Victorious Festival 2024 – Review

The biggest festival on the South coast (and arguably the best) returned to the stunning seaside location of Southsea this weekend.

Victorious Festival welcomed 80,000 people over the bank holiday weekend, with something for everyone. 

Whether it was headline performances from the likes of superstar DJ Fatboy Slim, indie royalty Pixies or Scottish rock legends Biffy Clyro, or laughs in the comedy tent from performers such as Al Murray, Frankie Boyle and Russell Howard, this was an incredible weekend.

The beauty of Victorious Festival is that each day, they open up proceedings with a huge artist, designed to bring the large crowds into the festival gates early. 

This year was no exception with Razorlight opening on Friday lunchtime – frontman Johnny Borrell wasted no time blasting through their biggest hits – “Golden Touch”, “Somewhere Else”, “In The Morning” and the number-one anthem “America”.

Razorlight © Graham Tarrant

Keeping the pace going early-on and drawing one of the biggest crowds of the weekend was former One Direction star  Louis Tomlinson. This was his first UK festival performance and he certainly didn’t disappoint – the crowd went wild for every tune, whether it was his own solo material, or the 1D classics such as ‘Drag Me Down.

Louis Tomlinson © Graham Tarrant

Bristol’s finest post-punk IDLES followed with an interesting change of pace and total change of genre from Louis – frontman Joe Talbot celebrated his birthday the same day, not that you could tell from the rage and anger as he spat his anti-fascist mantras across the stage. Creating arguable the largest mosh-pit of the weekend, here’s hoping the Louis Tomlinson fans escaped before the carnage and dust flew.

IDLES © Graham Tarrant

With possibly the ultimate crowd sing-along tunes, Snow Patrol were up next. To the delight of fans, they played their anthem ‘Chasing Cars’ with the huge audience all singing 

‘If I lay here

If I just lay here

Would you lie with me and just forget the world?’

Quite a special, moving goose-bump moment!

As usual, at such a large festival as this, there was a clash of sensational headliners. The original funk-soul brother Fatboy Slim dazzled crowds at the main Common Stage with his rockafeller skank, fireworks, confetti canons  and light show, while pop-royalty Jess Glynne returned with a stunning show on the Castle Stage, concluding with her huge hits ‘Rather Be’ and ‘Hold My Hand’ – in her own words, there’s no place I’d rather be!

Jess Glynne © Graham Tarrant

The dreaded UK rain returned Saturday morning, but it did not dampen spirits. Again, the day began with not one but two huge artists.

Tom Walker demonstrated his incredible voice on the Castle Stage, while the Common Stage welcomed a surprise special guest. Last year, McFly delighted fans with their antics, while this year, their supergroup friends Busted took the heralded spot. 

CMAT © Graham Tarrant

Ciara Mary-Alice Thompson, professionally known as CMAT came to Portsmouth for the first time and delighted crowds with her Irish charm shortly afterwards, encouraging all the crowds to line-dance before she played her song ‘I Wanna Be A Cowboy, Baby’ and dedicating her Brit nominated hit ‘Ah Shoot’ to her love of wine! She’s a must-see if you get the chance.

Fresh from supporting Taylor Swift on her legendary ERAs tour, Holly Humberstone followed, before The Lathums, Courteeners and The Amazons all brought their indie music to Victorious.

Holly Humberstone © Graham Tarrant

There’s not many bands which wear the crown as one of David Bowie’s favourites, but the influential Pixies topped the bill on the Castle Stage. Singer Frank Black (or Black Francis if you prefer) still has an incredible voice despite shouting and screaming his way through their impressive back catalogue – fortunately there weren’t too many new songs and they stuck to the classics.

The final day again began with an impressive band who could have easily headlined many lesser events –  The Kooks, before Natasha Bedingfield delighted fans with her hits ‘Unwritten‘ and ‘These Words‘.

Natasha Bedingfield © Graham Tarrant

Northern scallies Yard Act, gave echoes of LCD Soundsystem mixed with Jarvis Cocker – very entertaining, although their set was a little short as singer James Smith advised they had to be back home in Leeds by midnight to be tucked up in bed…

Up next was James Bay who not only had to Hold Back The River, but also hold onto his hat in the strong south-coast winds.

James Bay © Graham Tarrant

A couple of years ago, Becky Hill was booked to play the smaller Castle Stage, and the crowd size was so large, many people had to be turned away. This year she was back, better than ever on the main Common Stage. 

Dressed in an improperly tight mini-dress, Becky focused her set mainly on her new album with its drum’n’bass focus, before concluding with her crowd pleasers ‘Wish You Well’ and ‘Remember’ In her own words, Becky summed up the evening well by saying ‘Massive thank you to the festival organisers for asking me to come back and putting me on this big old stage! You are all amazing!’

Becky Hill © Graham Tarrant

Concluding the weekend were two heavyweights.- the mighty Biffy Clyro rocked the Common Stage, with impressive booming anthems, while the new sensation which is Isle of Wight’s finest Wet Leg delighted fans on the Castle Stage. Possibly playing their singalong ‘Chaise Longue’ for the final time, it was a fitting end to their world wind tour – hopefully we can expect a new album if their current roster are to be retired.

Biffy Clyro © Graham Tarrant

James Ralls, Festival Director summed up the weekend well by saying: “It’s been another unforgettable year on the seafront. From huge cruise ships and the return of the Seaside Stage plus incredible headline sets from Fatboy Slim, Jamie T and Biffy Clyro we’ve had it all and it’s great to see so many people enjoying live music, family entertainment and comedy whilst making memories to last a lifetime! We’re sad it’s ended but we’re already excited to welcome everyone back in 2025 for another memorable weekend.”

Tickets are now available at: https://www.victoriousfestival.co.uk

Don’t miss out on this great weekend in 2025.

PHOTOS: GRAHAM TARRANT

WORDS: SAMANTHA MIDDLETON & GRAHAM TARRANT

We Out Here festival – 2024 review

Curated by Gilles Peterson, We Out Here festival is a kaleidoscope with truly something for everyone. 

Embracing so many genres, cultures and arts, We Out Here is a beautiful melting pot of a festival with no boundaries.

It’s impossible to paint all the colourful experiences this event offers, but it’s easy to see why it’s won many awards in its short lifespan. We Out Here is certainly the highlight of our festival calendar this year.

The festival makes great use of its beautiful woodland surroundings in Dorset. You could avoid the main stages all weekend and chose to partake in so many activities ~ possibly go for a wild dip in the rivers; walk through the Dorset countryside; try paddle-boarding or relax in the Sanctuary and partake in yoga-sessions; art therapy; or chill-out at gong-baths. There’s even a free roller-skating rink for those willing, DJ’d at times by Mr Peterson himself – just steer clear of the cider tents before zipping up those boots!

With over 100 artists across the weekend, there is something for all lovers of good music, whether it’s laid back jazz, soul, electronic, hip-hop or even flute playing by Andre 3000 – more on that later.

Andre 3000 © Graham Tarrant

There is a magic walking around the festival, with so many different sounds emanating from the stages – the appropriately named Lush Life offers the likes of the legendary Loose Ends (the first British R&B band to have a No.1 gold album in the US), while Rhythm Corner is a mix of hay-bales and superstar DJ’s including Laurent Garnier and Zero 7 bringing the large crowds and deep-beats. The crowd favourite area The Bowl returned with the likes of Mr Scruff and Hacienda legend DJ Paulette.

We were blown away by some of the performances and it’s such a joy to discover some of our new favourite artists this weekend. We’ll certainly be out there shopping in the local,and not so local, online stores for those hidden vinyl gems. The beauty of having a renowned DJ such as Gilles Peterson with his 40-year career curate the lineup is that you know there will be incredible discoveries. 

Personally, and maybe ashamedly, I’d never listened to Dee Dee Bridgewater prior to heading to the festival – but now she is on heavy rotation on the AirPods and soon the turntable. Her mix of disco, jazz and soul along with her infectious smile made it clear there’s nowhere else anyone would want to be. 

Elsewhere on the main stage, other discoveries included Ebo Taylor and the Family Band. Celebrating over five decades in the industry, they had more funk in their little fingers than Mark Ronson could handle.

On Friday, Sampha was a pure delight with a soulful performance, including a solo intimate performance of his hit ‘No One Know Me Like The Piano’, sending goosebumps on goosebumps throughout the warm crowd.  Possibly one of the most underrated artists we have – hopefully he will get more recognition after this. 

Talking of powerful performances, we have to dedicate some space to call out Kae Tempest and his emotional performance. Coming on stage clearly appreciative of the love from the crowd, Kae delivered one of the most moving powerful shows we’ve ever seen.

It truly appeared that Kae has found an inner happiness, and this was defined in his lyrics that he is no longer going around in circles following a change in pronouns. Finishing with the hopeful poem ‘Peoples Faces’, I’m not ashamed to say I wasn’t the only one who shed a few tears of joy after following him throughout his career.

Thank you Kae for speaking out with such honesty, authority and sincerity in front of the crowd – you deservedly won so many new fans today. 

Kae Tempest © Graham Tarrant

We’ve barely scratched the surface of all the music on offer – you could comfortably see 17 different acts each day. There was so much more it would be impossible to cover all the festival had to offer.

Corinne Bailey Rae demonstrated her mature song writing, bringing her album Black Rainbows to life on the main stage, before delivering an astute conversation for over an hour in the appropriately named Talk Tent. 

Corinne Bailey Rae in conversation at the Talking Tent © Graham Tarrant

As previously mentioned, Andre 3000, one half of hip-hop legends Outkast, played a collection of flutes alongside his backing band, reproducing much of his album ‘New Blue Sun‘ – many other festivals have had Andre 3000 headlining and it shows the strength of this event that he played early on the sunny Sunday afternoon. Essential powerful poet Aja Monet also played the main stage on Sunday and she is a must-see if you get the chance.

For those who wanted something a little darker, 2024 Brit award winning artist CASISDEAD, the UK’s most mysterious rapper, brought the grime and dystopian future to the Lush Life stage – he’s going to be huge and possibly should have been on the main stage, based on the size of the crowd flocking to hear his razor sharp lyrics.

Aja Monet © Graham Tarrant

As if that wasn’t enough, there was a heady mix of electronic beats from Floating Points, Mount Kimbie, Joy Orbison and Loraine James across the weekend.

There was such a strong sense of community at this festival – it’s difficult to paint with words. To help illustrate the good karma, the festival also introduced a Charity Donation Token Scheme – similar to those offered by supermarkets. Every Little Helps after-all.

Each ticket received a £1 donation and attendees could chose one of eight great local causes for part of their entrance fee to go to – whether it’s Dorset Wildlife Trust, Black Lives in Music, who address the current inequality of opportunities which exist for ethnically diverse people, or the Amos Trust who challenge injustice and build hope for those less-fortunate than ourselves. Take note other events – this is creating positive change.

Founder & curator Gilles Peterson commented: “I can’t express how much I appreciate this crowd and everyone coming together once again. This weekend was a truly unique and magical blend of love, support, and pure joy. This is what We Out Here is all about, and I’m so proud to see it growing year on year! A celebration of club culture, live music with the communities that bond it all together. Massive shout out to a growing number coming in from all around the world. Thank you.”

We Out Here truly is a joyous festival and we can’t wait for it to return to Dorset in 2025.

WORDS: GRAHAM TARRANT

MAIN PHOTO: JAKE DAVIS | KHROMA COLLECTIVE

End of the Road festival – less than 100 tickets remaining

Less than 100 tickets remain for End of the Road festival this year – you do not want to miss out on this incredible line up, headlined by:

BONNIE ‘PRINCE’ BILLY

IDLES

SLOWDIVE

FEVER RAY

ALONGSIDE 50+ WORLD-CLASS ARTISTS

SLEATER KINNEY | CMAT | GRUFF RHYS | BILL RYDER JONES | BAXTER DURY | 

JOCKSTRAP | THE LEMON TWIGS | CURTIS HARDING | RICHARD HAWLEY | CASISDEAD | YO LA TENGO | 

TY SEGALL | EVERYTHING EVERYTHING | THE REYTONS

CASSYETTE | ALTIN GUN | ENGLISH TEACHER | SPRINTS | MRCY | RICHARD DAWSON |

New additions to the lineup also include Stereolab frontwoman Lætitia Sadier, Brighton trio Lambrini Girls, poetic rock from Joe Gideon, minimalist noise from Ex-Easter Island Head and Baroque-electronic fusion from newcomers The Orchestra (For Now)

GET YOUR TICKETS HERE NOW!

End of the Road – Line up announcement

End of the Road festival is back this year from 29 August to 1 September 2024.

2024’s headline acts are bigger than ever and make the award winning festival at Larmer Tree Gardens essential for music lovers.

BONNIE ‘PRINCE’ BILLY

IDLES

SLOWDIVE

FEVER RAY

ALONGSIDE 50+ WORLD-CLASS ARTISTS

SLEATER KINNEY | CMAT | GRUFF RHYS | BILL RYDER JONES | BAXTER DURY | 

JOCKSTRAP | THE LEMON TWIGS | CURTIS HARDING | RICHARD HAWLEY | CASISDEAD | YO LA TENGO | 

TY SEGALL | EVERYTHING EVERYTHING | THE REYTONS

CASSYETTE | ALTIN GUN | ENGLISH TEACHER | SPRINTS | MRCY | RICHARD DAWSON |

Joe Talbot – IDLES © Graham Tarrant

IDLES return to End of the Road after triumphant performances at Glastonbury and Truckfest earlier this summer.

Cult favourite Bonnie “Prince” Billy returns with his beautiful songs of darkness, while folk legend Richard Dawson will kick things off on Thursday.

Shoegaze legends Slowdive go head-to-head with Richard Hawley in an impressive clash on Saturday night, followed by incredible after-hours acts you must not miss. The joyous John Talabot comes over from Barcelona for what will be a must-see DJ set. Also, Casisdead will surely demonstrate why he defied expectations and came away with a Brit Award earlier this year.

Fever Ray brings the Woods stage to a close on Sunday, while the beautiful Garden Stage concludes with the mighty Yo La Tengo.

It’s not only the music to enjoy at End of the Road. An impressive comedy lineup includes the unique Stewart Lee (the 41st best stand-up according to his own routine), Taskmaster favourite Fern Brady, and Josie Long, winner of the Best Newcomer at the Edinburgh Fringe all those years ago.

There’s also an outstanding cinema line-up, including Blur’s new documentary ‘To The End‘, following by a Q&A with director Toby L, while celebrated filmmaker Andrea Arnold curates the full cinema lineup on Sunday.

If you’re lucky, you may still be able to get a ticket at www.endoftheroadfestival.com

Camp Bestival (Dorset) 2024 – Review

Truly the best family-festival of the summer, Camp Bestival returned to Dorset with a kaleidoscope of music and entertaining fun for all ages.

This years theme was out of this world, with intergalactic aliens and astronauts joining the love-bot at Lulworth Castle. 

Throughout the magical weekend, there was something for everyone – from the toddlers, children or simply the young-at-heart.

Bluey and Hacker T Dog, our favourite terrier from Wigan,  brought the CBBC magic to life on the main stage early on Friday, before Ellie Sax, appropriately came with the glitz and glamour, playing a mix of old school house and rave favourites.

The Magic Numbers followed, showing they still have their incredible harmonies and timeless classic melodies and bittersweet love songs. Although much of the crowd may not have remembered them from their early 90s hey-day they appeared to win many new fans.

Ellie Sax ©Graham Tarrant

Designer-turned-DJ Gok Wan returned to Camp Bestival again, this year on the main stage, for an invigorating set of party favourite tunes, ensuring the crowd were jumping throughout. This was followed by the inevitable DREADED CLASH ON THE LINEUP! It happens every year at all events, but it means the crowd have to make a choice, as well as, of course, Summer Festival Guide. Do we photograph and cover the main stage with McFLY  or our personal favourites, ORBITAL in the Big Top? 

We opted for McFly who never fail to impress live. The band played a string of their catchy tunes, including Five Colours in Her Hair, One For The Radio, Shine a Light, and Star Girl. Before ‘All About You’, they selected young super-fan Grace from the audience to play tambourine, Clearly overwhelmed, she did a great job on a night she’ll clearly remember. 

The party intensified on Saturday. Camp Bestival regular favourite Mr Tumble returned with his antics and confetti canons for the young ones, before 90s BBC legends Dick and Dom played a selection of ‘noughties’ (or is it written 00’s) bangers while repeatedly shouting their catchphrase ‘Bogies’.  They’re no Ant and Dec, but maybe that’s a good thing!

Dick and Dom ©Graham Tarrant

Not to be left out, The Darkness brought the rock anthems (and some expletives) and are always a true festival highlight – clearly working out before each set, singer Justin Hawkins still can reach the high notes on hits such as ‘I Believe In A Thing Called Love’, and even played the opening lines of their Xmas Hit in the gorgeous summer sun.

The Darkness – Justin Hawkins flying through the air ©Graham Tarrant

Disco hits followed from the frontman of the legendary Scissor Sisters, Jake Shears. Mixing a few of his solo songs with the classics everyone wanted to hear including Comfortably Numb, Filthy/Gorgeous and of course, I Don’t Feel Like Dancing – there was no stopping the crowd partying in their fancy dress and space-suits.

Jake Shears, of Scissor Sisters ©Graham Tarrant

Headlining the Saturday night was self-proclaimed MILF (well that’s the name of her book) Paloma Faith. Playing a mix of songs from her latest album ‘The Glorification of Sadness’, with her biggest hits, she finished with the song which she stated changed her life – ‘Only Love Can Hurt Like This’.

The beauty of Camp Bestival is the party starts when the headliner finishes each night, over at the eclectic Caravanserai. For the unitiated, its a heady after hours mix of circus, fairground and vintage nostalgia all mixed in a cocktail shaker, with a sprinkle of jaw-dropping entertainers. 

Sunday morning begins in traditional style with Mr Motivator to re-invigorate the crowd, but possibly the strangest act seen by Summer Festival Guide followed – Dogshow. Two grown men, positioned in their own instrument cage with poodle face-mask coverings banged out some pretty good techno while howling at the crowd. It has to be seen to be believed – although much of the crowd appeared to question whether they were still recovering from the cocktails at Caravanserai the night before. 

Craig Charles Funk and Soul Show – ex Red Dwarf star plays great DJ set
©Graham Tarrant

Craig Charles followed with his Funk and Soul Party on the main stage, before pop royalty Sophie Ellis-Bextor was welcomed back to Camp Bestival again with her kitchen disco. She mixed her own hits with Gimme Gimme Gimme, Vogue, Like A Prayer, before finishing with ‘Murder on the Dancefloor’.

Pop royalty Sophie Ellis Bextor delighting crowds in the glorious sun
©Graham Tarrant

X-Factor’s very own James Arthur was next up, apologising for the fact he was losing his voice, he made clear he didn’t want to miss this special festival. It’s a shame though as he was clearly unable to sing many of his songs or hit half the notes throughout his set, relying on the enthusiastic crowd to sing most for him – perhaps he should donate some of his fee back to the festival’s good causes.

Bringing the main stage to a close was Pete Tong and the far more impressive 60-person Heritage Orchestra, conducted by Jules Buckley. Playing classical versions of Ibiza hits, it was a delight to be transported to the Balearic Island with the impressive lightshow. 

After the annual explosive fireworks synced to extremely impressive space themed projections, the night was far from finished. Summer Festival Guide favourites The Cuban Brothers closed proceedings in The Big Top with their hilarious mix of hip-hop, breakbeats and funky infection dancing.

In the words of Camp Bestival co-founders, Rob and Josie da Bank, “wowzers… we did it again and this time the weather was on our side! We hope everybody enjoyed the festival”

We certainly did – roll on 2025. Early bird tickets are available on Friday. See the festival link below:  

https://dorset.campbestival.net

WORDS: GRAHAM TARRANT & SAMANTHA MIDDLETON

PHOTOS: GRAHAM TARRANT

Nick Cave & The Bad Seeds – WILD GOD TOUR

Nick Cave & The Bad Seeds return with new album, ‘Wild God’ on August 30th

“I hope the album has the effect on listeners that it’s had on me,” Cave says. “It bursts out of the speaker, and I get swept up with it. It’s a complicated record, but it’s also deeply and joyously infectious. There is never a masterplan when we make a record. The records rather reflect back the emotional state of the writers and musicians who played them. Listening to this, I don’t know, it seems we’re happy.”

Today, they release ‘Long Dark Night’, the third single from the band’s 18th studio album.

This intimate twilight ballad is inspired by the poem ‘Dark Night of the Soul’ by the Spanish 16th-century poet St. John of the Cross. Through its reflective lyrics, the track evokes the poem’s themes of struggle and transcendence. 

Cave says, “Long Dark Night is inspired by one of the greatest and most powerful poems of conversion ever written. Ultimately, though, it’s a beautiful country tune. It feels like a sweet companion to the song, Wild God.

Across ten tracks, the band dance between convention and experimentation, taking left-turns and detours that heighten the rich imagery and emotion in Cave’s soul-stirring narratives.It is the sound of a group emboldened by reconnection and taking flight. There are moments that touch fondly upon the Bad Seeds’ past but they are fleeting, and serve only to imbue the relentless and restless forward motion of the band.

Produced by Cave and Warren Ellis, and mixed by David Fridmann, Cave began writing the album on New Year’s Day 2023. With sessions at Miraval in Provence and Soundtree in London, the Bad Seeds added their unique alchemy, with additional performances from Colin Greenwood (bass) and Luis Almau (nylon string guitar, acoustic guitar).

Wild God…there’s no fucking around with this record. When it hits, it hits. It lifts you. It moves you. I love that about it.” Nick Cave

‘Wild God’ will be released on Bad Seed in partnership with Play It Again Sam on streaming, CD, and standard and limited edition vinyl. The track listing is as follows:

  1. Song of the Lake
  2. Wild God
  3. Frogs
  4. Joy
  5. Final Rescue Attempt
  6. Conversion
  7. Cinnamon Horses
  8. Long Dark Night
  9. O Wow O Wow (How Wonderful She Is)
  10. As the Waters Cover the Sea

Nick Cave & The Bad Seeds are:

Nick Cave   Thomas Wydler   Martyn Casey   Jim Sclavunos            

Warren Ellis   George Vjestica

ROBBIE WILLIAMS – American Express presents BST Hyde Park

With a line up throughout the day better than many festivals this summer, BST Hyde Park certainly knows how to put on a show.

Kate Nash began the party in style, celebrating her birthday on the same day – she certainly laid good ‘Foundations‘ (excuse the pun) for all the acts which followed.

Shaun Ryder’s Black Grape were on next, and welcomed a large crowd to the Great Oak Stage. Beginning with ‘In The Name of The Father‘ from their iconic It’s Great When You’re Straight album, it’s incredible to still see Ryder & Co still performing to such a high and party atmosphere.

Over on the smaller Birdcage Stage, Davina Michelle showed what a voice she has. With over one million followers on Instagram, she rose to fame after last year’s Hyde Park star P!NK saw her on YouTube covering her hit ‘What About Us‘. Definitely one to watch for the future.

(Photo by Dave Hogan/Hogan Media Shutterstock)

Gaz Coombes followed on the main stage, making reference to England’s Euro 2024 quarter-final match which kicked off at the same time as his set. As well as demonstrating what a strong singer-songwriter he is, he mixed a few classic Supergrass tunes in for good measure, with ‘Moving‘ getting a large part of the crowd on their feet.

Over on the stunning Rainbow Stage, duo Soft Play (formerly known as the iconic Slaves) blew away any clouds from the sky with their short-sharp punk rock. Joking that Robbie Williams asked them to support after stating on Twitter (nee X) that singer Isaac Holman looked like a cross between Robbie himself and Ant McPartlin, they invaded the crowd on multiple occasions, starting their own mini moshpit, playing crowd favourites ‘Sockets‘, ‘The Hunter‘ and of course, ‘Where’s Your Car Debbie‘. One to catch at other festivals this summer if you get chance.

Seal followed, fresh from his appearance the previous night with Andrea Bocelli (our review of that legendary set is available here: https://www.summerfestivalguide.co.uk/reviews/2024/07/08/andrea-bocelli/). As well as his own timeless hits, including ‘Killer‘, ‘Crazy‘ and ‘Kiss From a Rose‘, he admirably covered T-Rex’s ‘20th Century Boy‘.

(Photo by Dave Hogan/Hogan Media Shutterstock)

The crowd were here for one man and one man alone though. Mr Robbie Williams.

He proved why he is one of, if not the best entertainer in the UK after all these years, arriving on stage to a magnificent ‘Let Me Entertain You‘.

Defying his age having recently turned 50, Robbie has clearly been working out, and launched into ‘Land of a Thousand Dances‘, joined by an impressive line up of backing dancers.

After telling the story of his life, from Take That to Glastonbury misadventures, Robbie seamlessly went from ‘Could It Be Magic‘, into a crowd singalong of Oasis classic ‘Don’t Look Back In Anger‘. To ensure other Britpop favourites were not left out, he was joined by Gaz Coombes for a joyful version of their 90’s anthem ‘Alright’, before performing a cover no one knew they needed. Cockney cheeky chap Danny Dyer took over the vocals from Phil Daniels for a cover of Blur’s charming ‘Parklife‘.

(Photo by Dave Hogan/Hogan Media Shutterstock)

Visibly emotional, he declared he is now the happiest he has ever been in his life, thanks to his wife Ayda and his young family positioned on the nearby sound-stage.

Hit after hit followed, with fans enjoying ‘Millenium‘, ‘Kids‘, ‘Feel‘, ‘No Regrets‘ and ‘She’s The One‘, which, as has become part of his repertoire, Robbie serenaded a young Italian lady in the crowd with.

There was only one song Robbie Williams can finish with. The epic anthem ‘Angels‘ which elevated him above many of his peers and demonstrated his ability to write an anthem for the generation closed the evening in style with all of the crowd raising their phone cameras and lights.

Fireworks lit up the sky as the 65,000 strong crowd sung every word in unison.

This is how to perform an entertaining headline show. Nobody does it better.

Words: Graham Tarrant

ANDREA BOCELLI – American Express presents BST Hyde Park

Despite the heavy rain throughout the day typical of the British summer, spirits remained high on Day 5 of the BST Hyde Park series of concerts.  

As host Myleene Klass explained, this was the largest classical concert, not only in Hyde Park, but for the whole of Europe this century.  

Andrea Bocelli clearly has a very talented family, with Matteo Bocelli opening proceedings on the main Great Oak Stage.  

Playing a mix of classical and contempory songs, Matteo’s voice shone through the clouds, with a mix including ‘Can’t Take My Eyes Off You’, ‘Can’t Help Falling In Love’, with his own compositions including the song he wrote for Netflix series ‘Scratch’ – ‘All Because of Love’. A true talent, with the glint of charm from his father in his voice. 

(Photo by Dave Hogan/Hogan Media Shutterstock)

Following on from Matteo was Welsh mezzo-soprano Katherine Jenkins – a true national treasure.

She could well be headlining Hyde Park herself one day, mixing classics from Andrew Lloyd Webber’s Phantom of the Opera, with an unscheduled if beautiful rendition of ‘Singing In The Rain’. Before finishing with Queen’s classic ‘We Are The Champions’, she delighted fans by putting on her Hunter wellies and showcasing a medley of James Bond themes, including ‘Writings on the Wall’, ‘We Have All the Time in the World’, ‘You Only Live Twice’, ‘Nobody Does It Better’, ‘Diamonds Are Forever’ and of course, Adele’s ‘Skyfall’. Not many people could cover the latter and improve on the original, but Katherine’s voice is truly spectacular. 

Again, there are few people who could follow Katherine, but of course, the tenor Andrea Bocelli managed it with his incredible voice, charm and wit.  

(Photo by Dave Hogan/Hogan Media Shutterstock)

Celebrating over 30 years in music, Andrea was joined by very special guests throughout his two hour performance, all backed by the Royal Philharmonic Orchestra and the Crouch End Festival Chorus. 

The first half comprised classical and operatic pieces, beginning with ‘La donna e mobile’ – before Andrea continued to demonstrate what a talented family he has, with his daughter Virginia joining him on the huge stage, without any sign of nerves despite being only 12 years old.  

Throughout the second half of the set, Andrea was joined by more very special guests, including Zucchero, Seal and one of the greatest film composers of all time, Hans Zimmer.  Mixing their own unique talents, each were graced with opportunity of playing their own classic tunes with the incredible backing of the orchestra, with Seal’s own ‘Kiss From A Rose‘ taking on a whole new dimension.

(Photo by Dave Hogan/Hogan Media Shutterstock)

Saving the best for last, Bocelli concluded with his passionate ‘Con Te Partirò’ (Time To Say Goodbye), which never fails to leave goosebumps (and a few tears) with its beautiful lyrics and music. Finally, ‘Nessun Dorma’, possibly the best known tenor arias from opera left the crowd leave with huge smiles over their ponchos. 

Here’s hoping Hyde Park will welcome more classical concerts in the coming years. 

Words: Graham Tarrant

Photos: Dave Hogan/Hogan Media Shutterstock

Victorious Festival 2023 – Review

With so many festivals over the bank holiday weekend, it could be difficult to chose which to attend.

Without doubt, the best festival in August was Victorious Festival in Southsea.

To emphasis the strength of the line-up, many of those artists who were booked to top the bill at lesser festivals often appeared lower down the schedule at Victorious.

As a classic example, Blossoms began proceedings on the south coast on Friday at 1pm, despite headlining many other events this summer. The singer joked that he’d played the same park where the main Common Stage was, when his dad was in the navy at the nearby dockyards.

Billy Nomates followed, fresh from her controversial performance at Glastonbury, where she personally asked for her set to be removed from BBC iPlayer, following unjust abuse and backlash. Although she didn’t have a backing band, she made up for it in style, charisma and talent. Definitely one to keep an eye on and watch out for in the future.

Billy Nomates © Graham Tarrant

Mancunian legends The Charlatans followed, with a melting pot of their absolute classics – including Weirdo, North Country Boy, One to Another, and of course, The Only One I Know. Singer Tim Burgess was clearly enjoying himself, taking selfies and videos on his iPhone of the huge crowd. Check out both his and The Charlatans Instagram for full coverage and scope of the enormous crowd from his viewpoint.

The Charlatans © Graham Tarrant

Following a clash between Friendly Fires and Katy B on the Castle stage, independent singer RAYE followed on the Common stage. She played many songs from her debut album ‘21st Century Blues‘, which she referred affectionately to as her first born baby which she was rightfully extremely proud of. It certainly had an Amy Winehouse vibe. New song ‘Ice Cream Man‘ was particularly powerful with a raw exploration of her life after sexual assault. She finished with more upbeat number one song ‘Escapism‘ which had the crowd singing along.

Jamiroquai was a UK festival exclusive performance for Victorious festival. Joking himself that he was a little thinner and lighter in the 90s successful years, singer Jay Kay still has the space cowboy moves, even if he did ask for the spotlights to be turned down to prevent his cataracts needing replacing….or possibly to stop the crowd getting such a sight of his less nimble physique.

McFly © Graham Tarrant

Saturday began with not one, but two special guests. While Australian singer and former Neighbours star Natalie Imbruglia shone on the main stage at 1pm, McFly were secret special guests over at the Castle Stage. Fans were truly torn (excuse the pun) on which to see. Recently celebrating their 20th anniversary, McFly still have the energy and moves to kick start any event and draw in a huge crowd…constantly leaping in the air and showing their choreographed moves. It was impossible not to enjoy their show and easy to understand their continued popularity.

Natalie Imbruglia © Graham Tarrant

Pale Waves followed, adorning a ‘My Mind Makes Noise‘ tattoo – hopefully that noise is as good in their head as it sounded to the crowd, before the long forgotten The Divine Comedy returned, with their good humour. Walking on stage with a glass of red wine, singer Neil Hannon seemed dazzled by the size of the crowd, before appropriately raising the glass to sing ‘Here’s to You‘. Despite complaining of first-world problems that his plectrums were too thin, they played all their classic tunes from the 90s, including ‘National Express‘ and ‘Something For The Weekend‘. Alas their theme from Father Ted and My Lovely Horse were missing (maybe ask your dad if you missed out the first time.)

Pale Waves © Graham Tarrant

Scottish legends Belle and Sebastian followed, asking the crowd what the sign-language for Boris Johnson could possibly be…it appeared to be V signs and definitely not ‘V for Victory’. As is customary for a Belle and Sebastian set, they asked many of the crowd to join them onstage for their biggest hit ‘The Boy With The Arab Strap‘ – much to the dismay of the security guards who were sure how the usher everyone offstage afterwards.

The same crowd questioned why Kaiser Chiefs were not booked as headliners. With so many classic hits and singalongs, it’s testament to the strength of the bill that they were lower down the bill. They never missed a beat and when playing ‘I Predict A Riot‘ mid-set, singer Ricky Wilson climbed up the side of the stage scaffolding, to add to the traumatic day the security team were having.

Kasabian were booked as headliners, but arguably had less singalong songs as the aforementioned Kaiser Chiefs. As well as their own hits, to make up for this, they mixed in classics from Daft Punk (One More Time), Beastie Boys (Intergalactic) and Fatboy Slim (Praise You), before finishing with their own anthem ‘Fire’.

Kasabian © Graham Tarrant

As usual with Victorious festival, Sunday morning began with a big crowd-pleaser name, and another blast-from-the past. DJ Annie Mac began proceedings over on the Castle Stage, while forgotten stars of CCTV Hard-Fi returned for their first show in over 10 years and another festival exclusive for Victorious.

Summer Festival Guide favourite Dylan followed, asking if there were any Harry Styles fans in the crowd, before playing her song based on the One Direction singer which gave rise to her own fame on Tik-Tok.

Dylan © Graham Tarrant

Norwegian Sigrid followed, fresh from headlining Big Feastival earlier in the weekend. Unfortunately her guitar player Liva Svaeren was forced to sit during the entire set after trying to re-enact her inner Gene Simmons from Kiss and injuring her ankle. This was Sigrid’s last set in the UK before returning home to her native land, but hopefully it won’t be long until she returns to our shores.

Sigrid © Graham Tarrant

Ellie Goulding was fortunate to escape without serious injury after a firework onstage flew backwards into her face. She managed to continue with her set despite the scare, but it remained an emotional performance after she revealed prior that she was splitting from her husband on social-media.

Ellie Goulding © Graham Tarrant

Mumford & Sons concluded the main Common Stage on Sunday night, while legendary guitar player Johnny Marr headlined the Castle Stage. Playing songs from his illustrious career Johnny Marr arguably is now a better singer than his Smiths frontman Morrissey, giving the crowd what they wanted with classic versions of ‘This Charming Man‘, ‘Bigmouth Strikes Again’ and of course, his epic guitar riff ‘How Soon Is Now‘.

Early bird tickets are already available for Victorious 2024 and if the past few years are anything to go by, it’s a safe bet that there will be another incredible line up again next year.

To get 2024 tickets at this years prices, visit https://www.victoriousfestival.co.uk

Boardmasters 2023 – Review

Mark Twain famously said: If you don’t like the weather, wait a few minutes and you’ll get something different.

That was certainly true in Cornwall for one of the highlights of the festival season: Boardmasters – which often had four seasons in one day.

The occasional wind and rain didn’t dampen spirits across Watergate Bay, with the crowd enjoying all the magic this cliff-top festival has to offer.

Unlike many other events Summer Festival Guide covers, Boardmasters isn’t just about the music.

You could happily head down to Fistral Beach and watch the pro-surfing competitions during the day if you want to escape the huge sea of tents.

© Graham Tarrant

The line-up at the festival this year was truly special. Also unlike many other festivals, it is impressive that two out of the three headliners were women (listen up Glastonbury) – Lorde and Florence & The Machine highlighted powerfully that UK festival line-ups don’t need to be dominated by the usual stale male performers. Saying that, Liam Gallagher certainly didn’t disappoint on Saturday night, in a UK exclusive.

The festival gates opened on Wednesday for the early revellers, or for those who simply wanted to enjoy a break in the stunning Cornish location. But the real party started on Friday.

Gabrielle Aplin began the festival in style, appropriately playing songs from her debut album, English Rain. Everything Everything followed but to a relatively small crowd – possibly due to the conflict with Bob Vylan who was playing the Land of Saints stage at the same time.

Later festival favourites The Vaccines took to the main stage, for their fourth appearance at the festival. Their album entitled ‘What Do Expect From The Vaccines’…well now after all these appearances, it’s clear you can expect feel-good indie pop and a lot of charisma.

© Graham Tarrant

Unfortunately charisma was something Ben Howard seemed to be lacking with much of the crowd talking to themselves confused why he was advertised as a special guest, but the headliners certainly didn’t disappoint.

© Graham Tarrant

You can always judge a good festival by how many clashes there are, and unbelievably on Friday night, there was a tough four-way choice on the south-coast. Lorde dazzled on the main Stage, beginning with a unique interpretation of her hit ‘Royals‘. Elsewhere, Example kickstarted the Unleashed stage, with the tent looking like it would burst due to number of people trying to squeeze inside.

Possibly the hardest working festival band in the UK, Dub Pistols took to the The View stage overlooking the magnificent Watergate Bay, while the fourth headliner and undisputed kings of rap, Cypress Hill gave a legendary performance of their classic album Black Sunday in the Land of Saints stage.

Coming on stage with possibly the most potent spliff, the stage was also decked out in marijuana plants – presumably fake to get past the increasingly vigilant security. Hit after hit followed, before the ground literally shook when they finished with a cover of ‘Jump Around‘.

You could tell how good Friday night was by the weary faces on Saturday afternoon.

The Lottery Winners began the day, with the singer Thom celebrating his birthday at the festival. Finishing with moving song ‘Letter to Myself’ which, as the name suggests, he wrote to his 12 year old self, with the prophetic lyrics ‘All your greatest days are still yet to come. There will be heartbreak, but there’ll be so much love‘. Wise words.

© Graham Tarrant

Dylan followed, clearly with many adoring fans in the crowd and played a guitar hero solo for her dad. The Reytons followed sounding like a second rate Arctic Monkeys, but Confidence Man surprised all the crowd with their euro pop dance moves and early 90s vibe. Singers Janet Planet and Sugar Bones have created one of the hottest acts of the summer. RAYE followed with her stylish new jazz sound despite the strong winds circling.

© Graham Tarrant

Little Simz truly is exceptional and deserves to be headlining. Mixing songs from her award winning album ‘Sometimes I Might Be Introvert‘ and ‘No Thank You‘ she has an unbelievable amount of talent, style, and respect. She surely would be top-of-the-bill if it wasn’t for Liam Gallagher, making his UK exclusive headline performance at Boardmasters.

© Graham Tarrant

Coming onstage to Manchester City Football Club winning chant, he was in great spirits frequently asked ‘Are there any Oasis fans in the house‘ – proceeding to play a mix of the classic bands material, including ‘Stand by Me‘, ‘Slide Away‘ and ‘Cigarettes and Alcohol.’ He often said during his solo material that the crowd could nip off and grab some noddles while he played his slower material such as ‘The River’. Despite mixing in a few solo songs, when asking ‘What do you want me to play next’, it was clear what the crowd wanted, and he finished with ‘Champagne Supernova‘ and dedicated ‘Live Forever‘ to his late friend who passed away recently.

Fingers crossed there will be an Oasis reunion in the near future. Both Liam and Noel seem to be softening to the idea, and based on the triumphant return of Blur, Suede and Pulp this summer, it is about time the brothers worked it out.

Sunday was a return of many Boardmasters favourites. Gentleman’s Dub Club were back for their regular residence Sunday slot at the festival – no wonder they have been booked so many times as they always get the crowd on their feet….or bare feet in the case of the singer.

© Graham Tarrant

With the downpours commencing, many people descended on the Land of Saints stage to witness an inspiring set from Jockstrap, fresh from opening up for Blur at the Wembley shows. They were followed by Squid, who despite a leaking roof in the tent, proved entertaining while the skies cleared.

Dermot Kennedy was one of the surprise highlights of the weekend. If you get chance, check him out at All Points East next Sunday in Victoria Park, London. His songs featured a raw unfiltered honesty reflecting in his emotional and music. He certainly sounds better live than on record where his passion and talent are clearly visible.

Drawing the weekend to a close was the inimitable Florence & The Machine.

This was one of the headline performances of the summer. Boardmasters was lucky to have her.

Dressed in an ethereal gown, she graced the stage, before walking down to join the crowd for two songs. Later, during ‘Dog Days Are Over’ she insisted all of the audience put their phones away and stopped filming to savour the moment in real time. Take note Coldplay. Contrary to this, she finished with ‘Rabbit Heart (Raise It Up)‘, in which she insisted everyone raise up their partner or loved one on their shoulders.

Such a unique performance to end to the festival and as stated earlier, Lorde and Florence Welch highlighted that more women should be booked as headliners of UK events going forward.

Presale access for 2024 tickets is now available at https://visionnine.typeform.com/to/MOf6r0jf?typeform-source=boardmasters.com

See you all back at the beach next summer.