Brighton

The Great Escape announces final FIRST FIFTY acts for 2025

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THE GREAT ESCAPE 2025
14-17 MAY 2025, BRIGHTON 
 
TICKETS ON SALE NOW  
https://greatescapefestival.com/ 
 
Today, the UK’s leading new music festival, The Great Escape, reveals a further 26 artists to complete the FIRST FIFTY artists performing at the festival. Featuring a selection of the most promising new music from across the globe, the FIRST FIFTY is one of the year’s most exciting tip lists for emerging talent.

Many of the artists will be performing in the FIRST FIFTY live launch this evening, with gigs hosted across eight East London venues to kickstart the run-up to the 2025 festival. Highlights are set to include Brighton based rapper RUBII at Oslo, Luvcat taking to the stage at MOTH Club, Chloe Slater heading to Sebright Arms and The Orchestra (For Now) taking over Paper Dress Vintage.

Today’s new wave of acts includes raw and rising Welsh pop-rock singer-songwriter CATTY, Mercury Prize-nominated jazz group corto.alto, eclectic Worldbeat group Sirens Of Lesbos, anti-establishment, genre-defying rap singer-songwriter Miss Kaninna, Indigenous Australian alt singer-songwriter Tia Gostelow, Viennese indie band Laundromat Chicks and rock, reggae and hip-hop inspired South Summit.

From the world of jazz, the new names also include four-piece London group Oreglo and Mongolian singer-songwriter Enji, while emerging songwriter Daffo and rousing Faroese-Nordic artist Eivør are flying the flag for folk. Nods to indie-rock come from Canadian rockers Nap Eyes and indie-grime genre-blender JD Cliffe, while a selection of bedroom-pop artists including Australian singer-songwriter Nick Ward and dreamy electro-pop act Clara Kimera also join the line-up. 

The FIRST FIFTY is completed by buzzy Chicago rapper Kaicrewsade, indie-pop TikTok stars Zimmer90, grunge-soul singer Ashaine White, London-based harpist Marysia Osu, electrifying brother-sister duo PUNCHBAG, wistful soul-inspired singer-songwriter Nectar Woode, Japanese dance-pop act Chameleon Lime Whoopiepie, promising New Zealand group NO CIGAR, tender Irish singer Ellie O’Neill and Dutch five piece The Klittens. 

Synonymous with new music discovery and acting as a springboard for rising artists, The Great Escape is the festival for new music. Playing host to over 450 up-and-coming artists and hotly tipped talent across 35+ walkable venues, alongside the music industry-led TGE conference, the festival will kick off the 2025 season from 14 – 17th May in Brighton, England. Tickets for The Great Escape festival start from £81.24 and are on sale here.

With several thousands of music fans from across the country and globe descending on the Brighton seaside for The Great Escape every May, fans are urged to book their accommodation early. Festival dates at recommended hotels are available for booking now via The Great Escape website here.

TICKETS FOR TGE 2025 
  
greatescapefestival.com  
@greatescapefest  
@thegreatescape  

The first Boundary Festival crossed some serious borders. Review 2016.

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Pushing the parameters of what is jovially known amongst us music journalists as ‘festival season’ lies Boundary Brighton. Boasting an impressive line-up for its inaugural year, this one-day dance music extravaganza definitely made its mark. Exhibiting an impressive list of DJ’s and acts across four stages, the festival collaborated with clubs and venues across Brighton alongside party innovators Elrow, music publication Mixmag and the infamous LWE to curate something pretty brilliant to witness.

 

 

The main stage combined one of Brighton’s most beloved venues, Concorde, with the go-to publication for all things clubbing and dance music; Mixmag. Artists such as Bondax and Groove Armada (DJ set) took to the stage, as well as the energetic Gentleman's Dub Club, a delightful surprise, whose combination of ska and dubstep, suited appearance and Yorkshire accents over reggae vocals, brought an incredible live show. A DJ set by Wilkinson closed the stage down with an immense stamina and an energetic collection of tunes.  

 

 

Notorious party-starters Elrow teamed up with Brighton’s The Arch – formerly known as Digital – to create a colourful psychedelic stage. If you haven't yet heard of Elrow, that's about to change, as the Barcelonian party enthusiasts have been putting on nights left right and centre; most notably the Ibiza classic Space. The Vibrant tent hosted the likes of Solardo, Seth Troxler, and Richy Ahmed all cocooned in a tent trying to be Woodstock, yet sounding pretty far from it.

 

One of London’s biggest underground events organisers LWE teamed up with Brighton club Patterns; still relatively new on the club scene since the death of Audio not too long ago (may it rest in peace) and I must say, whoever had the idea to build a fake London Warehouse as the set up for an inside stage was a genius. Entering the ‘building’ transported you into a club-like arena, where the likes of Jackmaster, Joy Orbison wowed the crowd, as well as sets from Patterns residents themselves. Last but not least, Boundary also set it’s very own bandstand. The smallest stage but still able to attract a crowd, the masked man Jaguar Skills played a hit-heavy set, albeit sounding a little rusty.

 

The man of the hour award definitely goes to Craig David and his new DJ project TS5. After the build up of one of the biggest revivals in garage history, Craig David’s comeback is definitely going strong. Though rumours of TS5 being a little rusty are still floating around, by the time the headliner hit the stage you could tell he’s cleaned up his act and his setlist was selectively fine tuned to please everyone from the 90’s kids in the crowd to old school garage fanatics. Being a fan as I am, I must say I’m probably a little biased but listening to Fill Me In and Seven Days live was enough to complete my summer of festivalling and if the attitude of my fellow punters in that crowd was anything to go by, I’m guessing they’d agree with me.

 

Craig David/ TS5 headlining the main stage.

 

This being said you can tell Boundary is still finding its feet. Though it’s had some great ideas and, in my opinion, had a pretty successful launch, it could do with a few tweaks. There’s no specific wristband system so punters are let in with no chance of re-entry if they leave, which would be fine if it didn’t make for a very confusing entry, there are no maps or clear labels as to which stage is which and punters have to check paper set times to make sure they catch who they want to see, It’s also pretty small. Though it held a 20,000 capacity, the festival site felt similar to a village fete making the four stages feel pretty squashed together. Nevertheless, in a way, this worked as a positive, as it promised big, energetic yet friendly crowds for each stage.

 

 

The acts themselves put on a great show, but with the renowned names on the bill and the brand of Brighton nightlife surpassing the name of the festival itself, this is hardly surprising. Though despite each stage’s own collaboration, all the music did feel a bit samey, samey. DJ’s and dance music aren’t always all too different and you come to appreciate the skills of each act you see, as well as their ability to captivate a crowd, but maybe next year it would be good to focus on a specific subgenre for each stage instead of mixing it up across the board. Do this, and Boundary could quite possibly become the next dance/club pilgrimage of the summer.

 
All images provided by www.visionseven.co.uk for Boundary Brighton.

Boundary Brighton, Second wave of Artists announced!

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Working with tireless passion and meticulous detail the team behind brand new music festival Boundary Brighton add a star-studded cast of acts to their debut show. With the bar set high, new acts includeCraig David, Groove Armada, Jackmaster, Richy Ahmed, Jaguar Skills and many more, to dance-out the summer at Stanmer Park on Saturday 17th September 2016.
 
Craig David has taken 2016 by storm and will headline the festival with TS5; expect a forward-thinking trip to nostalgia; with a heavy emphasis on party. Expect an eclectic mix of bangers from old school anthems and future classics. Commenting on the show, Craig David said "I can't wait to bring 'TS5' to Boundary Brighton! Trust me it's going to go off big time!"
 
Groove Armada will bring one of their famous DJ sets to the first event. Constantly moving and evolving you can expect a set that goes through the very best In house music.
 
Jackmaster has a mercurial ear for making people dance, breaking down the barriers between fun, underground and commercial, he'll always leave you with a smile on your face.
 
When Richy Ahmed is on a lineup, you know the party is going to have some heavy heat. Having earnt his stripes curating some of the DC-10 lineups in Ibiza, he's become a trusted ear within house and techno.
 
One of the most naturally gifted DJs on the planet, Jaguar Skills is insane to watch when he's in full flow. Tweaking every single knob on the mixer, his technical wizardry puts others to shame. From rock to rave, hip-hop to rap; he'll be mixing it all up with ninja skills.
 
Iron Dread, the righteous rhyming Lioness will bring her junglist flow to Congo Natty's set. A proper party starter she'll bring a touch of carnival to Stanmer Park.
 
Boundary is all about doing things a little differently, so we've called on the eccentricity of Bob Kerr and his Whoopee Band, a mad cap jazz outfit formed in 1967. They're as brilliant as they are utterly insane. They are joined by Mr Wilson's Second Liners – A New Orleans band are bubbling over with serotonin infused 90's rave classics. An anarchic extravaganza, bursting with colour and sound, rallying impromptu raves at every turn.
 
Toni Varga has built a career on connecting with the audience, which has made him a staple on the Elrow lineups globally. He'll be bringing his experiential electronic rhythms to the Elrow stage.
 
With previously announced acts including Seth Troxler, Wilkinson, Bondax, Jungle, Snake Hips, Toddla T, Tom Trago, Gentleman't Dub Club, Submotion Orchestra and Congo Natty, Boundary Brighton's debut show will offer a vibrant array of music to keep festival-goers on their toes and dancing throughout the day. 
 
With further surprises yet to come, presale and first release have completely sold out with second release tickets running low.
 
 

The Great Escape Brighton 2016 Review

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We all know how most UK festivals work- you show up, you camp somewhere, usually muddy and wet, you sneak a few bottles under your shirt/short/hat/combination and you head to the arena for some musical action. Don’t get me wrong, I’m a massive festival fan, but the Great Escape is a different kind of festival altogether. It’s almost completely focused on ‘new music’, and with that tagline comes a whole new era of ‘festival’ in general. Although it is a brilliant collection of new music, with everything from up-and-coming indie bands to an underground grime scene, whether it’s festival status is truly deserved, is debatable. You don’t have the same camaraderie as camping in a field and getting wasted with your friends, it’s a completely urban environment and I can imagine for a non-brighton dweller can be quite hard to navigate.

 

For those of you who are unaware of what the Great Escape is, it’s a four day extravaganza in which various venues around Brighton host gigs and events under the same umbrella.

I grew up in Brighton, and seeing the Great Escape flourish every year has been a real beauty to behold. It puts the city in a good mood, there are loads of artists wandering around, I get to go to venues I’ve never been to before or wouldn’t go to without reason. It’s nice to promote new talent and isn’t massively overpriced for what it is. There’s a lot of nice little treats that come with your wristband, like a couple of free drinks at certain places or discounts on food and fringe events. It makes the city way more lively and you look at Brighton through rose tinted glasses, it brings a bucket load of atmosphere to my friendly city.

The long weekend itself was hectic, Some of the acts were unrefined, some were okay and some to be quite frank, some were pretty dreadful – with new music comes it’s fair share of risk – but when you get the one show that gives you the ‘I’m going to be able to brag about seeing these guys before they were famous’ feeling, it gives you goose bumps and an air of cockiness that lasts all evening, and that’s what GE is all about.

The festival is well known for its urban music vibes, with patterns showcasing Lady LeShurr in a packed out, madly energetic gig, however even with Stormzy playing a ‘spotlight show’ and music from Craig David’s new DJ act TS5, there was a very melancholic, Scandi-Pop, indie vibe to the majority of the festival, but that might be tailored to maybe the shows I happened to catch. A few favourites to call out were HER and SISKA, both French and both very different. The first was oozing sex all over the hope and ruin and had powerful vocals with highly sensual lyrics. The latter was a soulful, almost folky, bass filled vibe with some of the best vocals I heard all weekend.

Alongside all the lesser known artists, there were still some heavyweights pulling crowds to bigger venues, with Jake Bugg bringing the energy to Wagner Hall, which in itself is a masterpiece, even if a little hard to find. An amazing tucked away venue behind Saint Peters church- outdoors, fairy lights, and a cute little bar with a stage surrounded by foliage. It’s the type of place you had to stay at all day to see the one act you were actually interested in at 21:30. Mystery Jets also played a lively set, with a more prog-influenced feel than anything we’ve seen from them before at the Corn Exchange, a venue more central, capable of holding bigger crowds, and one of the best organised throughout the festival. The newly rejuvenated ‘Old Market’ also saw its fair share of action, with The Temper Trap playing a beautiful Amazon Live: Front Row gig, bringing a fresh lease of life to the venue.

 

 

Alongside the full blown Great Escape, is its rebellious little sibling that crops up all over the shop, The Alternative Escape. Although technically still a branch from the same tree, the Alternative Escape boasts something a little different, showcasing newer acts from specific labels and the Black Lion pub even hosting a few more learned events and East Street Tap remaining a hot spot for music and some definite refreshment throughout the evening.

It’s been over ten years since its humble beginnings in 2006, and although it’s continuing to bloom into a must-see of the summer, I do feel it needs to be slightly refined. They’ve got some great ideas and concepts, but the venues need to be stronger, maybe a few more outdoors stages, a few more quirky events, and just that little bit extra on top of the music. The music is great, but when you hit a three hour lull in the middle of a saturday afternoon, I can imagine those of us not from Brighton would feel quite irritable, which is the last thing you want in a crowd. But I say this from the perspective of a mum wanting to see it’s baby do well. The focus is on the music and the bands, and that’s something that gives it an edge, which can be lacking from the larger, more mainstream festivals these days. Things are only going to get better, and I for one can’t wait till next year.

 

The Great Escape add 150 more artists to lineup for 2016

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The Great Escape, the festival for new music, is returning 19 – 21 May 2016 to transform Brighton into a mecca for emerging talent with an unparalleled showcase of international and local acts. For over a decade, The Great Escape has produced diverse line-ups flecked with the stars and sounds of the future, establishing this 3-day festival as the ultimate destination of discovery for music-lovers.

The Great Escape has just announced 150 new bands and its final Spotlight show featuring gutsy grime MC Stormzy who celebrated his highest-charted single ‘Shut Up’ last Christmas which instigated more pandemonium and rewinds than ever before. Best known for his mic-chomping and often politically-driven lyrics, Stormzy is very much at the forefront of the latest resurgence of his genre. He will be joined by Newham rapper J Hus, hip-hop collective WSTRN who made waves with ‘IN2’, and fierce R&B trio M.O described as “the only girl group you need to worry about”.

Also joining the line-up is Brighton four-piece Black Honey blending girl-band pop with blurry shoegazing guitars, alongside indie-pop assembly Highasakite who will fly that Norwegian flag high with lead singer Ingrid’s enchanting melodies and serene soundscapes. Packing a whole lot of attitude is bitter post-punk Leeds collective Eagulls, whilst providing a dose of disco inferno are South London brothers Formation who merge funk, northern soul and liquid grooves.

And if that wasn't enough, fresh from his comeback, noughties smooth crooner Craig David is back with a bang with his exciting new DJ project TS5. Influenced by his Miami penthouse sessions, expect a hair-raising mix of old school anthems, garage, bashment and glossy vocals. Collaborating with grime heavyweight and humorous internet personality Big Narstie, “When The Bassline Drops” is David’s highest charting single since 2007.
 

Visit the Great Escape festival's website for a full line-up and for tickets.