ziploc bag for washing, and I can tell you that despite the child rather excessively tipping half a bottle of dark violet ink on hers, it actually turned out really nicely and she was so proud to wear it to nursery after the festival.

Ⓒ Anna Hyams for SFG

Coming out of the woods back into Ha Ha Land, we take a chill half hour to play in the Pirate Ship Sandpit, across from a huge under 5’s Soft Play tent, a Baby Chill Out Zone, and a tent entirely dedicated to giving festival makeovers like glitter, facepaint, henna and hair braiding. I genuinely can’t think of an age group that isn’t catered to in some way here.

After that little interlude we hit up the H&M Kids Science Stage and Workshop Tent and were met with a host of things for (slightly bigger) kids to do, all aimed around STEM learning. Lego, tower building, slime making, colouring sheets, architectural drawing… you name it. They also thoughtfully gave out certificates and badges, and there was even a Camp Bestival special edition of The New Scientist magazine which my inner nerd was very impressed by.

Before heading over to the Park Stage to actually you know, see some bands play (we kind of forgot that we were even at a music festival today) we caught a bit of Karauke in Pig’s Big Ballroom, which is a really cute tent full of comfy old sofas and a little stage. Karauke is exactly what it sounds like by the way – a Ukulele band plays covers for you to Karaoke over. Paint It Black was a personal favourite, shout out to whoever chose that one, I’ve never heard it on the Ukulele before and possibly never will again in my life.

On the Park Stage, The Proclaimers are tempting me to walk 500 miles in the opposite direction… no that’s not fair, they’re good just not my vibe. Plenty of people out there were having a lovely time, they were just all over the age of 50. Luckily there’s a plucky child giving the plant-based sausage rodeo bull a go, and it is absolutely bound to end in tears, so I’m off to watch a bit of that.

Ⓒ Anna Hyams for SFG

After popping back to The Feast Collective to grab some dinner (fried oyster mushrooms and chimichurri from The Cajun Rainbow – JFC they were good), we catch a bit of Scouting for Girls, or to be more precise we catch a lot of drunk parents caterwauling ‘She’s So Lovely’ right over the top of Scouting for Girls. Yeah they’re pretty cringe but quite fun, there’s lots of ‘oggie oggie oggie’-ing and telling people to hug each other, Drop Dead Fred would barf everywhere at this mush.

Now for something completely different. We head over to my soul-space, my favourite place, the place a little bit of my festival heart will forever reside in – Caravanserai. How can I explain this to you. The front doors are unassuming, a little dark entryway under a beaten up sign, flanked by high walls made of roughshod steel and boards. Inside however, is the junkyard circus-runaway, 70’s caravan park of dreams. Around the edges are little open fronted houses with psychedelic wallpaper and velvet lampshades, cut in half caravans with chandeliers, and vintage waltzer booths or little tea tables everywhere to be sat at. The day is dimming and Caravanserai is lit by hundreds of bulb and fairy lights, we grab ourselves a fancy cocktail from the bar and head into the old carousel towards the stage adorned with more tasseled and bejeweled lampshades, to see the gorgeously talented Mr. Bruce (of Correspondents fame).

Ⓒ Anna Hyams for SFG

Mr. Bruce is Besti fan favourite, for very good reason – he is one of the most intensely electric performers you will ever see in your lifetime and it’s both a crying shame AND absolutely perfect that he’s out here playing on one of the tiniest stages at the festival. Being up close and in the moment with him is unforgettably fantastic. The mix of electro-swing, hip-hop, drum & bass… it’s weird and wonderful and so completely unlike anything else out there. New song ‘I am Disaster’ is excellent and his chaotic dancing has the entire tent whipped up into a frenzy along with him. There’s an inevitably sad shout out to Correspondents band mate Tim ‘Chucks’ Cole who died unexpectedly in 2020, and a brilliant cover of Whitney Houston’s ‘I Wanna Dance With Somebody’ and I just can’t rave enough about him. If you ever have the chance, do not miss the opportunity to catch Mr. Bruce.

On the main stage, London girl Mae Muller is out in a two piece outfit that looks like it’s made from a towel (but she looks great in it, how dare she) and she’s shouting out a fan in the front row who she chats to on Instagram. It’s the teen’s Birthday and it’s an adorable interaction that kid is going to remember forever, even if Mae quips that she’s been told she isn’t allowed to swear in the Birthday song she’s about to sing titled ‘HFBD’ – iykyk. It’s her lyrics from another song that really get me though “…you don’t need a girlfriend, you need a therapist” – I am absolutely all about this being the narrative our female youth are getting instead of the crap we were fed as kids. Big up Mae Muller, it’s going on my playlist.

Ⓒ Anna Hyams for SFG

In the Big Top, Gok Wan’s DJ set is going off to a pretty decent sized crowd, before our (extremely late billing – why so late CB?) headliner: Becky Hill. Under a swirling LED backdrop and amid clouds of smoke, a spraypainted old style phone box stands in the centre of the Park Stage – lit with the name ‘Becky Hill’ where ‘telephone’ should be. If she turns out to be the next Doctor Who, I may actually watch it.

There’s a fairly long winded little conversation act in the phone box, in which we can hear her saying something like “…yeah I’m about to headline a festival can I call you later” which I suppose could be considered a subtle Dom Joly tribute (who incidentally is also performing here this weekend). Anyway, despite the fact that it’s a little stilted, when she pops out of the phone-box aided by her dancers, she is clearly here to party and definitely looks the part – in the most eye poppingly bright neon green and pink jacket, skirt, corset top, and monster stacked platform rainbow boots. Two female acts to close the first night at CB, and a female DJ on the decks – those boots were made for stomping, the patriarchy.

Ⓒ Anna Hyams for SFG

Becky shouts out to Shropshire and the Midlands in general, saying this is the closest she’ll ever get to playing a home crowd, as she’s from Worcestershire – before the stage is lit up with sparklers and fire cannons as she dances around on her enormous death shoes. The crowd is about 80% teenage girls at the moment, who are screaming their heads off, and Becky’s deep melodic voice is absolutely incredible. She calls out “Who here likes drum and bass? I like drum and bass, it’s my favourite genre of music. We’re going to take the tempo up to 174 finally” for ‘Here For You’ but the standouts for me were the big beats Gecko ‘Overdrive’ and ‘Afterglow’. There’s nothing like a night full of lasers and dancing with wild abandon though, is there. I personally think Becky Hill absolutely smashed that performance, and by the sheer amount of people who were out jumping in that crowd, I’d say she did her home region proud.

Ⓒ Anna Hyams for SFG

Saturday

Saturday morning brings a light rain shower, but nothing is going to dampen our spirits and it soon brightens up for us to walk the colourful site again. Today we pop in on the African Activities tent to give some group drumming a go (very fun), then we laze about on the soft chairs in Bollywood for a while listening to Mr. B – Gentleman Rhymer in the Big Top (also very fun). The arena is definitely busier today, it seems like a lot more day tickets have been sold, which is understandable with tonight’s headliner.

Into the woods we go to check out the Wild Swimming and Paddleboarding area across the water from Slow Motion. Extremely jealous as it’s hot today – why oh why didn’t I pack the swimmies. Slow Motion itself is a lovely quiet tucked away area, with everything from wood fired hot tubs to extreme ice-baths, slow flow yoga sessions and even a tent specifically for napping. If I was a different kind of person, I think getting up early for yoga and a dip in the lake would be flipping lovely. Alas I am the kind of person who crawls out of the tent nest groaning and eats a kitkat.

Ⓒ Anna Hyams for SFG

Under the Sharp’s Doom Bar canopy, we stumble upon a gang of kids attempting to bury a Dad in the sandpit – which covers the entire dancefloor of the space, and includes a rather jazzy little desert island DJ booth. After a little while people come round with free samples of beer, and of Chef Niall Keating’s beer battered sausages with curry sauce. Now that is service.

Over near the Lovebot (I love you Lovebot, what an icon) we catch a leek juggling/acrobatic performance at Rimsky’s Yard, check out Junior Jungle in the Bollywood tent to throw some shapes, and see a bit of a slightly confused parade go by – complete with an entire Dalmation family in tow. Actually the costumes today have been brilliant, we saw a host of Minions as well but our favourite was the family who came as Freddie Mercury in different guises. The Dad was in the pink cleaning outfit – epic.

Ⓒ Anna Hyams for SFG

Up next on the main stage, not to be missed EVER – The Cuban Brothers. Spinning tunes is Kengo on the decks, with Juan joining him for synchronised dance in their snazzy red suits, before “…everyone’s Uncle Miguel” hits the stage. Half Hip-Hop, half drug-baron is the vibe I feel – laughing “We’re the only band who’ve had the privilege of being at every single Bestival and Camp Bestival ever” before getting the crowd full of kids to shout “Kenny que pasa” instead of ‘The Bastard’. “Thank you all for not swearing… this could have been really fucking bad” almost makes me spit my drink out – especially since backstage he had told me there were actually signs in their dressing room asking them not to swear, because this is a family festival.

Ⓒ Anna Hyams for SFG

Ahh well, you’re never going to reign these boys in – their set is full of hip hop, break dancing, flips and fun, and as expected, during ‘Ante Up’ Miguel takes his trousers off to reveal a pair of pants with a tiger face on. “Sorry for the wardrobe malfunction, it’s the eye of the tiger” he quips before shouting out to all the parents bringing their kids here this year. Miguel notes that this is the future of music – and why Camp Bestival was made in the first place. The small moment of sincerity is short lived though. So their set isn’t the filthiest I’ve witnessed by a long shot, and they’ve been bloody brilliant as always, but I can’t help but notice some parents covering children’s ears while he rambles on about his 4th penis reduction surgery in Zurich this year and wonder if they’ve written them off as trouble (which I assume is their ultimate goal to be honest) but my child is currently attempting to do all of Juan’s breakdancing moves on the floor, so I’m going to give them a solid thumbs up as always.

Ⓒ Anna Hyams for SFG

Next up Sara Cox (of radio 1 fame), is giving a DJ set, and although she looks absolutely resplendent in a sparkly outfit – is reminiscent of every hateful school disco I ever went to. The tunes are classic cringe and yes, I do know everyone else loves that but honestly, I wish she’d been on in a tent somewhere instead. I will allow for one amendment to that though – watching a huge crowd of people sit down and do ‘Oops Upside Your Head’ was quite funny, especially all the people dressed as morris dancers.

Ⓒ Anna Hyams for SFG

Eventually the last peaks of burning sun die down, and we are met by the extremely bright pulsing lights of Example. Wearing Mc Hammer pants and a smiley acid tee he is clearly full of energy for this tonight as he jumps and runs around the stage. The crowd is going absolutely bonkers for it, a writhing mass of teens bouncing as one as he yells “kids on shoulders, kids on shoulders” to get as many in the air as possible. It’s a great amped up set to get everyone in the mood.

Ⓒ Anna Hyams for SFG

Next up: the man, the legend, Fatboy Slim. You absolutely cannot live in this world without being a fan of something this man has produced, and although 10.15pm is a very late start for a headliner – the Park Stage area is absolutely rammed with people – and yes, kids galore, mostly wearing ear defenders in preparation.

Bursting on stage in an inflatable blue parrot costume (unsure as to why), Norm is immediately into the fray with ‘Eat Sleep Rave Repeat’ and some bone crunchingly loud bass. There’s too much to mention really, the set is beyond incredible, and I say that as someone who has seen him perform multiple times. It’s not a ‘press play on the hits and let it ride’ sort of affair, he is mixing up every single bit of his work and live mashing it into other things – something totally unique and special. Zombie Nation gets a feature, as does his Nancy Sinatra cover ‘Bang Bang’ and in contradiction to CB’s ‘rules’ he is caught yelling “IT’S BESTIVAL BITCH” over the mic. Ok ok so he didn’t play more than a tiny clip of ‘Fucking In Heaven’ but it was funny.

Ⓒ Anna Hyams for SFG

There are visuals, there are lasers, the crowd is going berserk… his Abba ‘Gimmie Gimmie Gimmie’ mix is absolutely epic and there’s a little nod to the Stranger Things crowd (there were a lot of Scoops Ahoy employees around site today) with the inclusion of Kate Bush’s ‘Running Up That Hill’. We also get some Underwold ‘Born Slippy’, the Ukrainian flag on the screens and then Greta Thurnburg’s soliloquy that very helpfully ends in her saying ‘Right Here, Right Now’ – which sends everyone into an absolute frenzy. It’s truly an immaculate set – we get a bit of absolutely everything. Finishing up with mixes of ‘Praise You’, ‘The Rockafella Skank’ with a bit of The Stones ‘Satisfaction’ and then The Ramones ‘Hi Ho Let’s Go’ – it’s a long one, but so so worth it. I find it truly fantastic that the daytimes here can be so kid oriented but the nights can feel exactly like my original hedonistic Bestival memories.

Ⓒ Anna Hyams for SFG

Sunday

On Sunday we head over to see the progress of the Woodland Tribe Big Build (an area full of bits of wood, hammers, and some very questionable DIY skills) but holy wow it’s amazing! There’s a huge Tower Bridge type construction which children are carefully hammering bits onto, even if the people in charge of making sure it’s safe do have the faintest look of concern on their faces at times, colour me impressed.

Ⓒ Anna Hyams for SFG

Everywhere tired parents are doing their last ditch efforts to drag festival trailers around the place (some are decorated to a very high standard, one is a full on pirate ship that blows bubbles from the mast) and almost everywhere you turn people have colourful braided hair or sequins all over them. It may have taken a few people a day or so to get into it, but I expect next year to feel even more like Bestival now that they’ve got the spirit of it.

We take a peek into The Grand Indian Art Bazaar, and unfortunately realise that we’ve missed the opportunity to sign up for things, BUT it really is amazing in there. You can watch cooking demos, have Mehndi done, dress up in beautiful clothes, have a go at wood block printing or even take a textiles class – as they have an entire sewing machine set up in there. There truly is something for everyone at this festival.

We take a quick squiz at the Above and Beyond arial performers doing some beautiful moves on hoops and straps, before heading to the main stage for a bit of afternoon movement with Mr Motivator, who looks and sounds quite literally the exact same as he did 30 years ago. The man is a machine, and as always is wearing one heck of a leotard.

Ⓒ Anna Hyams for SFG

Later on Rascal Raves are giving the soundtrack to Bollywood, before an Indian walking band stroll over to play us some more beautiful music around a tuktuk. Sentences you can only write at Camp Bestival for 100. Taking our final opportunities to sample the incredible festival food today, I opt for Bayou – Blackened cajun shrimp with a creole sauce on top of spicy fries, cheese sauce and slaw. I could eat this every day of my life I tell you. However it is spicy enough to warrant another strawberry smoothie so we head back up to The Feast Collective, only to find party curator and main man Rob Da Bank playing a DJ set in the corner. Smooth tunes and food in the sunshine – heaven.

Ⓒ Anna Hyams for SFG

After this pitstop it’s back to the main stage for Elvana (Elvis fronted Nirvana), who jokes that he sometimes sounds like Nick Cage, sometimes like Matthew McConaughey, and hopefully with a little luck, a bit like Kurt Cobain. Elvis’ red caped outfit is extremely jazzy, he spends the entire time rocketing around the stage and jumping up and down, before getting into the crowd to see all his fans. It’s actually bloody brilliant music – not just a fun show. I’ll never get to see Nirvana or Elvis, so I’ll take it thanks.

Ⓒ Anna Hyams for SFG

Over in the Big Top, Dom Joly is talking about how nothing good comes from France and that actually Belgium is the best, but refuses to go all Trigger Happy TV (which let’s face it, is what most people know him from). We take a trip to Caravanserai under a rapidly darkening sky, to hide in a quirky cubby before the rain sets in, and OH but it does. It’s a brief but heavy downpour and we end up singing nursery rhymes with a lovely family we appear to have squashed ourselves in alongside. Eventually the rain dies down and we ruffle our feathers to head off again, but not before catching a bit of Doghouse Derelicts in the Carousel, who are excellently funky.

Ned’s Atomic Dustbin in the Big Top pull a decent crowd, but the lion’s share of people appear to be in the Park field for Sister Bliss’ Faithless DJ set. Rocking a sparkly bomber jacket, she gives us exactly what we want in the form of classic Faithless sounds ‘We Come 1’ and ‘Insomnia’.

Out of nowhere we’re suddenly at the Sunday headliner – Rag’N’Bone Man, a definite change from the hyperactive club feel of the previous two nights. Making his way on stage wearing a Raiders jersey and a giant smile, Rory just looks so happy to be here. There’s no denying that he has an absolutely incredible voice but it is a bit of a culture shock after the big beats of Sister Bliss amping everyone up half an hour ago. Regardless the entire crowd is joining in on the likes of ‘Skin’ and ‘Human’ and his voice carries across the entire site. It’s pretty clear he’s got a lot of fans here, the site is absolutely packed with people, carts and kids still up dancing.

Ⓒ Anna Hyams for SFG

I wish we weren’t going home, I feel like I’ve only scratched the surface of what CB Shropshire has to offer – the sign of a great Bestival. Alas it ends, in the most incredible fireworks show over the Castle which is lit up in rainbow colours. See you next year CB – what a successful and ridiculously overwhelming debut. I need to lie down in a dark room for a few days now.

Art With Me announce 2022 dates and initial line up – Moderat, Bedouin, Magdalena Bay, Lee Burridge & DJ Seinfeld headline

https://artwithme.org/
https://www.instagram.com/artwithmelife/

Tulum’s large scale arts and cultural festival is coming to Miami Saturday and Sunday November 26th and 27th with large scale art installations and musical acts including SG Lewis, Moderat, Bedouin, Elderbrook, Parra for Cuva, Henry Green

The Art With Me Festival is returning to Miami and bringing jaw-dropping installation art pieces, top-tier international musicians and performers, and a comprehensive wellness program designed to feed your soul.

Founded by David Graziano in Tulum in 2018, the Art With Me Festival was Tulum’s first large-scale arts and cultural festival. This brought in artists from around the world, which meant guests came in from all over the world as well. As this festival grew, expanding into other countries, it became quite the charitable organization.

“To me, the city of Miami has always had flavor and great culture with its diverse communities and the never-ending movement in its tourist sector. Art With Me is not just a festival. It is a lifestyle brand with a clear road map of bringing highly creative experiences filled with unique activations, events, and sculpture parks,” said Graziano.
This year, the family friendly festival will be held at Virginia Key, an 863-acre barrier island in Miami, located in Biscayne Bay, south of Brickell and north of Key Biscayne. It is accessible from the mainland via the Rickenbacker Causeway.

The immersive two-day event will bring together local businesses through thoughtful art initiatives, workshops, and panel discussions.

The events—spanning music, art, food, and culture—will include performances from SG Lewis, Moderat, Bedouin, Big Wild, Elderbrook, Parra for Cuva, Henry Green, Gone Gone Beyond, Magdalena Bay, Lee Burridge presents All Day I Dream, Audiofly, DJ Seinfeld,, QRTR, Paraleven and Matt Caines. and art from multidisciplinary artist South African Daniel Popper, Belgian contemporary artist Michael Benisty, California-based, American contemporary artist Laura Kimpton and many more to be announced.

Art With Me’s innovative approach focuses on well-balanced and complete experiences across six- core pillars: Art With Me, Dance With Me, Eat With Me, Breathe With Me, Play With Me, and Care With Me.

Art and creativity are central, guiding themes for Art With Me and eloquently tie together the adjacent pillars within the events. The organization brings together a huge array of visual artists who build jaw-dropping installations that seamlessly integrate with the surrounding areas. Showcasing these amazing works sparks important dialogues about their origins, where art is headed in the future, and how creativity is the purest outlet for the human experience.
Art With Me brings together artists from around the world to participate with our installations, workshops, talks, environmental design experiences, and create a space for our guests to enjoy one-on-one interactions and dialogues with our creators.

The most fundamental human experiences have been tied to music for centuries. Dance With Me harnesses this power, celebrates the splendor of different cultures and embraces our beautiful planet while creating unforgettable experiences around the world with international and local artists.

Few activities connect us more directly to the Earth than the act of eating. Eat With Me events serve to reinforce community within the Art With Me family worldwide. Guests will take part in premium culinary experiences with juice bars, food truck vendors and concessions.

BreathWithMe, another core pillar, will offer participants a full array of wellness programs from drum circles to yoga, from temazcales to plant medicine healing. You’ll come face to face with a new vision of what it means to care for yourself—and others.

Providing children the opportunity to engage with art in a meaningful and immersive manner is a critical step toward preserving the artist in each of us. Play with Me’s instructors create and oversee a curriculum that gives children an experience that will positively impact them throughout their lives.

Care With Me is a 501c3 Non-Profit Organization that is here to bring awareness and positive change through cultivating inspirational art and educational experiences for local communities and the environment. So while you take in the sights of Miami and enjoy some art, you’ll be helping out a charity do some good in the world. Soothe your soul while you soothe others.

Tickets:
Two-Day General Admission at $80 + tax
Two-Day Premium at $215 + tax; TICKETS HERE

ABOUT DAVID GRAZIANO, FOUNDER

Artist, creative visionary and hospitality pioneer. David has founded and designed some of the most known nightclubs and restaurants in New York such as Pink Elephant, Bagatelle, Gansevoort 69, Kiss & Fly, and RDV. David visited Tulum for the first time in the early 2000s and set out to design Ahau Tulum hotel. Since then The Ahau Collection has grown to include: Alaya Tulum , Villa Pescadores Tulum, Kai Hotel and Beach Club Tulum, Canzul, and Aluna.

BEON1X Announces New Names for Debut Cyprus Festival

Gonçalo, Matador, Maceo Plex, Nick Warren & more all added

This year’s much anticipated BEON1X Open Mind Music Festival today adds global house and techno talents Gonçalo, Matador, Maceo Plex, Nick Warren and more to the lineup. The game-changing events in Cyprus run from 23rd – 25th September and 30th September to 2nd October, with other names like Carl Cox, Boris Brejcha, Jamie Jones, Luciano, Paul Kalkbrenner live, Satori live, Sasha / John Digweed, Sven Väth, Deborah De Luca, Chelina Manuhutu, Fatima Hajji, Guy J and more all playing. Tickets are available now at beon1x.com.

This festival is set to change the scene in Cyprus for good. It is a bold and ambitious new project that takes place at this oceanside spot in Larnaca district (CTO Beach), on the southern coast of Cyprus. It is a sandy paradise with a range of buzzing bars and lots of local cultures and customs, as well as a backdrop formed from rolling hills, plenty of pine trees and breathtaking views out to sea. It is easily accessible from all of Europe, and for this festival will have a range of superbly designed stages with next level lighting, sound and visuals that will sink dancers into an immersive musical world.

The music covers a broad range of house and techno styles from some of the best in the game. The latest additions include Portuguese star Gonçalo, who is the Dreambeach Villaricos resident and artistic director and an artist on labels such as Tronic and Stereo Productions. Then comes Irish minimal techno tastemaker Matador, the legendary Ellum Audio boss and astral techno explorer Maceo Plex, as well as Global Underground mainstay and long time prog house champion Nick Warren.

All this is on top of live shows from heavyweights like Paul Kalkbrenner and Satori, techno from Boris Brejcha, Carl Cox, Deborah De Luca, Luciano and Sven Väth and house from Jamie Jones, Sasha b2b Digweed, Chelina Manuhutu, Fatima Hajji and Guy J.

Between all the musical fun there is plenty to do such as water sports, beach football, volleyball and yoga, plenty of mouthwatering food and drinks offerings and more besides.

More than 12000 people are set to attend BEON1X Open Mind Music Festival each day so make sure you are one of them.

Follow BeOn1x on socials:
https://www.facebook.com/BeOn1x/
https://www.instagram.com/beon1x/
https://beon1x.com/

Manchester 360 returns to host 3 day day parties at Manchester historic Victoria Baths

Dimitri From Paris, Lee Burridge & Darius Syrossian headline

www.jbmmusic.com
https://feverup.com/m/117197?event_source=similar_plan

The JBM Music team behind Joshua Brooks are launching a new series of Manchester 360 events with an epic take over the historic Victoria Baths. Three days of parties across November 4th, 5th and 6th invite you to rave in an empty Grade-II listed swimming pool with Darius Syrossian, Lee Burridge and Dimitri from Paris headlining one day each. Tickets are out now so join the waitlist and get exclusive access before public release.

This will be a weekender like no other – a rave in Victoria Bath with an immersive 360 sound system and killer light shows that will take you to another realm. The venue’s stunning architecture boasts glazed bricks and stained glass windows which date back to 1906 when it was described as “a water palace” by the Lord Mayor and “the most splendid bathing institution in the country”.

Well now, bathing turns to raving with the most talented DJs in the electronic scene across three days of parties. First up is local hero Darius Syrossian who is no stranger to playing packed out and sweaty dance floors with his edgy and straight up house sound. Then comes another UK legend in Lee Burridge, the man behind All Day I Dream with his own zoned out and hypnotic take on house. Last but not least, French titan Dimitri From Paris always cooks up dazzling disco and filter house sounds that are packed with soul and colour.

You do not want to miss your slice of partying history: join the waitlist for Manchester 360º: Weekend Takeover at Victoria Baths in Manchester asap.

Highlights
Ever wanted to rave in an empty swimming pool? Now’s your chance!
Grade II listed building
Dance amongst the stunning architecture of glazed bricks and stained glass windows
Enjoy extended sets from the biggest International DJs in the electronic scene
Manchester 360 takes over the empty baths for 3 days of house, disco and techno
Incredible light shows and state-of-the-art immersive 360 sound system

General Info
Date: 4, 5 & 6 November 2022
Duration: 6-8 hours
Location: Victoria Baths

Darius Syrossian


Dimitri from Paris

Lee Burridge

Kiesgrube celebrate 25th season with series announcement 

Michael Bibi, Marco Carola, Luciano, Bambounoui, Seth Troxler, KiNK headline

https://www.facebook.com/kiesgrubeworldwide/

Kiesgrube aka KEEZY announces their full program for their 25th anniversary summer season. With the three events still in the pipeline the ful line-up includes the likes of Charlotte De Witte, Michael Bibi, Marco Carola, Luciano, Bambounoui, Seth Troxler, KiNK, Pan-Pot, Palms Trax, Job Jobse, DJ Gigola, MCR-T, KI/KI, Adiel, Jackmaster, Patrick Mason, Bedouin, Damian Lazarus and many more high-calibre as well as up and coming artists will be heading to the beautiful location of Villenpark Rheinperle in Duisburg until September 18th.

KEEZY’s 25th anniversary summer season is in full swing! After two sensational events in their temporary exile in Duisburg with high-calibre names such as Marco Carola, Luciano, Charlotte de Witte, ANNA, Bambounou and many more, the long-established brand Kiesgrube is going full steam ahead with the continuation of its grand 25th anniversary summerseason. Both the KEEZY 2022 opening event and the July 24 follow-up event were completely sold out, making a tidy statement about what to expect in the weeks and months ahead. After these two great spectacles with outstanding highlights, consisting of a b2b set by Marco Carola and Luciano that already qualifies as a legendary one and an extended excessive high-energy set by Charlotte de Witte, KEEZY is ready to reach the next level.

Be there when this great summer season escalates to the final episodes and look forward to next year with an outstanding new location to be revealed very soon…

The mission to reach new levels has already been set with a busy season revelation with three more events featuring many notorious names:

September 11 – Kiesgrube x Home Again w/ Palms Trax, Job Jobse, KiNK, MCR-T, DJ Gigola, KI/KI and Sandilé
September 18 – Kiesgrube Closing Festival w/ Seth Stroxler b2b Michael Bibi, Jackmaster, Patrick Mason, U.R. Trax, Adiel, Thabo, Rampini, Chris Di Perri and I AM

Volta Create offers free access to world-class visuals used by Bonobo and Jamie Jones at Glastonbury

Website: http://volta-xr.com/ | Download Volta Create: https://volta-xr.link/3A8atBQ

Volta Create allows all artists no matter their budget or skill level to create world-class visuals to accompany and elevate their live performances.

Free, self-service XR creation platform Volta announces the launch of a new version of Volta Create. This new version is another standout development for the fast-growing, industry-leading platform as it features designs and worlds used by BONOBO, Jamie Jones, TSHA and more during their headline shows at Glastonbury, and by NERO, Noizu and Brux at shows at the Brooklyn Mirage.

Volta Create allows all artists no matter their budget or skill level to create world-class visuals to accompany and elevate their live performances. Epic visuals from major league International festivals are now no longer the preserve of top tier DJs – anyone can access them and use them on their own artist channels whether live or streamed on Twitch, YouTube, Mixcloud or TikTok. Not only are artists able to create live performances, but Volta Create is a great tool to produce high quality music videos just like Imogen Heap did for her single ‘Last night Of An Empire’.

This tool is the first of its kind and, unlike other 3D and music visual software offerings, it remains completely free, doesn’t require specialized knowledge or any unique skill set and is available on all desktops. The Volta team will also soon be announcing another new feature, which will allow creators to monetize their live streams via audience interaction, but the platform will still remain free for creators.

Previous performances have proved the immense value of using Volta Create for all artists across styles and genres with increased fan engagement and viewership stats. Machinedrum’s performance from NYC streamed to PointBlank’s Youtube channel, for example, saw a 10X increase in live chat engagement.

Alex Kane, Co-founder of Volta, says “Over the past few months we got to show off the next phase of Volta with some of the biggest artists, on some of the biggest stages at some of the most renowned events and venues in the world… The opportunity to do so was mind blowing to say the least. Getting to share this new technology and seeing the worlds and experiences artists create is even more exciting.”

The latest update includes many new 3D elements as well as exciting features. New worlds from Glastonbury and Brooklyn Mirage have been added including those used by Bonobo, Jamie Jones, NERO, TSHA and more. Recently, the legendary DJ Yoda used Volta Create to design and livestream a DJ set entitled ‘Cinema Yoda’ to his Twitch channel. With the use of the panning camera angle feature, Yoda achieved a uniquely immersive feel to his set-up which took it to another level.

DJ Yoda goes on to say “Volta and I built the first iteration of my new live stream set ‘Cinema Yoda’. Various camera angles allowed the stream to showcase not only an XR world I have wanted to make for a long time but a new way to show off my turntables within it. My audience could step into the world of DJ Yoda both musically and visually. This was the first of many performances in Volta worlds to come… keep an eye out for more soon!”

Other features include output custom resolutions that allow users to choose any rectilinear resolution a new graphic generator in visual sources that allows text, shapes and gradient, plus kaleidoscope effects, a new video playback engine, more reliable and faster triggering of video visual sources when toggling between videos in a folder, Ableton Link settings, MIDI mappings for many DJ devices and plenty more bug fixes relating to load and save, triggers and much more.

Recently, the world renowned Amnesia Club in Ibiza experienced the first run of the brand new Volta Create. With artists like Horse Meat Disco, Freddy K, Cassie and more, the club was transformed into a 3D mixed reality experience that was real time generated and completely audio reactive.

This is the latest step in Volta’s on-going mission to democratize the creation of mixed reality mind-bending performances for all artists all over the world. It comes after important partnerships with headline artists during this year’s Glastonbury as well as receiving a $500k grant from Innovate UK, the government-backed agency which drives productivity and economic growth.

Volta XR

Website: http://volta-xr.com/
Twitter: https://twitter.com/ExperienceVolta
Instagram: https://www.instagram.com/experiencevolta/
Medium: https://medium.com/@experiencevolta

Giolì and Assia release new single “Playing Chess” from their forthcoming album, ‘Fire, Hell and Holy Water.’

https://www.facebook.com/gioliandassia
https://soundcloud.com/gioli-and-assia
https://www.instagram.com/gioliandassia/?hl=it

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Today, Italian multi instrumentalists, singer/songwriters, DJs and label owner duo Giolì and Assia release the new single “Playing Chess” from their forthcoming third studio album, ‘Fire, Hell and Holy Water.’

Following the release of recent singles Fire Hell and Holy Water,” “Silence,” and “I’ll Be Fine,” the 4th single, “Playing Chess,” brings us closer to the LP, set for release on September 9th on Ultra Records. The single is a piece of Depeche Mode-style electronica that was initially inspired by Florence & the Machine’s track ‘Shake It Out.’ One of the most energetic singles on the album, ‘Playing Chess’ is led by Gioli’s uptempo drums and complemented by her captivating piano chords and Assia’s vocals. The push-pull effect of the instrumentation reflects on the contrastingly intense and introspective nature of the record, all while showcasing the couples’ unending love for one another.
 
“The lyrics revolve around the metaphor that we are nothing but pawns on a chessboard; part of a game, of a mechanism that is none other than the society in which we live today, which alienates us away from our more human and true form,” Giolì and Assia said in reference to the creative process behind writing the single. “The only escape from this game is the night; only in the night we reveal our true selves, only during the night we can be free, ‘but when it’s dark I know our souls are true, yeah when it’s dark I see the light in your eyes, but when it’s sunshine, you hide,”they added.

Hailing from Palermo, Italy, Giolì and Assia have captured the hearts of fans around the world with their sublime and ethereal soundscapes. The duo create genreless sounds that are entirely their own from start to finish without any outside collaboration. Giolì, a masterful pianist who has been honing her craft since the age of 8, plays the piano, cello, drums, guitar, and handpan, with Assia commanding lead vocals and guitar across the album.

Giolì & Assia will continue touring around the world into the Summer & Fall, returning to North America in September with their biggest headline shows to date at LA’s The Novo and Brooklyn Steel. The duo also have festival slots at Czech festival Colours of Ostrava, Austria’s FM4 Frequency Festival, Chicago’s ARC Music Festival, Las Vegas’s Life is Beautiful, San Francisco’s Portola, and more.

Alongside the single release today, Giolì & Assia have unveiled the live performance video of “Playing Chess” taken from their boundary-pushing video series “#DiesisLive”. The videos have been a cornerstone of development and creative expression for Giolì & Assia as artists, carving out their own aesthetic niche and garnering the band millions of views for each production from across the globe. Started in April 2019, the high-octane productions invite viewers to watch intimate Giolì & Assia live performances filmed in remote and jaw dropping locations. These have included a volcano in the Aeolian Islands, the Andromeda Theater in the Province of Agrigento, Isola Delle Femmine in the duo’s hometown of Palermo, the breathtaking Fjallsarlon Glacier Lagoon in Iceland, and most recently the Krysviksberg Cliffs in Iceland.

Set for release September 9th on Ultra Records, ‘Fire, Hell and Holy Water’ is the band’s biggest body of work to date, a 16-track labor of love. Named after a well known local Sicilian saying, the record documents their turbulent and intense highs and lows as a couple, and the health problems and untimely losses of relatives during the pandemic. Referencing a plethora of major sonic influences, the pair cite London Grammar, Coldplay, Depeche Mode, Labyrinth’s Euphoria score, U2 and Ludovico Eunaudi as just a few of the many formative inspirations on their landmark forthcoming album.

Around the album launch and tour dates, Giolì & Assia recently launched a contest to win a golden custom G&A handpan, vinyl test pressing, merch capsule, 2 tickets to a headline show, meet & greet and more. Enter to win via the link here.

Steve Aoki teams up with Bershka & Amnesia Ibiza to Announce Collection on Decentraland

A livestream will take place at Amnesia Ibiza 16th August

Today, Bershka launch its first collection of wearables in Decentraland with the help of Amnesia Ibiza and Steve Aoki.

This Bershka x Amnesia Ibiza capsule collection will be available in Bershka stores, on bershka.com and here through the Amnesia store in Decentraland.

The ambassador of this collection and DJ of the party is 2x-GRAMMY-nominated music producer, artist, and fashion designer Steve Aoki. To celebrate this collaboration, on 16th August (Wednesday 17th August 3.30am CEST)Bershka will stream live from Amnesia Ibiza Steve Aoki’s HiROQUEST party at Amnesia Decentraland for all its followers! You’ll be able to watch the livestream, buy some of the collection’s pieces and get the exclusive POAP by Steve Aoki. The stream will also be available simultaneously on Amnesia Ibiza’s official YouTube channel and through all A0K1VERSE Sky Pods on oncyber.io, with a special streaming party in Steve’s personal Sky Pod!

The Bershka x AMNESIA capsule is a going out collection inspired by the world of clubbing. It includes a selection of items for girls and boys, among which several oversized T-shirt designs stand out, an asymmetrical rib top with the club logo, a dress, a top and a tulle skirt with photographic prints inspired by the Amnesia parties, among other garments.

Metaverse event participants will be able to get the POAP in Decentranland (or the achievement stamps in Sky Pods) to claim some of the exclusive perks, merchandising items and 250,000 KlubCoin tokens to be shared among the POAP & achievement stamps holders.

“I’m excited to partner with Amnesia and Bershka to bring the spirit of Ibiza to the metaverse. Decentraland fans worldwide can tune in to hear an early sneak peek of my new album HiROQUEST: Genesis. said Steve Aoki

“We are very excited to collaborate on the Bershka x Amnesia metaverse wearable collection. It’s been amazing to see the continual interest from established brands to pioneer the open metaverse with us.”“ said Miles Anthony, CEO of DecentralGames

“It’s an absolute pleasure to welcome Steve Aoki in our Amnesia virtual venue in Decentraland and to be the first club brand to launch a phygital capsule collection with a global clothing brand such as Bershka” said Sergi Blaya, brand manager at Amnesia Ibiza.

You can now buy the new Bershka x Amnesia Ibiza collection in your nearest Bershka store, on bershka.com and in the Amnesia store at Decentraland.

More information on https://www.bershka.com/share/pag/amnesia.html

The dance floor is waiting for you!

Walker & Royce collaborate with Chris Lorenzo to remix Idris Muhammad’s classic track “Could Heaven Ever Be Like This”.

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Deep house duo Walker & Royce have collaborated with Chris Lorenzo and cooked up a complete revitalization of the classic Idris Muhammad track “Could Heaven Ever Be Like This” for Ultra Records.

Having incorporated the original into their sets across various festivals this past year, Walker & Royce know the track inside out, and deep house expert Chris Lorenzo – who currently holds the #4 spot on the Beatport charts with his most recent release “MAMI” – is a perfect addition to the team to make this one really pop. Between them, these creatives have amped up this disco classic and brought it into the modern age with top notch production and measured delivery.

Their version has big, bouncing drums and firing synth work with shooting cosmic lasers. It’s an energetic, textured track with the big vocals the icing on the cake and sure to make this one into a modern classic.

This is a brilliant update on a well known gem.

Walker & Royce
Chris Lorenzo