Donington

DOWNLOAD 2017 – Sunday Review

by

With the sun tentatively out again Downloaders can rejoice at the first dry festival in god knows how many years, no wellies required!

Rock supergroup The Dead Daisies, heavily promoted on Planet Rock over the last few months, are absolutely living up to the hype with their classic rock and roll vibes. Another band to note the recent terror attacks in the UK, vocalist John Corabi calls out “We heard about what’s going on in Manchester… London… it's only gonna get better with love… peace” to a roar of applause from the crowd before busting out ‘Main Line’.

Over on the main stage, Southern rockers The Cadillac Three are making the most of the sunshine with their unmistakable country twang and slide guitar. They are absolutely as redneck as you imagine, it’s awesome. Next up are Gothenburg gods, In Flames with an enormous circle pit and a lot of complaining out their miniature cooler of beer (okay, it really is ridiculously small.) “We are Swedish people and we love beer… and this is what we got… (tiny cool box) we are gonna be great anyway but this is a disgrace! I’m just gonna put it here to remind us of all the suffering and struggle we have to make this shit happen” Anders Friden jokes it’s their “Spinal tap moment”. ‘Take This Life’ is incredible and the arena atmosphere is wild, there’s even a Teletubby in the circle pit going mental.

Next up, Aussie rockers Airbourne are as topless and naughty as ever, but you can see that security are on edge in case Joel ‘deathwish’ O’Keeffe tries any of his mental rig-climbing shit again. On the Encore stage Ministry are going off, with frontman Al Jourgensen yelling “this is a new song… if you think it fucking sucks, throw shit at us. If you like it, go buy the record and our tshirts and shit. I’m a promosexual”. They’ve got a massive crowd in front of them and are giving it everything they’ve got, it’s one of the most storming sets of the weekend.

Despite the fact that the arena is packed for Steel Panther, I can’t see anything different to last time they played Donington. The same misogynistic garbage is being spouted, and yes I know it’s satire but it’s a bit dated now, don’t you think? It’s a shame because they’re obviously talented musicians, but it’s hard to get past all the shit Spinal Tap stuff to see it. As usual they’re pulling loads of girls from the crowd to join them on stage, but it’s clear the TV crew are steering clear of the boob shots, probably due to the fact that these girls are of indeterminate age.

Clutch however are pure rock and roll heroes. After an initial rocky start with the guitars not being right, Neil Fallon quips “we are Clutch… we are professional musicians” before heading into ‘Your Love Is Incarceration’ and the powerfully epic ‘X-Ray Visions’. Having been on the Download vetran list for a few years now, Fallon jokes “I think this is the most gorgeous day I’ve ever experienced here at Download, thanks for arranging that, Mr lighting director”. ‘Sucker for the Witch’ is amazing, and who doesn’t love a band who aren’t afraid to use a cowbell? On the other hand, they didn’t play ‘Electric Worry’…

Onward to Opeth, who honestly look like vampires about to combust in the late sun, they’re musically impressive don’t get me wrong, but much more of a band-of-the-brooding-night, am I right?

Big Four metal gods Slayer are up next, and Kerry King is sporting a blood-splattered axe while frontman Tom Araya let’s us know how tonight is going to go down “We’re all here for the same thing… smiling and getting hit and stuff. Its always nice to see happy people”. KK absolutely shreds like a beast, massive chains swinging from his leather trousers while his braided beard whips back and forth. The crowd is enormous and rafts of extra security have been drafted in to deal with the constant stream of crowd surfers coming over the barrier, including one particularly unfortunate gringo (he was wearing a poncho) who was bleeding profusely from the nose after recklessly going over on his stomach. He looked pretty proud about it to be honest. ‘South of Heaven’ and ‘Reign In Blood’ are obviously incredible, there’s something utterly spellbinding about hearing those metal anthems in real life.

An hour clear of everything else finishing, a cold night has come out of nowhere and underdressed metalheads are huddling together under the darkening sky. O Fortuna ominously blasts out of the huge array of speaker stacks flanked by giant screens offering up the Aerosmith Aero-Vederci logo and images of the bands’ past. As this is their departing tour, the tribute is expected but kind of lacks the oomph of last years’ farewell to Black Sabbath, maybe it’s because Black Sabbath were homegrown heroes, I don’t know. As Steve Tyler takes to the stage dressed in his usual hippy garb of sequins, frills and flouncy scarves, a massive roar goes up from the astonishingly large crowd.

Having seen Instagram posts earlier on from daughter Liv Tyler, of her and Steve riding the stage-side big wheel earlier on, looking out over the site, I wonder what it feels like to be playing these last shows. At nearly seventy years old I can imagine it’s relief and sadness all rolled into one. Throwing around the mic stand (also bedecked in a floaty scarf, obviously) Steve belts out the likes of ‘Young Lust’, ‘Cryin’ and ‘Living on the Edge’ and it’s like you’re right back at the beginning of their career with them. Well… apart from the incredibly shit fire graphics engulfing Tyler on the screens, it looks like they’ve grabbed them from the original Duke Nukem.

The band themselves are so practiced, so pro, that you wouldn’t know they’d aged a day. ‘Love in an Elevator’ powerfully resonates around the arena and Tyler leads on with a frank statement “I remember checking into rehab one time and hearing the abuse in the world people get… especially women… and thats why Janie’s got a gun”.

After a brief Joe Perry solo, alongside what appears to be a video of his holiday snaps… we get the awesome ‘Stop Messin Around’ and ‘Oh Well’ Fleetwood Mac covers as Tyler writhes around on the giant floor logo. We are treated to every bit of Aerosmith history, harmonicas, rattlesnake shakers and of course ‘Sweet Emotion’, though the wind has picked up and Tyler has to requisition a hat from the crowd to keep his hair out of his mouth. It happens to the best of us pal.

‘I Don’t Wanna Miss a Thing’ sees everyone in the arena grabbing hold of each other and swaying, while a million phone screens light up the sky. It might not have the prettiness of the 70’s lighters but hey, we’re living in the age of technology. ‘Rag Doll’ includes the use of the most ridiculous and majestic megaphone ever. It is bejewelled with rhinestones inside and out, and Beatles cover ‘Come Together’ is just phenomenal.

‘Dude (looks like a lady’ is hilarious fun with guys prancing around in front of us, but the encore sees a white grand piano brought down onto the gangway for Tyler to play the heartbreakingly beautiful ‘Dream On’ after a mention of the recent UK terror attacks “When you dream good dreams… good things can come true… Aerosmith is dreaming with you… Dream On”. Standing atop the piano, the band show us the true meaning of a ‘show’, something few modern bands really do anymore, it’s a picture I’ll never forget.

Saying goodbye with ‘Walk This Way’, ticker tape explosions and blasts from smoke cannons, it’s hard to comprehend that we’ll never get to see them again. That those bands we grew up listening to, our rock history, is becoming just that, a thing of legend. Aero-vederci to one of the greats.

DOWNLOAD 2017 – Saturday Review

by

With an overcast sky and the threat of rain in sight, today’s Download crowd is considerably more covered up and there are a surprising amount of people dressed in bucaneer-swag heading towards the Encore stage…

Alestorm are one of those bands who are both musically talented, and seem to be in it for a laugh. What’s not to love about a band who comedically rhyme anchor and wanker in song form? Wenches, parrots and pirates alike are jumping around to the likes of ‘Keelhauled’ and ‘Magnetic North’ (if you haven’t seen the Alestorm/Lady Gaga mashup ‘Magnetic Telephone’, get on youtube this instant. It’s marvellous.) and the quips on the origins of their material are, interesting… “This song is about that time Tom hanks got lost on a desert island and fucked a volleyball… Shipwrecked!”.

As crowd surfers fly overhead on various inflatable sea creatures (kudos to the guy managing to stay aloft the orca all the way to the front) vocalist Chris Bowes yells “Do you know why we are here download? We are here to drink your beer!” and the arena goes mental for ‘Drink’ followed, obviously, by ‘Hangover’ – “This is for anyone feeling a little. Bit shit today, for anyone who woke up in a puddle of their own vomit”.

Suicide Silence put on a rowdy set yelling at the crowd to “motherfucking jump around” ticking the box for proper metal headbanging and hair lashing today, Of Mice & Men are ripping up the main stage and Kvelertak (the most mispronounced band all weekend) bring dark Norwegian metal (and lots of owl themed décor) to the now slightly gloomy arena. Brief spells of rain see Downloaders immediately reaching for the ponchos, it seems after the last few years everyone has come prepared for the worst.

Pierce the Veil are living up to the piercing part of their name with extraordinarily shrieky vocals, so we’re off to the Encore stage for a good dose of heavy metal with Max & Igor (Cavalera) with thousands of other Sepultura fans looking for their fix. They do not disappoint, Roots Bloody Roots is absolutely insane and the arena is rammed with headbangers.

In the main arena, it seems a lot of people are crashed out on the hill eating food – Download hasn’t been home to crappy ratburgers for a few years now, but highlights this year include gooey Mac & Cheese, duck fat potatoes and on two ends of the spectrum – vegan maki sushi rolls and giant shredded brisket sandwiches. AFI are on the main stage but it’s hard to hear when you’re in a food coma.

Coheed and Cambria are over on the second stage throwing down some heavy melodic sounds, followed by the Ace Ventura of metal – Devin Townsend. There is no extreme expression his elastic face cannot convey, he goes from cheeky to mean in a fraction of a second and this makes him undeniably interesting to watch – even apart from the fact that he fucking shreds. Simple Plan have packed out the Avalanche stage and it looks like the entire tent is bouncing as one to ‘Welcome To My Life’ and Sean Paul collab ‘Summer Paradise’.

Headlining the Encore stage for the second time at Download is heavy metal shock doctor Rob Zombie, whose stage shows always go above and beyond and the biggest crowd of the weekend have turned out to see him. Rob appears on stage rocking the shiniest outfit I’ve ever witnessed in metal. Hell, he wouldn’t be out of place in a Lady Gaga video or on RuPaul’s drag race. Silver mirrored discoball flares are topped with a silver studded and spiked leather jacket with added fringing, a glittery Stetson and a Frankenstein flag hanging out the back of his pants… Rob you have seriously outdone yourself on this one. I want to be you.

Leaping around between three lifted podiums, in front of LED screens showing images from horror movies, Rob screams through hit after hit – 'Living Dead Girl' is wild, and the crowd responds by sending wave after wave of crowd surfers over the barrier. Rob spends a little time joking around about the arena offerings he can see “I wanna fucking party. Do you wanna party or do you wanna eat fucking noodles. Steakhouse. Extreme largeness… what does that even mean??” and briefly noting the current state of affairs in the world… “these challenging political times… I’d like to address a very serious subject that no-one else wants to talk about. What the fuck is going on with alien abductions?” asking “who here has been abducted and anally probed?” before asking stage security to help him crowd surf a blow up alien to the back of the arena.

With a face meltingly large amount of pyro, demon sidekicks sporting LED guitars, grilles and vampire wings – Rob brings a slice of B-movie madness to Donington that really deserved to be lit up on the main stage to be honest. As giant inflatable balls are thrown out into the crowd and foam snow is sprayed from the top of the stage, White Zombie super hit (and Guitar Hero go-to track) 'Thunder Kiss ’65' has a bassline that makes your soul shiver as Rob laments “I remember playing this back in the early 90’s at Castle Donington… were any of you there? You dont remember me but you’ll probably remember Metallica huh”.

After a quick dip into The Ramones’ ‘Blitzkrieg Bop’ because… well who knows… it’s back into Thunder Kiss and straight onto a cover of Alice Cooper’s ‘School’s Out’ whilst parading around in a union flag as a cape. Rounding up with the one everyone’s been waiting for, ‘Dragula’ is truly epic, as this whole show has been.

Over in the main arena, Biffy Clyro are also finishing up on their multi-tiered LED lit stage, tops off, sweaty as hell. It’s awesome to see them top the bill here, and they are fantastic, but it would have been cool to see what horror shenanigans Rob Zombie could have brought to the table. Fireworks light up the night sky above the stage and the arena clears for the campsites, see you tomorrow metalheads…

DOWNLOAD 2017 – Friday Review

by

After a week of doomy skies and rainfall, as well as monikers Drownload and Downpour festival from previous years, you’d be forgiven for going head-to-toe storm wear to Donington. For now though, the weather looks decent so we're donning hats and sunblock.

After a fairly heavy security check, welcome after the recent tragedies in both Manchester and London, we get through to the main arena to see some things have changed. The main difference to the site is that the third stage has been moved up to the top of the hill from its previous home in the bottom corner. Though it means more of a hike between bands to change stage, it has solved a few problems – there’s no more sound transference/overlap when two bands are on at the same time, you don’t have to crush past the toilet queues to get in and the VIP area is more easily accessible now too. Though it’s more likely to have been moved due to the horrendous drainage issues in the rain last year. In fact, there seem to be dug-in irrigation channels all over this year, which according to sod’s law probably means it’ll be blazing sunshine all weekend.

Despite the arenas being quite quiet today, The Raven Age have pulled a decent crowd and are giving their second round at Download everything they have, alongside a commentary on the recent attacks from frontman Michael Burrough “Thank you for turning out, in the face of adversity, we really fucking appreciate it… this one is for Manchester… London… Paris…”.

Next up is the unusual DL pick, rapper Machine Gun Kelly, who appears to be dressed in a dirty lab coat. It’s clear from the first beat he’s a powerful presence and he careens around the stage with explosive passion. Covering Oasis’ Wonderwall is a guaranteed goal in the UK, I mean we all think it’s shit but we do know the words, however it’s ‘Alpha Omega’ that gets everyone yelling along. After jumping off the top of the drum-kit in his massive winkle-picker shoes and jumping into the pit to dance along the front of the crowd, MGK reduces one fan to tears. After calling “Beautiful girl in the front row wearing the white MGK hoody… this one’s for you” he drops down on one knee in front of her and continues with the song whilst holding her hand. It’s adorable… especially considering two minutes ago he was screaming at everyone to get their middle fingers up.

Suicidal Tendencies are ridiculous fun, frontman Mike Muir grins maniacally as crowd-surfers are yanked down by security guards, whilst on the main stage 5 Finger Death Punch are inciting circle pits to snippets of Crazy Train and Smoke on the Water. Someone dressed in an inflatable t-rex costume is trying desperately to leave during ‘Burn MF’, without much success.

Good Charlotte offer up the disturbing realisation that they started this band 21 years ago, asking “how many of you remember us from high school?” but the crowd is bouncing along as if they don’t have jobs… kids… adult responsibilities, all the same.

The lyrics “Girls like cars and money” from ‘Girls & Boys’ were pretty standard fayre for the noughties pop punk scene but times have changed and bagging on girls is a hot topic these days. So it’s not entirely surprising that following the song comes a sort of apologetic disclaimer “firstly I wanna say thank you to every girl who came here today. The whole thing looks better, smells nicer… is smarter… what the world needs… all you girls out there, not afraid to stand up, to express yourselves…”

Closing the Zippo Encore stage with more pop punk are Sum 41, headed up by Deryck Whibley who is looking decidedly healthier than he has done in a while, with his blonde hair still spiked upwards in defiance of the passing of time. He really doesn’t look like he’s aged with us at all to be honest. What a bastard. It’s a huge turnout and the crowd is going wild for the classics ‘Still Waiting’, ‘In Too Deep’ and finishing up with ‘Fat Lip’.

A miraculously dry day at Download sees droves of half-drunk, half-sunburnt red faces heading to the main arena for Friday night's main stage headliner System of a Down. Having played at Download last in 2011, SOAD were definitely due a return to the main stage at Donington and thousands of people are already packed in to watch.

Starting strong with 'Suite-Pee' and 'Prison Song', blending seamlessly into 'Violent Pornography' (which I realise sounds rather rude…) SOAD make it known that they mean business. It's rare for a band to be respected and liked across the board, but it really seems like System aren't the great divider that other headline acts seem to be. Droves of people are coming in from the second stage where Sum 41 are just finishing up, and the standing is packed all the way to the back of the arena.

With his now white-streaked beard, Serj Tankian holds the crowd in the palm of his hand and a giant screen behind shows clips of black and white movies and news stories during the bass heavy 'Aerials'. It's bone-shakingly heavy and there is a deafening chorus of people joining in around us, Download have got the main stage sound absolutely spot on this year, it's pitch perfect from way back into the arena.
Into the much loved 'Bounce' for some limb-flailingly chaotic pogoing, during which a man in an extraordinarily short tutu with "Twat" sharpied across his forehead, almost loses what's left of his dwindling dignity, followed shortly by the incredible 'Psycho' and 'Chop Suey' – absolute classics. The guy on the front row wearing a full tuxedo is going berserk and I know how he feels, this is shaping up to be one of the best headline sets Download has ever seen.

After a solid 45 minutes of play without so much as a pause, Serj yells out to the crowd "Download, how you fucking doing out there?" and that's our lot. SOAD truly came to just smash it up, not stop for a chat. For a band heavily invested in political topics and lyrics, I had sort of wished for a quip or two regarding yesterday's UK election results, maybe something about being well hung…

Closing out with the enormously enjoyable 'Toxicity' and 'Sugar' SOAD have pulled off a near perfect headline set, and despite the obviously lower numbers at the festival this year, everyone seems to have turned out to see them do it. Roll on day two!

System of a Down – Download Festival 2017: Reviewed!

by

A miraculously dry day at Download sees droves of half-drunk, half-sunburnt red faces heading to the main arena for Friday night's headliner System of a Down. Having played at Download last in 2011, SOAD were definitely due a return to the main stage at Donington and thousands of people are already packed in to watch.

Starting strong with 'Suite-Pee' and 'Prison Song', blending seamlessly into 'Violent Pornography' (which I realise sounds rather rude…) SOAD make it known that they mean business. It's rare for  a band to be respected and liked across the board, but it really seems like System aren't the great divider that other headline acts seem to be. Droves of people are coming in from the second stage where Sum 41 are just finishing up, and the standing is packed all the way to the back of the arena.

With his now white-streaked beard, Serj Tankian holds the crowd in the palm of his hand and a giant screen behind shows clips of black and white movies and news stories during the bass heavy 'Aerials'. It's bone-shakingly heavy and there is a deafening chorus of people joining in around us, Download have got the main stage sound absolutely spot on this year, it's pitch perfect from way back into the arena.
Into the much loved 'Bounce' for some limb-flailingly chaotic pogoing, during which a man in an extraordinarily short tutu with "Twat" sharpied across his forehead, almost loses what's left of his dwindling dignity, followed shortly by the incredible 'Psycho' and 'Chop Suey' – absolute classics. The guy on the front row wearing a full tuxedo is going berserk and I know how he feels, this is shaping up to be one of the best headline sets Download has ever seen.

After a solid 45 minutes of play without so much as a pause, Serj yells out to the crowd "Download, how you fucking doing out there?" and that's our lot. SOAD truly came to just smash it up, not stop for a chat. For a band heavily invested in political topics and lyrics, I had sort of wished for a quip or two regarding yesterday's UK election results, maybe something about being well hung…

Closing out with the enormously enjoyable 'Toxicity' and 'Sugar' SOAD have pulled off a near perfect headline set, and despite the obviously lower numbers at the festival this year, everyone seems to have turned out to see them do it. Roll on day two!

 

Download Festival announces 20 more bands

by

Download Festival, the world’s premier rock event has announced another plethora of bands, from legends and new talent alike, including Devin Townsend Project, Suicide Silence, Code Orange and many more. Download Festival takes place on 9 – 11 June 2017 at the spiritual home of rock in Donington Park, Leicestershire.

New to 2017, The Avalanche Stage shines a spotlight on everyone from the biggest global acts, to the latest breaking bands. Headlined by the previously announced Sleeping With Sirens, Simple Plan and The Dillinger Escape Plan, the Avalanche Stage will be hosted by new music champions, Kerrang’s Fresh Blood.

Alex Baker, presenter of Fresh Blood on Kerrang! Radio said: “Right now, there is an undeniable, electric excitement about new music in the air and as soon as we saw the new Avalanche Stage we just had to be involved. It was clear from the get go that one of The Avalanche Stage’s aims was to ensure that there was a dedicated space for these new bands within the festival. Download has always been amazing at supporting new talent and I’ve always admired them for that – so it was a no brainer to get as involved as much as humanely possible!”

Metal behemoth, Devin Townsend Project will be making their welcomed return to Download Festival, featuring living legend and ex Strapping Young Lad frontman, Devin Townsend.

On playing the festival, Devin said: "Download! Amidst a crazy year, we have been invited to play at one of my favourite festivals in the world. The band is rocking better than ever, and we are fired up to have some fun with you guys. We look forward to blowing the roof off the place. See you there!"

The hottest name in hardcore, Code Orange are torchbearers for their genre and will excite festival goers with a crushing set. Twenty years on from the release of ground-breaking album Roots, Max & Iggor Cavalera reunite to perform the seminal record in its entirety to the Download crowd.

Having influenced heavy music with their rapid twin vocal and tech metal, groove masters SikTh will bring the Main Stage mosh pit to life. Deathcore stalwarts Suicide Silence are back with tracks from their eponymous fifth album and are set to deliver an incomparably powerful live set atDonington this summer. Joining them are unmissable supergroup elite, Krokodil who are set to impress with their immensely forceful metal, and UK stoner rock legends, Orange Goblin with their heavy hammer, steel toed riffs and fistfuls of attitude.

Renowned for his wild live shows and fiercely loyal fan base, Ohio rapper Machine Gun Kelly has received waves of critical and commercial success with sophomore album General Admission, which he’ll be bringing in abundance to Download this June. Aussie rock heroes Sick Puppies will serve up their tooth rattling rock and hard hitting hooks that will send the Download crowd wild. Led by the incredible Johnny Hawkins, San Antonio rockers Nothing More have cemented themselves in the top echelons of modern rock and will be bringing their ferocious live performance to Donington.

Having previously supported Iron Maiden, metalcore outfit The Raven Age stride between melody and brute force, and will be returning to Download for another epic performance. They’ll be joined by tour de force of energy, Yonaka, and country rock n’ rollers Blackwater Conspiracy.

The dark and volatile Perturbator completes the trio of Dogtooth Stage headliners alongside the previously announced Exodus and Wednesday 13. Prepare to be lost in his technoir, dark synthwave as he closes the Dogtooth Stage for 2017. Dublin’s grunge pop rockers OTHERKIN will riff their way through infectious songs with a raucous energy, whilst London five piece, Drones will be out to deliver a barrage of hardcore punk for the Download Festival audience.

Having supported the likes of rock legends Black Stone Cherry and Halestorm, The Fallen State will bring soulful vocals and unapologetic rock to Donington. Expect a distinctive mix of pop, punk and new wave from London/LA duo Love Zombies, chaotic and energetic indie punk from Blackwaters, gritty modern blues fuelled rock from Bristol natives Tax The Heat and soulful rock n’ roll from Nashville’s Tyler Bryant & The Shakedown.

Download Festival is the home of rock music and takes place on the sacred grounds of Donington Park, which have been associated with rock since the eighties. The festival attracts rock icons to its Main Stage, plus some of the best and hottest new acts in the world. AC/DC, KISS, Metallica, Def Leppard, Guns N’ Roses, Rage Against The Machine, Slipknot, Linkin Park and many more have all headlined its Main Stage.

 

ANNOUNCED TODAY

BLACKWATER CONSPIRACY

BLACKWATERS

CODE ORANGE

DEVIN TOWNSEND PROJECT

DRONES

KROKODIL

LOVE ZOMBIES

MACHINE GUN KELLY

MAX & IGGOR CAVALERA

NOTHING MORE

ORANGE GOBLIN

OTHERKIN

PERTUBATOR

SICK PUPPIES

SIKTH

SUICIDE SILENCE

TAX THE HEAT

THE FALLEN STATE

THE RAVEN AGE

TYLER BRYANT & THE SHAKEDOWN

YONAKA

 

Download Festival announce the grand return of WWE NXT Live! for 2017!

by

Download Festival, the undisputed champion of rock and metal, has today announced the grand return of WWE NXT LIVE! to the hallowed grounds of Donington Park. Music fans will once again be electrified with incredible displays of skill and athleticism, as the hugest names in Sports Entertainment deliver the complete WWE NXT experience alongside the world’s biggest rock stars, on June 9 -11. Tickets are available now from downloadfestival.co.uk/tickets.

Alongside headliners System Of A Down, Biffy Clyroand Aerosmith, fans can catch NXT Superstars *Bobby Roode, Aleister Black, Tye Dillinger, Kassius Ohno, Eric Young, Alexander Wolfe, Killian Dain, Nikki Cross and many more as they bring the hard-hitting, innovative and action packed brand of NXT to the purpose built, full scale ring in the main festival arena.

Last year saw NXT make a huge impact with Download fans, delivering a weekend of action to capacity crowds with shocking debuts, high flying manoeuvres and surprising returns from the biggest names in sports entertainment. It also provided one of the most touching moments in Download history when Executive Vice President of Talent, Live Events & Creative and WWE icon Triple H was awarded the Metal Hammer ‘Spirit Of Lemmy’ award on the main stage, in honour of his relationship with the late legendary Motörhead frontman Lemmy Kilmister and to acknowledge the affinity between the rock and wrestling worlds.

Download Festival Promoter, Dave Bradley said: “Having WWE NXT at Download is like seeing what happens when an unstoppable force meets an immovable object – you just know sparks are gonna fly! Wrestling and rock music go hand in hand and if last year is anything to go by, this exclusive festival experience is only going to be bigger & better for round two! This is not to be missed.”

Current NXT Champion Bobby Roode, who made headlines with his NXT debut at last year’s Download Festival said: “Download was my very first show in NXT. The combination of NXT Superstars and massive musical acts, entertaining tens of thousands of passionate fans makes Download a unique experience.

Returning to Download as NXT Champion will make this an extra special moment for me as a performer. WWE has been synonymous with rock culture for decades and has a long history of engaging with the rock community, previously collaborating with the likes of; Motorhead, Killswitch Engage, Limp Bizkit, Kid Rock, Living Colour, Rob Zombie, POD and many more huge bands.

Download Festival is the home of rock music and takes place on the sacred grounds of Donington Park, which have been associated with rock since the eighties. The festival attracts icons of rock and metal to its main stage, plus some of the best and hottest new acts in the world. AC/DC, KISS, Metallica, Def Leppard, Guns N’ Roses, Rage Against The Machine, Slipknot, Linkin Park and many more have all headlined its main stage.

Download Festival announces 2017 Headliners – love or loathe?

by

With the summer a distant memory and even the Autumn racked with stormy skies this week, you could be forgiven for wanting nothing more than to hunker down, ignore the world and eat your bodyweight in cheese. However, even in your internest you surely haven’t missed summer 2017’s first big band announcement – Download Festival.

Friday headliners System of a Down, having not been seen at Donington since 2011 are definitely due a triumphant return, whilst the somewhat niche Biffy Clyro headline slot for Saturday seems to have created a bit of forum-controversy already. Topping the bill on Sunday is a farewell op for Aerosmith, who last played the festival in 2014 and are sure to go out with a bang.

Though the day splits won’t be confirmed for many months, a whole raft of other bands have been announced for Download including:  Slayer, Prophets of Rage, Rob Zombie, Five Finger Death Punch, AFI, Of Mice & Men, Sleeping With Sirens, Motionless in White, Simple Plan, Every Time I Die, The Story So Far and Fozzy.

So is it love or loathe? What do you think of the first Download announcements for 2017?

Iron Maiden – Download 2016 Review

by

Well, the arena is awash with the kind of sludge you dream up monsters emerging from and everyone we pass is in varying states of ‘fuck-it’ at this point. Little has been done to calm the quagmire overnight it seems and as the rain poured steadily throughout the day (and then horrifically during Nightwish’s set) there are actual rivers becoming moats between the stages. If you were the guy throwing yourself down the hill with wild abandon after the first falling-over incident, because why the hell not – you sir, I salute you.

However, it is with sheer luck that we stand here tonight waiting for Iron Maiden and only a tiny speckle of rain is upon us… obviously the weather-gods knew that we’d need to ditch our umbrellas to properly rock out for this. As the sky begins to darken and the thousands upon thousands of bodies cram the main stage area, a Mayan temple backdrop and stage set are unveiled which look rather like a section of The Crystal Maze. Bruce materializes from the centre stage gangway for If Eternity Should Fail and below him Nikko takes to his drum nook to begin the show. Seriously – a drum nook. It sounds like something I should have at home.

Yelling “England, how the fuck are you?” was probably only going to incite sarcasm at this juncture, as the soggy crowd snark back “fucking wet”, but Bruce has probably spent his afternoon in a cushy hotel following his flight over on Ed Force One. With visuals of the plane being hurled out of jungle vines by Eddie and a raft of fire cannons going off, it’s clear Maiden are going to put on the kind of show we were hoping for and as the notes ring out for Children of the Damned it’s pretty much a given that Bruce has lost none of the power or range after his surgery for throat cancer.

Dubbing it ‘Downpour festival’ Bruce seems to be keen on interacting with the crowd more this tour, quipping “I usually have a go at people texting in the pit… and I look down and it's our fucking manager! What a cunt! He has a hotline to the weather… we said please stop the rain for Maiden”. Though we are British and used to a rain-lashing at Download, it is pretty nice to not watch through the crackle of a crap poncho.

Next up is Tears of a Clown – a song written about and dedicated to the late Robin Williams, a song Bruce says the band “never thought they’d play live”, followed by The Red and The Black. I mean, I know it’s a stop on The Book of Souls tour, but they really are going heavy on the new album songs. It seems a shame that anyone new to Maiden here won’t get to fully experience the complete rush of hearing 85 thousand people singing along to every single word of every single song. The new tracks just haven’t sunk in yet.

Not to worry too much though, as The Trooper – with Bruce in his red jacket racing around the stage with his flag, is absolutely brilliant as always, leading into heavy Powerslave. Hallowed Be Thy Name is shouted into the night by everyone in the arena and Fear Of the Dark is accompanied by the traditional ‘ooohs’ and what once were lighters held aloft is now a sea of phone screens.

Some joking about monkeys, a very unstable Eddie (on stilts) and many “Scream for me Donington”’s aside, it’s been a non-stop show, and as a flipping GIANT Eddie head emerges from the back of the stage to stare his red eyes out into the crowd, we know that we still have twenty minutes and an epic encore to go.

Joining the band on stage for Number Of The Beast is… well, the beast. Sporting a sometimes crooked set of horns and a countenance reminiscent of battle-worn teachers during ofsted, the giant bust oversees a rampage of fire from the stage and sound tent. There’s something cathartic about screaming “666” into the sky with thousands of other people, maybe it’s the teenage rebel inside.

Bruce tells us “We’ve done this six times… frankly it’s got to stop.” to a rousing ‘boooo’ from everyone in the arena, but a promise of a giant stadium show next year for 80 thousand people (it’s definitely Wembley then…) raises a roar of appreciation. Going on to talk about the fresh news of the awful mass shooting in Orlando this weekend as “Senseless and stupid” Bruce assures us that “Maiden is one big musical family…. I don’t care what gender, what colour, what creed, what religion…” which gets the biggest applause of the night from this crowd many of whom are on the margins of society in everyday life themselves. Bruce also speaks of the Bataclan attack and urges everyone to not be like that and retaliate but to spread “music and love” instead, saying “…my friends, we are all Blood Brothers” bringing them around to one of Maiden’s grandest showpiece songs. The magnitude of the meaning is not lost on anyone, after the horrific reports we have seen on the internet today.

With a starry night backdrop and a circle of stars around Eddie’s head (which could be mistaken for an EU reference if we were looking for one…) Maiden finish up with Wasted Years which also seems especially poignant. “It’s more of a heavy metal waltz this one” jokes Bruce, but it does seem odd to end on such a sombre note, without fanfare or fireworks, just a quick “We will be back next year” and the standard Monty Python Always Look On The Bright Side Of Life, to usher us from the arena. Traipsing through the sticky mess of swamp and chair-graveyards towards the exits, we are leaving with a sense of elation that always comes with Maiden shows – you know you’ve just seen something extraordinary, and that is worth all the mud you could have thrown at us.

All photographs © A. Hyams, please do not use without permission.

Black Sabbath – Download 2016 Review

by

Well what can you say about the finality of one of the most prolific bands in history’s last ever show at their spiritual home of Donington Park? The band have played here time and time again, Monsters of Rock, Ozzfest, Download – Donington in all it’s incarnations. Black Sabbath are sewn into the fabric here and the arena is awash with black shirts in all shapes and sizes, from a tour history spanning decades and generations. Families making sure their kids get to experience this once in their lifetime, the younger crowd who may not be die-hard Sabbath lovers but are here nevertheless, and those original fans with a tear for the end of an era. Everyone feels the gravity of tonight’s performance, and that’s a pretty big weight to put on any band’s shoulders.

As the sky darkens ominously and the purple Black Sabbath logo lights up the big screens, there is a hush of anticipation for the Birmingham band, one city over from where they were formed – this always feels like a homecoming. With visuals depicting the birth of Satan from an Aliens-esque egg the band alight the stage to an almighty roar and thousands upon thousands of hands thrust into the air in horns.

Starting off with namesake Black Sabbath (we really enjoy it when artists sing about themselves… well, maybe not Craig David…) it’s clear that Ozzy’s voice is ahem, off. The difference between this show and their last Donington stint is pretty noticeable and there’s a lot of chatter in the crowd to that effect. It also seems like they’ve purposefully slowed down their already trademark slow heavy metal, to accommodate Ozzy’s vocals, but hey, we’ve been listening to upbeat bands all day… that must be it… right?

Yelling his standard “I can’t fuckin’ hear you” there’s a little nostalgic twinge as someone nearby retorts an unheard “That’s cause you’re fuckin’ deaf”, I think I’ve heard that every single time I’ve seen Ozzy live and this will be the last time. Fairies Wear Boots is a fan favourite and everyone is singing along but the wind and rain have notched up and the 4 speaker stacks in the middle of the arena just aren’t good enough to travel it up the hill. Every year the same argument – it’s fine for the earlier bands when the crowd is split, but for the headliners it leaves at least half the arena with shockingly poor audio.

Into The Void and Snowblind are fantastic, with Iommi shredding the hell out of his guitar in his nonplussed style, and despite the constant rain (maybe there was a market for changing the name to Rainblind…), the swishing of ponchos and smack of wet hair on cheeks says that everyone is having a headbangingly excellent time. Sabbath anthem War Pigs however is absolutely epic, due to the thousands strong crowd singing every bit of it at the maximum capacity of their lungs.

We get a traditional gratuitous drum solo and then everything we wanted to hear; N.I.B, Hand of Doom, the heart-stoppingly good Iron Man (complete with flaming pyrotechnics on the stage and sound tent) and Children Of The Grave.

With an encore of Sabbath’s biggest hit Paranoid, and a tear-jerking ‘The End’ plastered on the big screens, it’s time to say goodbye to arguably the most important band in heavy metal, the forefathers of everything you see here. Though it might not have been the best we’ve ever seen Black Sabbath, there is an overwhelming sense of importance, that we were there, the very last time the godfathers of heavy metal played the most iconic location in heavy metal. It almost makes you want to get a commemorative tattoo. Or, you could go snatch up a ticket for their final UK tour dates EVER. Whimper. Sniff. Sabbath – we will miss you, always.

Photo Credit (Ozzy): Ben Gibson

Photo Credit (Stage): Jen O'Neill

All photos courtesy of Download Festival

Rammstein – Download 2016 Review

by

Despite a day of heavy downpours over a now very boggy Donington Park (yes yes, we’ve heard the monikers… Drownload… Downpour Festival…), thousands of expectant faces are turned towards the main stage for tonight’s headliner – German heavy metal powerhouse, Rammstein. There’s nothing quite like a side of S&M or pyrotechnics alongside learning how to count to vier whilst headbanging, and Rammstein promise a whole lot more than just their stage show.

As a cinematic countdown begins, video screens send a message “Enjoy the show, please do not be preoccupied with recording it” and instantly Go-Pro’s are thrust into the air on ridiculous, view-ruining monopods. I mean come on, what the hell are you actually going to do with that footage man?

Regardless of the moronathon, Rammstein smash their way onstage as only they can – with giant showoff billowing clouds of pink smoke, which when combined with the ongoing drizzle turns quickly into a spatter of blood on anyone wearing lighter than black outfits. First up new song Ramm 4 sees giant firework laden platforms lowering guitarists Kruspe and Landers onto the stage and the always enigmatic frontman Till Lindemann emerges in a childcatcher-esque outfit and his patent white painted face.

The stage look for Rammstein has always been industrial but this time steps over into the cyborg realm with giant stage-high light bars which respond to the band’s instruments. Reise, Reise is absolutely gut churningly heavy, and Till sports a very fetching duffel coat over his flash-bang adorned waistcoat which explodes, quite obviously right in his face. How this band have not sustained more serious pyrotechnic related injuries I’ll never know.

The electronic intro bleeps for Feuer Frei raise an enormouse guttural roar from the crowd, and there is no shortage of actual fire alongside the music, their signature flamethrowing face cages are everything Batman’s Bane wishes he was. Keyboardist/freak on a leash Lorenz is hastily shoved into a box after being dragged around the floor, emerging later in an extremely spangly sequined suit to walk off his horrors on a treadmill whilst Till wields a giant flaming arc that sort of looks like a crossbow. You really couldn’t make it up. A crackly speaker on the right side of the stage threatens to dull Mein Hertz Brennt but as Till’s heart (flare) lights up, every single person in the arena is singing their lungs raw. Following up with Links 2, 3, 4 this is shaping up to be a stellar performance from Rammstein.

Guitar flamethrowers, fireballs erupting from the sound tent in the middle of the crowd and zip-wire fireworks streaking back and forth – every time you think you’ve seen it all, Rammstein amp it up a little more. Ich Will has everyone yelling back the required replies ‘Wir hören dich’ and so on, Du Hast is heavier than a heavy thing and Depeche Mode cover Stripped just couldn’t sound more seedy than in a German accent.

For the Encore, we are treated to the completely epic Sonne followed by an acoustic Ohne Dich but it’s Till’s ascension into angel-dom that is the real icing on this weird and wonderful cake. Giant metal wings loaded with white sparking fireworks lift Till into the air above the stage floor for Engel and it is motherlovin’ glorious. Leaving us with a brief “Thank you. Danke schoen, you’re amazing” the stage erupts in a backdrop of massive rocket fireworks and the arena is engulfed in smoke. There’s nothing more to say except that Rammstein are arguably one of the best metal acts of our time and here’s hoping they don’t leave it too long before returning with even more incredible shows.