Bazique festival review 2025: Music, art, and absurdism

March 20, 2025March 18, 2025 by Ellie Swain

Five fabulously-designed, wildly different music stages. Riverside dips hanging off brightly-coloured floaties. Swarms of friendly, glitter-clad revellers.

These are just a few parts of Bazique 2025 that I loved. Located on the sandy banks of the remote Buffalo Drift venue around an hour and a half’s drive from Cape Town, this March I spent three days and two nights at the quirky music and arts festival.

I boogied away day and night to a curated selection of local and international DJs in my best sparkly party outfits. And it’s fair to say I had a damn good time.

After being sent a few videos of previous Bazique festivals by a friend, it didn’t take me long to commit. A special, boho-esque blend of electronic music, art, and immersive experiences, I knew that Bazique would be my vibe, and I was right. Here’s my experience of Bazique Festival 2025.

A funky wonderland of art and expression

While Bazique boasted a stellar line-up of DJs, you shouldn’t just go to the festival for the music alone. In fact, to be quite honest, I didn’t recognise any of the line-up before grabbing my ticket (I sure do now!).

Bazique has plenty to offer between all that dancing under the hot African sun, from acro yoga sessions to burlesque shows hosted at the circus tent to on-the-move silent discos. One highlight of mine was the beautiful, sustainability-focused art installation of mushrooms created from plastic that glowed brilliantly in the dark among the trees. We took many slow night-time strolls over the weekend just to pass them.

Of course, Bazique’s Berg River is a core feature of the festival. Make sure to add a flamboyant floaty or two to your packing list to lounge upon on the river.

The Berg River flows right past the main stage so you can even listen to great tunes as you chill. Complete with a golden sand beach, temperatures soared to over 35 degrees Celsius on Saturday, and the water was a much-needed sanctuary.

Oh, and then there’s the food and shopping. If you didn’t have time to prep for the festival spirit, there were plenty of outfit and accessory choices at Bazique. We browsed the cute, hippy stalls and boutiques, selling everything from handmade fans to cool down in the heat to sequin bodysuits that shimmer as you sway.

There were plenty of options on the food front, from vegan Indian food to meaty burgers. I was certainly pleased to have access to a choice of yummy dishes to fuel my body between sets.

High-energy sets from up-and-coming DJs

There were five stages at Bazique, but we spent most of our time flitting between the main River Stage and the indoor, shaded Tropical Roast. You couldn’t go wrong with the main stage; it was intricate, grand, and resembling a beautiful Asian temple – except it was pumping out killer tunes all weekend long.

I loved dancing barefoot on the sand at the River Stage during the day, the warm sun heating my skin. And at night, the multi-coloured lanterns above us glowed luminously, and the crowd adopted a fantastic, animalistic style of dancing that seemed to be performed in unison.

Some DJ highlights included high-energy sets from Oliver Koletzki and Frida Darko on the River Stage, both from Germany. When Frida spun the “It feels so good” remix by Matt Sassari, HUGEL, and Sonique on Saturday night, the adrenaline flowing through my system may very well have peaked.

At the Tropical Roast, we loved many local DJs, including The Head Gardener and Gaston Blurry, who kept us groovin’ for hours and hours on Friday night. And on Saturday, we took retreat from the heat and relaxed on a net hammock found at the Tropical Roast, getting up to bounce around every time a great tune was played (which was pretty often). I adored the laid-back, disco vibe of the stage; it reminded me of Cabo Beach Club in Cape Town, one of my favourite music venues.

And I can’t fail to mention the very special Bridges For Music Stage, which spotlighted locally produced music and art. Bridges for Music is an organisation that runs an academy in the Langa township near Cape Town for talented young people from economically challenged backgrounds.

The verdict: Worth the hype

My verdict? Bazique 2025 was absolutely worth the hype.

As someone who’s attended some of the biggest festivals in the world (which can be incredible, too, in different ways), I loved the intimacy of a small festival. I adored the novelty of casually bumping into friends across the weekend, knowing we’d probably see them again at a different stage in an hour or two. I discovered new South African DJs I probably otherwise wouldn’t have heard about, at least not for a while.

The attendees and staff were incredibly friendly, the toilets were always clean, and there was always plenty of room to dance if you craved some breathing space away from the stages.

As a Brit visiting South Africa for the second time, I’ve completely fallen in love with the country.

Festivals like these are some of the reasons why. I’ll be back, Bazique.

Check out more of our festival reviews here.

Experience three days of pure magic at South Africa’s Bazique this March

February 21, 2025February 20, 2025 by Ellie Swain

Bazique 2025 is ready to ignite every one of your senses from Friday 7th to Sunday 9th March, at the beautiful Buffalo Drift near Gouda – around an hour and a half’s drive from everyone’s favourite city, Cape Town.

Bazique is more than just a festival; it’s a three-day art and music utopia lovingly built by 11 legendary party collectives, hundreds of artists, and a community of free spirits who believe in pure creative expression. Think epic large-scale art installations, immersive performances, riverside swims, golden sand beaches, and sunrise-to-sunset magic – all set to a soundtrack of the most hypnotic beats from across the globe.

Speaking of beats, this year’s carefully curated lineup is stacked. Expect the likes of Superpitcher, Oliver Koletzki, Omri, Frida Darko, Mimi Love, Freudenthal, Kususa, and FKA Mash hitting the decks. In total, we’ll have seven international and 110 local DJs tearing up five mind-blowing stages.

And when you’re not groovin’? Pop-up parties, workshops, and interactive experiences will keep you entertained and the adventure rolling.

Tickets for Bazique are currently available here at tier 3 pricing of R1895 for the whole weekend (around £82). Vehicle passes, and some glamping options are also available. You can also find out more about the event on the website here: https://www.bazique.co.za/

Want to learn a bit more about Bazique? We caught up with their marketing team to hear more about Bazique’s vibe.

What makes Bazique so special?

Bazique is an unusual hybrid of a Burning Man-style event and a commercial festival. It has many participant-generated art installations and interactive experiences, as well as six stages featuring a wide variety of electronic music.

The festival is presented by a unique, once-a-year collaboration of ten of Cape Town’s best party promoters and spearheaded by one of the originators of the legendary Glade Festival UK, which won Best Dance Music Festival 2008 at the UK Festival Awards.

How has Bazique changed or grown over the years?

Bazique has quadrupled in size since its beginning. The scale and ambition of the site art have increased, but what’s most fun for us is that the Bazique production family has blossomed. We’re a great group of people with a common goal of creating the best art and music festival in South Africa.

How does Bazique support local artists and creatives?

A huge part of Bazique’s raisin d’etre is being a benefactor to Cape Town’s arts scene. That’s whether it involves finding up-and-coming local music producers, developing installations, or creating bursaries with the Cape Town University’s Art Dept and Theatre Dept to create a platform for new talent to emerge.

Also for the first time this year, the esteemed Bridges for Music Academy based in Langa township has got its own stage, shining a spotlight on the music and art bubbling up off the streets of South Africa.

Do you get many international visitors?

Yes! Last year, we had over 400 international party people from 32 countries.

Convinced yet? Gates swing open Friday 7th, at 11 AM, with the music kicking off at 3 PM and continuing till Sunday 9th, at 5 PM. There’s no Sunday camping unless you’re living the glamping life – so plan accordingly. We hope to see you there!

Ultra Europe 2022 Review

July 25, 2022 by Ellie Swain

Ultra Europe 2022 took place across three days (or should I say, nights) from July 8^th to 10^th this year in the idyllic coastal city of Split in Croatia. Split is known for its ancient old town, glimmering blue waters, and buzzy nightlife scene – making it a wonderful destination for Ultra Europe.

I’d heard about the epic Ultra festivals that take place all around the globe and had always been keen to attend one of the events myself. So, I was more than happy to make my debut, especially in Split, one of my favourite cities.

Ultra is renowned for hosting many of the globe’s most recognized and talented DJs, and this summer in Split, there was no exception. Ultra Europe 2022 welcomed the likes of Armin Van Buuren, Alesso, Tiësto, Martin Garrix, and many, many other top-name DJs.

With the music starting at 7 pm each day and powering on until the early hours of the morning at 5 am, I mentally prepared myself for a long, eventful weekend – and I was right to.

Day one Ultra Europe 2022

Ultra Europe was hosted in Park Mladeži football stadium, so there was plenty of space for dancing. We entered the festival around 10 pm, and the crowds were slowly growing. Flitting through the swarms, we could see the excitement plastered across everyone’s faces, ready for a full weekend of EDM music and revelry.

One thing we noticed on day one of Ultra Europe was that there was only one set of toilets – far from ideal for a festival designed for over 140,000 people.

We made a beeline to the end of DJ duo Sofi Tukker’s set at the main stage, and I was soon mesmerized by the bright, flashing colours and thudding beats. The main stage kept us well and truly captivated for the night, with a string of high-energy sets, including from Israeli psytrance duo Vini Vici, Dutch DJ Afrojack, and American EDM producer Marshmello.

Renowned for protecting his identity by wearing a distinct Marshmallow mask (surprise), we bounced around to Marshmello’s famous hits, including his popular collaboration with Brit pop-rock band Bastille’s, ‘Happier’.

Of course, we couldn’t miss a closing set from legendary Dutch DJ Armin Van Buuren. The misty, hypnotic lights and trance tunes kept us moving until the wee hours of the morning – in fact, we wanted more.

Day two Ultra Europe 2022

The late start to the festival meant we could sleep in without missing any music, which was very necessary after leaving the festival grounds at 5 am.

A little slower than the day before, but just as excited, we made our way to Park Mladeži just in time for Oliver Heldens’s set – another talented Dutch DJ.

I hadn’t known much of Oliver Heldens’s music previously, but I was instantly impressed as we snaked our way into the crowds. Oliver Heldens spun an animated, gripping set filled with fun remixes of well-known popular chart songs – the types everyone knows the words to.

Next up was Swedish DJ Alesso, who put on a spectacular show with all the works – flames, fireworks, you name it. Alesso even played ‘Heroes’ – one of my favourite songs of his.

We barely strayed from the main stage for the second night in a row, letting loose to two more performances from French DJ Snake and Australian musician Timmy Trumpet. As you may or may not already know, the latter is famous for DJing with the trumpet live, something I’d never experienced before.

Day three Ultra Europe 2022

After another morning of dancing until sunrise, day three was the biggest struggle yet. But, this was the night I was keenest for, with sets from Above & Beyond, Tiesto, and Martin Garrix.

After a lie-in and another much-needed nap on the beach, we managed to take our sorry bodies to the Ultra Europe grounds for the third day (night?) in a row.

With the entry queues taking significantly longer than the previous two nights, we only managed to get into the venue in time for the end of Above & Beyond’s set. But fortunately, some luck was on our side as the group played one of our favourites – the euphoric ‘Blue Sky Action.’

By the time Tiesto was hitting the decks, the crowds were thick and thriving, but we still managed to wind our way into our usual spot. As expected, it was one of my favourite sets of the weekend.

Tiësto’s well-known hits were teamed with vivid, flashing lights and, of course, plenty of glittering fireworks. We threw our hands up with the rest of the fans, jumping and flinging ourselves around to exhilarating beats, including my personal Tiësto favourite, ‘Wasted.’

The euphoria of the evening continued as Martin Garrix took to the decks spinning hit after hit after hit. We danced and sang along to the likes of ‘Follow’, ‘Scared to be lonely’ along with the rest of the vigorous celebrators. At one point, a circle had formed for a ‘mosh pit’, but it ended up being pretty harmless and innocent.

Riding high from the sets on the main stage, we decided it was time to venture further afield. Feeling the early morning chill (yes, I even get cold during the summer in Croatia), we joined the masses of heaving bodies at the tented Resistance stage to bop around to Italian DJ Marco Carola.

Exhausted yet wanting to make the most of the elusive festival atmosphere, we tiredly attempted to move around to Hardwell’s heavy tunes before making one last early-morning trip home.

While it’s not the best-organized festival I’ve ever been to, Ultra Europe 2022 gifted me incredible memories of dancing to some of the planet’s most famous DJs with old and new friends I’ll never forget. And if you decide to take on Ultra Europe yourself – buckle up because you’re in for a rollercoaster of a ride (don’t worry, it’s a very, very fun rollercoaster).

Check out more of our festival reviews here.

Black Eyed Peas at Rock in Rio Lisbon Review

July 1, 2022June 30, 2022 by Ellie Swain

There was excitement in the air as we flitted through the gates of Rock in Rio Lisbon festival on Sunday, 19th June. The grounds were already heaving with people, and for many, it was their first festival after over two years of cancelled events due to COVID-19.

Rock in Rio Lisbon hosted four jam-packed days of big-name music this June. We attended to see the famed Black Eyed Peas take to the stage, along with Brit singer-songwriter Ellie Goulding, Brazilian singer-songwriter Ivete Sangalo, and Portuguese singer David Carreira.

Other days of the festival saw headliners like rockers Muse, new-wavers Duran Duran, and rapper Post Malone play to the crowds.

On arrival, we were instantly impressed by the festival’s fun, efficient, and easy-to-access layout. While the site was easily navigable, it was the other small additions that stood out to me that really make a festival unique.

We giggled at the people dressed up in Lays packets serving crisps (which I, of course, purchased from later as a late-night snack) and were wowed by the smart and aesthetically pleasing main stage. The huge Ferris wheel made for an Instagram-worthy backdrop for photos, and I’m sure, offered great views of the busy festival below.

While plenty of bars were available to grab a drink, Rock in Rio Lisbon is one of those festivals where staff wander through the crowds selling beer and cider from containers on their backs – very convenient indeed.

Ellie Goulding

After having a little exploration of the site while Ivete Sangalo was belting out her hits, it was soon time to get settled for Ellie Goulding.

For me personally, the anticipation was high. The last time I’d seen Ellie Goulding live was 12 years ago, and it seems we’d both changed a lot. Ellie only had one album out at the time, but by now, she boasted records with superstars like Calvin Harris and Major Lazer.

We were soon entranced and enchanted by Ellie’s hypnotizing, ethereal voice. She sounded just as she did 12 years ago and impressively, as she sounds on the radio, too.

While the ever-glamorous Ellie started with some of her lesser-known songs, by the middle of the set, almost everyone was singing along to hit after hit. We swayed, sang, and bounced around to the likes of ‘Powerful’, ‘Outside’, ‘I need your love’, and ‘Love me like you do.’

The crowd erupted with Ellie’s more energetic club hits, and the atmosphere was electric. The zip-liners zooming above the masses as Ellie sang only added to the vibrant mood. A song I didn’t recognize but scrambled to scribble down was the lighter, catchy ‘Bleach’ that Ellie described as a song to ‘help you forget someone’.

Ellie finished her captivating set with a fan-favourite – the animated, lively ‘Burn’ and we were more than satisfied with her performance.

The Black Eyed Peas

After a brief cider and crisp break (those vendors sure come in handy), we welcomed the headliners to the stage – The Black Eyed Peas. Even before the group bounced onto the stage, I was awash with a strong sense of nostalgia. I could picture myself sitting at school all those years ago, humming along to their then fresh hit ‘Where is the love?’ and I couldn’t wait to hear it in person, albeit sadly without Fergie.

The Black Eyed Peas erupted onto the stage, starting the show with high spirits with the aptly-named ‘Let’s get it started’. I can only describe the set as one massive, energetic party, as we raved and threw our hands up to famous hits like ‘Boom boom pow’, ‘Pump it’, ‘Scream & shout’, and ‘I gotta feeling’.

The Peas’ latest song, ‘Don’t you worry’, featuring Shakira, went down well with the crowds – yet strangely, they decided to play it twice.

But for me, as I’d expected, the highlight of the show was of course, ‘Where is the love?’. As a crowd, we were all encouraged to shine our phone torches which made for a magical collective moment. The mass of people lit up against the darkness as the familiar tune filled the site. It was one of those festival moments where all the emotions hit hard, and yes, I almost cried.

It was a day and night filled with plenty of nostalgia, energy, and boogying – and with that, you can’t really go wrong, can you? Thank you, Rock in Rio Lisbon – I’ll be back.

Have a peek at some more of our festival reviews here.

Pitch Music & Arts, Moyston, Victoria, Australia Review 2019

March 19, 2019March 17, 2019 by Ellie Swain

Located in Moyston, Victoria, Australia and close by to the arresting Grampians mountain ranges, Pitch Music & Arts this year celebrated their third-year showcase of electronic music and artistic visual arts. Running from Friday 8th March until Monday 11th March, the creative extravaganza was one of the last of the festivals held in the Australian state of Victoria of the summer.

Promising an impressive line-up of both international and Australian DJs including the likes of Brit DJ Four Tet, Belgian DJ and producer Charlotte de Witte and Melbourne-based DJ Merve, it’s fair to say we were more than keen to spend a long weekend raving in the Australian countryside to some top artists and producers.

Friday

As we drove – yes, drove into our campsite – our immediate thoughts reflected on how relaxed, straightforward and easy-going the entry process was. A very small, intimate festival, guests were even able to camp next to their car or sleep in a camper-van for ultimate ease.

After applying lashings of colourful glitter, sticking shimmering gemstones to our foreheads and adorning pieces of sparkling clobber, it was time to head to the arena. Pitch Music & Arts pride themselves on their creativity, and it’s certainly fair to say that the outfits of the crowd mirrored that. If you hadn’t thrown together a weird and wonderful ensemble – you were the one standing out.

We headed to the two-storey and partially covered Stage 3, the Boiler Room, to take a retreat from the looming clouds . Pretty simple but genius, the scaffolding construction proved to be an ideal rave enclosure where local Melbourne-based Merve delighted with her techy-tappy beats. Peeking up from the swarms of bopping ravers, a whole host of homemade creative signs could be seen knocking about with their glitter-clad owners.

Then we took a visit to Stage 2 hosted by Resident Advisor, where German dance DJ Perel was churning out the tunes with an old-school spin, including a remix of Nice & Wild’s catchy ‘Diamond Girl’. The disco hits continued on in the Boiler Room as Dutch duo Optimo heightened the crowds with a remix of The Human League’s super-hit ‘Don’t you want me.’ Powering through on the fresh, first night of the weekend, we managed to catch one of the last sets of the evening at the main stage – a closing spectacle from Belgian DJ and producer Charlotte de Witte.

Saturday

Arising from our tents with pounding heads midday on Saturday, we advanced into the arena in a quest to satisfy our grumbling bellies. Impressively, a wide array of food stalls offered everything from super-food healthy smoothies, to vegetarian ‘pulled jack fruit’ poutine to the usual greasy hangover burgers, so we didn’t have to venture too far for some yummy grub.

Stage 3, renamed to Pitch Black, during the day offered a completely different vibe and we frolicked in the sand and sun to DJ Hookway. Everyone had gone all out with their theatrical dress-ups, and as we swung around our bright oriental umbrellas in the desert-like surroundings, it felt as though we could have been attending the renowned Burning Man festival located in the Black Rock Desert in Nevada in the United States.

Next, we ended up following around a manoeuvring float hosted by Melbourne’s famous gay club, Poof Doof. Skipping aside and singing along to Kylie Minogue with the colourfully-clothed drag hosts was a definite highlight of the weekend. Later, when the float became stationary, we rejoiced in dancing atop of hay bales as we watched a scarily accurate Cher impersonator belt out the singer’s catchy hit ‘Turn back time’.

After dark, we returned to the Pitch Black stage, where we remained until the early hours of the morning shuffling along to trancey tunes from the likes of New Yorker Anthony Naples and Cologne-born Tim Engelhardt.

Sunday

Easing ourselves into another day and night of revelry, Sunday afternoon we took the time to explore what else was on offer at Pitch Music & Arts. Drawn to a tent emitting old school 80s hits, we discovered a small rink offering free roller skating and a range of stalls selling eccentric vintage clothing.

It didn’t take too long for us to be pulled back to the stages, however, and we headed over to Stage 1, Pitch One, which we had so far mainly neglected. There, Âme & Dixon had recently started their epic six-hour long set and the crowds had swarmed in.

But Sunday night, it was Stage 2 hosted by Resident Advisor that really impressed and we were treated to electric sets by the likes of DJ Harvey and electronic duo Dusky. Finally, we couldn’t resist another visit to our favourite stage, Pitch Black and we ended our night on a high jigging along to Dutch duo 16 Bit Lolitas.

Monday

Although we were feeling a tad dusty from the weekend’s escapades, we headed over to Stage 1, Pitch one, fairly early on Monday afternoon to catch the last sets of the party. With the music finishing at seven pm and only Stage 1 being open, the atmosphere was pretty special with the last ravers of festival making the most of the scarce time left. What followed were some of the best sets of the festival and we raved unrestrainedly to Brit DJ Four Tet who impressed with a range of tingly tunes and earth-vibrating thumpy beats.

Our wild weekend came to conclude with a euphoric finale set from Scottish DJ Denis Sulta, where we thrived to catchy remixes including the likes of Masters at work’s ‘Work’ and Empire of the sun’s ‘Walking on a dream’.

Thank you Pitch Music & Arts – see you next year for a weekend of wonderfully creative chaos.

Pitch Music & Arts in Moyston, Victoria, Australia – last remaining tickets available

March 7, 2019 by Ellie Swain

Pitch Music & Arts 2019
Friday 8th March – Monday 12th March

Situated close by to the strikingly beautiful Grampians mountain range in Moyston, Victoria, Australia, Pitch Music & Arts returns this Friday 8th March until Tuesday 12th March with a perennial weekend of elevated electronic music and visual arts. For four days this satellite community flows through an incompressible setting; swift-footed, well blended and sensually engaged.

Following the recent announcements that Pitch Music & Arts will host techno tastemaker Daniel Avery, the live electronica of David August, and the USA’s fastest rising techno star Avalon Emerson here we show the full international lineup (plus a handful of local artists)..

View the full lineup, below:

16 Bit Lolitas (NED)
30/70 (Live) (AUS)
Âme b2b Dixon (6-hour set) (GER)
Andrés (USA)
Anthony Naples (USA)
Avalon Emerson (USA)
Baba Stiltz (SWE)
Banoffee (Live) (AUS)
Charlotte de Witte (BEL)
Courtesy (DEN)
Daniel Avery (UK)
Dasha Rush (GER)
David August (Live) (GER)
Denis Sulta (UK)
DJ Harvey (USA)
Dr. Rubinstein (GER)
Dusky (UK)
Eclair Fifi (UK)
Four Tet (UK)
Horse Meat Disco (UK)
Job Jobse (NED)
Made In Paris (AUS)
Mall Grab (AUS)
Marc Holstege (NL)
Marvin & Guy (ITA)
Merve (AUS)
Michael Mayer (GER)
Milan Ring (Live) (AUS)
Monolink (Live) (GER)
Oliver Huntemann (GER)
Oliver Schories (GER)
Optimo (UK)
Palms Trax (UK)
Perc (UK)
Perel (Hybrid live) (GER)
Recondite (Live) (GER)
Retiree (Live) (AUS)
Roman Flügel (GER)
Ross From Friends (Live) (UK)
Sven Väth (GER)
Tim Engelhardt (Live) (GER)
tINI (GER)
Toni Yotzi (AUS)
Total Giovanni (Live) (AUS)
Tourist (Live) (UK)

Tickets

Select tickets can be purchased from the official website below:
www.pitchfestival.com.au

Community Festival 2018 review

June 10, 2020July 3, 2018 by Ellie Swain

With a stickiness lingering in the hot air, we could have easily been heading to a music festival in a bustling city in Southern Europe. But, no, it may have been 30 degrees and sweltering, but instead, we were making our way to North London’s Finsbury Park, home for the day to Community Festival.

Celebrating the best of British guitar bands and new music, my companion and I were both excited and curious about the day ahead. For me, a UK summer festival exclusive from indie gang Two Door Cinema Club and sets from The Vaccines and pop rockers You Me At Six were the main draw, as they were each a band I fondly remembered listening to rather frequently in my late teens.

As we slunk our way through the gates it soon became evident that the bands still attracted a similar clientele: the crowds were young and excitable, though seemingly harmless and friendly.

After sipping a cider or two under the rays, it was time to head over to the main stage to catch the first on my hit list: You Me At Six. I instantly became awash with nostalgia, as the familiar punky vocals flooded the arena, provoking lots of movement within the crowds. The boys treated us to a selection of newer and older hits, the obvious favourites of mine being ‘Underdog’, ‘Loverboy’ and ‘No one does it better’ from their first couple of albums.

‘We are young, we aren’t dead, we are reckless’ stated Josh Franceschi, the band’s jubilant frontman, before leading into their hit ‘Reckless’.

A scrumptious portion of Pomodoro pasta from one of the many varied food stalls fought off those hunger pangs and made for the perfect set break. And, before we knew it, we were soon bouncing around to The Vaccines’ indie belters, a mix of catchy hits including the likes of ‘Post-breakup sex’, ‘No hope’, ‘I always knew’ and ‘If you wanna’. With the crowds swarming with energy, the balmy summer atmosphere paired with well-received tunes made it seemingly impossible not to let loose and revel in all the day’s glory.

It was time for the concluding set: our Northern Irish boys, Two Door Cinema Club. Donning eclectic outfits including the likes of a studded denim jacket, a bright red shirt and a trilby hat, the team’s combined fashion choices immediately set them off with an intriguing stage presence. Settling somewhere mid-way in the crowds, we were impressed with how spacious it was; we could actually watch the headline act at a festival and breathe comfortably at the same time.

The feel-good, tinkling indie tunes proved to be the ideal material to finish off a sublime day of music in the sun, including a string of fan-favourites such as ‘Undercover Martyn’, ‘What you know’, ‘Come back home’ and ‘Something good can work’. It was heart-warming to notice that intimate groups of dancing friends had formed, stretching back as far as the eye could see.

‘I’ve never been to a festival where everyone looks so happy, where everyone is dancing so much’ my friend’s voice muffled in my ear, whilst I tossed my arms up into the sky. It seems that summer Sundays really don’t get much better than this.

Razorlight at Kew the Music 2017

April 17, 2019July 26, 2017 by Ellie Swain

A week long summer series of picnic concerts spanning from 11-16th July, Kew the Music is set within the picturesque grounds of the Royal Botanic Gardens in Kew, in the suburban district of Richmond, London. A UNESCO World Heritage site offering stunning landscapes, unique plants and impressive architecture, it’s difficult to imagine a dreamier atmosphere to soak up the sun, enjoy a picnic and listen to some fantastic live music.

This year’s star-studded line-up included talent such as ballad-queen Mary J Blige, pop girl band All Saints and indie rockers Razorlight. Off to see the latter on 12th July, I was very keen to lend my ear to a band I had loved so much back in my late teens.

As I bounded through the gates and into the greenery with my companion, it’s fair to say we were feeling pretty warm underneath the early evening sun. We were extremely lucky with the weather; it had been pouring buckets for Brit Singer-Songwriter Passenger’s performance the previous evening.

Being able to bring in as much food and alcohol to a concert (especially one in London) was a novelty for me, and one I appreciated very much! It was quite a laid-back affair, so we didn’t go all out with the boozing but it was a definite time and money-saver (it’s always annoying having to queue for another drink at the bar between sets). It also made us feel that little bit more appreciative towards the organisers.

Settling down with a good spot in front of the stage, we embraced the relaxed atmosphere and stunning verdant scenery. We were just in time for the start of ‘The Bluetones’ set which made for ideal background music as we munched on our picnic snacks and sipped from our cardboard cups of Prosecco in the early evening. There were, however, quite a few already rocking at the front as the opening song, the joyous ‘Slight return’, was played – my personal favourite of their set.

After a break and more time to chit-chat and fill up on Prosecco, it was time for Razorlight’s much-awaited headline show. The boys burst onto the stage with their hit single ‘In the morning’ from their second self-titled album ‘Razorlight’, a tune I’m sure we can all relate to at times! As it was still daylight, the atmosphere was relatively calm, with many enjoying the set from their picnic spots on the grass. Up next we enjoyed ‘Stumble and fall’, followed by ‘Keep the right profile’. With the mass of crowds at the front growing with each song, crowd-pleaser ‘Golden touch’ definitely brought even more fans swarming forward.

It wasn’t until a familiar favourite was played until my ears pricked up again – ‘I Can’t Stop This Feeling I’ve Got’ which had the now sizeable crowd chanting along in time. Up next, was the more morose ‘Wire to wire’; another song I’m fond of, from their last album ‘Slipway Fires’. It’s fair to say front-man Johnny Borrell’s voice shone in that one!

Picking up the tempo again, we were treated to 2006 single ‘Before I fall to pieces’, prompting lots of singing along to the recognisable chorus. As darkness fell upon us, the edgier the tunes got, encouraging more vigorous dancing (or shall I say, jumping up and down), singing and overall, a lot more energy. A string of bouncy hits heightened the atmosphere, including ‘Rock ‘n’ Roll Lies’, ‘Don’t Go Back to Dalston’, ‘Who Needs Love?’ and ‘LA Waltz’.

I have to say, the energy in the crowds had really picked up and by the time the encore was starting, the masses were begging for more music. Concluding with the eagerly-anticipated number one single ‘America’ (my friend and I had been waiting for it throughout the whole set!), the show finished on an exhilarating high with plenty of liveliness, singing and dancing.

I had never been to a concert that had started off so relaxed and chilled, but then proceeded to finish with so much energy and character. I do feel that is what’s so special about Kew the Music and its stunning location – you can enjoy the best of both worlds at a concert there. Razorlight delivered a fantastic set that drew in my nostalgia and I eagerly look forward to returning to Kew the Music next year for another fantastic summer evening.

The Jacksons at Greenwich Music Time 2017

April 17, 2019July 13, 2017 by Ellie Swain

Spanning from June 30th – July 7th, Greenwich Music Time is an outdoor festival hosting a series of concerts and boasting impressive backdrops of the historic Old Royal Naval College and the River Thames in London. Topping the bill this year included big names such as Little Mix, Cliff Richard and The Jacksons. Lucky for me, I was heading off to see the latter on 6th July and I could hardly believe I would be catching a show from perhaps the most recognizable family in music history, and in such a spectacular setting too. Consisting of the original members Jermaine Jackson, Tito Jackson, Jackie Jackson and Marlon Jackson, it was certain to be a spell-binding show packed full of their mega-hits.

As I bounded through the gates with my companion at the Old Royal Naval College, we were both instantly impressed. A world heritage site, the venue was absolutely stunning and on a warm July evening, a golden sunset was making the atmosphere all that more beautiful. The four brothers made a mighty entrance with their chart-topping disco hit ‘Can you feel it’ followed with ‘Blame it on the boogie’, prompting the adoring audience to get jigging along. A clear tribute to Michael’s hanging absence, we were treated to his own solo fan-favourite hit ‘Rock with you’ before the group’s aptly-named ‘Enjoy yourself’.

A touching video montage including clips from The Jackson’s childhood proved to be a lovely inclusion before one of my favourites was played ‘I want you back’, encouraging the masses to sing along. A string of upbeat mega-hits followed, including the likes of ‘ABC’, ‘Dancing Machine’ and then my personal favourite of them all, ‘I’ll be there’. This time the crowds waved their arms as they sang along, making it a moving performance from the boys.

The emotions continued running, with a touching tribute to Michael with a cover of his own song, ‘Gone too soon’, paired with heartwarming images and clips of Michael on the big screens.

The remainder of the performance thrilled with more upbeat disco hits such as Michael’s ‘Wanna be startin’ somethin’’, and finalising with The Jackson’s ‘Shake Your Body (Down to the Ground)’ and ‘State of shock’. Combined with plenty of impressive dance moves (yes, moonwalking included!), the classic Michael ‘hee-hee’ notes and a tonne of energy, The Jacksons sure showed that they most definitely still had it.

James Morrison at Hampton Court Palace Festival 2017

November 8, 2018June 14, 2017 by Ellie Swain

As music venues go, the royal Hampton Court Palace, situated snug in the borough of Richmond, Greater London is arguably as impressive as it gets. Celebrating its 25^th anniversary, the Hampton Court Palace Festival, which takes place annually every June, once again confirmed world-class acts including Bryan Ferry, James Morrison, Jools Holland, Rick Astley, Björn Again and The Royal Philharmonic Concert Orchestra for their outdoor summer concerts.

It was a grey and slightly rainy summer’s day and I was off to see singer-songwriter and 2007 Brit Award winner James Morrison on Thursday 8^th June take centre stage in Henry VIII’s historic open air Base Court, one of the stunning Tudor Courtyards of the palace. As an avid listener of his chart-topping album ‘Songs for You, Truths for Me’ back in 2008, a nostalgic trip down memory lane was very much appealing, and I was also keen to lend my ear to some later tracks I wasn’t as familiar with.

With ample time before the 9 pm start, there was plenty of time to enjoy a glass of red and admire the East Front Gardens. And my, what a picture they were. Perfectly preened lawns and distinctively shaped trees shaped the area, and despite the lacklustre weather plenty of people had made an impressive effort with their picnics spread out on the grass. For those that were less organised (myself included!), there were plenty of delicious food stalls selling a variety of different dishes. It really was an absolutely stunning setting to unwind in before a show and I felt relaxed and content sipping my wine in such beautiful surroundings.

It was soon time for James to take to the stage, and we made our way through the palace to Base Court, completely in awe at our surroundings. Bursting onto the stage, an introduction with the 2009 single ‘Nothing ever hurt like you’, elevated the crowds, some even rising to dance already. After a bit of light-hearted chit-chat to the 3,000 strong audience, up next it was the slower, mid-tempo ballad ‘I won’t let you go’ from 2011 album ‘The Awakening’, the slower rhythm inviting arm swaying from the audience.

‘Stay like this’ from the more recent 2015 album ‘Higher than here’ brought on swooning and wolf whistles, after which James’s sweetly explained it was written with his girlfriend in mind, followed by smooth and velvety vocals of ‘Something right’ from the same album.

Crowd-pleasing 2006 hit single ‘Wonderful world’ had the audience up on their feet, many singing along and turning to the catchy chorus. Interestingly (and as James hilariously pointed out – quite ironically) we learnt that the song was actually penned for a deaf man – though this wasn’t expanded on. Taking advantage of everyone up on their feet, hip-swayer ‘Slave to the music’ was next on the playlist, with everyone jigging along.

My personal favourite ‘Broken Strings’, an original duet with Canadian singer-songwriter Nelly Furtado seemingly had everyone feeling emotional and singing along, and paired with stunning female vocals it was my personal highlight of the show.

As the performance slowly started to draw to a close, we were treated to the likes of ‘I need you tonight’ from ‘Higher than here’, and of course it wouldn’t be a James Morrison show without the unforgettable 2006 hit single ‘You give me something’ – a classic that everyone knew the words too.

The spectacular setting, matched with a delightful performance from James Morrison made the evening a truly memorable experience and a wonderful way to spend a summer evening, even despite the rain! The Hampton Court Palace Festival showcases outstanding acts year after year, so I eagerly look forward to checking out next year’s line-up.