2015

Field Day 2015 Review – Saturday

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Field Day, held in East London’s Victoria Park and now in its eighth year, is a festival that always caters to a wide range of music tastes. This is arguably what puts it ahead of its rivals and cements its status as one of, if not, the best London music festivals of its kind. Saturday’s line up leant slightly towards the electronic but did not fail in providing ticket holders with a first class choice of acts that led to the day selling out.

London’s Benjamin Garrett, who goes by the stage name Fryars, attracted an impressive and attentive crowd during his mid-afternoon set at the Shacklewell Arms stage. A firm favourite with music critics, Fryars set the day’s bar high with his piano pop melodies and sweet, meaningful vocals. Starting his set off slow with tracks including a rather sombre ‘On Your Own’, Fryars finished on a high with ‘Cool Like Me’ – an upbeat track reminiscent of Daft Punk which was the main highlight of the set. It may be true that Fryars sounds better on record and looks like a hipster but the set did not feel out of place on the festival bill.

Photos by Carolina Faruolo

As soon as Kindness hit the stage albeit a bit late, it was clear the crowd were in for a treat, as the whole band seemed in very high spirits. The brainchild of Brit Adam Bainbridge, Kindness were no strangers to the worldwide music scene having played everywhere from South by Southwest (SXSW) in Texas to the Sydney Opera House. What was great about this band was there was no hierarchy – each member of the group had their time to shine. We had impressive melodic vocal solos from the chirpy backing singers, various co-ordinated dance moves and a lot of tambourine shaking. There was even a guest performance and a funk inspired cover of Whitney Houston’s ‘I Wanna Dance With Somebody’, which got the whole crowd going. With the qualities of both Jungle and Primal Scream, it was an impressive set that would no doubt keep you grooving. Kindness were definitely the highlight set of the day and very much screamed funk and soul soundtrack of summer.

Scottish art-rock favourite’s Django Django used their Field Day set to play tracks from their recently released new album ‘Born Under Saturn’ which received a great response from the crowd. The track ‘Reflection’ was a particular crowd pleaser.

A sneak peek into the packed Crack Magazine tent uncovers electronica favourite Chet Faker performing a cover of Backstreet’s ‘No Diggity’ for which the crowd go wild.

One of the most hyped artists of this year, FKA Twigs was unapologetically late to start her set at the Crack Magazine stage. It seemed that the crowd forgave all as she appeared, engulfed in mountains of smoke and began flirting with the audience. Almost ethereal in her presence, it seemed that the crowd were admiring her beauty more than admiring her music and this seemed to translate into a somewhat disconnected performance as she tried to keep the mystery alive. The acoustics in the tent were not great but FKA Twigs’s trip hop beats and whispery vocals still managed to mesmerise the overflowing crowd ready in time for Caribou’s headline set. 

Photos by Carolina Faruolo

It may be surprising to some that Caribou headlined Field Day Saturday but Canadian Dan Snaith’s band has established a huge cult following since its inception in 2005. The career spanning set produced not only the best of the electronic and the psychedelic but also included a spectacular visual display, which truly secured their status as an impressive headline act. Highlights included the lead single from 2010 Album ‘Swim’ – ‘Odessa’ and ‘Our Love’.

Bestival announces Invaders of the Future stage lineup

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The very lifeblood of Bestival is new music. A passion that runs deep within the entire Bestival team, our head honcho Rob da Bank’s knack for spotting the most exciting new bands known to humanity is legendary, and has seen Bestival history littered with debut, or very early, festival appearances by some of what are now the world’s biggest acts. These days cunningly entitled the Invaders of the Future Stage, our new music mecca is where you need to be this September 10-13 at Robin Hill, if you want to see the next big thing before they become stadium-filling mega-stars.

A very modern Rob da Bank says: “OK, so this has to be my favourite stage at Bestival. It’s the beating heart of what Bestival is about – breaking new talent and exposing the undercard. It takes me about six months to book, on and off, wondering who the next wave of breaking bands are going to be, and trying to get the right mix of electronic, folk, soul and indie, dub and grime… and already I can see loads of these acts being on much bigger stages next year. Everyone from Ed Sheeran and Alt-J to Kate Tempest have played early gigs on this stage. So, from the wildly different sounds of Ratboy and Lion Babe, to The Skints, Clarence Clarity and the Island’s very own Plastic Mermaids, I promise you, this is the sound of the future”.

 

 

Currently causing a stir for those in the know there will be music from West London’s forward thinking alt. rockers All This Noise, our BBC Introducing twin Bearcubs, quirky funkers Boxed In, Ventnor duo Champs, singer-songwriter Clarence Clarity, Leeds five-piece Eagulls, folky grunger Eaves, gothabillys Eighteen Nightmares at the Lux, funk-inspired twosome Ekkah and sibling double act Formation.

We’ll also have punk rockers Girlpool, Norwich’s own Graceland, Glasgow pair Honeyblood, future-soulsters Honne, North London sisterly trio Jagaara, Manchester folky JJ Hodari, synth classicists Kate Simko & London Electronic Orchestra, rude boy Kiko Bun, BRIT school alumni Kimberly Anne and erstwhile Late of the Pier dude LA Priest.

Don’t miss out on fiery electro-ravers LIA:Life Imitates Art, singing cellist Laura Moody, Pharrell Williams collaborators Lion Babe, beat slayer Mura Musa, the woozy, bluesy Palace, Isle of Wight sons Plastic Mermaids, and Polar Maps, NYCs Ratboy, soulful popsters Real Lies, the super-seductive Secaina Hudson and intricately melodic people Shelter Point.

And be sure to catch those down-to-Mars girls Skinny Girl Diet, Bridie Monds-Watson AKA SOAK, Grime MC Stormzy, ambitious rockers The Bohicas, reggae-ska-dub-punk-hip-hoppers The Skints, indie troubadours The Slow Show, alt. popster Thomston, stratospheric-folk five-piece To Kill A King, Irish pop-rockers Walking on Cars and south coast psyche-surfers Wild Smiles. Giving a leg-up to the stars of tomorrow, the Invaders of the Future stage is where you might just discover your new favourite band.

Wychwood Festival 2015 Review

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Wychwood festival returned for its 11th year in the beautiful Prestbury Hills of Cheltenham. Set on the famous Cheltenham Racecourse, the location boasts great transport and parking facilities, while still being on acres of well maintained luscious land. The friendly atmosphere brings in a mix of all ages with its main priority focusing on a family feel. With activities including arts and crafts workshops and improvised comedy, as well as an eclectic range of music on offer it is easy to keep every member of the family happy. Although it is family friendly Wychwood does not compromise on the festival experience. With headliners from the funk and soul Craig Charles to the legendary UB40 there is music for all tastes.

Friday kicked off to a dreary start, but the rain and grey clouds soon settled into a delightful afternoon of blue skies with the occasional cold wind. This gave people a chance to seek shelter in the smaller tents which hosted a range of entertainment from acoustic sets to clay modelling classes and comedy. The biggest bar of the festival was inside the Hobgoblin tent, where americana/ folk band, Loud Mountains gave a stellar performance on the Friday afternoon. With awesome guitar riffs, catchy rhythms and clever harmonies, Loud Mountains gave the crowd a heartwarming performance which all ages could sing along to and enjoy.

With a huge selection of drinks, local ales and food stalls on offer- there was plenty of choice for all tastes. Tasty pulled pork, nutella smothered crepes, ostrich burgers and Mr Whippy ice creams were a few of the many popular choices that Wychwood had to offer. Despite the festival being well tailored for families, the Pimms and Real Ale was also flowing, with adults enjoying themselves as much as the children.

After the impressive set from Loud Mountains, it was over to the main stage for ‘The Undertones’ who played a set made up of more songs than many bands write throughout their entire career. It was a punk rock treat with the Derry band choosing to let their music do the talking as they treated crowd to songs like ‘Jimmy Jimmy’ and ‘Teenage Kicks’. The latter of the two songs brought almost a sense of relief throughout the crowd, as they played that ever recognisable riff. Once they had finished, it was time to prep the stage for the headline act, which left just enough time inbetween to check out ‘Darlia’ over on the second largest of Wychwood’s stages. 

Darlia– the Blackpool based 3-piece were really impressive. Walking around between the crowd, the words ‘Nirvana’ and ‘Kurt Cobain’ were mentioned so many times by onlookers, it gives a good picture of their sound. Sadly this somewhat draws away from the fact that the band actually have their own nailed-on balance of gritty guitars and catchy melody lines, which is almost an evolution of the Seattle grunge sound of old, without being at all tacky or cliché. Their set was really impressive with the song ‘Candyman’ being a stand out favourite.

It was now time for the headline act for the Friday and much like the range of people who attended this fantastic little festival – it could not have been any more different! It was time for the crowd to go wild for ‘Boney M’. With their back catalogue of disco tracks, they entertained the masses with the likes of ‘Daddy cool’, ‘rasputin’ and ‘brown girl in the ring’ and at one point even played a rendition of Bob Marley’s ‘No Woman No Cry’. Boney M were 110% fun from the word go and played with the professionalism of a group that has been together for just short of 40 years. Maizie Williams  was the only original member who performed in this line-up, her star quality such that she stood out like a diamond. A great choice of headliner from the festival and a job well done from Boney M.

The weekend’s sun continued to shine down on Wychwood festival as the family-friendly vibes started up for the second day. The afternoon crowd which gathered at main stage for the Electric Swing Circus was a mixture of all ages and the band was the perfect fit for a such a varied audience. The vocal double act of Laura Louise and Bridget Walsh’s energy was infectious, and Guitarist Tom Hyland entertained the kids with his ringmaster attire and killer dance moves. But the band were not all about the visuals, as their ‘Electro-Swing’ music was Saturday’s real show-starter; a sound to match the diversity of the crowd with heavily sample based tunes backed up by solid double-bass lines and swing rhythms – it worked really well.

 

 A small break on the main stage was enough time for the crowd to multiply ten-fold for one of the most recognisable acts of the past 30 years – both visually and sonically! It was the turn of the Proclaimers to take to the Wychwood stage. Identical twins Charlie and Craig Reid played through their back catalogue as well as throwing in a few songs from their latest album. Their set was hugely entertaining and was a singalong from the beginning to the end. At one point, Charlie read out a dedication they had received before bursting into ‘Let’s get married’ – The dedication proved to set the scene for a marriage proposal on the front row and she said yes! The duo completed the song and wished the happy couple the best of luck before Charlie said (tongue firmly in cheek) ‘ Just the one time, I’d like someone to say no and for there to be a little fight in the corner.’ After many a classic, they courteously wrapped their set up with ‘I’m gonna be (500 Miles)’ before making way for the headline act – UB40’S Ali Campbell, Astro and Mickey Virtue.

 

 UB40 Hoodies seemed to be the clothing of choice for many throughout the day and this was reflected by the size of the crowd for the headline act. Accompanied by a saxophonist, trumpet player and trombonist, the band stormed through a set of their classics, whilst also throwing in some songs from their latest albums. Starting the proceedings with ‘Here I Am (Come and take me)’ they flew through a hugely entertaining set including ‘Red Red Wine’ and even an Elvis Presley cover!

Sunday brought with it a tiredness to the crowds, but this was in no way reflected in the music with stellar performances from DJ Craig Charles and Rusty Shackle. Justin Fletcher also made an appearance on mainstage for the children and was received with much jubilation by the crowd.

The highlight though for Sunday, possibly even the entire festival, was the South African male choir group, Ladysmith Black Mambazo. Formed in 1960, this band certainly lived up to its platinum disc honoured status. With the ravishing harmonies and joyful atmosphere- every child to every adult danced in awe as the sun set amongst the Prestbury Hills. Gleeful children on parents shoulders waved their arms in time to the flawless rhythms of the choir. The uplifting experience worth watching in the flesh was definitely the best way to end a brilliant weekend. Despite the bitter cold of night, Ladysmith Black Mambazo had defiantly left a warm mark of Africa on Wychwood Festival 2015.

 

 

Bestival’s newest wave of acts announced – Skepta, Wiley, Drenge and The Chuckle Brothers

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EVEN MORE ACTS JOIN OUR SUMMER OF LOVE

WILEY / SKEPTA / RONI SIZE REPRAZENT (LIVE) / DRENGE / JAGUAR SKILLS / DJ YODA PRESENTS: BREAKFAST OF CHAMPIONS / KITTY, DAISY & LEWIS / GABRIELLE APLIN / DUB PISTOLS / DINOSAUR PILE-UP / DODGY / KERO KERO BONITO / LLOYD YATES / SEAFRET / XOCKHA / YRSLF

Plus To Me, To You Behaviour From The Legendary: CHUCKLE BROTHERS

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#Bestival15 / #SummerofLove

With over 25 stages, revolutionary soundsystems, zombie love-ins, psychedelic woodland adventures, 24-hour free haircuts, and a host of dazzling new attractions, Bestival’s Summer of Love is already looking pretty damn fit. But as ever, we want to get everyone we love involved, including this rather sultry bunch of musical marvels that will have you rockin’ Robin Hill all weekend long this September 10-13.

Love commando Rob da Bank says: “I’m well excited with this new batch of acts we’re announcing tonight. With so many identikit festivals about with similar acts and bills I’m proud that 12 years on we don’t go with the flow. If the indie amazingness of Drenge isn’t your bag then grimy faceslaps from Skepta and Wiley might be, and if you’re insane and don’t like the legendary junglist brilliance of Roni Size and his live Reprazent show then perhaps, just perhaps, you’ll be singing ‘to me, to you, to me, to you’ whilst dancing in a pair of ill-fitting tropical shorts to the Chuckle Brothers. No matter what, there’s plenty more fish in the sea to come, as our Summer of Love really starts to heat up. See you down the front.”

 

Bringing on the love with big fat beats, we’ll have main stage appearances from grime pioneer Wiley, who completely smashed it as our secret guest in 2012, plus the unstoppable skank machine, Dub Pistols.

Dub Pistols legend Barry Ashworth commented: “The Highlight of the year for us will always be playing Bestival, this year we are back on the main stage, it doesn’t get bigger than that, and if that’s not enough you can always catch me spinning tracks and drinking in the Sunday Best Cardboard Record Shop! There’s only one Bestival!”

Not quite true, Barry, there are two Bestivals, but we know what you mean! Big love to all our Canadian brethren! More Isle of Wight-based Bestival main stage action will come from cool chanteuse Gabrielle Aplin, sing-along faves Dodgy, and the Isle of Wight’s own Xockha and Yrslf.

Old blue, Bestival’s beloved Big Top will be playing host to some mighty sounds this summer, too, including the much requested return of Joseph Junior Adenuga AKA Skepta and an absolute must-see live set from drum n bass hero Roni Size & Reprazent. We’ll also have recently expanded noiseniks Drenge, our favourite scratch master DJ Yoda Presents: Breakfast of Champions, with his brand new hip-hop band busting up the Big Top live, and then the man himself will be taking on Bollywood for a typically special DJ set, and we’ll have one of the coolest bands ever to grace a festival, Sunday Best favourites, the utterly incomparable Kitty Daisy & Lewis.

Commenting on their latest Bestival appearance, Kitty Daisy & Lewis uttered as one: “We’re so excited to be coming to Bestival again this year, we always have a great time. Sunday Best know how to throw a festival!”

The Big Top will also welcome a high-voltage rock assault from Dinosaur Pile-Up, plus sets from Kero Kero Bonito, Lloyd Yates, Seafret and – we’re not sure it’s possible to express quite how excited we are about this – The Chuckle Brothers! Yes, it’ll be history in the making with be-mulleted slapstick to me, to you. CAN. NOT. WAIT.

As if all that wasn’t enough to get you all giddy with joy, he was one of the smash hits acts that started our summer in finest style at Common People, so we’re extremely pleased that turntable ninja, Jaguar Skills, will be joining us to destroy the dancefloor at The Port.

New stage announced for Bestival – The Kaleidoscope

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BRAND NEW FOR OUR SUMMER OF LOVE

THE KALEIDOSCOPE

A STEPPING STONE TO COLLECTIVE CONSCIOUSNESS

LIVE MUSIC LOVE-INS:

47SOUL / ALICE JEMIMA / ANDY VOTEL PRESENTS TWISTED NERVE / BADOW / COCO AND THE BUTTERFIELDS / ESTHER JOY LANE / FICKLE FRIENDS / FLIGHT BRIGADE / GALLOWS GHOST / GECKO / GOLDRAY / L.A SALAMI / LAZLO / LAUCAN / LUCKY ELEPHANT / MISPERS / PORT ISLA / SAMUEL WALWYN / SHANTY / SOLKO / SOLAR BEARS / THE EPHEMERALS / THE FONTANAS / WILL VARLEY / XYLAROO

AMBIENT FOREST & WONKY DISCO DJs:

APIENTO / BALEARIC GABBA SOUNDSYSTEM / CHRIS COCO / DANNY WHITEHEAD / DAVE SEAMAN / FLYING WHITE DOTS / MOJO FILTER / NICK WARREN / OLAF STUUT / PAUL GODFREY (MORCHEEBA) PETE GOODING / PHIL DOCKERTY / PHIL MISON / PHIL SOUTH / STEVE COBBY / STILL:LIFE / THYTHE / TOM MISCH

MORNING CHAKRA SHAKE-DOWNS WITH SESSIONS BY FRAME:

BOXFIT / 80s AEROBICS / DANCEFIT / JANE FONDA TRIBUTE / DYNAMIC STRETCH / ASS & ABS / GET LEGGY / YOGA-LATES / HIP-HOP AEROBICS

PLUS: ACROYOGADANCE

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#Bestival15 / #SummerOfLove

Our brand new arena, Slow Motion, is all about taking the festival experience to a whole new plane, creating a festival within a festival dedicated to connecting mind and body. As part of that trip we’re super-excited about our brand new psychotropic stage attraction, The Kaleidoscope. Featuring energising morning pursuits, pastoral musical vibes by day, wonky disco joys into the night and rapturous bespoke animations to amuse the mind’s eye, the Kaleidoscope stage will add a whole new dimension to Bestival’s bag this 10-13 September at Robin Hill Country Park.

Summer lover Rob da Bank says: “I’m more excited about our new Slow Motion festival within a festival than I have been about a new area at Bestival for years. Add to that the fact that Mrs da Bank has invented a new, insanely cool audio-visual stage called The Kaleidoscope, and I’m ready to pop… The Kaleidoscope will be populated by a mix of the best ambient, electronica and chill-out DJs known to man, offset by folk, soul, psychedelia and new wave electronic rhythms. Prepare to get horizontal and vertical all at the same time…”

 

Brimful of prismatic pleasures, by day the Kaleidoscope will be the place to catch synesthesic sounds from right across the musical spectrum, including sets from 47Soul, Alice Jemima, Andy Votel presents Twisted Nerve, Badow, CoCo and the Butterfields, Esther Joy Lane, Fickle Friends, Flight Brigade, Gallows Ghost, Gecko, Goldray, L.A Salami, Lazlo, Laucan, Lucky Elephant, Mispers, Port Isla, Samuel Walwyn, Shanty, Solko, Solar Bears, The Ephemerals, The Fontanas, Will Varley and Xylaroo.

When night falls, it’s woozy does it, by way of the Ambient Forest, as our consciousness-expanding circle of selectors take charge of the ones and twos at Wonky Disco time. Geared up to induce epic mind excursions, bathed in psyche-twisting light projections, our vibrantly vivid visions will be soundtracked with polychromatic inspiration from Apiento, Balearic Gabba Soundsystem, Chris Coco, Danny Whitehead, Dave Seaman, Flying White Dots, Mojo Filter, Nick Warren, Olaf Stuut, Paul Godfrey (Morcheeba), Pete Gooding, Phil Dockerty, Phil Mison, Phil South, Steve Cobby, Still:Life, Thythe and Tom Misch.

And for the truly enlightened Bestivalites, the Kaleidoscope stage will host morning gatherings to warm up your senses and get that all-important chakra shake down with sessions by Frame, including Boxfit, 80s Aerobics, Dancefit, a Jane Fonda Tribute, Dynamic Stretch, Ass & Abs, Get Leggy, Yoga-Lates and Hip-Hop Aerobics, plus the wonderful AcroYogaDance.

A varicoloured world of joy at the heart of Slow Motion, the Kaleidoscope is a mesmerising delight not to be missed.  

Lost Village 2015 Review

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Buried in the Lincolnshire countryside, 5,000 party-goers descend upon the idyllic woodland setting of Lost Village festival. Taking place over the May bank-holiday weekend in an “ancient abandoned village”, the festival’s motto is to “join the tribe”. Set up by Moda’s Jaymo & Andy George – who later play a sparkling set on Saturday afternoon – the location is perfect for the acts performing; eclectic electronica from Die Vogel and Four Tet, crowd-pleasing sets from Ben Pearce and Annie Mac, and heavier techno-based sounds from Tale of Us, Jasper James and Gardens of God.

Aside from one shower, the usually temperamental English weather holds up, offering sun throughout the whole weekend – Summer Festival Guide even returns home with a tan! Transport-wise, there is a free shuttle bus; impressive for a first-time festival. SFG meets people who have travelled up from the Midlands, London, and one electronic music lover who has travelled four hours from Brighton.

Set behind a lakeside family campsite, it’s like a whole other realm. Attracting a multitude of types of people; when setting up camp, one middle-aged man sporting a Blasé Boys Club t-shirt is drinking with those who could be his children. Everyone who SFG meets is friendly and really here for the music.

Reasonably priced Vodka and cokes begin to flow throughout Grandmaster Flash’s charismatic old-school set, declaring the festival open on Friday evening at Basecamp. Though licensing requires music to finish at midnight each night, back in camp there’s no sign of sleeping until the early hours.

[Special mention to Diamond Dogs, who provided the best post-drinking cure with their Chilli Cheese Dogs and Tater Tots]

It’s Saturday morning, the sun is shining through the campsite and anticipation is high to see Lost Village’s main stages; the Abandoned Chapel, Forgotten Cabin and The Ruins, each with impeccable sound-systems and impressive set-design. At midday, Citizenn opens the Cabin with a groove-laden house set before Jackmaster’s housemate Jasper James – a personal highlight – delivers hard-hitting tech-house, and as one Villager suggests, “its 3 in the morning vibes at 1 in the afternoon”, another gushing, “I feel like I’m in Berghain!”

 

Later, Erol Alkan delivers an acidic electro set like a true professional, looking suave in a leather jacket, before Denmark’s Kolsch plays what everyone wants to hear; Huxley’s ‘I Want You’ and Adesse Versions’ ‘Pride’ make much-appreciated appearances as well as his own euphoric piano-led ‘Cassiopeia’. Over at The Ruins, Lost Village’s mud-filled main stage, Dusky’s ‘Yoohoo’ is blasting through the industrial-sized speakers to the packed crowd as one partyer holds up an LED lit ‘TUNE’ sign. Back at the Cabin, Four Tet closes the first night in magical, enchanted fashion; his Martyn-collaboration ‘Glassbeadgames’ becoming a highlight as the vibrant strobes light up the darkness.

Come Sunday morning, Ejeca’s defying the traditional day of rest, delivering tech-house at the Abandoned Chapel, as one guy dressed like Fryar Tuck with a massive tribal stick urges the crowd on. Theo Kottis, Moda Black’s newest signing, continues on a similar vibe at the Cabin as glittered faces – old and young – tribal hennas and selfie sticks are visible at every turn, watching the darkly uplifting set; Guy Gerber’s remix of Art Department’s ‘Catch You By Surprise’ really goes off.

Tourist attracts a massive crowd to the ruins, performing with synth pads and keyboards; Pretend, Trust In You and I Can’t Keep Up translate effortlessly in Lost Village’s mud-covered main stage The Ruins.  With a massive ‘U’ behind him, the co-writer to Sam Smith’s ‘Stay With Me’ introduces Anywhere, a new track from his debut album, appropriately titled ‘U’.

“How great is this festival?” asks William Phillips aka Tourist. It’s a statement which becomes heavily echoed over the course of the first ever Lost Village. Considering this is its debut year, Lost Village has the potential to rival the likes of Secret Garden Party in the not so distant future.

Later, after stumbling across a fake marriage – Lost Village has a plethora of spooky actors waiting at every turn – Tale Of Us deliver an intense techno set as the Forgotten Cabin’s strobes light up one of the weekend’s biggest audiences.

Jackmaster, sporting a ‘We Love Detroit’ t-shirt, follows, playing a typically eclectic set of house, techno and everything in between. Meanwhile, Totally Enormous Extinct Dinosaurs aka Orlando Higginbottom seems on a completely different trip in The Ruins; dropping drum & bass and jungle tracks, it’s a refreshing break from the weekend’s house/techno sound, before Annie Mac closes out the first ever Lost Village with on-point house tracks.

Over the course of the weekend, SFG have brushed shoulders – and taken selfies with – Annie Mac, Richy Ahmed and Tourist. It’s not often that such big names are within arms length walking through the woodland setting.

Post-festival, Lost Village’s founders Jaymo & Andy George have commented: “We never in our wildest dreams expected it to go this well! The crowd were 10/10, every stage was constantly busy, all the artists who played have said amazingly positive things and all those little elements we planned came together just how we hoped. The feedback we’ve been getting since has been unreal… we can’t wait to start planning the next one now.”

2016s Lost Village couldn’t roll around any quicker!

 

Slam Dunk 2015 Wolverhampton Review

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Saturday 23rd May seen the start of the bank holiday weekend, with a three day traveling circus thats known as Slam Dunk Festival bringing its fun and lively antics across Leeds, Hertfordshire and Wolverhampton. We went along to Wolverhampton to see what the Slam Dunk team had inshore for us this year. This year it housed seven stages, each of which held a collaboration of six to seven different bands of similar musical output. It was a surreal experience to walk no more than a few metres and be kicked in the face with a completely different genre of music and with Slam Dunk ever expanding this year provided us with a pick of 53 bands to see.

Trash Boat
After winning the fresh blood competition against 9 other bands they opened up the Kerrang! Fresh Blood stage at the festival. The band were highly anticipated and had a pretty big turn-out especially for that time of day. They performed well and put the crowd in a fantastic mood for the rest of the day.

PVRIS
had the room at full capacity nearly twenty minutes before their set, Lynn Gunn kick started the Civic Hall’s atmosphere by opening with the debut single St Patrik. The trio from Lowell, Massachusetts blew the roof off with a six song setlist, completing it with a rendition of ‘My House’ featuring You Me At Six front man Josh Franceschi. Lynn Gunn being the Iconic front woman that she is wooed the crowd and it was a huge turnout for the band which was well received by all. Seriously this band are taking over!.

Neck Deep
The infamous Neck Deep have recently had a lot of hype after news broke out that their new studio album ‘Life’s Not Out To Get You’ to due to be released soon. So with that in mind we were excited to see what these boys from Wales would have to offer. After the lads had attended the Kerrang! signing tent they proceeded to play a 35 minute set at Slam Dunk’s main stage, featuring songs from their first EP Rain in July. They also played hits from their first studio album and more recently their brand new single ‘Can’t Kick Up The Roots’ which went down a treat. The pop-punk five piece didn’t stop there and busted out the classic ‘A Part Of Me ‘ which left most of us teary eyed.

Zebrahead
Now surprisingly this band had the best sound of the day it was mostly clean and raw, which we would considered this band to be, it was such an unexpected highlight of our day. Stewards had to stop letting people in as the Desperados stage was at full capacity and it’s no wonder, they were so tight for such a large band. Amazing clean vocals, arguably the sharpest sound of the day.

While She Sleeps
The Sheffield five piece smashed out a nine song setlist,  which was well doctored if we might add for SlamDunk. Hardcore Sleeps fans were around, displaying flags of honour and affection which for a band that has had very few years, they have gained an army of loyal fans. After releasing their latest album Brainwashed, While She Sleeps have become an ever expanding name, not too big to emphasize their egos as they stuck around the festival to meet the fans.

Bury Tomorrow
After seeing front man Dani and Davyd knocking around merch tables meeting the fans, then playing an extensive DJ set on Uprawr stage, we were ecstatic to see what the very special guests BURY TOMORROW had to throw at us at 5pm on the Monster Energy Stage. As soon as they erupted out on stage there were massive circle pits from the get go this being said the band never have and never will settle for anything less. Their set consisted of mostly new material,playing half of their new album ‘RUNES’ as well as classic tracks from previous albums.

Don Broco
After witnessing the huge line for the meet and greet this was a  highly anticipated band to see. After such a hype and with them being on the main stage Don Broco didn't live up to my expectation and were the most disappointing band of the day. Overly confident lead singer "Rob Damiani"  kept the crowd waiting well into what would have been their 45 minute set. They attracted a boisterous crowd which proved to be to many members of the audience being problematic as it aggravated and distressed what should have been a fairly calm slot of the day. Overall a poor performance.

Mellincolin
have just released their latest album "True Brew" which is there first bit of material in over seven years. The four piece from Örebro, Sweden played a set consisting of mainly new material but didn’t fail to deliver absolute classics from their earlier discography "Penguins and Polarbears" with them warming the crowd up to end with arguably the one song everyone came to see "NO CIGAR"  a classic most people will remember from the days of playing old school Tony Hawk’s Pro Skater 2. Not only did they entertain with their music but their on stage humour kept the fans in a bright mood. 10/10 for performance.

Architects 
were without a doubt one of the most hyped up bands of the day to check out and it’s with no surprise with them Headlining the Monster Energy Stage. They played a set combined with old classics such as "Early Grave" and "Follow The Water" amongst a vast collection of their new material from their latest album "Lost Together Lost Forever". Vocalist Sam Carter was insanely grateful for the sheer amount of people that turned up to see their set as it was a  slot clash with surrey boys You Me At Six. Always promoting a good message Architects stomped home probably the heaviest set of the day.

You Me At Six
After their performance at Hatfield having to be delayed due to an injured fan, they ended Slam Dunk’s three day weekend with a bang. Stomping out old classics from their first studio album ‘Take Off Your Colours’.  Surprisingly the material, which is nearly seven years old got an amazing welcome as they opened with "The Truth Is A Terrible Thing" immediately followed by "Save It For The Bedroom". Josh Franceschi’s five piece galore seemed to take the commitment of headlining the whole festival as something on the chin and boy did they deliver. 

We caught up with a few fans who gave their appraisals in a few short words

Heather Thomson

“IT WAS RAD! Being As An Ocean were surprisingly my favourite pick of the litter. It was my first hard-core festival and it seems like I’ll be coming again next year. It was pretty cool to have loads of my favourite bands playing within a few metres of each other, my legs hurt now but it was so worth it!”

 

Josh English 

“Gloriously sunny drunk fun, big d and the kids table were f***ing fantastic and While She Sleeps smashed it as always, they never let you down just a lot of likeminded nice people all in one place, a proper friendly atmosphere.”

 

Leanda Skragg 

“Possibly the best line up I’ve ever seen at the festival. Was an absolutely sick day and I wasn’t disappointed with a single band I saw.”

Overall to sum up SLAMDUNK 2015, it was incredible and such a surreal experience. You could meet almost anyone you wanted throughout the day without having to queue for the meet and greets, it seemed the bands just like knocking around to meet fans and even catch other bands sets. The crowd to band relationships were intimate.

There was a huge variety of food and drink and very happy and helpful members of staff to serve it. There were plenty of offers from sponsors such as Desperados and Impericon giving away free goodies. The general atmosphere however was average. Maybe it’s due to the long weekend or the poor weather.

Due to the layout of the venue some of the stages would sound leak from one into the other, you'd be stood in the middle of the Monster Stage and still hear Impericon. The whole sound quality of the festival was below average, too much bass and echo for the size of the venues. It left little room for melodic instruments which had an adverse effect on everyone's performance. Despite this, the crowd seemed happy and the bands even happier.

Overall a good day and we highly recommend it, 2 thumbs up!

Arcticle By Ashley Beresford

Photographs from Sophie Jones

Liverpool Sound City Review 2015

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There's something counter-intuitive about standing in a tent when it's daylight & the sun is shining.* Ady Suleiman doesn't seem to mind. Hoodie sleeves pushed up on his forearms, he's tasked with opening the Cargo stage for Sound City 2015 & taking a suitably serious approach. It’s a small but merry crowd, one couple dancing drunkenly to 'So Lost'. Amy Winehouse fans will like Suleiman's soulful ska & straight talking. "I wonder what your body looks like." The tent grooves into the weekend.

*Behind the clouds, we assume. It's a grey day, sure, but better than many. 

The Kraken tent cheers six-strong folk act The Sound Poets. Out on the North stage, Delta Rae looks frighteningly cold. It's gusty on the docks, at ground level even. I want to dip the band in hot chocolate & wonder briefly if the Tim Peaks Diner would oblige.

London act Vaults is understated but by no means underdone. Frontwoman Blythe Pepino is unmissable in traffic light red, eyeliner streaming (intentionally, we hope). She is barefoot singing ‘Poison’ & moving from the heart. New single ‘Cry No More’ is a tricky thing, sad & hopeful. Ethereal, electronic, I hear Massive Attack & get those same goodly emotional vibes. The bass at the Atlantic is something else. I spend several minutes watching the stage skirting shudder to the beat.

The Lytics have the Cavern under command, four bright voices in unison. It’s only when the stage empties that I catch sight of one of their number’s leg in a cast. How on earth did he manage all that bouncing? Carnival Youth is perfectly sentimental with numbers like ‘Never Have Enough’ & ‘Brown Eyes & All The Rest’. Before taking the mic, the drummer warns the next is a quiet song. “So yeah, you probably won’t hear anything.” Cute.

Back at North (getting the nautical theme now?), a Jack Sparrow lookalike has one leg up in the air, posed like a plucky pigeon as he strikes the synth.

Spector thrashes out 2012’s Chevy Thunder on the main stage. Lead singer Fred Macpherson has been growing his hair since I saw him last but is no less officious in trademark business attire. New single ‘All The Sad Young Men’ is affecting. “I don’t wanna make love, I don’t want to make plans. I don’t want anyone to want to hold my hand.” It’s a great set, easily as good as later acts Everything Everything & fellow Londoners The Vaccines.

All We Are reign supreme on day two, ‘Keep Me Alive’ an understandable hit. ‘Utmost Good’ is just that, delicious summer listening and even better live. After an obligatory stop at Dogtown & a healthy bout of VIP boat envy, we’re back at base for Dutch Uncles & Duncan Wallis’ enthused vibrato. There’s a video game quality to their sound that I love, playful & rhythmic always.

Unknown Mortal Orchestra is another highlight & way more appealing to this reviewer than headliners The Flaming Lips, though without aid of flashy props. I bet Lonelady kills it too but as happens at a festival, we’re caught up enjoying & miss her completely. 

Bill Ryder-Jones is a discovery, at ease playing very personal tunes to the festival’s biggest stage. Moon King deserves a mention for their undersubscribed set at the Baltic, one of the new venue’s more exciting spaces. C.A.R. looks happy sipping Fosters in the sun & it’s ultimately refreshing to get a band all smiles.

Boys club The Raglans are raucous on the Cargo stage & give the audience an epic drumming break to close their set. Things get rowdier as the festival draws to a close, The Cribs not helping matters with older, better known material like ‘I’m a Realist’ & ‘Men’s Needs ’ stirring up the crowd. Security high-fives the first crowdsurfer to reach the front of the stage but I’m wondering if the joke is a little old the tenth & twelfth time. It’s great to watch, the hippies, mods & rockers, the hatted & bespectacled, all joining in the swell.

It’s hard to determine the ebbs & flows, the tarmac of the main stage emptying & filling in parts ahead of a hotly anticipated set from Belle and Sebastian. I’ll admit new album ‘Girls In Peacetime Want to Dance’ was my first encounter of the hugely popular indie outfit from Scotland, but I’m determined to explore their back catalogue after tonight’s showing.

I’m not sold on the new format. What made Sound City great in previous years was that it wasn’t one single identifiable & homogenous thing. It inhabited the cafes & bars of Liverpool’s cooler quarters & to that end, was supremely easy to access & enjoy. The docklands setting should be a win & there is more than enough music on offer, but I’m missing those laidback communal spaces that can make the in-between moments the best in a weekend (not counting the dodgem cars – they’re ace).

Let’s give it a year & see what’s what on the docks in 2016.

 

 

We Are FSTVL announce BBC Radio 1’s Danny Howard!

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BBC Radio 1’s dance music maestro Danny Howard has been added to what is already an incredible line up at this year’s We Are FSTVL. The UK tastemaker will bring his own brand of high energy big room house music to Upminster’s ‘Field Of Dreams’ – joining Sunday’s main stage gathering of Steve Angello, Knife Party, Steve Aoki, Amine Edge & DANCE, Heidi, Oliver Heldens and more – plus future talents Philip George, CamelPhat and As I Am also announced. 
 
Currently touring on behalf of his very first brand, Nothing Else Matters, and influencing the listening habits of thousands of fans worldwide across his shows for BBC Radio 1, BPM and Sirius XM, Danny Howard is a bona fide UK dance music lynchpin. Juggling a residency at Pacha, a regular column in DJ Mag and the promotion of his already #1 BBC Radio 1 Dance Anthems compilation, Howard has somehow found time in recent years to produce tracks such as ‘Spire’, ‘MUG’ and ‘Apex’ on Spinnin’ Records, as well as collaborating with the legendary Paul Oakenfold. His production talents show no signs of stopping this year, with his remix of Dr Kucho! & Gregor Salto’s ‘Can’t Stop Playing (Makes Me High)’ being released imminently on Ministry Of Sound.

Also billed on Sunday’s main stage is 21 year old newcomer Philip George – the man behind the huge record ‘Wish You Were Mine’ which peaked at number 2 in the UK chart. On the rise duo CamelPhat are also set to feature on Sunday’s Paravana stage, as well as As I Am who rounds off the latest additions.  

Keep an eye out for further news on We Are FSTVL’s 2015 after party at Studio 338 which will be revealed shortly – with plenty more surprises in store before proceedings kick off on Saturday 30th May 2015.
  

Line Up
 
Saturday 30th May
 
Main Stage: Carl Cox, Gorgon City, Hot Since 82, Monki, Nic Fanciulli, Second City, Seth Troxler, Solomun
 
Used and Abused: Loco Dice, Adam Beyer, Enzo Siragusa, Recondite (Live), Tale of Us, Yaya
 
What Hannah Wants: Hannah Wants, Redlight, Cyril Hahn, Friend Within, GotSome, Kidnap Kid, My Nu Leng, Oneman, T Williams, Waze & Odyssey
 
Defected In The House: Masters At Work, Andrea Oliva, Oliver Dollar, Cristoph, Noir, Sam Divine, Simon Dunmore, Sonny Fodera
 
Toolroom Live: Mark Knight, Dennis Ferrer, Tensnake, Dosem, Purple Disco Machine, Shiba Shan, Tube & Berger, Wankelmut, Weiss, Mark Storie, Pete Griffiths
 
Clockwork Orange: Tall Paul, Brandon Block & Alex P, Trevor Fung, Andy Manston, Tristan Ingram, Danny Clockwork & Keith Mac, 2 Good Souls, Tony Grimley
 
 
Sunday 31st May
 
Main Stage: Steve Angello, Knife Party, Steve Aoki, Amine Edge & DANCE, Heidi, Oliver Heldens, Danny Howard, One Bit, Route 94, The Martinez Brothers, Philip George
 
Cocoon: Sven Vath, Dixon, Ame, Ilario Alicante, Popof, Ricardo Villalobos, Ten Walls
 
Hospitality: Camo & Krooked, DK EZ, MJ Cole, Toyboy & Robin, Etherwood, Fred V & Grafix, Spy, Metrik, Logistivs, Nu:Tone, Lynx, Krakota
 
Paradise: Jamie Jones, Marco Carola, Claude Von Stroke, Steve Lawler, Jackmaster, Richy Ahmed, Patrick Topping, wAFF, Russ Yallop, Mark Jenkyns
 
MK Area 10: MK, andhim, Anabel Englund, Ben Pearce, Beckwith, Dantiez Saunderson, DJ S.K.T, Dusky Huxley, J Phlip, Kant, Kevin Saunderson, Lee Foss, Pleasure State, Shadow Child
 
Paravana: Camelphat, Max Chapman, Senzala, Panda, Headspace, Anthony Lowther, Ollie Mundy, Melvo Baptiste, Russ Jay, Jnr Windross, Secondself, Shane Macauley, Jedd Barry
 

Top Trumps released: Circa Waves and Typhoon added to Best Kept Secret bill

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Best Kept Secret are certainly playing a game of cards, and they’ve just added two to their hand: Liverpudlian rock-indie band Circa Waves and Dutch hip-hop star have just been added to the lineup.

These acts join an already sensational lineup by on the Dutch Festival in June. Boasting headliners such as The Libertines, Alt-J and Noel Gallaghers High Flying Birds, and other crowd pleasers such as A$AP Rocky, The Tallest Man on Earth, Drenge, The Vaccines, First Aid Kit, Royal Blood and Earl Sweatshirt, this years scope of talent is sure to please everyone.