Catton Park

BLOODSTOCK announce six bands as an early Halloween treat!

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As Halloween creeps up, BLOODSTOCK has prepared an early treat and announced six new bands to join their previously announced Friday night headliner, SABATON on the 2019 bill at Catton Park.

 

CHILDREN OF BODOM land a Friday spot on the Ronnie James Dio main stage in a UK exclusive. The band entered Danger Johnny Studios with producer Mikko Karmila earlier this year to work on a new studio album, due for release in 2019, following 2015’s devilishly good ‘I Worship Chaos’. See the video for ‘Morrigan’ from that album at: https://youtu.be/jm3kDrBTlt8.

 

CRADLE OF FILTH return to Catton Park’s main stage on Saturday. The British hellfiends are no strangers to our hallowed ground and we’re keenly expecting both tricks and treats aplenty. Lead Cenobite Dani Filth had this to say about returning to BLOODSTOCK; “Obviously we want to finish what we started ten years ago, that is to finish our set! And for that alone we are really, really looking forward to bringing a massive Cradle show back to the BLOODSTOCK fans. We f**king can’t wait!” Meanwhile, watch the video for ‘Heartbreak And Seance’ at https://youtu.be/DNRIaeg6EyY, taken from their gothic horror-infused twelfth album, ‘Cryptoriana – The Seductiveness of Decay’.

 

SOILWORK also pick up a Sunday slot in a UK festival exclusive. The Swedish metallers are currently hard at work in the studio brewing their eleventh studio album and the follow up to 2015’s acclaimed ‘The Ride Majestic’. Check out the band blazing through ‘This Momentary Bliss’ (taken from their ‘Live In The Heart of Helskini’ DVD) here; https://youtu.be/3RsAF6r3gQw.

 

BLOODSTOCKers will be able to see the inimitable DEE SNIDER on Sunday’s main stage! The Twisted Sister frontman’s recent solo album, ‘For The Love Of Metal’ was the result of a challenge issued by Hatebreed frontman (and BOA favourite!) Jamey Jasta! Whilst appearing on Jasta’s podcast, Jamey told Dee that he ought to make a “true metal album” and he wanted to produce! The project forged ahead, picking up numerous plaudits on release earlier this year. Check out the video for ‘Become The Storm’ – https://youtu.be/hljBz0zTEKQ – for a glimpse of what’s in store!

 

We also welcome QUEENSRYCHE to the main stage on Sunday. The Todd La Torre-fronted outfit are putting the finishing touches on their forthcoming new album too and are giving PledgeMusic supporters an early taste! Head over to https://www.pledgemusic.com/projects/queensryche2 to sink your teeth in and get your claws on all kinds of special pre-order bundles.

 

Lastly, but definitely not least, Swedish death metal luminaries HYPOCRISY join us on Sunday! With Peter Tägtgren at their helm, the band released their first record back in 1992 and have released 11 more since. The band enter the studio in January 2019 to create a new masterpiece, their first since 2013’s, ‘End Of Disclosure’. Watch the video for that title track at https://youtu.be/MJsdZ2FR3WM.

 

 

BLOODSTOCK announce SABATON as Friday night headliner for 2019!

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BLOODSTOCK are excited to announce their first headliner for 2019! Swedish metal warriors, SABATON will headline Friday 9th August in what will be their only UK show in 2019! Check out what they had to say about returning to Catton Park’s hallowed turf to headline the festival this time around – https://youtu.be/a_m5jrhKUZs. The band have always been a huge hit with BLOODSTOCK’s crowd in years prior, so we’re excited to see them step into a headline slot. Remember their 2015 set when they brought their tank?! Watch them blast through ‘Metal Crue’ here – https://youtu.be/nt2pF7Bf944.

 

Stay tuned for more band announcements soon!

 

Standard weekend tickets are also currently available at ‘early bird’ prices (just £132 for four days of metal fun), so grab yours now at the ticket store – http://bloodstock.seetickets.com – if you want to save a few quid. Camper van passes are also available in limited quantities, but be quick, half the available spaces have sold already!

 

For those who want their VIP spot guaranteed, BLOODSTOCK’s first wave of 2019 Serpents Lair VIP tickets are also available, priced at £290. A second wave, including the Deluxe VIP packages (Luxpads, Bellepads, Podpads, etc) and a limited amount of VIP upgrades (for those who’ve already purchased standard weekend tickets) will then become available on 16th December at 9am. For full details click to http://www.bloodstock.uk.com/pages/vip-camping.

 

We trialled the deposit scheme for VIP tickets in 2018, but please note, there will be NO DEPOSIT SCHEME for VIP tickets this year.

In other excellent news, BLOODSTOCK is very proud to announce that the 2018 event raised a total of £11,872 for TEENAGE CANCER TRUST, via the guest list scheme, on-site donations and the charity stall at Catton Park. A great result for a very worthy cause so a giant THANK YOU to everyone who donated.

 

BLOODSTOCK will take place at Catton Park, Derbyshire on 8th-11th August 2019. Get additional information over at www.bloodstock.uk.com.

BOA 2018 – NIGHTWISH: Reviewed!

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The final night of Bloodstock 2018 is here, and there’s a distinct chill in the air, closing the main stage are symphonic metal heavyweights – Nightwish. From the moment they were announced last year, Nightwish have been a controversial pick for fans on the forums and social media, a band known as much for their ongoing drama as for their music. Indeed tonight’s showing will be the third lead vocalist BOA has seen with the band (Tarja Turunen; 2003, Anette Olzon; 2008) as Floor Jansen takes to the, ahem, floor.

A giant flip-clock on the stage video screen suddenly appears, and begins counting down from one minute, and as the timer hits zero the band burst on stage in a cloud of smoke, straight into ‘End of all Hope’. Jansen energetically jumps around in a leather jacket, but for some reason her mic seems to be criminally quiet for the first half of the song and gives the impression that she isn’t a strong vocalist.

Thankfully, as the backdrop changes to an icy waterfall reminiscent of those hilariously kitsch moving paintings you stare at whilst waiting for your Chinese food order, ‘Wish I had an Angel’ has Jansen’s mic issues fixed and we get our first real chance to compare and contrast. Let’s not pretend we aren’t all doing it, and of course Jansen isn’t hitting the notes of Tarja, but she brings a strong, raw quality to the song. It’s different that’s for sure.

In ‘Come Cover Me’, Tuomas appears to be well and truly locked in a love affair with his keyboards and there are a whole host of expertly choreographed pyrotechnics accompanying the entire show, makes a change from the seemingly random barrage of flames some other bands seem to employ. Jansen asks “…there’s so much energy here after 3 days and boozing I hope?…” and lets us know we’re in for a trip Floor headbands. Looks like she’s having a great time. Studded dress?

Wearing a studded dress that looks a bit like a portcullis, Floor is headbanging and wind-milling her hair for all she’s worth, and gives ‘Amaranth’ a decent effort, but if you’ve spent nearly a decade getting used to Annette Olzon’s high notes, it does feel a bit weird singing along.

‘Devil in the Deep Dark Ocean’ is beautiful, with Marco calling out “Dear citizens of UK… I bring you greetings from… Finland. You deserve something nice… a love song!”, but it’s the firm fan favourite ‘Nemo’ intro that garners the biggest crowd roar. With a white curtain of rain as the backdrop and visuals of the iconic Once album cover, it’s the epic pinnacle song we’ve all been waiting for – and their prowess as one of the slickest metal bands out there is clear.

Closing out with ‘The Greatest Show on Earth’ and ‘Ghost Love Score’ to a huge explosion of blood red fireworks above the stage and a billowing CGI Decades banner on screen, Nightwish leave with a wave and a quick plug for their UK tour dates. Notable omissions from the set included ‘The Phantom of the Opera’ and the huge ‘Wishmaster’ – but I suppose the point of the Decades tour is to play a lot of stuff that normally doesn’t see the stage. I get it, but at a festival – I think it’s fair to say, we appreciate the hits more than the obscurity.

© Photograph courtesy of Bloodstock Festival

 

BOA 2018 – GOJIRA: Reviewed!

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Gojira have been long awaited as a headliner here at BOA, and it seems as though the entire population of the festival – some 18 thousand metalheads, have turned out for them tonight. The band waste no time in racing right into the heavy stuff with ‘Only Pain’ and ‘The Heaviest Matter of the Universe’ against a brooding mountain range backdrop, as giant plumes of smoke are blasted out from the front of the stage.

The intro for ‘Love’ has vocalist Joe Duplantier screaming out “Lemme see your fucking hands c’mon” as an added lyric, and the video backdrops depict a spinning cage whilst the band burn through those heavy Gojira riffs. Calling out “This is fucking beautiful thank you” in response to the sea of raised horns, Duplantier looks almost surprised as a streamer-cannon goes off next to him, followed by a burst of on-stage fireworks. Whilst ‘Flying Whales’ definitely is not a comedy track, hell, it kinda sounds like an Attenborough script, there is something really funny about the British need to kitsch everything up. There must be about 10 or so inflatable Orcas being bopped about in the crowd, ‘flying’ if you will.

If the band has noticed, they haven’t let on – “Bloodstock you know what we wanna see now… a giant fucking mosh pit… I’m sure you can make that hole a little bigger guys, come on, stand back”, and in response the place goes absolutely mental for ‘The Cell’. The lightning flash backdrop and accompanying strobe-effects hit a little close to home though as we’ve all been waiting in the pouring rain for the last hour, but guitarist Christian Andreu is paying the drizzle absolutely no mind, spinning around like a whirling dervish as he shreds.

For a confusing minute we get an up-close and personal as drummer Mario Duplantier ditches the kit in favour of a, um, spear. No clue why, but he’s brandishing it about the place and yelling “It’s an immense honour to headline bloodstock today… thanks for sticking out the rain”. Up next, ‘Silvera’ is stunningly beautiful, with it’s almost ambient mellow passages, and after a somewhat excessive drum solo we’re getting down to the wire with the heavy but melodic ‘The Shooting Star’, which is heralded with a rain of fireworks from the stage roof.

Pulling absolutely no punches, Gojira blast into encore/finale song ‘Vacuity’ supported by a barrage of on-stage pyrotechnics and a massive set of flaming red fireworks from behind the stage as they finish, calling out “Thank you so much bloodstock that’s all from us tonight. Stay safe, stay happy, stay healthy. Goodnight!”. It’s the perfect set and there’s no denying that Gojira are absolute masters of their craft, we have definitely been pulled right into the moment with them and sincerely hope we’ll be seeing them back at BOA soon.

© Photograph courtesy of Bloodstock Festival (Amplified Gig Photography)

BOA 2018 – Judas Priest: Reviewed!

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It’s Friday night at Bloodstock and we’re gearing up for the mighty Judas Priest, the stage is set with giant ‘Devils tuning fork’ backdrops and standing props and smoke is billowing in from the sides. Entering to Sabbath’s ‘War Pigs’ and a barrage of stage lights, Rob Halford is still rocking the signature fringed leather and sunglasses look, despite the now dark skies. Kicking off with brand spanking new track ‘Firepower’ – a polished but ultimately traditional Priest sound, it’s clear we’re in for a treat.

Halford shouts out “C’mon Bloodstock the priest is back! Are you ready for some heavy metal?” to a roar of approval in reply and a sea of horns are raised across the arena. Busting through hits like ‘The Ripper’ and ‘Turbo Lover’, we’re getting nothing but pure old-school heavy metal – which is especially poignant since Halford is almost dressed in heavy metal himself, sporting what look to be silver chaps, a la Tinman from Oz.

A pride flag waves in the middle of the crowd, presumably as a tribute to Halford himself who publicly revealed his homosexuality during an MTV interview, and became an early advocate for LGBT presence in the metal community. Indeed, metal for everyone; inclusion and diversity, is always a line that Bloodstock has kept at the forefront of their festival ethos.

The stage screen backdrops change to scrolling newspapers and an image of Big Ben for ‘The Ripper’ and there’s a distinct possibility of permanent retinal damage with the insane amount of strobe light use during ‘Saints In Hell’. Yelling “Thank you so much! Heavy metal is forever right?” the metal certainly does just keep on coming. Now dressed in an extraordinarily sparkly trench coat reminiscent of a giant disco ball, and wielding a blue lightsabre for no clear reason at all, we get right into the good stuff. ‘You’ve got another thing coming’ has everyone headbanging along with the band as a Black Country flag flutters on the screens – particularly relevant here in the Midlands. As is traditional, Halford rides his motorcycle on stage wearing yet another fringed jacket and leather baker-boy cap for ‘Hellbent for Leather’, which frankly is something to aspire to. If you ever get the chance to include a motorcycle as part of your essential stage kit – well you’ve definitely made it.

The encore sees guitarist Glenn Tipton join the band on stage, who has recently revealed that Parkinson’s disease would require him to step down from performing. Despite this, Tipton absolutely smashes Priest super-hit ‘Breaking The Law’ to crowd-wide chants for him, it’s a really powerful moment. Halford calls out “Thank you so much. Thank you for having us back home, this is where we’re from, the home of metal” and indeed this sort of homecoming for the band, with almost 50 years under their belts, must feel all the more special. Closing out with new record ‘No Surrender’ and finally ‘Living After Midnight’, this really has been one of the best Judas Priest gigs we’ve had the pleasure of attending, and we’re sincerely hoping it’s not the last. As Halford crows; “We'll be back, we are Judas fucking Priest!”.

© Photograph courtesy of Bloodstock Festival

Bloodstock Open Air: PREVIEW – 3 WEEKS TO GO!

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The countdown is on, three weeks until Catton Park is overrun by a hoarde of the weird and wonderful, your punks, goths, metalheads, geeks and freaks. Yes, it’s almost time for Bloodstock Open Air – the UK’s premier Metal fest.

Let’s take a look at what BOA 2018 has to offer…

BANDS

Headlining Friday night at BOA are the mighty Judas Priest, tipped to be bringing some ahem, serious fire-power, alongside material from their new album… ‘Firepower’. It’s going to be a memorable show that’s for sure, but it’s not all about the headliners at Bloodstock – Friday offers up a plethora of bands we rarely get to see at other festivals in the UK, like Emperor and Suicidal Tendencies. We also can’t wait to walk with zombies Wednesday 13 and get our thrash on with Onslaught, we are coming fully prepared to leave this festival with RSI of the neck.

On the Sophie Lancaster stage we’ll be looking out for metal goddess Doro, and we’ll definitely be checking out the New Blood stage to fill our boots with brand new music to add to our playlists.

Gojira are back after a year off, but this time taking the Saturday headline slot to showcase their unique brand of metal and having seen them hit BOA in 2016, it’s pretty clear we’re in for an incredible night. Also on Saturday’s menu, the beautifully weird juxtaposition of Scotland’s own pirate power-band Alestorm, followed by New York death metallers Cannibal Corpse. I’m down for that sort of variation, it keeps things interesting. We’ll also be turning out for Combichrist, and Israeli band Orphaned Land over on the Sophie stage.

Sunday’s finale spot, perhaps somewhat controversially goes to Nightwish, a band who are no stranger to drama throughout their career. Indeed this will be the third time the band have headlined the festival, with yet another different vocalist – Floor Jansen. However Nightwish undeniably deserve the accolade of closing out Bloodstock, having topped the bill twice before and drawing from a massive eight studio albums worth of music, we’re catching them on the ‘Decades’ tour, which is bound to be celebratory. Also on Sunday, SFG are looking forward to At The Gates, Jamey Jasta of Hatebreed fame, and Evergrey but the biggest hype by far is for American rock crooners Mr. Big. We simply cannot wait to karaoke the hell out of ‘To Be With You’ in the cheesiest way possible. Might even slow dance. There’s something fantastic about Mr. Big featuring on the same bill as Watain – over on the Sophie stage, who we will also be sure to catch. If you’re heading there too, take a poncho for the gore and keep your phone in your pocket. Trust us. It’s gonna be a wild one.

ENTERTAINMENT

If the music isn’t enough to satiate your appetite over the weekend, or there’s a bit of a lull in your lineup, you’ll find plenty of other stuff to see and do at BOA this year. Take a stroll through the BOA RAM Gallery which features the incredible artwork of Paul Raymond Gregory, various photographers’ shots from previous years, and new this year – an entire Judas Priest wall.

Meet your heroes and get your stuff signed! Bloodstock has always had a great band-to-fan signing tent with loads of opportunities to meet and greet, so make sure you take along any special CD sleeves for your favourite band and check the signing times.

Muscles 2 the Masses – BOA’s very own Strongman/Strongwoman competition now has an amateur division for festival-goers (who have competed in qualifying heats already) to be crowned Bloodstock’s Strongest Man, in a series of events which centre on… well, you know, lifting stuff up, mainly. If that doesn’t take your fancy, we’ve heard Battle Reenactment is back on the menu – who doesn’t love armored dudes beating seven shades of hell out of each other?

Late night DJ’s and movie screenings after the bands are finished are also being laid on for the drunks and nosferatu among us, so if all your mates have crashed and burned for the evening, pull up a pew for Spinal Tap and make some new pals.

FOOD

There’s no slacking on the food front either, for a smaller festival the options are excellent whether you’re a straight up carnivore, a vegan or somewhere in between. Grab yourself a brisket sandwich between bands, pick a veggie paella or an entire Sunday dinner in a Yorkshire pud, but for my money – I’m making room for a crazy hot chili in a bread bowl also known as Bunnychow. Oh and you’ll find your morning hangover cure over at the famous Motley Brew, I particularly love their ‘Sweet Chai o’Mine’ mugs and the fact that you can also get a massage while you convalesce.

MERCH

BOA’s main arena boasts a massive array of shops in which you are sure to find anything and everything a metal fan needs – you’ve got your patches and pins, your leather chaps, extremely obscure black metal tees, jewellery emblazoned with skulls, studs on absolutely everything and of course, viking drinking horns. If you’re looking for rare vinyl or CD’s – Bloodstock has your back, particularly brilliant if you’re looking for something better than the programme to take into the signing tent (I once found a vinyl of The Final Countdown and got Europe to sign it, they were not thrilled to recall their hairstyles…).

As for official merch, you’ve got your straight up festival tees with the incredible Bloodstock artwork, and a heap of other stylish variations, but this year I’m after some of the new offerings, particularly the leggings, hip flask and leather cuff. It’s great to see BOA venturing into more merchandise variation, and we’ll definitely be getting hold of the branded reusable cups for our beers too.

So what are you waiting for? Tickets are on sale HERE

See you down the front! m/

 

 

BLOODSTOCK ROLL OUT SIX MORE

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Bloodstock roll out six more bands –

Joining us in a Friday Ronnie James Dio main stage slot are British thrash icons ONSLAUGHT. The band are working on their new studio album set for release later this year via AFM Records, so expect the world premiere of a brand new song at BLOODSTOCK! The band tell us “ONSLAUGHT have always loved playing at BLOODSTOCK, the UK’s finest metal festival and this year the show is going to be something special indeed! We’ll see you maniacs at the front!” Get warmed up by watching the video for ‘The Sound of Violence’.

Also nabbing a Friday slot opening the main stage are British metal crew, FEED THE RHINO. The quintet’s latest album, ‘The Silence’ landed last month via Century Media with lead track, ‘Heedless’ landing its premiere via Daniel P. Carter on the BBC Radio 1 Rock Show. Have a listen! The band tell us “We are beyond honoured to be performing at this years BLOODSTOCK Festival. See you in the Pit!"

Japanese power metal ladies, LOVEBITES join us for a slot on Friday’s Sophie Lancaster stage. The five piece release a new mini-album, ‘Battle Against Damnation’ on 6th June, but if you’re not up to speed on the band, make sure you investigate this video for ‘Shadowmaker’ and additional news info over at their Facebook page.

London death metallers, DE PROFUNDIS join us in a Sophie stage slot on Friday. The band are readying the release in May of new album, ‘The Blinding Light of Faith’. Get a load of this new track ‘Bastard Sons of Abraham’ and then view the array of purchase options (digital, physical and special bundles) over on their Bandcamp page.

Brit thrash outfit REPRISAL also land a Friday Sophie slot. Their new album, ‘None Survive The Sun’ lands this Friday 30th March via Hostile Media. Feast your eyes on the video for ‘Nephila’ and head over to pick up a copy of the album at

http://reprisal.bigcartel.com.  

Progressive death metal New Yorkers UNCURED land a slot on Sunday’s Sophie stage. Having just wrapped a 28-date US run with Soulfly, the four piece come to Europe this Summer to play shows with their friends in JASTA. Check out their video for ‘Stygian Valley’ below and if you're curious for more, get further info on the band over on their Facebook page . 

Our first phase of BLOODSTOCK club nights start on Monday 16th April! More will be added for June/July, so don’t despair if your local rock club isn’t listed. Get along to one of the following events, check out some tunes from BLOODSTOCK bands old and new, and be in with the chance of winning weekend tickets or related giveaways. Expect fun ways to win tickets – previous year’s events featured the likes of bucking broncos, endurance tests, and air guitaring! Check your local club for details, as dates may be subject to change. Events for April/May run as follows:

 

Mon 16th April – Reading Coalition

Fri 20th April – Camberley Agincourt

Fri 27th April – Bristol The Hatchet

Fri 27th April – Woking Schism

Sat 28th April – Birmingham Eddie's Rock Club

Sat 28th April – Sheffield Corporation

Sat 5th May – Exeter Catacombs

Sat 5th May – Brighton Envy

Sat 5th May – Hanley JJ's

Sat 12th May – Southampton – Engine Rooms

Fri 25th May – Bristol The Hatchet

Sat 26th May – Birmingham Eddie's Rock Club

Sat 26th May – Sheffield Corporation

 

BLOODSTOCK add EMPEROR, DEVILDRIVER, and NAILS to 2018!

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As we creep through October, BLOODSTOCK is very excited to announce three more bands for 2018! 

Joining Friday’s bill in the Ronnie James Dio main stage special guest slot are black metal legends, EMPEROR in a UK exclusive appearance.  Frontman Ihsahn tells us that they’ll be performing a special set based around one of their classic albums.  “We're finally bringing the 20th Anniversary show for ‘Anthems to the Welkin at Dusk’ to the UK!  We’ll be performing the album in its entirety and look forward to celebrating with everyone at BLOODSTOCK!”  Check out a stream of the atmospheric opus here and get excited for next August – https://youtu.be/Jmlhq5rtFXw

Also stepping into a main stage slot on Sunday are Californian circle pit kings, DEVILDRIVER.  Frontman Dez Fafara tells us “DEVILDRIVER is playing BLOODSTOCK in 2018 and we couldn’t be more fucking ready to bring the heavy and get the whole festival moving!  We are thankful for the opportunity and can’t wait to see everyone there!  Get ready to get the fuck in the pit!”  Check out the band doing what they do best in the video for the title track of their current studio album, ‘Trust No One’ – https://youtu.be/XuVibnWHoLA

Hotly-tipped, super brutal three-piece, NAILS land a Ronnie James Dio main stage slot on Sunday in a UK exclusive show.  Frontman Todd Jones informs us, “I've been following BLOODSTOCK and looking at their advertisements online for the past few years, admiring how great a job the festival does having a great mix of underground bands and some of metal's biggest and finest.  We're proud to finally say we're part of what BLOODSTOCK is doing to fight the good fight!  We'll see all you motherfuckers at BLOODSTOCK!!!”  Not familiar with NAILS?  Melt your face with 91 seconds of hardcore intensity via the video for ‘You Will Never Be One Of Us’ – https://youtu.be/hGGGh03jN4w

With Friday night headliners, JUDAS PRIEST, Saturday night headliners, GOJIRA and Sunday headliners, NIGHTWISH already announced for next year's event, 2018 is shaping up to be another stellar year for BLOODSTOCK.  

Finale headliner Megadeth close Bloodstock 2017!

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Someone said all good things must come to an end, and sadly it is the final night of Bloodstock Open Air for another year. On the plus side, tonight sees the mighty Megadeth return after headlining the festival last in 2014, this time as part of their Dystopia World Tour. The LA thrash idols fronted by Dave Mustaine, known for their political commentary and lyrics, are sure to have something to say about the current events in America unfolding this week – adding to the overwhelming anti-Trump sentiment coming from many of the bands both last year and this.

As the giant screen backdrop explodes into the Megadeth logo, the band enter with an eardrum shattering blast of pure thrash metal for ‘Hangar 18’. Again BOA have absolutely nailed the sound this year, every note is perfect and Megadeth just keep rolling through a rock-solid set. The likes of ‘The Threat is Real’ and ‘Wake Up Dead’ have the entire arena going nuts, the pit is jumping and you can’t move without being thrashed in the face by someone’s wild headbanging hair.

Backed by an absolute wall of Marshall stack amps, the band stop for nothing, not even for a giggle at the guy crowdsurfing the inflatable ducky getting unceremoniously bounced into the pit. The screen visuals are also pretty interesting and topical, with despotic world leaders and killers flipping over and over during ‘Sweating Bullets’, but it’s the incredible acoustic intro to ‘Conquer or die!’ performed by Kiko Loureiro that has us in utter awe. Bathed in orange light centre stage, Loureiro picks alongside strange disembodied hands doing the same on screen, it’s unnervingly incredible to actually be able to see what he’s doing from anywhere in the arena.

It’s the sense you get with this whole show – these are just people who are incredibly good at what they do, and there’s no stage set, costumery or amount of pyrotechnics that can come close without that level of mastery that comes with years of practice. Oh and as any good metal band should – everyone gets a turn, there’s a chance for drummer Dirk Verbeuren to do his thing from his lofty height mid-stage and everyone else takes turns at dueling guitars during ‘Poisonous Shadows’.

Finally on pause, Mustaine calls out “Good evening, are you feeling good? See I didn’t wanna waste your time tonight by talking a lot…” as the crowd jubilantly chant “Me-ga-deth” back at them. Following this he says “…they told me tonight was the biggest Bloodstock ever. Thank you for breaking that record… hopefully we'll beat that next year, and it'll get bigger and bigger and bigger” which, at least for the second half, doesn’t garner much reaction. I think there’s an unspoken hope amongst the crowd that Bloodstock remain a smaller festival, one which is well run and for the most part, avoids the trappings of the larger festivals. It’s why people come here.

Of course ‘Symphony of Destruction’ was going to be huge, but there is nothing like the wallop hearing something so iconic, so anthemic, up close and personal, in the flesh. Oh and if ever there was a more poignant time for this song, I don’t know it. The AV depict bombs exploding, guns, the American flag aflame, and a lot of fat white men sitting around with cigars laughing and to be honest it’s all a little too real right now. Heading into the encore of ‘Peace Sells’ we spot two very happy Megadeth fans in furry clothing who have a primo view of the show, I mean, if you can’t headbang to Megadeth on top of a bin, dressed as a carpet at Bloodstock… when can you?

Closing out with an insanely heavy ‘Holy Wars… The Punishment Due’, Mustaine takes one last chance to address the crowd “Drive home safe tonight… as always you’ve been awesome… and we've been Megadeth!” and with that, it’s over for another year. Megadeth absolutely brought the house down, ending BOA 2017 in a blaze of glory.

All photographs © A. Hyams – Do not use without permission

Amon Amarth headline Bloodstock Open Air 2017

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It’s Friday night, we’re all wearing black and the arena smells strongly of rum and beer. Let’s do this.

Twice now, the Swedish vikings have hit the second-from-top billing at Bloodstock Open Air and tonight they finally get to bring their full fire-fuelled show to the hallowed ground of Catton Park. There is nothing about the stage set that suggests Amon Amarth intend anything less than a completely immersive show tonight, with the drum kit set atop a giant viking helmet, sporting two insanely huge upturned horns. It’s Iron Maiden levels of crazy.

Burning straight out with ‘The Pursuit of Vikings’ and some very synchronised headbanging, they draw the remaining stragglers from around the arena into their fold with their melodic yet heavy sound. Yelling out “Bloodstock! Welcome to our little Viking feast… for the first time we are headlining this motherfucker… are you ready to feast like Vikings tonight?” they throw themselves headlong into ‘First Kill’ and the crowd follows suit, there are a lot of people with incredibly long hair here, and they are windmilling it with wild abandon.

Joined on stage by a couple of battling vikings in full gear, flanked by an obscene amount of pyrotechnics in the form of fire cannons (which can be felt even at the back of the arena, they’re damn hot!) as well as an almost constant blast of smoke between bursts of strobe lighting, Amon Amarth are absolutely killing it. They are hands down one of the best headliners BOA have ever booked, and it’s been a long time coming.

Vocalist Johan Hegg yells out “You guys are loud! I’m not surprised though… this is the true metal country” and pushes the pride button inside every British metalhead, we just bloody love being told we’re the best at this – especially as for many, Bloodstock is the only time of year you get to be surrounded by kindred spirits. Following up with a tradition for the band which was apparently started here, he calls for the crowd to sit down “…and show the world how it’s done… this is Viking fucking rowing!”. Now if there’s one other thing the British love, it’s the chance to re-run some cheesy childhood memories, and this bares an extraordinary similarity to Oops Upside Ya Head at school discos… Aaaanyway, a huge portion of the arena is given over to seated metallers pretending to row-row-row their boats. We are such a strange country.

‘Deciever of the Gods’ and ‘Destroyer of the Universe’ go down a storm with the already hyped up crowd, and a Loki-esque character takes to the stage to stomp about a bit, but mainly he seems to be getting in everyone’s way. Being very literal with their song-to-décor ratio is a good thing in my book, I appreciated the face melting amount of fire during ‘Death in Fire’ and the torched rune during ‘Runes to My Memory’, I mean you really know what they’re trying to convey. Vikings like fire. Taking to the front of the stage armed with an array of drinking horns, the band take a moment to toast their main stage debut “We want to take this opportunity to raise our horns to you… skol! Or cheers!” eliciting a huge roar from a crowd who in turn are thrusting their own drinking horns high into the air.

‘Guardians of Asgaard’ is bone shatteringly heavy and the sound quality here tonight is absolutely top-notch, but it’s finale ‘Twilight of the Thunder God’ that rocks us to our core. During a simulated (thankfully, no rain here) thunderstorm with lightning and a rainy backdrop, a giant serpent/wyrm from the album cover, is wheeled on stage and it’s just one of the most amazing sets we have ever seen here at Bloodstock. Targaryens would feel right at home. As they play the song out and call “Stay safe, row hard, and most importantly, raise your horns!” there’s a sense the crowd here would have easily gone in for two more hours of Amon Amarth, and that’s really what a headliner should be, right? A vaccum where nothing else matters outside of the moment. I reckon they achieved it.

All photographs © A. Hyams – Do not use without permission.