Airbourne - Summer Festival Guide

Download 2025: Headliners and 90+ bands revealed

November 15, 2024November 12, 2024 by Anna Hyams

DOWNLOAD 2017 – Sunday Review

November 25, 2018June 17, 2017 by Anna Hyams

With the sun tentatively out again Downloaders can rejoice at the first dry festival in god knows how many years, no wellies required!

Rock supergroup The Dead Daisies, heavily promoted on Planet Rock over the last few months, are absolutely living up to the hype with their classic rock and roll vibes. Another band to note the recent terror attacks in the UK, vocalist John Corabi calls out “We heard about what’s going on in Manchester… London… it's only gonna get better with love… peace” to a roar of applause from the crowd before busting out ‘Main Line’.

Over on the main stage, Southern rockers The Cadillac Three are making the most of the sunshine with their unmistakable country twang and slide guitar. They are absolutely as redneck as you imagine, it’s awesome. Next up are Gothenburg gods, In Flames with an enormous circle pit and a lot of complaining out their miniature cooler of beer (okay, it really is ridiculously small.) “We are Swedish people and we love beer… and this is what we got… (tiny cool box) we are gonna be great anyway but this is a disgrace! I’m just gonna put it here to remind us of all the suffering and struggle we have to make this shit happen” Anders Friden jokes it’s their “Spinal tap moment”. ‘Take This Life’ is incredible and the arena atmosphere is wild, there’s even a Teletubby in the circle pit going mental.

Next up, Aussie rockers Airbourne are as topless and naughty as ever, but you can see that security are on edge in case Joel ‘deathwish’ O’Keeffe tries any of his mental rig-climbing shit again. On the Encore stage Ministry are going off, with frontman Al Jourgensen yelling “this is a new song… if you think it fucking sucks, throw shit at us. If you like it, go buy the record and our tshirts and shit. I’m a promosexual”. They’ve got a massive crowd in front of them and are giving it everything they’ve got, it’s one of the most storming sets of the weekend.

Despite the fact that the arena is packed for Steel Panther, I can’t see anything different to last time they played Donington. The same misogynistic garbage is being spouted, and yes I know it’s satire but it’s a bit dated now, don’t you think? It’s a shame because they’re obviously talented musicians, but it’s hard to get past all the shit Spinal Tap stuff to see it. As usual they’re pulling loads of girls from the crowd to join them on stage, but it’s clear the TV crew are steering clear of the boob shots, probably due to the fact that these girls are of indeterminate age.

Clutch however are pure rock and roll heroes. After an initial rocky start with the guitars not being right, Neil Fallon quips “we are Clutch… we are professional musicians” before heading into ‘Your Love Is Incarceration’ and the powerfully epic ‘X-Ray Visions’. Having been on the Download vetran list for a few years now, Fallon jokes “I think this is the most gorgeous day I’ve ever experienced here at Download, thanks for arranging that, Mr lighting director”. ‘Sucker for the Witch’ is amazing, and who doesn’t love a band who aren’t afraid to use a cowbell? On the other hand, they didn’t play ‘Electric Worry’…

Onward to Opeth, who honestly look like vampires about to combust in the late sun, they’re musically impressive don’t get me wrong, but much more of a band-of-the-brooding-night, am I right?

Big Four metal gods Slayer are up next, and Kerry King is sporting a blood-splattered axe while frontman Tom Araya let’s us know how tonight is going to go down “We’re all here for the same thing… smiling and getting hit and stuff. Its always nice to see happy people”. KK absolutely shreds like a beast, massive chains swinging from his leather trousers while his braided beard whips back and forth. The crowd is enormous and rafts of extra security have been drafted in to deal with the constant stream of crowd surfers coming over the barrier, including one particularly unfortunate gringo (he was wearing a poncho) who was bleeding profusely from the nose after recklessly going over on his stomach. He looked pretty proud about it to be honest. ‘South of Heaven’ and ‘Reign In Blood’ are obviously incredible, there’s something utterly spellbinding about hearing those metal anthems in real life.

An hour clear of everything else finishing, a cold night has come out of nowhere and underdressed metalheads are huddling together under the darkening sky. O Fortuna ominously blasts out of the huge array of speaker stacks flanked by giant screens offering up the Aerosmith Aero-Vederci logo and images of the bands’ past. As this is their departing tour, the tribute is expected but kind of lacks the oomph of last years’ farewell to Black Sabbath, maybe it’s because Black Sabbath were homegrown heroes, I don’t know. As Steve Tyler takes to the stage dressed in his usual hippy garb of sequins, frills and flouncy scarves, a massive roar goes up from the astonishingly large crowd.

Having seen Instagram posts earlier on from daughter Liv Tyler, of her and Steve riding the stage-side big wheel earlier on, looking out over the site, I wonder what it feels like to be playing these last shows. At nearly seventy years old I can imagine it’s relief and sadness all rolled into one. Throwing around the mic stand (also bedecked in a floaty scarf, obviously) Steve belts out the likes of ‘Young Lust’, ‘Cryin’ and ‘Living on the Edge’ and it’s like you’re right back at the beginning of their career with them. Well… apart from the incredibly shit fire graphics engulfing Tyler on the screens, it looks like they’ve grabbed them from the original Duke Nukem.

The band themselves are so practiced, so pro, that you wouldn’t know they’d aged a day. ‘Love in an Elevator’ powerfully resonates around the arena and Tyler leads on with a frank statement “I remember checking into rehab one time and hearing the abuse in the world people get… especially women… and thats why Janie’s got a gun”.

After a brief Joe Perry solo, alongside what appears to be a video of his holiday snaps… we get the awesome ‘Stop Messin Around’ and ‘Oh Well’ Fleetwood Mac covers as Tyler writhes around on the giant floor logo. We are treated to every bit of Aerosmith history, harmonicas, rattlesnake shakers and of course ‘Sweet Emotion’, though the wind has picked up and Tyler has to requisition a hat from the crowd to keep his hair out of his mouth. It happens to the best of us pal.

‘I Don’t Wanna Miss a Thing’ sees everyone in the arena grabbing hold of each other and swaying, while a million phone screens light up the sky. It might not have the prettiness of the 70’s lighters but hey, we’re living in the age of technology. ‘Rag Doll’ includes the use of the most ridiculous and majestic megaphone ever. It is bejewelled with rhinestones inside and out, and Beatles cover ‘Come Together’ is just phenomenal.

‘Dude (looks like a lady’ is hilarious fun with guys prancing around in front of us, but the encore sees a white grand piano brought down onto the gangway for Tyler to play the heartbreakingly beautiful ‘Dream On’ after a mention of the recent UK terror attacks “When you dream good dreams… good things can come true… Aerosmith is dreaming with you… Dream On”. Standing atop the piano, the band show us the true meaning of a ‘show’, something few modern bands really do anymore, it’s a picture I’ll never forget.

Saying goodbye with ‘Walk This Way’, ticker tape explosions and blasts from smoke cannons, it’s hard to comprehend that we’ll never get to see them again. That those bands we grew up listening to, our rock history, is becoming just that, a thing of legend. Aero-vederci to one of the greats.

Sonisphere Review 2014

November 8, 2018July 8, 2014 by Summer Festival Guide

Sonisphere made a triumphant return after being cancelled for the past two years, due to a mix of financial problems, getting the right line up and bad luck. So this year it was time for Sonisphere to pick back up and the people of Sonisphere to finally reunite. A weekend of The Prodigy, Iron Maiden, Metallica from fist pumping to moshing, circle pits to expensive beer, dam good burritos, disgusting toilets and pretty good weather these past few days have been incredible.

The layout of this years main arena was a fantastic and cleaver set up with the two main stages (Apollo stage and Saturn stage) opposite each other, being such a small festival fans could easily move from one to another within a few minutes. If stood in between the two stages there were some spots which you could see both stages from a reasonable distance. I believed this helped promote the bands on the second stage (Saturn stage) more as it wasn't any effort to switch between the two stages. To walk around the whole festival aswell has having a cheeky look into some of the market stalls it would take around ten minutes.

The market and food stalls have an excellent selection to choose from. The market stalls include festival clothes, festival gear, temporary tattoos, face paint, shoe stalls, as well as tones more. Food wise, Sonisphere went a little on the gourmet/ bohemian style food, with the desert bar, the Hippy chippy, I <3 Ostrich and Milkshake bars. However there has been an uproar on the expense of the beer. Being at £4.90 a pint and allowing no alcohol of your own into the main area this proved to be a disappointment to the people of Sonisphere.

Friday
Tents up and the sun shining Defiled kicking off this years main stage, this wasn't there only slot, they also performed Nivarna covers on the Bohemia stage later on in the weekend. Next up Anti Flag, who enticed the audience by making them sing back, clap their hands, and of course start circle pits. Without a doubt Anti Flags audience participation was defiantly there. As well as getting the crowd involved witty banter from lead singer Chris Baker shouts "the mother fucking pink power ranger wasn't singing, don't you dare fuck this up for the rest of us." Their last song 'Power to the Peaceful' was performed with Chris surrounded by the crowd. HIM singing behind their signature brand image, I believe there could of been more enthusiasm from the band it's self as there was very little audience participation which let there performance down. Limp Bizkit started out by saying "Now you know what time it really fucking is? Limp Bizkit in the house, you ready for this" 'Rollin' starting their set everyone stood up and began moshing and head banging. A lot of toilet roll was thrown around the crowd, was this a sign of a bad performance or just typical festival discourse? Awkwardly saying it was Saturday when in fact it was Friday, there were a few other blips throughout the set. "You guys ready to get you're Saturday night on?" Left the crowd a little silent and confused. But this was styled out with a cover of George Michael's Faith. To finish was the first headliner of the weekend, The Prodigy. Lights and smoke filled the stage, building the suspense for the fans. The atmosphere was electrifying, hands were in the air, everyone was dancing, and when it begin to rain during the second song this was a massive relief (especially to the sunburnt people) after the insanely hot weather that whole day. Thunder was slowed down and changed to fit the crowd which was good as it was a metal festival but made Prodigy loose abit of its originality.

Saturday
Alestorm took the Saturn stage early this morning and with pirate metal being such a niche market the turn out was pretty big. Fans embraced the music and danced to fit the genre. Alestorms advice to the crowd was "Let's drink a lot of shit." Baby Metal blew everyone away at this years festival, if they were to receive a on award from the crowds feedback, it would defiantly be most upcoming band of the year. The three sweet Japanese young looking trio contrasted with the hard metal instrumental but it worked and was a fantastic performance that everyone couldn't stop talking about and was singing the whole weekend. The bands visuals spoke of no bullying and not hurting one another this may have been contradictory after the trio then told the crowd to do the wall of death. Ghost gave out a passionate performance and excelled on there on stage presence which the band is recognised for. Lead singer Papa Emeritus mimics the Roman Catholic Pope although the greatest difference is the anti Christ symbol on his head piece, the image representing the worship of Satan. The guitarist were also dressed mimicking Priest. Anthrax turn out was pretty much the same as an a headliner maybe this is a hint for Sonisphere in the future, but this wasn't there only set, on Friday they played their 'Playing Among the Living' on the Bohemia Stage but the tent was packed full the security had to monitor people going in and out of the tent. Their main stage performance, the crowd was really going for it. Sonisphere sure did love Anthrax. Deftones and Slayer both had similar audience engagement, everyone was moshing, circle pits were forming and head banging was taken place which concluded these two bands really pulled it off. If you weren't in an Iron Maiden top for today then you would stick out like a saw thumb because literally everyone had them on. Overhearing a lot of people talking about Bruce Dickinson and were jokes going round that every plane that flew past, it was Bruce flying it, (even if it was an easy jet plane.) To end the day of this crazy line up, Iron Maiden took the stage and completely ripped it apart. The visuals were continuously changed throughout the set, with Eddie in his few forms. "It's you that's makes it real" Bruce proposes to the crowd. Lights, fire, sparks, everything and more in a performance you could wish for, this was by far the performance that completely owned this years Sonisphere.

Sunday
Sadly the last day of Sonisphere, but the wait for Metallica tonight was sure to hold the crowd up from their hangovers. After Gojira noticed the crowds half hearted dancing (as this was an early set,) they soon got the crowd back up, by shouting, "Still a little sleepy, let's makes some noise," which woke the crowd up and circle pits started appearing and more fist pumping was taking place. Devin Townsend Project was all about the love at this years Sonisphere as he told the crowd, "Group hug everybody, it's all about the love." Devin pulled off a fantastic performance and even hinted he may be back next year. "Maybe see you next year, love you all, see you and have a good night." Airbourne hitting the stage next and we all know this is going to be an exciting performance after the expectations of Joel O'Keefee goings on, on stage. Airbourne completely took the stage and had everyone gripped. "Even though the toilets are leaking, you lot still having a good time…You lot look great, you are rock and roll." As of tradition Joel did start climbing the scaffolding of the main stage and began to swing his guitar about whilst up in the air. At the end of the set Joel kindly threw a few beers into the crowd. Reel Big Fish on next, the crowd did experience about a minute worth of sound missing from the main speakers but the bands humour and charm pulled this off. The song 'Fuck You', resulted in "47 fucks in a row." Everyone was soon up singing and dancing when they played a cover of Ah Ha's Take On Me. Alice in Chains on before the final headliner of Soniphere was another kickass performance. "How you doing Knebworth?" got the crowd buzzing and was a consistent performance from start to finish. Wrapping up this years Sonisphere Metallica held the fans waiting a eager 15 minutes after their scheduled time. This really built up the climax to the final big performance. Typically some great facial expressions from James Hetfield as they played fans request for the set list. The bands classics were played along with their new songs Lords of Summer which seems a little strange that this was requested, but the bands performance was truly astonishing. The visuals and props were a little disappointing at the beginning but this got better as balloons and lasers appeared later on in the set.

This years Sonisphere was a thrilling return and a complete success. Lets hope Sonisphere lives up to its amazing weekends like this one for the future.

Download Festival 2013 – Sunday Review

November 8, 2018June 23, 2013 by Anna Hyams

A drier Sunday sees festival goers lounging on the hillside whilst watching the writhing madness that is the mosh pits at Five Finger Death Punch, and wassailing with Swedish melodic metallers – Amon Amarth, who play aboard their on stage Viking longship, to a sea of fans’ windmilling hair and guttural yells.

Stone Sour pull off a powerful set to a packed arena with the likes of ‘Say You’ll Haunt Me’ and ‘Mission Statement’. With the words “We are in England, the home of heavy metal. This is where it all started. There’s one band that we all owe our allegiance to… Black Sabbath. This is dedicated to them” they proceed to play a very Stone Sour cover of ‘Children of the Grave’ and frontman Corey Taylor goes on to perform second cover Alice In Chains’ ‘Nutshell’ as a solo. Yelling “I’m going to go on record and say this country is my favourite in the fucking world” Corey gains a roar of respect from the crowd, however he (and countless unfortunate others) cop an eyeful of the buck-naked dude standing atop his mate’s shoulders for much of the second half of the set.

Over on the second stage something odd is occurring, my first encounter with what I can only describe as Papal-Metal, comes at the hands of Swedish eccentrics Ghost. Dressed in cardinal’s robes and misfits style skeleton paint, frontman Papa Emeritus II has a much higher/softer rock vocal than you expect, and the ‘Nameless Ghouls’ (read: rest of the band, dressed in black robes) do a decent job with ‘Year Zero’ and ‘Ritual’ to a pretty large crowd.

Following them, the second stage sees a sudden influx of bodies in preparation for the return of Aussie icons Airbourne, a band who last time they performed were put in the naughty corner for frontman Joel O'Keefe’s rock and roll, rigging-scaling action. Smoke cannons, energetic hopping around and some proper good old windmilling are the mainstay of Airbourne’s performance, and a quick “You’re a fucking sight for sore eyes Donington, it’s great to be back in the U fucking K” puts everyone immediately on side. Joel foregoes the death-defying stunts this year and instead legs it into the crowd with his guitar, meeting fans, playing, and just generally having a nice time for ‘Raise The Flag’. After getting back on stage, the crowd is treated to ‘Live it Up’ and ‘Runnin’ Wild’ with a bit of good old synchronised headbanging.

A much anticipated 30 Seconds to Mars are giving the female festival population ovarian tingles, as frontman Jared Leto (widely enjoyed for purely shallow reasons) turns his wailing on the busy arena. Four guys in coloured balaclavas are for some unknown reason, employed to bang drums steadily behind the band a la Blue Man Group, but much less interesting, and Leto’s inane comments (particularly the weird “We are forty seconds to mars”… we all heard that right?!) are getting a bit hard to swallow. Calling out “You, you in the blue hat and the Cannibal Corpse tshirt, you’re just looking at your dick… This guy is gonna lead the jump for us” Leto continues to make an ass of himself. Dear Jared Leto, despite your penchant for odd outfits and your strange ideas about fan-prizes (see “win a night in my bed” no, really) I actually don’t *hate* the way you sound, but come on… if there’s a guy at your show in a Cannibal Corpse tshirt, he’s either just securing his spot for Rammstein later or appeasing a teenage girl. Take the hint. After arrogantly announcing a forthcoming UK tour (the entire list of dates and locations… *sigh*) and pulling a load of screaming hormonal girls on stage, they close out with ‘The Kill (Bury Me’, ‘Kings and Queens’ and ‘Up in the Air’, to the cheers of all those thoroughly annoyed at having witnessed it.

During the stage-setting break the last few brave souls hit the zipline to the terrifying sight of a crowd gearing up for their descent, with a host of bottles and other miscellaneous missiles to hurl at the unfortunate victims – it makes for interesting sport/entertainment as we wait.

Rammstein hit Donington with everything they’ve got, showcasing their heavy style amidst a plethora of flaming devices from ‘2, 3, 4, Links’ and ‘Du Hast’ to ‘Ich Will’ and ‘Sonne’. Fans are treated to a spectacular show, including flamethrowers, fireworks, bondage and S&M alongside anthemic hits, it’s the show Download Festival has been waiting years for and they certainly do it justice (see the full review for complete details). Closing the night and the festival with the comedic and fairly gross, ‘Pussy’ and a foam-spraying giant penis-cannon, flanked by ticker-tape explosions, it’s been a long time coming (excuse the pun…) but Rammstein know how to put on an epic performance, this has been one extraordinary night for Download Festival and for the history of Donington Park. Who knows what to expect next year…

Jessie Ware, Bloc Party and more announced for Rock Werchter

June 10, 2020January 28, 2013 by Summer Festival Guide

New on Thursday 4 July are Airbourne and Netsky (live) on the Main Stage, Jessie Ware in the Marquee and Bloc Party and Sigur Rós in The Barn. Volbeat and Green Day had already been announced for the Main Stage that day. On Friday 5 July Two Door Cinema Club, The Script and Phoenix will be joining the earlier announced Kings of Leon and Blur on the Main Stage. C2C will build a party in the Marquee. And with Richard Hawley the tone is set immediately in The Barn. For Saturday 6 July so far only one name had been announced: Rammstein. Graveyard can now be added to the Main Stage, Disclosure to the Marquee and Django Django to The Barn. Depeche Mode and Editors will finish Rock Werchter 2013 in style on Sunday 7 July. But before we come to that, A Day To Remember, Band of Horses and Thirty Seconds to Mars will perform on the Main Stage. Passenger and Asaf Avidan have already been confirmed for the Marquee and Alt-J and Of Monsters and Men for The Barn. On www.rockwerchter.be, all names that have already been announced for the 39th edition of the festival can be found in a handy overview. The bill for Rock Werchter 2013 will be completed further in the weeks to come. Stay tuned!

Rock Werchter 2013 will take place in Werchter (Belgium) from Thursday 4 July until Sunday 7 July. For four days the festival grounds will enable you to see and hear the best on offer on three stages. Well-established names, heroes from past and present and the majors get – as usual – their spot on the Main Stage. The Marquee focuses on electronic music in all its danceable forms on Thursday and Friday. On Saturday and Sunday its line-up will be completed with up-and-coming talent, (more) intimate concerts and dance beats in the early hours. In The Barn we welcome back familiar names, but it is also thé spot to discover tomorrow’s heroes. The better concert hall on a festival.

Weezer, Airbourne & Architects set for Sonisphere 2011

November 18, 2018January 31, 2011 by Summer Festival Guide

Flying in from Los Angeles, California, Alt-Rock Superstars WEEZER make their KNEBWORTH debut at SONISPHERE this summer. WEEZER are one of the biggest, most popular bands to emerge from the alternative rock scene of the 90s, with more Gold, Platinum and Silver (records) under their belts than Fort Knox, a string of notable awards nominations – including the prestigious Grammy – and an impressive list of chart positions. All this will come as no surprise to anyone who has had the pleasure of hearing frighteningly infectious power-pop classics like “Buddy Holly”, “Hash Pipe”, “Undone – The Sweater Song”, “Beverly Hills” and “Pork and Beans”, and it is with great excitement that we look forward to hearing these at WEEZER’s only English festival appearance of 2011.

Next up, coming in from Warrnambool, Australia, AIRBOURNE return to KNEBWORTH to deliver a raucous set of potent rock and roll fury. “We love playing the Sonisphere festivals!” States Frontman Joel O’Keeffe. “It’s always a great line up of bands and it’s always a great crowd!“

He should know; in 2009, AIRBOURNE tore SONISPHERE a proverbial “new one”, running wild and free across the SATURN stage, even scaling it at one point so Joel could hammer out a lead on the scaffolding. One can only wonder what AIRBOURNE’s only UK festival performance of 2011 holds in store as they belt out fist-pumping anthems such as “Too Much, Too Young, Too Fast”, “Diamond In The Rough” and “No Way But The Hard Way”.

Making the somewhat shorter journey from Brighton, homegrown heroes ARCHITECTS make their first festival appearance in this country in support of new album “The Here And Now”, which was released one week ago today. Never has an album been more aptly titled, with the band currently on the cover of Metal Hammer magazine while their latest single enjoys daytime play on national radio, and the album receives rave reviews across the rock media, earning it a top 75 chart position (57) in its first week. Frontman Sam Carter enthuses:

“UK festivals are always a massive deal for us because it’s basically the biggest gathering of Architects fans we can play to, and this year you know it’s going to be special because the line up for Sonisphere is INSANE. It’s also a big deal because it’ll be our first UK festival since our new record ‘The Here And Now’ came out and that record was built for festivals! We’ll see everyone at Sonisphere 2011!!!”

Last, but by no means least, heavy metal pioneers DIAMOND HEAD come to KNEBWORTH for the biggest and most exciting show of their thirty-five year career. Hugely influential, to the point that it’s doubtful there would be a BIG 4 without them, DIAMOND HEAD’s appearance will be a special one. When METALLICA, SLAYER, MEGADETH and ANTHRAX made metal history at SONISPHERE BULGARIA last year summer, they chose DIAMOND HEAD’s “Am I Evil” to jam with all seventeen members, a testament to what a unifying force their music is. Founding member and guitarist Brian Tatler says of the upcoming appearance:

“Diamond Head have been given the fantastic opportunity of opening for the BIG 4 at this years Sonisphere festival, Knebworth Friday 8th July. This will be Diamond Head’s biggest ever show and myself and the other band members are very excited and looking forward to what will be an historic event. Knebworth is one of those venues you only dream of playing. I saw Led Zeppelin there in 1979 and never imagined that one day I would be on that stage, it proves the saying ‘anything is possible’! It also means I get to see my friends in Metallica and Megadeth once again which is always fun; I owe both Lars Ulrich and Dave Mustaine a beer.”

SONISPHERE KNEBWORTH takes place 8th – 10th July 2011 at KNEBWORTH HOUSE. For tickets and more info go to www.sonispherefestivals.com

Line Up So Far

THE BIG 4 – METALLICA, SLAYER, MEGADETH, ANTHRAX
BIFFY CLYRO
SLIPKNOT
AIRBOURNE
ARCHITECTS
DIAMOND HEAD
IN FLAMES
MASTODON
MOTÖRHEAD
PARKWAY DRIVE
WEEZER